Digital culture
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Taking account of new developments such as Facebook and the iPhone, Charlie Gere charts in detail the history of digital culture, as marked by responses to digital technology in art, music, design, film, literature and other areas. After tracing the historical development of digital culture, Gere argues that it is actually neither radically new nor technologically driven:(...)
Digital culture
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Taking account of new developments such as Facebook and the iPhone, Charlie Gere charts in detail the history of digital culture, as marked by responses to digital technology in art, music, design, film, literature and other areas. After tracing the historical development of digital culture, Gere argues that it is actually neither radically new nor technologically driven: digital culture has its roots in the eighteenth century and the digital mediascape we swim in today was originally inspired by informational needs arising from industrial capitalism, contemporary warfare and counter-cultural experimentation, among other social changes.
Architecture numérique
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Attention, selection and adaptation are the processes Michel Rojkind proposes in this spirited manifesto as key elements of his approach, addressing the architectural solutions to current problems in an increasingly complex and dynamic context. Alongside multifocal analysis from Alejandro Hernández Gálvez and conversations with Bjarke Ingels, Paul Nakazawa and Alejandro(...)
Rojkind Arquitectos: Overstimulation
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Attention, selection and adaptation are the processes Michel Rojkind proposes in this spirited manifesto as key elements of his approach, addressing the architectural solutions to current problems in an increasingly complex and dynamic context. Alongside multifocal analysis from Alejandro Hernández Gálvez and conversations with Bjarke Ingels, Paul Nakazawa and Alejandro Aravena, Rojkind links concepts, experiences and opinions with intuition and sensitivity. His twisting, performative parametric forms take on new substance as Rojkind concludes that the best architects are not simply builders their attentive and focused reading of contemporary society is crucial to their craft.
Architecture, monographies
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Architects Sabine Müller and Andreas Quednau of SMAQ approach design through the use of narrative, telling stories about their projects’ contexts in order to accommodate the diverse and conflicting scales of contemporary urbanity. This monograph presents a selection of SMAQ’s projects in a way that brings this narrative quality to the fore. Interweaving short stories,(...)
SMAQ: Giraffes, telegraphs and Hero of Alexandria. Urban design by narration
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Architects Sabine Müller and Andreas Quednau of SMAQ approach design through the use of narrative, telling stories about their projects’ contexts in order to accommodate the diverse and conflicting scales of contemporary urbanity. This monograph presents a selection of SMAQ’s projects in a way that brings this narrative quality to the fore. Interweaving short stories, project drawings, and photographs shed light on how design solutions gradually evolved out of the process, while three linked essays explain the guiding principles behind the firm’s work, intriguingly named "Giraffe," "Telegraph," and "Hero of Alexandria."
Architecture, monographies
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Visible | Invisible presents the work of Boston-based landscape architecture firm Reed Hilderbrand. Led by founding principals Douglas Reed and Gary Hilderbrand, the firm is widely recognized for rigorously conceived and carefully executed projects that merge the particular native qualities of a site with recognizably contemporary design expression. Their work embodies a(...)
novembre 2012
Visible / invisible: landscape works of Reed Hilderbrand
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Visible | Invisible presents the work of Boston-based landscape architecture firm Reed Hilderbrand. Led by founding principals Douglas Reed and Gary Hilderbrand, the firm is widely recognized for rigorously conceived and carefully executed projects that merge the particular native qualities of a site with recognizably contemporary design expression. Their work embodies a deep embrace of modernism, a devotion to intellectual traditions in their field and a rich engagement of horticulture and ecological systems.
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Amsterdam-based landscape architect Michael van Gessel has been working with, rather than against, nature for the past three decades. He expresses his ethos by quoting the English author and landscape architect Joseph Spence: "Respect for the past, combined with a curiosity for what is and a feeling for what could be. This is the dynamo that starts the engine of the(...)
septembre 2008, Rotterdam
Michael Van Gessel: Landscape Architect: Invisible work
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Amsterdam-based landscape architect Michael van Gessel has been working with, rather than against, nature for the past three decades. He expresses his ethos by quoting the English author and landscape architect Joseph Spence: "Respect for the past, combined with a curiosity for what is and a feeling for what could be. This is the dynamo that starts the engine of the design." Accordingly, van Gessel embraces a diversity of projects, from private gardens to urban planning. He supervised the renovation of Amsterdam's Vondel Park, drew up the master plan to restore the landscaping around Utretch's Castle De Haar and managed to integrate the inner courtyards of the Ministry of Agriculture in The Hague into the urban fabric. This comprehensive volume places van Gessel's myriad approaches into context and illuminates his pivotal role in the formation of contemporary Dutch landscape architecture.
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In the summer of 1970, the artist Les Levine arrived at the University of Toronto to take part in the installation of site-specific work on the quadrangle in front of the University's Hart House. The intended piece—construction materials hung from high-tension rope between campus buildings—was quickly stymied as Levine encountered a series of bureaucratic impediments on(...)
février 2016
Red tape, a new work by Les Levine, 1970
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In the summer of 1970, the artist Les Levine arrived at the University of Toronto to take part in the installation of site-specific work on the quadrangle in front of the University's Hart House. The intended piece—construction materials hung from high-tension rope between campus buildings—was quickly stymied as Levine encountered a series of bureaucratic impediments on the part of the University staff. What ensued was played into the conceptual conceit the artist had envisioned for the project. By collating the correspondence, telephone transcripts, and visual documentation of the eventual installation process, Levine used the work to demonstrate how the university itself functioned as a system. Red Tape publishes this project, which had existed only as a dossier in the artist's archive, for the first time.
WindowScape 2
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In this second volume, Atelier Bow-Wow shifts from studying the behavioural characteristics of the window typology to investigating their origins, history, and relationships. How humans experience encounters with each other and the spaces inside and outside buildings is key to deciphering how combinations of context and environmental factors lead to various functions and(...)
WindowScape 2
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In this second volume, Atelier Bow-Wow shifts from studying the behavioural characteristics of the window typology to investigating their origins, history, and relationships. How humans experience encounters with each other and the spaces inside and outside buildings is key to deciphering how combinations of context and environmental factors lead to various functions and typologies in different regions. From Belgium, France, Germany, and Spain, to Vietnam, Hong Kong, China, and Japan, the quest spans a variety of buildings and streetscapes, encompassing both the contemporary and historic. The result is a remarkable collection of photographs and analyses.
Architecture, monographies
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This publication from acclaimed architect and critic Mohsen Mostafavi traces a theoretical and visual narrative through architecture's relationship with the colour black. Bringing together a rich inventory of images, it illuminates this connection by considering parallel developments in global art practices with references ranging from Japanese screens to Rothko, Adolf(...)
The color black: Antinomies of a color in architecture and art
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This publication from acclaimed architect and critic Mohsen Mostafavi traces a theoretical and visual narrative through architecture's relationship with the colour black. Bringing together a rich inventory of images, it illuminates this connection by considering parallel developments in global art practices with references ranging from Japanese screens to Rothko, Adolf Loos to Norman Foster, Hans Holbein to Derek Jarman. Alongside these renowned touchpoints, Mostafavi draws on a little-known and highly distinctive text by the Marxist German art historian Max Raphael, based on a collection of historic paintings in the Metropolitan Museum of Art, New York. Contemporaneous with the evolution of black paintings by New York's Abstract Expressionists, Raphael's essay offers a drastically contrasting approach to the same multivalent subject. The book is completed by Rapahel's luminous essay, published in its entirety for the first time in an English translation by Pamela Johnston, as well as conversations with Swiss architect Peter Märkli, whose work with the colour black is informed by Raphael's writings, and Theaster Gates. By juxtaposing the present with the recent and distant past, this book provides a many-layered reading of the colour black ? and of colour more widely ? in relation to contemporary architectural thinking and practice.
Théorie de la photographie
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In celebration of its ninetieth anniversary, the McCord Museum presents a dynamic collection of ninety of its most treasured pieces.The exhibit, produced by scenographer Daniel Castonguay, features fascinating objects in a dynamic and contemporary display that showcases Montreal's diverse peoples and their extraordinary histories.
90 treasures, 90 stories, 90 years
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In celebration of its ninetieth anniversary, the McCord Museum presents a dynamic collection of ninety of its most treasured pieces.The exhibit, produced by scenographer Daniel Castonguay, features fascinating objects in a dynamic and contemporary display that showcases Montreal's diverse peoples and their extraordinary histories.
Architecture de Montréal
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Like the flute melody from ''Hinterland Who's Who,'' the 1970s haunt Canadian cultural memory. Though the decade often feels lost to history, ''Hinterland Remixed'' focuses on boldly innovative works as well as popular film, television, and music to show that Canada never fully left the 1970s behind. Andrew Burke reveals how contemporary artists and filmmakers have(...)
Hinterland remixed: media, memory and the Canadian 1970s
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Like the flute melody from ''Hinterland Who's Who,'' the 1970s haunt Canadian cultural memory. Though the decade often feels lost to history, ''Hinterland Remixed'' focuses on boldly innovative works as well as popular film, television, and music to show that Canada never fully left the 1970s behind. Andrew Burke reveals how contemporary artists and filmmakers have revisited the era's cinematic and televisual residues to uncover what has been lost over the years. Investigating how the traces of an analogue past circulate in a digital age, Burke digs through the remnants of 1970s Canadiana and examines key audiovisual works from this overlooked decade, uncovering the period's aspirations, desires, fears, and anxieties. He then looks to contemporary projects that remix, remediate, and reanimate the period. Exploring an idiosyncratic selection of works, this book asks key questions about nation, nostalgia, media, and memory.
Architecture du Canada