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vii, 240 pages : illustrations (some color) ; 30 cm
New Haven : Yale University Press, ©1998.
Leonardo da Vinci : origins of a genius / David Alan Brown.
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vii, 240 pages : illustrations (some color) ; 30 cm
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New Haven : Yale University Press, ©1998.
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208 pages : illustrations (some color), maps ; 26 cm
New York : Thames and Hudson, 1993.
The traditional architecture of Mexico / Mariana Yampolsky ; text by Chloë Sayer.
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208 pages : illustrations (some color), maps ; 26 cm
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New York : Thames and Hudson, 1993.
livres
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157 pages : illustrations, maps ; 19 cm + 10 maps in container
Los Angeles : Journal of Aesthetics & Protest Press, ©2007.
An atlas of radical cartography / edited by Lize Mogel and Alexis Bhagat.
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157 pages : illustrations, maps ; 19 cm + 10 maps in container
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Los Angeles : Journal of Aesthetics & Protest Press, ©2007.
livres
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231 pages : illustrations, plans, portraits ; 29 cm
Leuven : Leuven University Press, [2016]
Autonomous architecture in Flanders : the early works of Marie-José van Hee, Christian Kieckens, Marc Dubois, Paul Robbrecht and Hilde Daem / edited by Caroline Voet [and three others].
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231 pages : illustrations, plans, portraits ; 29 cm
livres
Leuven : Leuven University Press, [2016]
livres
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x, 258 pages ; 23 cm
Cambridge, Massachusetts : The MIT Press, [2023], ©2023
Women and climate change : examining discourses from the Global North / Nicole Detraz.
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x, 258 pages ; 23 cm
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Cambridge, Massachusetts : The MIT Press, [2023], ©2023
livres
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167 pages : illustrations (chiefly color) ; 24 cm.
Berlin : Tchoban Foundation, Museum für Architekturzeichnung, [2016]., ©2016
Meisterzeichnungen der Architektur aus der Albertina = Architectural master drawings from the Albertina / Ch. Benedik (Hg./ed.).
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167 pages : illustrations (chiefly color) ; 24 cm.
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Berlin : Tchoban Foundation, Museum für Architekturzeichnung, [2016]., ©2016
livres
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231 pages : illustrations (chiefly color) ; 25 cm
Basel, Switzerland : Birkhäuser, [2024], ©2024
30 trees : and why landscape architects love them / edited by Ron Henderson.
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231 pages : illustrations (chiefly color) ; 25 cm
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Basel, Switzerland : Birkhäuser, [2024], ©2024
livres
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2 volumes ; 59.0 cm (2)̲
London : Published by Priestley and Weale, 1822-1829.
Plans, elevations, sections, details, and views, of the magnificent chapel of King Henry the Seventh, at Westminster Abbey Church; with the history of its foundation, and an authentic account of its restoration. By Lewis Nockalls Cottingham, architect.
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2 volumes ; 59.0 cm (2)̲
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London : Published by Priestley and Weale, 1822-1829.
$79.95
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Résumé:
"The Portfolio and the Diagram" is about the changing ways architects see, read, and use the words and images of architectural publications. It begins with an outline of the academic discipline and the mimetic practice of the portfolio, established in America during the late nineteenth century. World War I triggered a historical process that resulted in the demise of the(...)
Théorie de l’architecture
avril 2002, Cambridge, Massachusetts
The portfolio and the diagram : architecture, discourse, and modernity in America
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Résumé:
"The Portfolio and the Diagram" is about the changing ways architects see, read, and use the words and images of architectural publications. It begins with an outline of the academic discipline and the mimetic practice of the portfolio, established in America during the late nineteenth century. World War I triggered a historical process that resulted in the demise of the portfolio and the emergence of the discourse of the diagram. The Beaux Arts-trained architects had fashioned their discipline through the meticulous object-centered images of the portfolio. The discourse of the diagram provided a new range of possibility in the architect’s relation to words, images, and buildings. More than the diagram itself, more than the province of narrow-minded functionalists, the discourse of the diagram is a complex formation of texts, concepts, and modes of representation. Concerned less with constructing a new kind of modernism than with understanding the boundaries and structures of modernity, the book is a history of modern architecture as a discursive practice and its striving to become a viable discipline.
Théorie de l’architecture
$62.00
(disponible sur commande)
Résumé:
"Architecture, film, and the in-between: spatio-cinematic betwixt" looks at the cinematic representation of architectural in-betweenness, as well as the in-between spaces within the architectural structure of films. As films seek to depict architecture in evolving, original ways, they can also expand betwixt areas, imbuing them with horror or fantasy. Spies can escape(...)
septembre 2024
Architecture, film, and the in-between: Spatio-cinematic between
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$62.00
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"Architecture, film, and the in-between: spatio-cinematic betwixt" looks at the cinematic representation of architectural in-betweenness, as well as the in-between spaces within the architectural structure of films. As films seek to depict architecture in evolving, original ways, they can also expand betwixt areas, imbuing them with horror or fantasy. Spies can escape inside unconvincingly stable ducts and children can slide through pipes with no discernible function. And just as subway routes and airplanes can stitch together two destinations, loopholes and magic architectural features can connect distinct realms via interstitial spaces. Contributors discuss a range of architects and filmmakers, including John Lautner, David Lynch, Christopher Nolan, Agnès Varda, and Mies van der Rohe, and take diverse approaches to the liminal space between architecture and film, touching on existential experience, post-phenomenological thinking, sociopolitical cinearchitecture, fictive ecologies, and more. Collecting essays by well-respected architects, thinkers, and philosophers—such as Juhani Pallasmaa, Beatriz Colomina, and Graham Harman—the book includes imagery and infographics that map filmic spaces, diagram narratives, and visualize the hidden spatial dimensions of movies.