6125 Résultats
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An overview of the state of contemporary art and its ultimate trends. The Encyclopedic Palace is the title chosen by the director for the 55th International Art Exhibition of the Venice Biennale. It evokes the design registered in 1955 with the US Patent office by the self-taught artist Marino Auriti, depicting an imaginary museum that was meant to house all worldly(...)
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An overview of the state of contemporary art and its ultimate trends. The Encyclopedic Palace is the title chosen by the director for the 55th International Art Exhibition of the Venice Biennale. It evokes the design registered in 1955 with the US Patent office by the self-taught artist Marino Auriti, depicting an imaginary museum that was meant to house all worldly(...)
Publication:
août 2013
août 2013
Titre:
The encyclopedic palace: 55th Biennale di Venezia
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An overview of the state of contemporary art and its ultimate trends. The Encyclopedic Palace is the title chosen by the director for the 55th International Art Exhibition of the Venice Biennale. It evokes the design registered in 1955 with the US Patent office by the self-taught artist Marino Auriti, depicting an imaginary museum that was meant to house all worldly knowledge, bringing together the greatest discoveries of the human race, from the wheel to the satellite.
The encyclopedic palace: 55th Biennale di Venezia
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An overview of the state of contemporary art and its ultimate trends. The Encyclopedic Palace is the title chosen by the director for the 55th International Art Exhibition of the Venice Biennale. It evokes the design registered in 1955 with the US Patent office by the self-taught artist Marino Auriti, depicting an imaginary museum that was meant to house all worldly knowledge, bringing together the greatest discoveries of the human race, from the wheel to the satellite.
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livres
livres
Publication:
août 2013
août 2013
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livres
livres
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$49.95
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Experimental Jetset’s second volume in its self-reflective series is an inquiry into the role of the city as an infrastructure for language and vice versa, seen through the lens of four significant movements: Constructivism, Situationist International, Provo, and Post-Punk. Emerging from a research project and exhibition by the design studio, the book features extensive(...)
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Experimental Jetset’s second volume in its self-reflective series is an inquiry into the role of the city as an infrastructure for language and vice versa, seen through the lens of four significant movements: Constructivism, Situationist International, Provo, and Post-Punk. Emerging from a research project and exhibition by the design studio, the book features extensive(...)
Titre:
Superstructures: Notes on experimental jetset, volume 2
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Experimental Jetset’s second volume in its self-reflective series is an inquiry into the role of the city as an infrastructure for language and vice versa, seen through the lens of four significant movements: Constructivism, Situationist International, Provo, and Post-Punk. Emerging from a research project and exhibition by the design studio, the book features extensive footnotes by 20 guest authors, including Linda van Deursen, Owen Hatherley, Adam Pendleton, Simon Reynolds, Lori Waxman, Mimi Zeiger, and others. An added bonus: it comes with a 26-page zine, zooming in on the design typology of the original exhibition.
Superstructures: Notes on experimental jetset, volume 2
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Experimental Jetset’s second volume in its self-reflective series is an inquiry into the role of the city as an infrastructure for language and vice versa, seen through the lens of four significant movements: Constructivism, Situationist International, Provo, and Post-Punk. Emerging from a research project and exhibition by the design studio, the book features extensive footnotes by 20 guest authors, including Linda van Deursen, Owen Hatherley, Adam Pendleton, Simon Reynolds, Lori Waxman, Mimi Zeiger, and others. An added bonus: it comes with a 26-page zine, zooming in on the design typology of the original exhibition.
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livres
livres
Publication:
février 2021
février 2021
Sujet:
Théorie de l’urbanisme
Théorie de l’urbanisme
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périodiques
périodiques
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$17.50
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The city is where Italian radical architecture represented and experimented its theories. While the early projects remained theoretical proposals, some contributions by Archizoom, Superstudio, or Strum established an ambiguous relationship with design that became crucial after the international exhibition "Italy: the new domestic landscape", curated by Emilio Ambasz at(...)
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The city is where Italian radical architecture represented and experimented its theories. While the early projects remained theoretical proposals, some contributions by Archizoom, Superstudio, or Strum established an ambiguous relationship with design that became crucial after the international exhibition "Italy: the new domestic landscape", curated by Emilio Ambasz at(...)
Titre:
Archphoto 2.0 01: Radical City
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The city is where Italian radical architecture represented and experimented its theories. While the early projects remained theoretical proposals, some contributions by Archizoom, Superstudio, or Strum established an ambiguous relationship with design that became crucial after the international exhibition "Italy: the new domestic landscape", curated by Emilio Ambasz at the Museum of Modern Art New York in 1972. With the exception of Zziggurat, all participants, such as UFO, Gianni Pettena, Ugo La Pietra and 9999, chose the "piazza" - the public space - for their theoretical and practical experimentation as the adequate venue for installations and performances that used the same language as that of artists.
Archphoto 2.0 01: Radical City
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The city is where Italian radical architecture represented and experimented its theories. While the early projects remained theoretical proposals, some contributions by Archizoom, Superstudio, or Strum established an ambiguous relationship with design that became crucial after the international exhibition "Italy: the new domestic landscape", curated by Emilio Ambasz at the Museum of Modern Art New York in 1972. With the exception of Zziggurat, all participants, such as UFO, Gianni Pettena, Ugo La Pietra and 9999, chose the "piazza" - the public space - for their theoretical and practical experimentation as the adequate venue for installations and performances that used the same language as that of artists.
Classification:
périodiques
périodiques
Publication:
octobre 2012
octobre 2012
Sujet:
Expositions en cours
Expositions en cours
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livres
livres
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$25.00
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Résumé:
"Taste is the lack of appetite" is an exhibition on the occasion of the 25th anniversary of GRAFT and celebrates the curiosity for the special, the unique, and the unexpected. The internationally active architecture firm is known not only for individual forms and design, but also for its social engagement. For the team, the design practice is defined by optimism and a(...)
$25.00
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Résumé:
"Taste is the lack of appetite" is an exhibition on the occasion of the 25th anniversary of GRAFT and celebrates the curiosity for the special, the unique, and the unexpected. The internationally active architecture firm is known not only for individual forms and design, but also for its social engagement. For the team, the design practice is defined by optimism and a(...)
Titre:
GRAFT: Taste is the lack of appetite
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$25.00
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Résumé:
"Taste is the lack of appetite" is an exhibition on the occasion of the 25th anniversary of GRAFT and celebrates the curiosity for the special, the unique, and the unexpected. The internationally active architecture firm is known not only for individual forms and design, but also for its social engagement. For the team, the design practice is defined by optimism and a pleasure in experimentation – leading to the realisation of hybrid solutions for a wide range of challenges. The exhibition features a selection of residential, mixed-use and cultural buildings, each of which reflects the firm’s exemplary design strategies. In line with its multifaceted work, the show also sheds light on the topic of Architecture Activism and presents the original prototype of the community-building Solarkiosk.
GRAFT: Taste is the lack of appetite
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$25.00
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Résumé:
"Taste is the lack of appetite" is an exhibition on the occasion of the 25th anniversary of GRAFT and celebrates the curiosity for the special, the unique, and the unexpected. The internationally active architecture firm is known not only for individual forms and design, but also for its social engagement. For the team, the design practice is defined by optimism and a pleasure in experimentation – leading to the realisation of hybrid solutions for a wide range of challenges. The exhibition features a selection of residential, mixed-use and cultural buildings, each of which reflects the firm’s exemplary design strategies. In line with its multifaceted work, the show also sheds light on the topic of Architecture Activism and presents the original prototype of the community-building Solarkiosk.
Classification:
livres
livres
Publication:
octobre 2023
octobre 2023
Sujet:
Architecture, monographies
Architecture, monographies
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livres
livres
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$27.95
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Balancing environmental, social, economic, and aesthetic concerns, sustainable design has the potential to transform everyday life and is already reshaping the fields of architecture and product design. "Beyond green : toward a sustainable art" explores the influence of this design philosophy on an emerging generation of international artists who combine a fresh aesthetic(...)
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Balancing environmental, social, economic, and aesthetic concerns, sustainable design has the potential to transform everyday life and is already reshaping the fields of architecture and product design. "Beyond green : toward a sustainable art" explores the influence of this design philosophy on an emerging generation of international artists who combine a fresh aesthetic(...)
Publication:
septembre 2005, Chicago / New York
septembre 2005, Chicago / New York
Titre:
Beyond green : toward a sustainable art
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$27.95
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Balancing environmental, social, economic, and aesthetic concerns, sustainable design has the potential to transform everyday life and is already reshaping the fields of architecture and product design. "Beyond green : toward a sustainable art" explores the influence of this design philosophy on an emerging generation of international artists who combine a fresh aesthetic sensibility with a constructively critical approach to the production, dissemination, and display of art. This catalogue's exhibition includes existing works, commissions, and previously presented work that has been “recycled,” spotlighting ways in which artists are building paths to new forms of practice. The exhibition is curated by Stephanie Smith, curator at the Smart Museum of Art, University of Chicago, and is co-organized by iCI and the Smart Museum. It is accompanied by an illustrated catalogue with artist interviews, and essays by Smith and by design historian Victor Margolin.
Beyond green : toward a sustainable art
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Balancing environmental, social, economic, and aesthetic concerns, sustainable design has the potential to transform everyday life and is already reshaping the fields of architecture and product design. "Beyond green : toward a sustainable art" explores the influence of this design philosophy on an emerging generation of international artists who combine a fresh aesthetic sensibility with a constructively critical approach to the production, dissemination, and display of art. This catalogue's exhibition includes existing works, commissions, and previously presented work that has been “recycled,” spotlighting ways in which artists are building paths to new forms of practice. The exhibition is curated by Stephanie Smith, curator at the Smart Museum of Art, University of Chicago, and is co-organized by iCI and the Smart Museum. It is accompanied by an illustrated catalogue with artist interviews, and essays by Smith and by design historian Victor Margolin.
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livres
livres
Publication:
septembre 2005, Chicago / New York
septembre 2005, Chicago / New York
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livres
livres
Exemplaires:
Description:
x, 237 pages : illustrations (some color) ; 28 cm
Description:
x, 237 pages : illustrations (some color) ; 28 cm
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Publication:
New Haven : Yale University Press, 1996.
New Haven : Yale University Press, 1996.
Titre:
Kazimir Malevich and the art of geometry / John Milner.
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Description:
x, 237 pages : illustrations (some color) ; 28 cm
Kazimir Malevich and the art of geometry / John Milner.
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Description:
x, 237 pages : illustrations (some color) ; 28 cm
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livres
livres
Publication:
New Haven : Yale University Press, 1996.
New Haven : Yale University Press, 1996.
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livres
livres
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$20.00
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This catalogue is for the exhibition Le Nouveau Montréal, Projets urbains marquants dans le Vieux-Montréal, presented at Le Centre de design de l'Université du Québec à Montréal, January 25 to February 25, 2001.
$20.00
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Résumé:
This catalogue is for the exhibition Le Nouveau Montréal, Projets urbains marquants dans le Vieux-Montréal, presented at Le Centre de design de l'Université du Québec à Montréal, January 25 to February 25, 2001.
Titre:
The New Montreal. Major urban projects in Old Montreal
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This catalogue is for the exhibition Le Nouveau Montréal, Projets urbains marquants dans le Vieux-Montréal, presented at Le Centre de design de l'Université du Québec à Montréal, January 25 to February 25, 2001.
The New Montreal. Major urban projects in Old Montreal
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This catalogue is for the exhibition Le Nouveau Montréal, Projets urbains marquants dans le Vieux-Montréal, presented at Le Centre de design de l'Université du Québec à Montréal, January 25 to February 25, 2001.
Classification:
livres
livres
Publication:
janvier 2001, Montréal
janvier 2001, Montréal
Sujet:
Architecture de Montréal
Architecture de Montréal
Classification:
livres
livres
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$54.95
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Swiss artist, architect, designer, typographer, and theorist Max Bill (1908–94) was one of the most important exponents of concrete and constructive art and a key figure in European applied arts and design history. Educated by such prominent teachers as Paul Klee, Wassily Kandisky, and Walter Gropius at the Bauhaus, at the start of his career in the 1930s. In the 1950s he(...)
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Swiss artist, architect, designer, typographer, and theorist Max Bill (1908–94) was one of the most important exponents of concrete and constructive art and a key figure in European applied arts and design history. Educated by such prominent teachers as Paul Klee, Wassily Kandisky, and Walter Gropius at the Bauhaus, at the start of his career in the 1930s. In the 1950s he(...)
Titre:
Max Bill: No Beginning No End
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Swiss artist, architect, designer, typographer, and theorist Max Bill (1908–94) was one of the most important exponents of concrete and constructive art and a key figure in European applied arts and design history. Educated by such prominent teachers as Paul Klee, Wassily Kandisky, and Walter Gropius at the Bauhaus, at the start of his career in the 1930s. In the 1950s he teamed up with Inge Scholl and Otl Aicher to found the legendary Ulm College of Design in Ulm, Germany, of which he became the first director. In his work, Max Bill carried on the legacy of the Bauhaus, both as an artist and a teacher, and made a decisive and lasting contribution to twentieth-century cultural life. Max Bill accompanies an exhibition at the Museum MARTa Herford in Herford, Germany, held to mark the centenary of this exceptional artist. The exhibition displays Bill’s wide-ranging work, and it also sets him in the context of his cultural milieu by featuring works by his contemporaries, such as Kurt Schwitters, Wassily Kandinsky, and Donald Judd. Accompanying essays investigate Bill’s influence on other artists and the lasting importance of his oeuvre in the present.
Max Bill: No Beginning No End
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Swiss artist, architect, designer, typographer, and theorist Max Bill (1908–94) was one of the most important exponents of concrete and constructive art and a key figure in European applied arts and design history. Educated by such prominent teachers as Paul Klee, Wassily Kandisky, and Walter Gropius at the Bauhaus, at the start of his career in the 1930s. In the 1950s he teamed up with Inge Scholl and Otl Aicher to found the legendary Ulm College of Design in Ulm, Germany, of which he became the first director. In his work, Max Bill carried on the legacy of the Bauhaus, both as an artist and a teacher, and made a decisive and lasting contribution to twentieth-century cultural life. Max Bill accompanies an exhibition at the Museum MARTa Herford in Herford, Germany, held to mark the centenary of this exceptional artist. The exhibition displays Bill’s wide-ranging work, and it also sets him in the context of his cultural milieu by featuring works by his contemporaries, such as Kurt Schwitters, Wassily Kandinsky, and Donald Judd. Accompanying essays investigate Bill’s influence on other artists and the lasting importance of his oeuvre in the present.
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livres
livres
Publication:
avril 2008, Zürich
avril 2008, Zürich
Classification:
livres
livres
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$119.00
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Both architecture and art fans will covet the first comprehensive monograph on the work of Zurich-based Holzer Kobler Architekturen, global leaders in exhibition design that is almost cinematic in impact. This extensive, large-format, all-color book features projects that brilliantly balance the disciplines of exhibition design, interior design and architecture with(...)
$119.00
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Résumé:
Both architecture and art fans will covet the first comprehensive monograph on the work of Zurich-based Holzer Kobler Architekturen, global leaders in exhibition design that is almost cinematic in impact. This extensive, large-format, all-color book features projects that brilliantly balance the disciplines of exhibition design, interior design and architecture with(...)
Titre:
Holzer Kobler architekturen : mise en scène
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Both architecture and art fans will covet the first comprehensive monograph on the work of Zurich-based Holzer Kobler Architekturen, global leaders in exhibition design that is almost cinematic in impact. This extensive, large-format, all-color book features projects that brilliantly balance the disciplines of exhibition design, interior design and architecture with playful, provocative and memorable solutions. The 25 projects documented here range from Arteplage Yverdon and the permanent exhibitions for the Swiss National Museum to new construction and conversions of industrial properties for other uses. Principals Barbara Holzer and Tristan Kobler participate in a wide-ranging interview moderated by Martin Heller and Christoph Burkle; the book also includes essays by Angelika Fitz and Stefan Truby, and renderings, schematics, floor plans, models, site maps and a fantastic color poster folded around the outside cover.
Holzer Kobler architekturen : mise en scène
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$119.00
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Résumé:
Both architecture and art fans will covet the first comprehensive monograph on the work of Zurich-based Holzer Kobler Architekturen, global leaders in exhibition design that is almost cinematic in impact. This extensive, large-format, all-color book features projects that brilliantly balance the disciplines of exhibition design, interior design and architecture with playful, provocative and memorable solutions. The 25 projects documented here range from Arteplage Yverdon and the permanent exhibitions for the Swiss National Museum to new construction and conversions of industrial properties for other uses. Principals Barbara Holzer and Tristan Kobler participate in a wide-ranging interview moderated by Martin Heller and Christoph Burkle; the book also includes essays by Angelika Fitz and Stefan Truby, and renderings, schematics, floor plans, models, site maps and a fantastic color poster folded around the outside cover.
Classification:
livres
livres
Publication:
août 2011
août 2011
Sujet:
Architecture, monographies
Architecture, monographies
Classification:
périodiques
périodiques
Titre:
IDEA 329
IDEA 329
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$45.00
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Résumé:
Typographics of Herb Lubalin/ Alan Fletcher:fifty years of graphic work/ 'Sans serif does not represent the final stage'- Karl Gerstner/ Drawing works of Isao Makino/ A Cultural history of contemporary design vol. 1- Masaki Kojima/ interview with Fumio Tachibana/ History of typos/ A recent history of writing and drawing/ My Famicase (NES cartridge) Design Exhibition 2008
$45.00
(disponible en magasin)
Résumé:
Typographics of Herb Lubalin/ Alan Fletcher:fifty years of graphic work/ 'Sans serif does not represent the final stage'- Karl Gerstner/ Drawing works of Isao Makino/ A Cultural history of contemporary design vol. 1- Masaki Kojima/ interview with Fumio Tachibana/ History of typos/ A recent history of writing and drawing/ My Famicase (NES cartridge) Design Exhibition 2008
Titre:
IDEA 329
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$45.00
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Résumé:
Typographics of Herb Lubalin/ Alan Fletcher:fifty years of graphic work/ 'Sans serif does not represent the final stage'- Karl Gerstner/ Drawing works of Isao Makino/ A Cultural history of contemporary design vol. 1- Masaki Kojima/ interview with Fumio Tachibana/ History of typos/ A recent history of writing and drawing/ My Famicase (NES cartridge) Design Exhibition 2008
IDEA 329
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Prix:
$45.00
(disponible en magasin)
Résumé:
Typographics of Herb Lubalin/ Alan Fletcher:fifty years of graphic work/ 'Sans serif does not represent the final stage'- Karl Gerstner/ Drawing works of Isao Makino/ A Cultural history of contemporary design vol. 1- Masaki Kojima/ interview with Fumio Tachibana/ History of typos/ A recent history of writing and drawing/ My Famicase (NES cartridge) Design Exhibition 2008
Classification:
périodiques
périodiques
Publication:
juin 2008, Tokyo
juin 2008, Tokyo
Sujet:
Revues
Revues
