13682 Résultats
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livres
livres
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x, 234 pages : illustrations, maps ; 24 cm
Description:
x, 234 pages : illustrations, maps ; 24 cm
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Cambridge, Mass. : MIT Press, ©2008.
Cambridge, Mass. : MIT Press, ©2008.
Titre:
I am a monument : on Learning from Las Vegas / Aron Vinegar.
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x, 234 pages : illustrations, maps ; 24 cm
I am a monument : on Learning from Las Vegas / Aron Vinegar.
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Description:
x, 234 pages : illustrations, maps ; 24 cm
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livres
livres
Publication:
Cambridge, Mass. : MIT Press, ©2008.
Cambridge, Mass. : MIT Press, ©2008.
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livres
livres
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xxiv, 394 pages : illustrations ; 24 cm.
Description:
xxiv, 394 pages : illustrations ; 24 cm.
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Chicago, Ill. : Graham Foundation for Advanced Studies in the Fine Arts ; Cambridge, Mass. : MIT Press, ©1996.
Chicago, Ill. : Graham Foundation for Advanced Studies in the Fine Arts ; Cambridge, Mass. : MIT Press, ©1996.
Titre:
Evictions : art and spatial politics / Rosalyn Deutsche.
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xxiv, 394 pages : illustrations ; 24 cm.
Evictions : art and spatial politics / Rosalyn Deutsche.
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Description:
xxiv, 394 pages : illustrations ; 24 cm.
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livres
livres
Publication:
Chicago, Ill. : Graham Foundation for Advanced Studies in the Fine Arts ; Cambridge, Mass. : MIT Press, ©1996.
Chicago, Ill. : Graham Foundation for Advanced Studies in the Fine Arts ; Cambridge, Mass. : MIT Press, ©1996.
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livres
livres
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$50.00
(disponible sur commande)
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While fundamentally a design discipline, architectural education requires an element of history and theory, grouped under the term "research." However, many students struggle with this part of their course. This practical handbook provides the necessary grounding in this subject, addressing essential questions about what research in architecture can be.
$50.00
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Résumé:
While fundamentally a design discipline, architectural education requires an element of history and theory, grouped under the term "research." However, many students struggle with this part of their course. This practical handbook provides the necessary grounding in this subject, addressing essential questions about what research in architecture can be.
Titre:
Research methods for architecture
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$50.00
(disponible sur commande)
Résumé:
While fundamentally a design discipline, architectural education requires an element of history and theory, grouped under the term "research." However, many students struggle with this part of their course. This practical handbook provides the necessary grounding in this subject, addressing essential questions about what research in architecture can be.
Research methods for architecture
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$50.00
(disponible sur commande)
Résumé:
While fundamentally a design discipline, architectural education requires an element of history and theory, grouped under the term "research." However, many students struggle with this part of their course. This practical handbook provides the necessary grounding in this subject, addressing essential questions about what research in architecture can be.
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livres
livres
Publication:
mars 2016
mars 2016
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livres
livres
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$60.00
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During the same period that Surrealism originated and flourished in Europe between the two world wars, extraordinary advances were being made in the field of physics. This landmark book offers the first full history, analysis and interpretation of Surrealism's engagement with the Theory of Relativity and quantum mechanics.
$60.00
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During the same period that Surrealism originated and flourished in Europe between the two world wars, extraordinary advances were being made in the field of physics. This landmark book offers the first full history, analysis and interpretation of Surrealism's engagement with the Theory of Relativity and quantum mechanics.
Publication:
mars 2008, New Haven / London
mars 2008, New Haven / London
Titre:
Surrealism, art and modern science
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$60.00
(disponible sur commande)
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During the same period that Surrealism originated and flourished in Europe between the two world wars, extraordinary advances were being made in the field of physics. This landmark book offers the first full history, analysis and interpretation of Surrealism's engagement with the Theory of Relativity and quantum mechanics.
Surrealism, art and modern science
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$60.00
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Résumé:
During the same period that Surrealism originated and flourished in Europe between the two world wars, extraordinary advances were being made in the field of physics. This landmark book offers the first full history, analysis and interpretation of Surrealism's engagement with the Theory of Relativity and quantum mechanics.
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livres
livres
Publication:
mars 2008, New Haven / London
mars 2008, New Haven / London
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livres
livres
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$42.00
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Digital Design: A Critical Introduction provides a much-needed new perspective on designing with digital media. Linking ideas from media theory, generative design and creativity with examples from nature, art, architecture, industrial design, websites, animation and games, it addresses some fundamental questions about creative design with digital media.
$42.00
(disponible sur commande)
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Digital Design: A Critical Introduction provides a much-needed new perspective on designing with digital media. Linking ideas from media theory, generative design and creativity with examples from nature, art, architecture, industrial design, websites, animation and games, it addresses some fundamental questions about creative design with digital media.
Titre:
Digital design : a critical introduction
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$42.00
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Digital Design: A Critical Introduction provides a much-needed new perspective on designing with digital media. Linking ideas from media theory, generative design and creativity with examples from nature, art, architecture, industrial design, websites, animation and games, it addresses some fundamental questions about creative design with digital media.
Digital design : a critical introduction
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$42.00
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Digital Design: A Critical Introduction provides a much-needed new perspective on designing with digital media. Linking ideas from media theory, generative design and creativity with examples from nature, art, architecture, industrial design, websites, animation and games, it addresses some fundamental questions about creative design with digital media.
Classification:
livres
livres
Publication:
décembre 2012
décembre 2012
Sujet:
Expositions en cours
Expositions en cours
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livres
livres
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$49.95
(disponible sur commande)
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This publication examines design solutions to signage and graphics that allow seamless navigation through commercial establishments and public facilities. Aesthetically integrating a building's architecture and interiors with branding, color theory, typography, symbols or pictograms, product design, and more, designers provide new directional systems while creating unique(...)
$49.95
(disponible sur commande)
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This publication examines design solutions to signage and graphics that allow seamless navigation through commercial establishments and public facilities. Aesthetically integrating a building's architecture and interiors with branding, color theory, typography, symbols or pictograms, product design, and more, designers provide new directional systems while creating unique(...)
Titre:
You are here: a new approach to signage and wayfinding
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$49.95
(disponible sur commande)
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This publication examines design solutions to signage and graphics that allow seamless navigation through commercial establishments and public facilities. Aesthetically integrating a building's architecture and interiors with branding, color theory, typography, symbols or pictograms, product design, and more, designers provide new directional systems while creating unique experiences for visitors.
You are here: a new approach to signage and wayfinding
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$49.95
(disponible sur commande)
Résumé:
This publication examines design solutions to signage and graphics that allow seamless navigation through commercial establishments and public facilities. Aesthetically integrating a building's architecture and interiors with branding, color theory, typography, symbols or pictograms, product design, and more, designers provide new directional systems while creating unique experiences for visitors.
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livres
livres
Publication:
décembre 2014
décembre 2014
Sujet:
Signalétique
Signalétique
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livres
livres
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Description:
167 pages : illustrations (some color), maps ; 26 cm.
Description:
167 pages : illustrations (some color), maps ; 26 cm.
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Cambridge, Mass. : Aga Khan Program at the Harvard University Graduate School of Design, 2013.
Cambridge, Mass. : Aga Khan Program at the Harvard University Graduate School of Design, 2013.
Titre:
The superlative city : Dubai and the urban condition in the early twenty-first century / edited by Ahmed Kanna.
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167 pages : illustrations (some color), maps ; 26 cm.
The superlative city : Dubai and the urban condition in the early twenty-first century / edited by Ahmed Kanna.
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Description:
167 pages : illustrations (some color), maps ; 26 cm.
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livres
livres
Publication:
Cambridge, Mass. : Aga Khan Program at the Harvard University Graduate School of Design, 2013.
Cambridge, Mass. : Aga Khan Program at the Harvard University Graduate School of Design, 2013.
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livres
livres
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$31.50
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In "Chaos and cosmos", Karen Lang addresses the power of art to resist the pressures of the transcendental vantage point-history. Uncovering the intellectual and cultural richness of the early years of academic art history in Germany -the period from the 1880s to 1940 - she explores various attempts within art history to transform aesthetic phenomena -chaos- into the(...)
$31.50
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Résumé:
In "Chaos and cosmos", Karen Lang addresses the power of art to resist the pressures of the transcendental vantage point-history. Uncovering the intellectual and cultural richness of the early years of academic art history in Germany -the period from the 1880s to 1940 - she explores various attempts within art history to transform aesthetic phenomena -chaos- into the(...)
Titre:
Chaos in cosmos : on the image in aesthetics and art history
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$31.50
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In "Chaos and cosmos", Karen Lang addresses the power of art to resist the pressures of the transcendental vantage point-history. Uncovering the intellectual and cultural richness of the early years of academic art history in Germany -the period from the 1880s to 1940 - she explores various attempts within art history to transform aesthetic phenomena -chaos- into the cosmos of a systematic, unified field of inquiry. Lang starts by examining Panofsky's approach to aesthetic phenomena in his early theoretical essays alongside Ernst Cassirer's contemporaneous publications on the substance and function of scientific concepts (and on Einstein's theory of relativity). She then turns to the subject of aesthetic judgment through a rereading of Kantian subjectivity and Kant's uneasy legacy in art history. From here, Lang considers the different organizing theories of symbolic form proposed by Aby Warburg and Cassirer, as well as Goethe's inspiration for both; Alois Riegl's notion of age value and Walter Benjamin's conceptions of the aura; concluding with an extended examination of objectivity and the figure of the art connoisseur. Illustrated with works of art from the Enlightenment to the present day, this book illuminates an intellectual legacy that has profoundly shaped the study of the history of art in ways that have, until now, been largely unacknowledged. Addressing the interplay of chaos and cosmos in terms of history, art history, philosophy, and epistemology, Lang traces shifts in point of view in art history and the way these shifts change aesthetic objects into historical objects, and even objects of knowledge.
Chaos in cosmos : on the image in aesthetics and art history
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$31.50
(disponible sur commande)
Résumé:
In "Chaos and cosmos", Karen Lang addresses the power of art to resist the pressures of the transcendental vantage point-history. Uncovering the intellectual and cultural richness of the early years of academic art history in Germany -the period from the 1880s to 1940 - she explores various attempts within art history to transform aesthetic phenomena -chaos- into the cosmos of a systematic, unified field of inquiry. Lang starts by examining Panofsky's approach to aesthetic phenomena in his early theoretical essays alongside Ernst Cassirer's contemporaneous publications on the substance and function of scientific concepts (and on Einstein's theory of relativity). She then turns to the subject of aesthetic judgment through a rereading of Kantian subjectivity and Kant's uneasy legacy in art history. From here, Lang considers the different organizing theories of symbolic form proposed by Aby Warburg and Cassirer, as well as Goethe's inspiration for both; Alois Riegl's notion of age value and Walter Benjamin's conceptions of the aura; concluding with an extended examination of objectivity and the figure of the art connoisseur. Illustrated with works of art from the Enlightenment to the present day, this book illuminates an intellectual legacy that has profoundly shaped the study of the history of art in ways that have, until now, been largely unacknowledged. Addressing the interplay of chaos and cosmos in terms of history, art history, philosophy, and epistemology, Lang traces shifts in point of view in art history and the way these shifts change aesthetic objects into historical objects, and even objects of knowledge.
Classification:
livres
livres
Publication:
septembre 2006, Ithaca, London
septembre 2006, Ithaca, London
Sujet:
Théorie de l’architecture
Théorie de l’architecture
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livres
livres
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$43.95
(disponible sur commande)
Résumé:
Why do we have such extraordinarily powerful responses toward the images and pictures we see in everyday life? Why do we behave as if pictures were alive, possessing the power to influence us, to demand things from us, to persuade us, seduce us, or even lead us astray? According to W. J. T. Mitchell, we need to reckon with images not just as inert objects that convey(...)
$43.95
(disponible sur commande)
Résumé:
Why do we have such extraordinarily powerful responses toward the images and pictures we see in everyday life? Why do we behave as if pictures were alive, possessing the power to influence us, to demand things from us, to persuade us, seduce us, or even lead us astray? According to W. J. T. Mitchell, we need to reckon with images not just as inert objects that convey(...)
Titre:
What do pictures want? : the lives and loves of images
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$43.95
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Why do we have such extraordinarily powerful responses toward the images and pictures we see in everyday life? Why do we behave as if pictures were alive, possessing the power to influence us, to demand things from us, to persuade us, seduce us, or even lead us astray? According to W. J. T. Mitchell, we need to reckon with images not just as inert objects that convey meaning but as animated beings with desires, needs, appetites, demands, and drives of their own. "What Do Pictures Want?" explores this idea and highlights Mitchell's innovative and profoundly influential thinking on picture theory and the lives and loves of images. Ranging across the visual arts, literature, and mass media, Mitchell applies characteristically brilliant and wry analyses to Byzantine icons and cyberpunk films, racial stereotypes and public monuments, ancient idols and modern clones, offensive images and found objects, American photography and aboriginal painting. Opening new vistas in iconology and the emergent field of visual culture, he also considers the importance of Dolly the Sheep - who, as a clone, fulfills the ancient dream of creating a living image - and the destruction of the World Trade Center on 9/11, which, among other things, signifies a new and virulent form of iconoclasm. "What Do Pictures Want?" offers an immensely rich and suggestive account of the interplay between the visible and the readable. A work by one of our leading theorists of visual representation, it will be a touchstone for art historians, literary critics, anthropologists, and philosophers alike.
What do pictures want? : the lives and loves of images
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$43.95
(disponible sur commande)
Résumé:
Why do we have such extraordinarily powerful responses toward the images and pictures we see in everyday life? Why do we behave as if pictures were alive, possessing the power to influence us, to demand things from us, to persuade us, seduce us, or even lead us astray? According to W. J. T. Mitchell, we need to reckon with images not just as inert objects that convey meaning but as animated beings with desires, needs, appetites, demands, and drives of their own. "What Do Pictures Want?" explores this idea and highlights Mitchell's innovative and profoundly influential thinking on picture theory and the lives and loves of images. Ranging across the visual arts, literature, and mass media, Mitchell applies characteristically brilliant and wry analyses to Byzantine icons and cyberpunk films, racial stereotypes and public monuments, ancient idols and modern clones, offensive images and found objects, American photography and aboriginal painting. Opening new vistas in iconology and the emergent field of visual culture, he also considers the importance of Dolly the Sheep - who, as a clone, fulfills the ancient dream of creating a living image - and the destruction of the World Trade Center on 9/11, which, among other things, signifies a new and virulent form of iconoclasm. "What Do Pictures Want?" offers an immensely rich and suggestive account of the interplay between the visible and the readable. A work by one of our leading theorists of visual representation, it will be a touchstone for art historians, literary critics, anthropologists, and philosophers alike.
Classification:
livres
livres
Publication:
juin 2005, Chicago
juin 2005, Chicago
Sujet:
Théorie de l’architecture
Théorie de l’architecture
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livres
livres
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$50.95
(disponible sur commande)
Résumé:
Over the past several decades, scholars in both the social sciences and humanities have moved beyond the idea that there is a "body proper": a singular, discrete biological organism with an individual psyche. They have begun to perceive embodiment as dynamic rather than static, as experiences that vary over time and across the world as they are shaped by discourses,(...)
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Over the past several decades, scholars in both the social sciences and humanities have moved beyond the idea that there is a "body proper": a singular, discrete biological organism with an individual psyche. They have begun to perceive embodiment as dynamic rather than static, as experiences that vary over time and across the world as they are shaped by discourses,(...)
Titre:
Beyond the body proper: Reading the anthropology of material life
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Over the past several decades, scholars in both the social sciences and humanities have moved beyond the idea that there is a "body proper": a singular, discrete biological organism with an individual psyche. They have begun to perceive embodiment as dynamic rather than static, as experiences that vary over time and across the world as they are shaped by discourses, institutions, practices, technologies, and ideologies. What has emerged is a multiplicity of bodies, inviting a great many disciplinary points of view and modes of interpretation. The forty-seven readings presented in this volume range from classic works of social theory, history, and ethnography to more recent investigations into historical and contemporary modes of embodiment. "Beyond the body proper" includes nine sections conceptually organized around themes such as everyday life, sex and gender, and science. Each section is preceded by interpretive commentary by the volume’s editors. Within the collection are articles and book excerpts focused on bodies using tools and participating in rituals, on bodies walking and eating, and on the female circumcision controversy, as well as pieces on medical classifications, spirit possession, the commodification of body parts, in vitro fertilization, and an artist/anatomist’s "plastination" of cadavers for display. Materialist, phenomenological, and feminist perspectives on embodiment appear along with writings on interpretations of pain and the changing meanings of sexual intercourse. Essays on these topics and many others challenge Eurocentric assumptions about the body as they speak to each other and to the most influential contemporary trends in the human sciences.
Beyond the body proper: Reading the anthropology of material life
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Prix:
$50.95
(disponible sur commande)
Résumé:
Over the past several decades, scholars in both the social sciences and humanities have moved beyond the idea that there is a "body proper": a singular, discrete biological organism with an individual psyche. They have begun to perceive embodiment as dynamic rather than static, as experiences that vary over time and across the world as they are shaped by discourses, institutions, practices, technologies, and ideologies. What has emerged is a multiplicity of bodies, inviting a great many disciplinary points of view and modes of interpretation. The forty-seven readings presented in this volume range from classic works of social theory, history, and ethnography to more recent investigations into historical and contemporary modes of embodiment. "Beyond the body proper" includes nine sections conceptually organized around themes such as everyday life, sex and gender, and science. Each section is preceded by interpretive commentary by the volume’s editors. Within the collection are articles and book excerpts focused on bodies using tools and participating in rituals, on bodies walking and eating, and on the female circumcision controversy, as well as pieces on medical classifications, spirit possession, the commodification of body parts, in vitro fertilization, and an artist/anatomist’s "plastination" of cadavers for display. Materialist, phenomenological, and feminist perspectives on embodiment appear along with writings on interpretations of pain and the changing meanings of sexual intercourse. Essays on these topics and many others challenge Eurocentric assumptions about the body as they speak to each other and to the most influential contemporary trends in the human sciences.
Classification:
livres
livres
Publication:
avril 2008
avril 2008
Sujet:
Théorie/ philosophie
Théorie/ philosophie
