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This detailed examination of I. M. Pei's new wing of the German Historical Museum in Berlin was published to coincide with the unveiling of the extension in 2003. The glass building, with its triangular footprint and seemingly weightless curved staircase, offers a striking departure from the museum's older structures, and plays an important role in Berlin's current(...)
I.M. Pei : the exhibitions building of the German Historical Museum Berlin
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This detailed examination of I. M. Pei's new wing of the German Historical Museum in Berlin was published to coincide with the unveiling of the extension in 2003. The glass building, with its triangular footprint and seemingly weightless curved staircase, offers a striking departure from the museum's older structures, and plays an important role in Berlin's current architectural and cultural renaissance. Essays from architectural scholars comment on Pei's design, provide a history of the Arsenal building and site, and place the Show House in context with the architect's other important museum structures, including those built for the National Art Gallery in Washington, D.C., and the legendary Glass Pyramid in the courtyard of the Louvre.
Architecture, monographies
$45.00
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This catalogue to the CCA's exhibition presents four of the most representative and best documented of the artificial excavation projects: an urban design scheme for Cannaregio West in Venice (1978); a housing project near Checkpoint Charlie in Berlin (1980-1981, partially realized 1982-1986); a design for the University Art Museum at California State University, Long(...)
février 1994
Cities of artificial excavation: the work of Peter Eisenman, 1978-1988
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This catalogue to the CCA's exhibition presents four of the most representative and best documented of the artificial excavation projects: an urban design scheme for Cannaregio West in Venice (1978); a housing project near Checkpoint Charlie in Berlin (1980-1981, partially realized 1982-1986); a design for the University Art Museum at California State University, Long Beach (1986); and Chora L Works (1985-1986), a garden for the Parc de La Villette in Paris designed in collaboration with Jacques Derrida. Each project is presented through the architect's drawings and models, over 200 images in all, more than 150 of them in colour, most from the collections of the Canadian Centre for Architecture. Each project sequence begins with a theoretical text by Eisenman, then goes on to a project history describing the site and explaining Eisenman's design strategy. The unprecedented publication of complete series of conceptual drawings not only illustrates Eisenman's design process in detail, but also traces the transformation, through drawing and model making, of his architectural discourse. With essays by Alan Balfour, Yve-Alain Bois, Jean-François Bédard, Jean-Louis Cohen, Kurt W. Forster, K. Michael Hays, Arata Isozaki, and Fredric Jameson.
Display today
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Display Today charts the 25-year history of Museumstechnik Berlin, a firm specializing in exhibition design through collaborative partnerships between architects, artists and technicians. The firm's evolution is charted through documentation and texts that underscore its contribution to the development of the architecture of exhibitions.
Display today
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Display Today charts the 25-year history of Museumstechnik Berlin, a firm specializing in exhibition design through collaborative partnerships between architects, artists and technicians. The firm's evolution is charted through documentation and texts that underscore its contribution to the development of the architecture of exhibitions.
Étalages
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Once the province of film and media scholars, today the moving image is of broad concern to historians of art and architecture and designers of everything from websites to cities. As museums and galleries devote increasing space to video installations which no longer presuppose a fixed viewer, urban space becomes envisioned and planned through "fly throughs," and(...)
The moving eye: film, television, architecture, visual art, and the modern
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Once the province of film and media scholars, today the moving image is of broad concern to historians of art and architecture and designers of everything from websites to cities. As museums and galleries devote increasing space to video installations which no longer presuppose a fixed viewer, urban space becomes envisioned and planned through "fly throughs," and technologies such as GPS add data to the experience of travel, moving images have captured the attention of geographers and scholars across the humanities and social sciences. Their practice of "mobility studies" is remaking how we understand a contemporary world in relentless motion. Media theorist and historian Anne Friedberg (1952-2009) was among the first practitioners of visual studies to theorize the experience of vision in motion. Her books have become key points of reference in the discussion of the windows that frame images and the viewers in motion who perceive them. Although widely influential beyond her own discipline, Friedberg's work has never been the subject of an extended study. "The Moving Eye" gathers together essays by renowned thinkers in media studies, art history, architecture, and museum studies to consider the rich implications of her work for understanding film and video, new media, visual art, architecture, exhibition design, urban space, and virtual reality.
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The “home of the future” has long been a topic of fascination in popular culture and an intriguing prospect for designers, and the 20th century offered up countless visions of the future of domestic life, from the aspirational to the radical. Whether it was the dream of the fully mechanized home or the notion that technology might free us from the home altogether, the(...)
avril 2019
Home futures: living in yesterday's tomorrow
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The “home of the future” has long been a topic of fascination in popular culture and an intriguing prospect for designers, and the 20th century offered up countless visions of the future of domestic life, from the aspirational to the radical. Whether it was the dream of the fully mechanized home or the notion that technology might free us from the home altogether, the domestic realm was a site of endless invention and speculation. But what happened to those visions? Are the smart homes of today and patterns of use in the sharing economy the future that architects and designers once predicted, or has the “home” proved resistant to radical change? "Home Futures: Living in Yesterday’s Tomorrow" explores different approaches to reinventing domestic life, tracing the social and technological developments that have driven change in the home.
$47.95
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From fashion sketches of smartly dressed Shanghai dandies in the 1920s, to multipanel drawings of refugee urbanites during the war against Japan, to panoramic pictures of anti-American propaganda rallies in the early 1950s, the polymorphic cartoon-style art known as manhua helped define China's modern experience. ''Manhua Modernity'' offers a richly illustrated, deeply(...)
septembre 2025
Manhua modernity: Chinese culture and the pictorial turn
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From fashion sketches of smartly dressed Shanghai dandies in the 1920s, to multipanel drawings of refugee urbanites during the war against Japan, to panoramic pictures of anti-American propaganda rallies in the early 1950s, the polymorphic cartoon-style art known as manhua helped define China's modern experience. ''Manhua Modernity'' offers a richly illustrated, deeply contextualized analysis of these illustrations across the lively pages of popular pictorial magazines that entertained, informed, and mobilized a nation through a half century of political and cultural transformation. In this compelling media history, John Crespi argues that manhua must be understood in the context of the pictorial magazines that hosted them, and in turn these magazines must be seen as important mediators of the modern urban experience. Even as times changed—from interwar-era consumerism to war-time mobilization to Mao-style propaganda—the art form adapted to stay on the cutting edge of both politics and style.
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Throughout history, artists and citizens have turned to protest art as a means of demonstrating social and political discontent. From the earliest broadsheets in the 1500s to engravings, photolithographs, prints, posters, murals, graffiti, and political cartoons, these endlessly inventive graphic forms have symbolized and spurred on power struggles, rebellions, spirited(...)
octobre 2019
Protest! A history of social and political protest graphics
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Throughout history, artists and citizens have turned to protest art as a means of demonstrating social and political discontent. From the earliest broadsheets in the 1500s to engravings, photolithographs, prints, posters, murals, graffiti, and political cartoons, these endlessly inventive graphic forms have symbolized and spurred on power struggles, rebellions, spirited causes, and calls to arms. Spanning continents and centuries, "Protest!" presents a major new chronological look at protest graphics and shows how these images have been shaped by international events as well as advances in technology.
$60.00
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Architectural collections are warehouses of knowledge: they are resources for historical plans and buildings, and they offer insight and ideas for the designs of tomorrow. However, in the age of computer-aided design, the sketches, plans and models that were once available for research and exhibitions are being replaced by bits and bytes on a variety of storage media(...)
Show & tell: collecting architecture
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Architectural collections are warehouses of knowledge: they are resources for historical plans and buildings, and they offer insight and ideas for the designs of tomorrow. However, in the age of computer-aided design, the sketches, plans and models that were once available for research and exhibitions are being replaced by bits and bytes on a variety of storage media whose lifetimes have no guaranteed length. The Architekturmuseum at the Technical University in Munich has one of the largest special collections of architecture in Europe. This publication presents its complex history while placing it in the context of other prominent international collections. Selected examples are used to discuss questions about collecting, research and the exhibition of architecture in the future.
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This publication is based on an illustrated talk presented by architect and historian Fernanda Canales in June 2024 at the Vitra Design Museum as part of the Barragán Lecture series. It focuses on the Mexican architect Luis Barragán (1902–88), whose work occupies a permanent place in the canon of 20th-century architecture and continues to fascinate architectural scholars,(...)
Barragan outside Barragan: A journey through trips, books, exhibitions and friends
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This publication is based on an illustrated talk presented by architect and historian Fernanda Canales in June 2024 at the Vitra Design Museum as part of the Barragán Lecture series. It focuses on the Mexican architect Luis Barragán (1902–88), whose work occupies a permanent place in the canon of 20th-century architecture and continues to fascinate architectural scholars, connoisseurs and enthusiasts. Barragán strove for an "emotional architecture," claiming that "any work of architecture which does not express serenity is a mistake." He used raw materials such as stone or wood, and his preference for hidden light sources gives his interiors a particularly subtle and lyrical atmosphere. In her lecture, Canales deftly interweaves Barragán's biography with his major built works, which are characterized by a skillful approach to spatial and chromatic atmospheres and environments.
Architecture, monographies
périodiques
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The award winning practice AEDS was established in 1997, by the Lebanese architect Ammar Eloueini. It aims to challenge traditional design processes and answer new architectural and spatial complexities through the application of CNC (computer numerically controlled) construction techniques. Included alongside the award winning design for Issey Miyake Pleats Please retail(...)
DD 26 Digital recall: AEDS USA/ France
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The award winning practice AEDS was established in 1997, by the Lebanese architect Ammar Eloueini. It aims to challenge traditional design processes and answer new architectural and spatial complexities through the application of CNC (computer numerically controlled) construction techniques. Included alongside the award winning design for Issey Miyake Pleats Please retail space in Berlin, are a diverse collection of projects for stage and exhibition design, retail spaces and furniture, housing and institutional buildings. All are accompanied by computer models, plans, elevations, exploratory texts and essays.
périodiques
mai 2008, Seoul
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