13682 Résultats
Classification:
livres
livres
Actions:
Exemplaires:
Description:
352 pages : illustrations (some color) ; 30 cm.
Description:
352 pages : illustrations (some color) ; 30 cm.
Auteur:
Sujet:
Publication:
Roma : Gangemi, [1994]
Roma : Gangemi, [1994]
Titre:
Città giardino : cento anni di teorie, modelli, esperienze / a cura di Gabriele Tagliaventi = Garden city : a century of theories, models, experiences / edited by Gabriele Tagliaventi.
Actions:
Exemplaires:
Description:
352 pages : illustrations (some color) ; 30 cm.
Città giardino : cento anni di teorie, modelli, esperienze / a cura di Gabriele Tagliaventi = Garden city : a century of theories, models, experiences / edited by Gabriele Tagliaventi.
Actions:
Exemplaires:
Description:
352 pages : illustrations (some color) ; 30 cm.
Classification:
livres
livres
Publication:
Roma : Gangemi, [1994]
Roma : Gangemi, [1994]
Auteur:
Sujet:
Classification:
livres
livres
Actions:
Exemplaires:
Description:
207 pages : illustrations (chiefly color), map, portraits ; 32 cm
Description:
207 pages : illustrations (chiefly color), map, portraits ; 32 cm
Auteur:
Sujet:
Publication:
Cambridge, MA : The MIT Press, [2019], ©2019
Cambridge, MA : The MIT Press, [2019], ©2019
Titre:
Being material / edited by Marie-Pier Boucher, Stefan Helmreich, Leila W. Kinney, Skylar Tibbits, Rebecca Uchill, and Evan Ziporyn.
Actions:
Exemplaires:
Description:
207 pages : illustrations (chiefly color), map, portraits ; 32 cm
Being material / edited by Marie-Pier Boucher, Stefan Helmreich, Leila W. Kinney, Skylar Tibbits, Rebecca Uchill, and Evan Ziporyn.
Actions:
Exemplaires:
Description:
207 pages : illustrations (chiefly color), map, portraits ; 32 cm
Classification:
livres
livres
Publication:
Cambridge, MA : The MIT Press, [2019], ©2019
Cambridge, MA : The MIT Press, [2019], ©2019
Auteur:
Sujet:
Classification:
livres
livres
Titre:
The Paul Virilio reader
The Paul Virilio reader
Actions:
Prix:
$31.95
(disponible sur commande)
Résumé:
If nothing else, the war in Iraq and the 1991 Gulf War have taught us much about media and technology as key players in how war is waged, packaged for public consumption, and exported in real time to the rest of the globe. A critic of the art of technology, Paul Virilio has keenly observed that media images quite often constitute a strategy of war and that accident is(...)
$31.95
(disponible sur commande)
Résumé:
If nothing else, the war in Iraq and the 1991 Gulf War have taught us much about media and technology as key players in how war is waged, packaged for public consumption, and exported in real time to the rest of the globe. A critic of the art of technology, Paul Virilio has keenly observed that media images quite often constitute a strategy of war and that accident is(...)
Titre:
The Paul Virilio reader
Actions:
Prix:
$31.95
(disponible sur commande)
Résumé:
If nothing else, the war in Iraq and the 1991 Gulf War have taught us much about media and technology as key players in how war is waged, packaged for public consumption, and exported in real time to the rest of the globe. A critic of the art of technology, Paul Virilio has keenly observed that media images quite often constitute a strategy of war and that accident is becoming indistinguishable from attack. For more than fifty years Virilio has offered incisive and provocative criticism on technology and its moral, political, and cultural implications. Yet until now, much of his work, originally published in French, remains elusive in full English translation. "The Paul Virilio Reader" collects for the first time English extracts reflecting the entire range of Virilio’s diverse career. The book’s introduction demonstrates that Virilio has produced an important—if controversial—“theory at the speed of light” that uncannily illuminates the impact of new information and communications technologies in a world that collapses time and distance as never before. The inventor of “dromology,” which views speed as a defining concept for contemporary civilization, Virilio is noted for his proclamation that the logic of ever-increasing acceleration lies at the heart of the organization and transformation of the contemporary world. Arranged chronologically, "The Paul Virilio Reader" illustrates the development and interconnectedness of Virilio’s work. Each extract is prefaced by bibliographical and contextual commentary, and the book includes an innovative guide to reading Virilio.
The Paul Virilio reader
Actions:
Prix:
$31.95
(disponible sur commande)
Résumé:
If nothing else, the war in Iraq and the 1991 Gulf War have taught us much about media and technology as key players in how war is waged, packaged for public consumption, and exported in real time to the rest of the globe. A critic of the art of technology, Paul Virilio has keenly observed that media images quite often constitute a strategy of war and that accident is becoming indistinguishable from attack. For more than fifty years Virilio has offered incisive and provocative criticism on technology and its moral, political, and cultural implications. Yet until now, much of his work, originally published in French, remains elusive in full English translation. "The Paul Virilio Reader" collects for the first time English extracts reflecting the entire range of Virilio’s diverse career. The book’s introduction demonstrates that Virilio has produced an important—if controversial—“theory at the speed of light” that uncannily illuminates the impact of new information and communications technologies in a world that collapses time and distance as never before. The inventor of “dromology,” which views speed as a defining concept for contemporary civilization, Virilio is noted for his proclamation that the logic of ever-increasing acceleration lies at the heart of the organization and transformation of the contemporary world. Arranged chronologically, "The Paul Virilio Reader" illustrates the development and interconnectedness of Virilio’s work. Each extract is prefaced by bibliographical and contextual commentary, and the book includes an innovative guide to reading Virilio.
Classification:
livres
livres
Publication:
janvier 1900, New York
janvier 1900, New York
Sujet:
Théorie de l’architecture
Théorie de l’architecture
Classification:
livres
livres
![[Re] reading Perspecta : the first 50 years of the Yale Architectural Journal](/img-bookstore/U2zEypAg4vNoqdQ07aKvxPIdXbM=/700x919/MIG-13694.jpg)
Actions:
Prix:
$93.95
(disponible sur commande)
Résumé:
"Perspecta", the oldest and most respected student-edited architectural journal in the United States, marks its fiftieth anniversary with this selection of influential and provocative pieces published in its pages from the 1950s through the 1990s. The essays and portfolios in "[Re]Reading Perspecta" trace the development of architectural culture and discourse over the(...)
$93.95
(disponible sur commande)
Résumé:
"Perspecta", the oldest and most respected student-edited architectural journal in the United States, marks its fiftieth anniversary with this selection of influential and provocative pieces published in its pages from the 1950s through the 1990s. The essays and portfolios in "[Re]Reading Perspecta" trace the development of architectural culture and discourse over the(...)
Sujet:
Théorie de l’architecture
Théorie de l’architecture
Publication:
mai 2004, Cambridge, Massachusetts
mai 2004, Cambridge, Massachusetts
Titre:
[Re] reading Perspecta : the first 50 years of the Yale Architectural Journal
Actions:
Prix:
$93.95
(disponible sur commande)
Résumé:
"Perspecta", the oldest and most respected student-edited architectural journal in the United States, marks its fiftieth anniversary with this selection of influential and provocative pieces published in its pages from the 1950s through the 1990s. The essays and portfolios in "[Re]Reading Perspecta" trace the development of architectural culture and discourse over the past fifty years and bear witness to the influential role played by "Perspecta" in a time of crucial debate about the function and future of architecture. This collection (with over 800 pages and 900 images) presents engaging and stimulating essays published in "Perspecta", written by such well-known historians, theorists, and architects as Vincent Scully, Colin Rowe, Roland Barthes, Karsten Harries, K. Michael Hays, Allan Greenberg, Sibyl Moholy-Nagy, John Hejduk, Francesco Dal Co, Bernard Tschumi, and Mark Wigley. "[Re]Reading Perspecta" also assembles the best examples of the richly-illustrated portfolios of projects published over the years, including work by Paul Rudolph, Louis Kahn, Robert Venturi, Eero Saarinen, Charles Moore, Philip Johnson, Peter Eisenman, John Hejduk, Steven Holl, Thomas Leeser, Hani Rashid, and others. The editors introduce each section with essays that offer historical context and critical commentary. "[Re]Reading Perspecta" also includes essays by Kenneth Frampton, K. Michael Hays, Joan Ockman, and Sandy Isenstadt on the history of "Perspecta" and its role in architectural discourse. This selection of the best of "Perspecta" covers a broad and lively spectrum of American architectural design, history, theory, and criticism.
[Re] reading Perspecta : the first 50 years of the Yale Architectural Journal
Actions:
Prix:
$93.95
(disponible sur commande)
Résumé:
"Perspecta", the oldest and most respected student-edited architectural journal in the United States, marks its fiftieth anniversary with this selection of influential and provocative pieces published in its pages from the 1950s through the 1990s. The essays and portfolios in "[Re]Reading Perspecta" trace the development of architectural culture and discourse over the past fifty years and bear witness to the influential role played by "Perspecta" in a time of crucial debate about the function and future of architecture. This collection (with over 800 pages and 900 images) presents engaging and stimulating essays published in "Perspecta", written by such well-known historians, theorists, and architects as Vincent Scully, Colin Rowe, Roland Barthes, Karsten Harries, K. Michael Hays, Allan Greenberg, Sibyl Moholy-Nagy, John Hejduk, Francesco Dal Co, Bernard Tschumi, and Mark Wigley. "[Re]Reading Perspecta" also assembles the best examples of the richly-illustrated portfolios of projects published over the years, including work by Paul Rudolph, Louis Kahn, Robert Venturi, Eero Saarinen, Charles Moore, Philip Johnson, Peter Eisenman, John Hejduk, Steven Holl, Thomas Leeser, Hani Rashid, and others. The editors introduce each section with essays that offer historical context and critical commentary. "[Re]Reading Perspecta" also includes essays by Kenneth Frampton, K. Michael Hays, Joan Ockman, and Sandy Isenstadt on the history of "Perspecta" and its role in architectural discourse. This selection of the best of "Perspecta" covers a broad and lively spectrum of American architectural design, history, theory, and criticism.
Classification:
livres
livres
Publication:
mai 2004, Cambridge, Massachusetts
mai 2004, Cambridge, Massachusetts
Sujet:
Théorie de l’architecture
Théorie de l’architecture
Classification:
livres
livres
Actions:
Prix:
$33.95
(disponible sur commande)
Résumé:
Poets often have responded vitally to the art of their time, and ever since Susan Stewart began writing about art in the early 1980s, her work has resonated with practicing artists, curators, art historians, and art critics. Rooted in a broad and learned range of references, Stewart's fresh and independent essays bridge the fields of literature, aesthetics, and(...)
$33.95
(disponible sur commande)
Résumé:
Poets often have responded vitally to the art of their time, and ever since Susan Stewart began writing about art in the early 1980s, her work has resonated with practicing artists, curators, art historians, and art critics. Rooted in a broad and learned range of references, Stewart's fresh and independent essays bridge the fields of literature, aesthetics, and(...)
Titre:
The open studio : Essays on art and aesthetics
Actions:
Prix:
$33.95
(disponible sur commande)
Résumé:
Poets often have responded vitally to the art of their time, and ever since Susan Stewart began writing about art in the early 1980s, her work has resonated with practicing artists, curators, art historians, and art critics. Rooted in a broad and learned range of references, Stewart's fresh and independent essays bridge the fields of literature, aesthetics, and contemporary art. Gathering most of Stewart's writing on contemporary art—long and short pieces first published in small magazines, museum and gallery publications, and edited collections—The Open Studio illuminates work ranging from the installation art of Ann Hamilton to the sculptures and watercolors of Thomas Schütte, the prints and animations of William Kentridge to the films of Tacita Dean. Stewart's essays are often the record of studio conversations with living artists and curators, and of the afterlife of those experiences in the solitude of her own study. Considering a wide variety of art forms, Stewart finds pathbreaking ways to explore them. Whether she is following central traditions of painting, drawing, sculpture, film, photography, and printmaking or exploring the less well-known realms of portrait miniatures, collecting practices, doll-making, music boxes, and gardening, Stewart speaks to the creative process in general and to the relation between art and ethics. The Open Studio will be read eagerly by scholars of art, poetry, and visual theory; by historians interested in the links between contemporary and classic literature and art; and by teachers, students, and practitioners of the visual arts.
The open studio : Essays on art and aesthetics
Actions:
Prix:
$33.95
(disponible sur commande)
Résumé:
Poets often have responded vitally to the art of their time, and ever since Susan Stewart began writing about art in the early 1980s, her work has resonated with practicing artists, curators, art historians, and art critics. Rooted in a broad and learned range of references, Stewart's fresh and independent essays bridge the fields of literature, aesthetics, and contemporary art. Gathering most of Stewart's writing on contemporary art—long and short pieces first published in small magazines, museum and gallery publications, and edited collections—The Open Studio illuminates work ranging from the installation art of Ann Hamilton to the sculptures and watercolors of Thomas Schütte, the prints and animations of William Kentridge to the films of Tacita Dean. Stewart's essays are often the record of studio conversations with living artists and curators, and of the afterlife of those experiences in the solitude of her own study. Considering a wide variety of art forms, Stewart finds pathbreaking ways to explore them. Whether she is following central traditions of painting, drawing, sculpture, film, photography, and printmaking or exploring the less well-known realms of portrait miniatures, collecting practices, doll-making, music boxes, and gardening, Stewart speaks to the creative process in general and to the relation between art and ethics. The Open Studio will be read eagerly by scholars of art, poetry, and visual theory; by historians interested in the links between contemporary and classic literature and art; and by teachers, students, and practitioners of the visual arts.
Classification:
livres
livres
Publication:
septembre 2004, Chicago London
septembre 2004, Chicago London
Sujet:
Théorie de l’art
Théorie de l’art
Classification:
livres
livres
Actions:
Prix:
$17.95
(disponible sur commande)
Résumé:
Almost a half-century after Yayoi Kusama debuted her landmark installation Infinity Mirror Room - Phalli's Field (1965) in New York, the work remains challenging and unclassifiable. Shifting between the Pop-like and the Surreal, the Minimal and the metaphorical, the figurative and the abstract, the psychotic and the erotic, with references to "free love" and psychedelia,(...)
$17.95
(disponible sur commande)
Résumé:
Almost a half-century after Yayoi Kusama debuted her landmark installation Infinity Mirror Room - Phalli's Field (1965) in New York, the work remains challenging and unclassifiable. Shifting between the Pop-like and the Surreal, the Minimal and the metaphorical, the figurative and the abstract, the psychotic and the erotic, with references to "free love" and psychedelia,(...)
Titre:
Yayoi Kusuma : Infinity mirror room - Phalli's Field
Actions:
Prix:
$17.95
(disponible sur commande)
Résumé:
Almost a half-century after Yayoi Kusama debuted her landmark installation Infinity Mirror Room - Phalli's Field (1965) in New York, the work remains challenging and unclassifiable. Shifting between the Pop-like and the Surreal, the Minimal and the metaphorical, the figurative and the abstract, the psychotic and the erotic, with references to "free love" and psychedelia, it seemed to embody all that the 1960s was about, while at the same time denying the prevailing aesthetics of its time. The installation itself was a room lined with mirrored panels and carpeted with several hundred brightly polka-dotted soft fabric protrusions into which the visitor was completely absorbed. Kusama simply called it "a sublime, miraculous field of phalluses." A precursor of performance-based feminist art practice, media pranksterism, and "Occupy" movements, Kusama (born in 1929) was once as well known as her admirers - Andy Warhol, Donald Judd, and Joseph Cornell. In this first monograph on an epoch-defining work, Jo Applin looks at the installation in detail and places it in the context of subsequent art practice and theory as well as Kusama's own (as she called it) "obsessional art." Applin also discusses Kusama's relationship to her contemporaries, particularly those working with environments, abstract-erotic sculpture, and mirrors, and those grappling with such issues as abstraction, eroticism, sexuality, and softness. The work of Lee Lozano, Claes Oldenburg, Louise Bourgeois, and Eva Hesse is seen anew when considered in relation to Yayoi Kusama's.
Yayoi Kusuma : Infinity mirror room - Phalli's Field
Actions:
Prix:
$17.95
(disponible sur commande)
Résumé:
Almost a half-century after Yayoi Kusama debuted her landmark installation Infinity Mirror Room - Phalli's Field (1965) in New York, the work remains challenging and unclassifiable. Shifting between the Pop-like and the Surreal, the Minimal and the metaphorical, the figurative and the abstract, the psychotic and the erotic, with references to "free love" and psychedelia, it seemed to embody all that the 1960s was about, while at the same time denying the prevailing aesthetics of its time. The installation itself was a room lined with mirrored panels and carpeted with several hundred brightly polka-dotted soft fabric protrusions into which the visitor was completely absorbed. Kusama simply called it "a sublime, miraculous field of phalluses." A precursor of performance-based feminist art practice, media pranksterism, and "Occupy" movements, Kusama (born in 1929) was once as well known as her admirers - Andy Warhol, Donald Judd, and Joseph Cornell. In this first monograph on an epoch-defining work, Jo Applin looks at the installation in detail and places it in the context of subsequent art practice and theory as well as Kusama's own (as she called it) "obsessional art." Applin also discusses Kusama's relationship to her contemporaries, particularly those working with environments, abstract-erotic sculpture, and mirrors, and those grappling with such issues as abstraction, eroticism, sexuality, and softness. The work of Lee Lozano, Claes Oldenburg, Louise Bourgeois, and Eva Hesse is seen anew when considered in relation to Yayoi Kusama's.
Classification:
livres
livres
Publication:
novembre 2012
novembre 2012
Sujet:
Théorie de l’art
Théorie de l’art
Classification:
livres
livres
Titre:
Looking back
Looking back
Actions:
Prix:
$44.95
(disponible en magasin)
Résumé:
When Charles Harrison died in 2009, the British art world lost a pivotal figure. From curating the groundbreaking 1969 exhibit, “When Attitudes Become Form” at London’s Institute of Contemporary Art; to co-writing the hyper-influential, three-volume work Art in Theory; to teaching art history to thousands in much-admired “plain English”: Harrison’s influence on the(...)
$44.95
(disponible en magasin)
Résumé:
When Charles Harrison died in 2009, the British art world lost a pivotal figure. From curating the groundbreaking 1969 exhibit, “When Attitudes Become Form” at London’s Institute of Contemporary Art; to co-writing the hyper-influential, three-volume work Art in Theory; to teaching art history to thousands in much-admired “plain English”: Harrison’s influence on the(...)
Titre:
Looking back
Actions:
Prix:
$44.95
(disponible en magasin)
Résumé:
When Charles Harrison died in 2009, the British art world lost a pivotal figure. From curating the groundbreaking 1969 exhibit, “When Attitudes Become Form” at London’s Institute of Contemporary Art; to co-writing the hyper-influential, three-volume work Art in Theory; to teaching art history to thousands in much-admired “plain English”: Harrison’s influence on the British art scene cannot be overestimated. This collection of autobiographical interviews – a fitting tribute to Harrison – opens a window into the thinking of the tireless critic and riveting professor who railed against second-rate art with his trademark motto, “Better fewer, but better.” Harrison re-caps decades of experience, retrospectively looking at trends, art historical events, institutions and artists, synthesizing it all with the brilliance he was known for. The volume also includes Harrison’s own visual documentation of the art world: a selection of his own images of exhibitions he visited, art works he championed and artists’ and critics’ studios and homes. Former students recall these impeccable photos as one of the delights of his lectures. “Harrison had the gift of making people see things they had not seen before, and even more, to think about what it was they were seeing, and to reflect on the consequences,” wrote The Times of London. This publication offers an opportunity to experience one of the art world giants of our time. Interviews with Jo Melvin, Teresa Gleadow, Pablo Lafuente, Juliette Rizzi, Sophie Richard, Elena Crippa, Christopher Huer and Matthew Jesse Jackson
Looking back
Actions:
Prix:
$44.95
(disponible en magasin)
Résumé:
When Charles Harrison died in 2009, the British art world lost a pivotal figure. From curating the groundbreaking 1969 exhibit, “When Attitudes Become Form” at London’s Institute of Contemporary Art; to co-writing the hyper-influential, three-volume work Art in Theory; to teaching art history to thousands in much-admired “plain English”: Harrison’s influence on the British art scene cannot be overestimated. This collection of autobiographical interviews – a fitting tribute to Harrison – opens a window into the thinking of the tireless critic and riveting professor who railed against second-rate art with his trademark motto, “Better fewer, but better.” Harrison re-caps decades of experience, retrospectively looking at trends, art historical events, institutions and artists, synthesizing it all with the brilliance he was known for. The volume also includes Harrison’s own visual documentation of the art world: a selection of his own images of exhibitions he visited, art works he championed and artists’ and critics’ studios and homes. Former students recall these impeccable photos as one of the delights of his lectures. “Harrison had the gift of making people see things they had not seen before, and even more, to think about what it was they were seeing, and to reflect on the consequences,” wrote The Times of London. This publication offers an opportunity to experience one of the art world giants of our time. Interviews with Jo Melvin, Teresa Gleadow, Pablo Lafuente, Juliette Rizzi, Sophie Richard, Elena Crippa, Christopher Huer and Matthew Jesse Jackson
Classification:
livres
livres
Publication:
février 2011
février 2011
Sujet:
Théorie de l’art
Théorie de l’art
Classification:
livres
livres
Actions:
Exemplaires:
Description:
xvii, 258 pages : illustrations ; 26 cm
Description:
xvii, 258 pages : illustrations ; 26 cm
Auteur:
Sujet:
Publication:
Cambridge ; New York : Cambridge University Press, 1994.
Cambridge ; New York : Cambridge University Press, 1994.
Titre:
Transformations in design : a formal approach to stylistic change and innovation in the visual arts / Terry W. Knight.
Actions:
Exemplaires:
Description:
xvii, 258 pages : illustrations ; 26 cm
Transformations in design : a formal approach to stylistic change and innovation in the visual arts / Terry W. Knight.
Actions:
Exemplaires:
Description:
xvii, 258 pages : illustrations ; 26 cm
Classification:
livres
livres
Publication:
Cambridge ; New York : Cambridge University Press, 1994.
Cambridge ; New York : Cambridge University Press, 1994.
Auteur:
Sujet:
Classification:
livres
livres
Titre:
Casa mondo: food
Casa mondo: food
Actions:
Prix:
$27.00
(disponible sur commande)
Résumé:
This publication is a narrative essay that discusses what food is and what it represents in the 21st century, suggesting a theory on the relationship between food-home and the new means of use, especially in light of the pandemic that has transformed our daily lives.
$27.00
(disponible sur commande)
Résumé:
This publication is a narrative essay that discusses what food is and what it represents in the 21st century, suggesting a theory on the relationship between food-home and the new means of use, especially in light of the pandemic that has transformed our daily lives.
Titre:
Casa mondo: food
Actions:
Prix:
$27.00
(disponible sur commande)
Résumé:
This publication is a narrative essay that discusses what food is and what it represents in the 21st century, suggesting a theory on the relationship between food-home and the new means of use, especially in light of the pandemic that has transformed our daily lives.
Casa mondo: food
Actions:
Prix:
$27.00
(disponible sur commande)
Résumé:
This publication is a narrative essay that discusses what food is and what it represents in the 21st century, suggesting a theory on the relationship between food-home and the new means of use, especially in light of the pandemic that has transformed our daily lives.
Classification:
livres
livres
Publication:
décembre 2021
décembre 2021
Sujet:
Bouffe
Bouffe
Classification:
livres
livres
Titre:
David Joselit : After art
David Joselit : After art
Actions:
Prix:
$34.95
(disponible sur commande)
Résumé:
Examining the work of architectural firms such as OMA, Reiser + Umemoto, and Foreign Office, as well as the art of Matthew Barney, Ai Weiwei, Sherrie Levine, and many others, After Art provides a compelling and original theory of art and architecture in the age of global networks.
$34.95
(disponible sur commande)
Résumé:
Examining the work of architectural firms such as OMA, Reiser + Umemoto, and Foreign Office, as well as the art of Matthew Barney, Ai Weiwei, Sherrie Levine, and many others, After Art provides a compelling and original theory of art and architecture in the age of global networks.
Publication:
novembre 2012
novembre 2012
Titre:
David Joselit : After art
Actions:
Prix:
$34.95
(disponible sur commande)
Résumé:
Examining the work of architectural firms such as OMA, Reiser + Umemoto, and Foreign Office, as well as the art of Matthew Barney, Ai Weiwei, Sherrie Levine, and many others, After Art provides a compelling and original theory of art and architecture in the age of global networks.
David Joselit : After art
Actions:
Prix:
$34.95
(disponible sur commande)
Résumé:
Examining the work of architectural firms such as OMA, Reiser + Umemoto, and Foreign Office, as well as the art of Matthew Barney, Ai Weiwei, Sherrie Levine, and many others, After Art provides a compelling and original theory of art and architecture in the age of global networks.
Classification:
livres
livres
Publication:
novembre 2012
novembre 2012
