Projet
Duck Land
AP144.S2.D153
Description:
File documents Price's participation in an international ideas workshop for a redundant docks area on the river Elbe in Hamburg, Germany. The workshop, entitled "IV. Hamburger Bauforum 1989", was designed as a simulated competition with different teams working separately. Price and his team proposed to turn the area into a large nature reserve for migratory waterfowl, and included a design for a self-powered floating walkway called the "mud-mobile". Although the project arose from the Hamburger Bauforum workshop, Price apparently pursued it further after the workshop was over. Included in this file are drawings of a room, possibly for an exhibition of the project (DR2004:0877). Material in this file was produced between 1989 and 1991. File contains conceptual drawings, presentation panels, a model, photographs, and textual records.
1989-1991
Duck Land
Actions:
AP144.S2.D153
Description:
File documents Price's participation in an international ideas workshop for a redundant docks area on the river Elbe in Hamburg, Germany. The workshop, entitled "IV. Hamburger Bauforum 1989", was designed as a simulated competition with different teams working separately. Price and his team proposed to turn the area into a large nature reserve for migratory waterfowl, and included a design for a self-powered floating walkway called the "mud-mobile". Although the project arose from the Hamburger Bauforum workshop, Price apparently pursued it further after the workshop was over. Included in this file are drawings of a room, possibly for an exhibition of the project (DR2004:0877). Material in this file was produced between 1989 and 1991. File contains conceptual drawings, presentation panels, a model, photographs, and textual records.
File 153
1989-1991
Projet
AP143.S4.D78
Description:
File documents the executed project for the Aronoff Center for Design and Art, University of Cincinnati, Ohio. Material in this file was produced between 1955 and 1996 (predominant 1986-1996). File contains conceptual drawings, design development drawings, presentation drawings, working drawings, publication drawings, reference drawings, textual records, photographic material, CD-Rs, and models. The 1986 drawings are presentation graphics for a preliminary architectural program study for the Center. Design development drawings include schematic proposals similar to presentation and publication drawings. Reference drawings include 1955 working drawings of the existing buildings by James Allan, architect and engineer. Textual records include information on the University of Cincinnati, project proposals, correspondence, meetings minutes, memos, financial records, 401 slides, 264 photographs, 11 transparencies, three computer disks, one audio cassette, one VHS cassette, and one artifact.
1955-1996, predominant 1986-1996
Aronoff Center for Design and Art (DAAP), University of Cincinnati, Ohio
Actions:
AP143.S4.D78
Description:
File documents the executed project for the Aronoff Center for Design and Art, University of Cincinnati, Ohio. Material in this file was produced between 1955 and 1996 (predominant 1986-1996). File contains conceptual drawings, design development drawings, presentation drawings, working drawings, publication drawings, reference drawings, textual records, photographic material, CD-Rs, and models. The 1986 drawings are presentation graphics for a preliminary architectural program study for the Center. Design development drawings include schematic proposals similar to presentation and publication drawings. Reference drawings include 1955 working drawings of the existing buildings by James Allan, architect and engineer. Textual records include information on the University of Cincinnati, project proposals, correspondence, meetings minutes, memos, financial records, 401 slides, 264 photographs, 11 transparencies, three computer disks, one audio cassette, one VHS cassette, and one artifact.
File 78
1955-1996, predominant 1986-1996
Projet
AP143.S4.D72
Description:
File documents the unexecuted project for the Carnegie Mellon Research Institute, Pittsburgh, Pennsylvania. Material in this file was produced between 1987 and 1989. File contains design development drawings, photographic material, presentation drawings, record drawings, working drawings, reference drawings, models and design schematics that may have been used for presentations and possibly for publication. Drawings include reprographic copies, ink, graphite, and coloured pencil on translucent paper works, and negatives. Textual records include contracts, correspondence, memos, file index, zoning, schematics, 3 computer disks, 31 photographs, 1 artifact, program, costs, copies of presentation drawings, agreements, project description, estimates, preliminary plan, design criteria, meeting minutes. The models include a presentation model in 5 pieces, 10 boxes of study models, and 2 Oxford Office Complex study models in 1 piece and in 8 pieces.
1987-1989
Carnegie Mellon Research Institute (CMRI)
Actions:
AP143.S4.D72
Description:
File documents the unexecuted project for the Carnegie Mellon Research Institute, Pittsburgh, Pennsylvania. Material in this file was produced between 1987 and 1989. File contains design development drawings, photographic material, presentation drawings, record drawings, working drawings, reference drawings, models and design schematics that may have been used for presentations and possibly for publication. Drawings include reprographic copies, ink, graphite, and coloured pencil on translucent paper works, and negatives. Textual records include contracts, correspondence, memos, file index, zoning, schematics, 3 computer disks, 31 photographs, 1 artifact, program, costs, copies of presentation drawings, agreements, project description, estimates, preliminary plan, design criteria, meeting minutes. The models include a presentation model in 5 pieces, 10 boxes of study models, and 2 Oxford Office Complex study models in 1 piece and in 8 pieces.
File 72
1987-1989
Projet
AP148.S1.1971.PR02
Description:
The project series comprises study sketches, drawings, and brief notes related to the design for the lamp "Misura", a prototype made for Superstudio by Flos in 1971. The accompanying notes refer to a checkered design on a tilting white board, with the light filtering through and transforming this into a transparent surface. Poli identifies 16 pages of the sketchbook as being relevant to this design project (though does not specify which pages), and notes that the remaining 48 pages are for the Cone table project (see AP148.S1.1971.PR04). The accompanying original folder in which Poli included the loose sketches and notes was titled "Lampada Floss | Tavolo a Cono". The technical drawing is stamped Superstudio, with the address on Bellosguardo in Florence. Also included is a photocopy of a photograph of Alessandro Poli and the lamp prototype.
1971-1972
Lamp design for Flos (1971-1972)
Actions:
AP148.S1.1971.PR02
Description:
The project series comprises study sketches, drawings, and brief notes related to the design for the lamp "Misura", a prototype made for Superstudio by Flos in 1971. The accompanying notes refer to a checkered design on a tilting white board, with the light filtering through and transforming this into a transparent surface. Poli identifies 16 pages of the sketchbook as being relevant to this design project (though does not specify which pages), and notes that the remaining 48 pages are for the Cone table project (see AP148.S1.1971.PR04). The accompanying original folder in which Poli included the loose sketches and notes was titled "Lampada Floss | Tavolo a Cono". The technical drawing is stamped Superstudio, with the address on Bellosguardo in Florence. Also included is a photocopy of a photograph of Alessandro Poli and the lamp prototype.
Project
1971-1972
Projet
AP148.S1.1974.PR01
Description:
Project series comprises design work for a project entitled "Architecttura di carta" by Poli. Only one document in the series is dated 1977, and Poli dates the project as 1974 in his inventory. The project features designs for an object or building with a circular base and cone-like top. This work may have been prepared for an exhibition. The notes in the Storyboard include terms such as Crete (Greek island), church, representation, and museum. Some of the handwriting is in Greek. The material in this project series includes 3 large presentation type panels, which feature drawings, sketches, texts and calculations. Similar material is included in the project's Storyboard. In addition, there are 6 circular drawings on cardstock. The 4 photographs in the series depict the design object or building.
1974-1979
Architecttura di carta [Paper architecture] (1974)
Actions:
AP148.S1.1974.PR01
Description:
Project series comprises design work for a project entitled "Architecttura di carta" by Poli. Only one document in the series is dated 1977, and Poli dates the project as 1974 in his inventory. The project features designs for an object or building with a circular base and cone-like top. This work may have been prepared for an exhibition. The notes in the Storyboard include terms such as Crete (Greek island), church, representation, and museum. Some of the handwriting is in Greek. The material in this project series includes 3 large presentation type panels, which feature drawings, sketches, texts and calculations. Similar material is included in the project's Storyboard. In addition, there are 6 circular drawings on cardstock. The 4 photographs in the series depict the design object or building.
Project
1974-1979
Sous-série
AP178.S1.1980.PR02.SS4
Description:
This project subseries documents the Senior Club Anziani [Senior citizens’s clubhouse] designed and built as part of Block 121. While the records were held in the office’s archives this project was assigned the number 2/80 C. Documenting the Senior Club Anziani are sketches, studies, plans, elevations, and details. There are also slides of the built project as well as slides of sketches and the model. For correspondence and documentation related to this project see the project series for Concurso, Block 121, Schlesisches Tor (AP178.S1.1980.PR02). It is important to note that some of the sketches, drawings, and photographs for Senior Club Anziani and the Kita are intermingled. When this is the case it has been noted at the file level for either for either subseries AP178.S1.1980.PR02.SS2 or AP178.S1.1980.PR02.SS3.
circa 1981-1990
Senior Club Anziani, Blocke 121 [Senior citizens' clubhouse, Schlesisches Tor recreational centre], Berlin, Germany (1980-1988)
Actions:
AP178.S1.1980.PR02.SS4
Description:
This project subseries documents the Senior Club Anziani [Senior citizens’s clubhouse] designed and built as part of Block 121. While the records were held in the office’s archives this project was assigned the number 2/80 C. Documenting the Senior Club Anziani are sketches, studies, plans, elevations, and details. There are also slides of the built project as well as slides of sketches and the model. For correspondence and documentation related to this project see the project series for Concurso, Block 121, Schlesisches Tor (AP178.S1.1980.PR02). It is important to note that some of the sketches, drawings, and photographs for Senior Club Anziani and the Kita are intermingled. When this is the case it has been noted at the file level for either for either subseries AP178.S1.1980.PR02.SS2 or AP178.S1.1980.PR02.SS3.
Project
circa 1981-1990
Série(s)
Research
CD042.S1
Description:
The series documents Susan Wagg's research for the exhibition “Money Matters: A Critical Look at Bank Architecture”on bank buildings in the United States and in Canada. It contains her research files on each bank building presented in the exhibition and more general research on bank architecture and architects or architectural firms who designed banks. The series contains a research file for each of the bank buildings studied for the exhibition, which mainly consist of photocopies of articles and press clippings. Also included are more general research files on banks, which include press clippings and photocopies of publicatons, leaflets, and promotional material, as well as some reference photographs. Furthermore, the series contains texts and labels for the exhibition at the Museum of Fine Arts, Houston, and for the venue at Columbia University.
1929-1993
Research
Actions:
CD042.S1
Description:
The series documents Susan Wagg's research for the exhibition “Money Matters: A Critical Look at Bank Architecture”on bank buildings in the United States and in Canada. It contains her research files on each bank building presented in the exhibition and more general research on bank architecture and architects or architectural firms who designed banks. The series contains a research file for each of the bank buildings studied for the exhibition, which mainly consist of photocopies of articles and press clippings. Also included are more general research files on banks, which include press clippings and photocopies of publicatons, leaflets, and promotional material, as well as some reference photographs. Furthermore, the series contains texts and labels for the exhibition at the Museum of Fine Arts, Houston, and for the venue at Columbia University.
Series
1929-1993
Projet
AP206.S1.1985.PR01
Description:
This project series documents the residence of Shri Chandra Prakash Gupta in Saharanpur, India in 1985. The project consisted of a two-storey home with a smaller third storey tower. The home had a dining room, kitchen, drawing room and bedrooms on the two first floors. On top of the smaller third storey tower was an upward facing water tank that resembled a large trough. An elaborate boundary wall surrounded the property and featured a tall, arched gate. This wall, coupled with a front door panelled with rosette designs and windows with patterned grills, gave the home a distinct exterior. The project is recorded through original drawings consisting of floor plans, elevations, sections, details and furnishing drawings, and photographs and negatives of the finished home, dating from on or around 1985.
1985
Residence for Shri Chandra Prakash Gupta, Saharanpur, India (1985)
Actions:
AP206.S1.1985.PR01
Description:
This project series documents the residence of Shri Chandra Prakash Gupta in Saharanpur, India in 1985. The project consisted of a two-storey home with a smaller third storey tower. The home had a dining room, kitchen, drawing room and bedrooms on the two first floors. On top of the smaller third storey tower was an upward facing water tank that resembled a large trough. An elaborate boundary wall surrounded the property and featured a tall, arched gate. This wall, coupled with a front door panelled with rosette designs and windows with patterned grills, gave the home a distinct exterior. The project is recorded through original drawings consisting of floor plans, elevations, sections, details and furnishing drawings, and photographs and negatives of the finished home, dating from on or around 1985.
Project
1985
Projet
AP207.S1.1985.PR03
Description:
The project series documents "Buon Compleanno", an installation that consists of a bed made up of a set of palanquins assembled together to "acquire significance only when assembled, when united according to an elementary scheme that could in theory be continued ad infinitum, creating a “place” of greater and greater intensity." [1] The installation was designed by Pettena at the invitation of the Galleria Special, in Bari, in 1985. The bed was produced by the gallery to present an interpretation of household furniture as ceremonial places. The project series contains sketches and photographs of the installation, a promotional card by the Galleria Special, and a gallery press release with a handwritten note by Pettena on the installation. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/inst-happy-birthday-1985/ (last accessed 11 December 2019).
circa 1985-2016
Buon Compleanno ["Happy Birthday” Bed] (1985)
Actions:
AP207.S1.1985.PR03
Description:
The project series documents "Buon Compleanno", an installation that consists of a bed made up of a set of palanquins assembled together to "acquire significance only when assembled, when united according to an elementary scheme that could in theory be continued ad infinitum, creating a “place” of greater and greater intensity." [1] The installation was designed by Pettena at the invitation of the Galleria Special, in Bari, in 1985. The bed was produced by the gallery to present an interpretation of household furniture as ceremonial places. The project series contains sketches and photographs of the installation, a promotional card by the Galleria Special, and a gallery press release with a handwritten note by Pettena on the installation. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/inst-happy-birthday-1985/ (last accessed 11 December 2019).
Project
circa 1985-2016
Projet
AP207.S1.1989.PR02
Description:
The project series documents "Mappe Recinti Itinerari Territori", a rug made of eleven small tapestries hand-woven together. Pettena designed this rug for a special production for "Megalopoli" in 1989. Each of the tapestries represent four subjects: itineraries, territories, maps and enclosures. These subjects "are the means required for the definition of space inside or outside those “magic circles” that are the walls of a city, the beginning of a construction, as the rituals that are performed inside any enclosure take on a unique quality and role, different from whatever lies beyond this boundary." [1] The project series contains a reference photograph and photo montages of the eleven small tapestries forming the rug. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/design-itineraries-territories-1989/ (last accessed 11 December 2019).
circa 1989-2015
Mappe Recinti Itinerari Territori [Itineraires Territoires Maps Enclosures] (1989)
Actions:
AP207.S1.1989.PR02
Description:
The project series documents "Mappe Recinti Itinerari Territori", a rug made of eleven small tapestries hand-woven together. Pettena designed this rug for a special production for "Megalopoli" in 1989. Each of the tapestries represent four subjects: itineraries, territories, maps and enclosures. These subjects "are the means required for the definition of space inside or outside those “magic circles” that are the walls of a city, the beginning of a construction, as the rituals that are performed inside any enclosure take on a unique quality and role, different from whatever lies beyond this boundary." [1] The project series contains a reference photograph and photo montages of the eleven small tapestries forming the rug. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/design-itineraries-territories-1989/ (last accessed 11 December 2019).
Project
circa 1989-2015