13794 Résultats
Classification:
livres
livres
Prix:
$77.50
(disponible sur commande)
Résumé:
Presenting a critical and theoretical dimension to retail design, "Boutiques and other retail spaces" links the ideas behind it to real practice in this innovative and important contribution to architectural/interior theory literature. Retail structure has been subject to a dramatic and ongoing transformation over the past thirty years, materializing in the emergence(...)
$77.50
(disponible sur commande)
Résumé:
Presenting a critical and theoretical dimension to retail design, "Boutiques and other retail spaces" links the ideas behind it to real practice in this innovative and important contribution to architectural/interior theory literature. Retail structure has been subject to a dramatic and ongoing transformation over the past thirty years, materializing in the emergence(...)
Publication:
juillet 2007, New York, London
juillet 2007, New York, London
Titre:
Boutique and other retail spaces : the architecture of seduction
Actions:
Prix:
$77.50
(disponible sur commande)
Résumé:
Presenting a critical and theoretical dimension to retail design, "Boutiques and other retail spaces" links the ideas behind it to real practice in this innovative and important contribution to architectural/interior theory literature. Retail structure has been subject to a dramatic and ongoing transformation over the past thirty years, materializing in the emergence of large-scale out-of-town shopping centres and new specialized shops in city centres. These specialized boutiques are highly designed, involving well-known architectural firms such as OMA/Rem Koolhaas, David Chipperfield, Herzog + de Meuron amongst others. With case studies and over 100 black and white images, Vernet and de Wit set forth original and well-grounded theory to accompany this popular and lucrative area of work.
Boutique and other retail spaces : the architecture of seduction
Actions:
Prix:
$77.50
(disponible sur commande)
Résumé:
Presenting a critical and theoretical dimension to retail design, "Boutiques and other retail spaces" links the ideas behind it to real practice in this innovative and important contribution to architectural/interior theory literature. Retail structure has been subject to a dramatic and ongoing transformation over the past thirty years, materializing in the emergence of large-scale out-of-town shopping centres and new specialized shops in city centres. These specialized boutiques are highly designed, involving well-known architectural firms such as OMA/Rem Koolhaas, David Chipperfield, Herzog + de Meuron amongst others. With case studies and over 100 black and white images, Vernet and de Wit set forth original and well-grounded theory to accompany this popular and lucrative area of work.
Classification:
livres
livres
Publication:
juillet 2007, New York, London
juillet 2007, New York, London
Classification:
livres
livres
Exemplaires:
Description:
xxv, 172 pages : illustrations ; 24 cm
Description:
xxv, 172 pages : illustrations ; 24 cm
Auteur:
Sujet:
- Modotti, Tina, 1896-1942 Criticism and interpretation.,
- Modotti, Tina, 1896-1942 Critique et interprétation.,
- Modotti, Tina, 1896-1942,
- Modotti, Tina 1896-1942,
- Modotti, Tina.,
- Photographic criticism.,
- Photography, Artistic.,
- Feminist criticism.,
- Feminist literary criticism.,
- Critique photographique.,
- Photographie artistique.,
- Critique féministe.,
- art photography.,
- Fotografie,
- Fotografen.,
- Activisme.,
- Photographers Mexico.,
- Criticism, interpretation, etc.
Publication:
Albuquerque : University of New Mexico Press, ©2000.
Albuquerque : University of New Mexico Press, ©2000.
Titre:
Tina Modotti : image, texture, photography / Andrea Noble.
Actions:
Exemplaires:
Description:
xxv, 172 pages : illustrations ; 24 cm
Tina Modotti : image, texture, photography / Andrea Noble.
Actions:
Exemplaires:
Description:
xxv, 172 pages : illustrations ; 24 cm
Classification:
livres
livres
Publication:
Albuquerque : University of New Mexico Press, ©2000.
Albuquerque : University of New Mexico Press, ©2000.
Auteur:
Sujet:
- Modotti, Tina, 1896-1942 Criticism and interpretation.,
- Modotti, Tina, 1896-1942 Critique et interprétation.,
- Modotti, Tina, 1896-1942,
- Modotti, Tina 1896-1942,
- Modotti, Tina.,
- Photographic criticism.,
- Photography, Artistic.,
- Feminist criticism.,
- Feminist literary criticism.,
- Critique photographique.,
- Photographie artistique.,
- Critique féministe.,
- art photography.,
- Fotografie,
- Fotografen.,
- Activisme.,
- Photographers Mexico.,
- Criticism, interpretation, etc.
Classification:
livres
livres
Actions:
Exemplaires:
Description:
xv, 231 pages : illustrations, maps ; 24 cm.
Description:
xv, 231 pages : illustrations, maps ; 24 cm.
Auteur:
Sujet:
- Urban archaeology United States.,
- Urbanization United States.,
- Archéologie urbaine États-Unis.,
- Urbanisation États-Unis.,
- Antiquities,
- Urban archaeology.,
- Urbanization.,
- Verstädterung,
- Stadt,
- Archäologie,
- United States Antiquities.,
- États-Unis Antiquités.,
- United States.,
- USA
Publication:
Gainesville : University Press of Florida, [2014], ©2014
Gainesville : University Press of Florida, [2014], ©2014
Titre:
The archaeology of American cities / Nan A. Rothschild and Diana diZerega Wall ; foreword by Michael S. Nassaney.
Actions:
Exemplaires:
Description:
xv, 231 pages : illustrations, maps ; 24 cm.
The archaeology of American cities / Nan A. Rothschild and Diana diZerega Wall ; foreword by Michael S. Nassaney.
Actions:
Exemplaires:
Description:
xv, 231 pages : illustrations, maps ; 24 cm.
Classification:
livres
livres
Publication:
Gainesville : University Press of Florida, [2014], ©2014
Gainesville : University Press of Florida, [2014], ©2014
Auteur:
Sujet:
- Urban archaeology United States.,
- Urbanization United States.,
- Archéologie urbaine États-Unis.,
- Urbanisation États-Unis.,
- Antiquities,
- Urban archaeology.,
- Urbanization.,
- Verstädterung,
- Stadt,
- Archäologie,
- United States Antiquities.,
- États-Unis Antiquités.,
- United States.,
- USA
Classification:
livres
livres
Actions:
Exemplaires:
Description:
476 pages : illustrations ; 23 cm
Description:
476 pages : illustrations ; 23 cm
Auteur:
Sujet:
- Doppelgängers.,
- Impostor phenomenon.,
- Copying Psychological aspects.,
- Twins Psychology.,
- Twins Mythology.,
- Impersonation.,
- Copying History.,
- Copying processes History.,
- Authenticity (Philosophy),
- Bioethics.,
- Copying Processes,
- Fraud psychology,
- Twins, Monozygotic psychology,
- Cloning, Organism psychology,
- Bioethical Issues,
- Héautoscopie.,
- Syndrome de l'imposteur.,
- Copie Aspect psychologique.,
- Jumeaux Psychologie.,
- Imitation.,
- Copie Histoire.,
- Reprographie Histoire.,
- Authenticité (Philosophie),
- Bioéthique.,
- Copying,
- Copying processes,
- History
Publication:
New York : Zone Books, 2014.
New York : Zone Books, 2014.
Titre:
Culture of the copy : striking likenesses, unreasonable facsimiles / Hillel Schwartz.
Actions:
Exemplaires:
Description:
476 pages : illustrations ; 23 cm
Culture of the copy : striking likenesses, unreasonable facsimiles / Hillel Schwartz.
Actions:
Exemplaires:
Description:
476 pages : illustrations ; 23 cm
Classification:
livres
livres
Publication:
New York : Zone Books, 2014.
New York : Zone Books, 2014.
Auteur:
Sujet:
- Doppelgängers.,
- Impostor phenomenon.,
- Copying Psychological aspects.,
- Twins Psychology.,
- Twins Mythology.,
- Impersonation.,
- Copying History.,
- Copying processes History.,
- Authenticity (Philosophy),
- Bioethics.,
- Copying Processes,
- Fraud psychology,
- Twins, Monozygotic psychology,
- Cloning, Organism psychology,
- Bioethical Issues,
- Héautoscopie.,
- Syndrome de l'imposteur.,
- Copie Aspect psychologique.,
- Jumeaux Psychologie.,
- Imitation.,
- Copie Histoire.,
- Reprographie Histoire.,
- Authenticité (Philosophie),
- Bioéthique.,
- Copying,
- Copying processes,
- History
Classification:
livres
livres
Actions:
Exemplaires:
Description:
63 pages : illustrations ; 25 cm
Description:
63 pages : illustrations ; 25 cm
Auteur:
Sujet:
- Johnston, Harry, 1858-1927 Photograph collections Exhibitions.,
- Johnston, Harry, 1858-1927,
- Royal Geographical Society (Great Britain) Exhibitions.,
- Royal Geographical Society Photograph collections Exhibitions.,
- Royal Geographical Society (Great Britain),
- Photograph collections,
- West Indies Pictorial works Exhibitions.,
- Antilles Ouvrages illustrés Expositions.,
- West Indies,
- Exhibition catalogues.,
- Exhibition catalogs.,
- Exhibition, pictorial works
Publication:
London : British Council : Royal Geographical Society with the Institute of British Geographers, 1998.
London : British Council : Royal Geographical Society with the Institute of British Geographers, 1998.
Titre:
Photos and phantasms : Harry Johnston's photographs of the Caribbean.
Actions:
Exemplaires:
Description:
63 pages : illustrations ; 25 cm
Photos and phantasms : Harry Johnston's photographs of the Caribbean.
Actions:
Exemplaires:
Description:
63 pages : illustrations ; 25 cm
Classification:
livres
livres
Publication:
London : British Council : Royal Geographical Society with the Institute of British Geographers, 1998.
London : British Council : Royal Geographical Society with the Institute of British Geographers, 1998.
Auteur:
Sujet:
- Johnston, Harry, 1858-1927 Photograph collections Exhibitions.,
- Johnston, Harry, 1858-1927,
- Royal Geographical Society (Great Britain) Exhibitions.,
- Royal Geographical Society Photograph collections Exhibitions.,
- Royal Geographical Society (Great Britain),
- Photograph collections,
- West Indies Pictorial works Exhibitions.,
- Antilles Ouvrages illustrés Expositions.,
- West Indies,
- Exhibition catalogues.,
- Exhibition catalogs.,
- Exhibition, pictorial works
Classification:
archives
archives
Actions:
Exemplaires:
Description:
217 items, 0.06 l.m. of textual documents., The fonds is organized in 2 series.
Description:
217 items, 0.06 l.m. of textual documents., The fonds is organized in 2 series.
Auteur:
Sujet:
- Parizeau, Marcel, 1898-1945.,
- Architecture Québec (Province) Montréal History 20th century.,
- Architecture Québec (Province) History 20th century.,
- Interior decoration Designs and plans.,
- Architecture Québec (Province) Montréal Histoire 20e siècle.,
- Architecture Québec (Province) Histoire 20e siècle.,
- Décoration intérieure Dessins et plans.,
- Architecture,
- Interior decoration,
- Paris (France) In art.,
- Brittany (France) In art.,
- Bretagne (France) Dans l'art.,
- France Brittany,
- France Paris,
- Québec,
- Québec Montréal,
- Fonds (collections),
- Architectural drawings,
- Art,
- History
Titre:
Fonds Marcel Parizeau, 1917-1955 ca. 1923-1944.
Actions:
Exemplaires:
Description:
217 items, 0.06 l.m. of textual documents., The fonds is organized in 2 series.
Fonds Marcel Parizeau, 1917-1955 ca. 1923-1944.
Actions:
Exemplaires:
Description:
217 items, 0.06 l.m. of textual documents., The fonds is organized in 2 series.
Classification:
archives
archives
Auteur:
Sujet:
- Parizeau, Marcel, 1898-1945.,
- Architecture Québec (Province) Montréal History 20th century.,
- Architecture Québec (Province) History 20th century.,
- Interior decoration Designs and plans.,
- Architecture Québec (Province) Montréal Histoire 20e siècle.,
- Architecture Québec (Province) Histoire 20e siècle.,
- Décoration intérieure Dessins et plans.,
- Architecture,
- Interior decoration,
- Paris (France) In art.,
- Brittany (France) In art.,
- Bretagne (France) Dans l'art.,
- France Brittany,
- France Paris,
- Québec,
- Québec Montréal,
- Fonds (collections),
- Architectural drawings,
- Art,
- History
Classification:
livres
livres
Actions:
Exemplaires:
Description:
207 pages : illustrations (chiefly color), map, portraits ; 32 cm
Description:
207 pages : illustrations (chiefly color), map, portraits ; 32 cm
Auteur:
- Being Material (2017 : Cambridge, Mass.),,
- Marie-Pier Boucher, Stefan Helmreich, Leila W. Kinney, Skylar Tibbits, Rebecca Uchill, and Evan Ziporyn -- Skylar Tibbits -- Deborah G. Douglas -- Ben Fry and Casey Reas -- Manu Prakash, Jim Cybulski, Rebecca Konte, Team Foldscope and the global Foldscope community -- Nadya Peek -- Benjamin H. Bratton -- Tom Özden-Schilling -- Leila W. Kinney -- Michelle Tolini Finamore -- Azra Aksamija -- M. Amah Edoh -- Natasha D. Schull -- Ashley Baccus-Clark, Ece Tankal, Nitzan Bartov, Carmen Aguilar y Wedge -- Christina Agapakis and Lucy McRae -- Tom Özden-Schilling -- Rebecca Uchill and Stefan Helmreich -- Tal Danino -- Claire Pentecost -- Bill Maurer -- Winona LaDuke, illustrated by Sarah LittleRedfeather -- Tom Özden-Schilling -- Stefan Helmreich and Rebecca Uchill -- Sandy Alexandre -- Lisa Parks in conversation with Trevor Paglen -- Lisa Parks -- Nicholas Shapiro -- George Barbastathis -- Tom Özden-Schilling -- Evan Ziporyn -- Evan Ziporyn in conversation with Dewa Alit -- Maya Beiser -- Arnold Dreyblatt -- Victor Gama -- Brendan Landis -- Grace Leslie -- Pawel Romanczuk -- Evan Ziporyn -- Marie-Pier Boucher --,
- Boucher, Marie-Pier,,
- Helmreich, Stefan, 1966-,
- Kinney, Leila W.,,
- Tibbits, Skylar,,
- Uchill, Rebecca, 1978-,
- Ziporyn, Evan,,
- Massachusetts Institute of Technology. Center for Art, Science & Technology,
Sujet:
- Commercial products Computer-aided design Congresses.,
- Art objects Computer-aided design Congresses.,
- Commercial products Computer-aided design Pictorial works.,
- Art objects Computer-aided design Pictorial works.,
- Digital media Psychological aspects Congresses.,
- Senses and sensation Philosophy Congresses.,
- Materialism Congresses.,
- Material culture Congresses.,
- Produits commerciaux Conception assistée par ordinateur Congrès.,
- Objets d'art Conception assistée par ordinateur Congrès.,
- Produits commerciaux Conception assistée par ordinateur Ouvrages illustrés.,
- Objets d'art Conception assistée par ordinateur Ouvrages illustrés.,
- Médias numériques Aspect psychologique Congrès.,
- Sens et sensations Philosophie Congrès.,
- Matérialisme Congrès.,
- Culture matérielle Congrès.,
- Material culture,
- Materialism,
- Pictorial works,
- Conference papers and proceedings
Publication:
Cambridge, MA : The MIT Press, [2019], ©2019
Cambridge, MA : The MIT Press, [2019], ©2019
Titre:
Being material / edited by Marie-Pier Boucher, Stefan Helmreich, Leila W. Kinney, Skylar Tibbits, Rebecca Uchill, and Evan Ziporyn.
Actions:
Exemplaires:
Description:
207 pages : illustrations (chiefly color), map, portraits ; 32 cm
Being material / edited by Marie-Pier Boucher, Stefan Helmreich, Leila W. Kinney, Skylar Tibbits, Rebecca Uchill, and Evan Ziporyn.
Actions:
Exemplaires:
Description:
207 pages : illustrations (chiefly color), map, portraits ; 32 cm
Classification:
livres
livres
Publication:
Cambridge, MA : The MIT Press, [2019], ©2019
Cambridge, MA : The MIT Press, [2019], ©2019
Auteur:
- Being Material (2017 : Cambridge, Mass.),,
- Marie-Pier Boucher, Stefan Helmreich, Leila W. Kinney, Skylar Tibbits, Rebecca Uchill, and Evan Ziporyn -- Skylar Tibbits -- Deborah G. Douglas -- Ben Fry and Casey Reas -- Manu Prakash, Jim Cybulski, Rebecca Konte, Team Foldscope and the global Foldscope community -- Nadya Peek -- Benjamin H. Bratton -- Tom Özden-Schilling -- Leila W. Kinney -- Michelle Tolini Finamore -- Azra Aksamija -- M. Amah Edoh -- Natasha D. Schull -- Ashley Baccus-Clark, Ece Tankal, Nitzan Bartov, Carmen Aguilar y Wedge -- Christina Agapakis and Lucy McRae -- Tom Özden-Schilling -- Rebecca Uchill and Stefan Helmreich -- Tal Danino -- Claire Pentecost -- Bill Maurer -- Winona LaDuke, illustrated by Sarah LittleRedfeather -- Tom Özden-Schilling -- Stefan Helmreich and Rebecca Uchill -- Sandy Alexandre -- Lisa Parks in conversation with Trevor Paglen -- Lisa Parks -- Nicholas Shapiro -- George Barbastathis -- Tom Özden-Schilling -- Evan Ziporyn -- Evan Ziporyn in conversation with Dewa Alit -- Maya Beiser -- Arnold Dreyblatt -- Victor Gama -- Brendan Landis -- Grace Leslie -- Pawel Romanczuk -- Evan Ziporyn -- Marie-Pier Boucher --,
- Boucher, Marie-Pier,,
- Helmreich, Stefan, 1966-,
- Kinney, Leila W.,,
- Tibbits, Skylar,,
- Uchill, Rebecca, 1978-,
- Ziporyn, Evan,,
- Massachusetts Institute of Technology. Center for Art, Science & Technology,
Sujet:
- Commercial products Computer-aided design Congresses.,
- Art objects Computer-aided design Congresses.,
- Commercial products Computer-aided design Pictorial works.,
- Art objects Computer-aided design Pictorial works.,
- Digital media Psychological aspects Congresses.,
- Senses and sensation Philosophy Congresses.,
- Materialism Congresses.,
- Material culture Congresses.,
- Produits commerciaux Conception assistée par ordinateur Congrès.,
- Objets d'art Conception assistée par ordinateur Congrès.,
- Produits commerciaux Conception assistée par ordinateur Ouvrages illustrés.,
- Objets d'art Conception assistée par ordinateur Ouvrages illustrés.,
- Médias numériques Aspect psychologique Congrès.,
- Sens et sensations Philosophie Congrès.,
- Matérialisme Congrès.,
- Culture matérielle Congrès.,
- Material culture,
- Materialism,
- Pictorial works,
- Conference papers and proceedings
Classification:
livres
livres
Titre:
Looking back
Looking back
Actions:
Prix:
$44.95
(disponible en magasin)
Résumé:
When Charles Harrison died in 2009, the British art world lost a pivotal figure. From curating the groundbreaking 1969 exhibit, “When Attitudes Become Form” at London’s Institute of Contemporary Art; to co-writing the hyper-influential, three-volume work Art in Theory; to teaching art history to thousands in much-admired “plain English”: Harrison’s influence on the(...)
$44.95
(disponible en magasin)
Résumé:
When Charles Harrison died in 2009, the British art world lost a pivotal figure. From curating the groundbreaking 1969 exhibit, “When Attitudes Become Form” at London’s Institute of Contemporary Art; to co-writing the hyper-influential, three-volume work Art in Theory; to teaching art history to thousands in much-admired “plain English”: Harrison’s influence on the(...)
Titre:
Looking back
Actions:
Prix:
$44.95
(disponible en magasin)
Résumé:
When Charles Harrison died in 2009, the British art world lost a pivotal figure. From curating the groundbreaking 1969 exhibit, “When Attitudes Become Form” at London’s Institute of Contemporary Art; to co-writing the hyper-influential, three-volume work Art in Theory; to teaching art history to thousands in much-admired “plain English”: Harrison’s influence on the British art scene cannot be overestimated. This collection of autobiographical interviews – a fitting tribute to Harrison – opens a window into the thinking of the tireless critic and riveting professor who railed against second-rate art with his trademark motto, “Better fewer, but better.” Harrison re-caps decades of experience, retrospectively looking at trends, art historical events, institutions and artists, synthesizing it all with the brilliance he was known for. The volume also includes Harrison’s own visual documentation of the art world: a selection of his own images of exhibitions he visited, art works he championed and artists’ and critics’ studios and homes. Former students recall these impeccable photos as one of the delights of his lectures. “Harrison had the gift of making people see things they had not seen before, and even more, to think about what it was they were seeing, and to reflect on the consequences,” wrote The Times of London. This publication offers an opportunity to experience one of the art world giants of our time. Interviews with Jo Melvin, Teresa Gleadow, Pablo Lafuente, Juliette Rizzi, Sophie Richard, Elena Crippa, Christopher Huer and Matthew Jesse Jackson
Looking back
Actions:
Prix:
$44.95
(disponible en magasin)
Résumé:
When Charles Harrison died in 2009, the British art world lost a pivotal figure. From curating the groundbreaking 1969 exhibit, “When Attitudes Become Form” at London’s Institute of Contemporary Art; to co-writing the hyper-influential, three-volume work Art in Theory; to teaching art history to thousands in much-admired “plain English”: Harrison’s influence on the British art scene cannot be overestimated. This collection of autobiographical interviews – a fitting tribute to Harrison – opens a window into the thinking of the tireless critic and riveting professor who railed against second-rate art with his trademark motto, “Better fewer, but better.” Harrison re-caps decades of experience, retrospectively looking at trends, art historical events, institutions and artists, synthesizing it all with the brilliance he was known for. The volume also includes Harrison’s own visual documentation of the art world: a selection of his own images of exhibitions he visited, art works he championed and artists’ and critics’ studios and homes. Former students recall these impeccable photos as one of the delights of his lectures. “Harrison had the gift of making people see things they had not seen before, and even more, to think about what it was they were seeing, and to reflect on the consequences,” wrote The Times of London. This publication offers an opportunity to experience one of the art world giants of our time. Interviews with Jo Melvin, Teresa Gleadow, Pablo Lafuente, Juliette Rizzi, Sophie Richard, Elena Crippa, Christopher Huer and Matthew Jesse Jackson
Classification:
livres
livres
Publication:
février 2011
février 2011
Sujet:
Théorie de l’art
Théorie de l’art
Classification:
livres
livres
Actions:
Prix:
$17.95
(disponible sur commande)
Résumé:
Almost a half-century after Yayoi Kusama debuted her landmark installation Infinity Mirror Room - Phalli's Field (1965) in New York, the work remains challenging and unclassifiable. Shifting between the Pop-like and the Surreal, the Minimal and the metaphorical, the figurative and the abstract, the psychotic and the erotic, with references to "free love" and psychedelia,(...)
$17.95
(disponible sur commande)
Résumé:
Almost a half-century after Yayoi Kusama debuted her landmark installation Infinity Mirror Room - Phalli's Field (1965) in New York, the work remains challenging and unclassifiable. Shifting between the Pop-like and the Surreal, the Minimal and the metaphorical, the figurative and the abstract, the psychotic and the erotic, with references to "free love" and psychedelia,(...)
Titre:
Yayoi Kusuma : Infinity mirror room - Phalli's Field
Actions:
Prix:
$17.95
(disponible sur commande)
Résumé:
Almost a half-century after Yayoi Kusama debuted her landmark installation Infinity Mirror Room - Phalli's Field (1965) in New York, the work remains challenging and unclassifiable. Shifting between the Pop-like and the Surreal, the Minimal and the metaphorical, the figurative and the abstract, the psychotic and the erotic, with references to "free love" and psychedelia, it seemed to embody all that the 1960s was about, while at the same time denying the prevailing aesthetics of its time. The installation itself was a room lined with mirrored panels and carpeted with several hundred brightly polka-dotted soft fabric protrusions into which the visitor was completely absorbed. Kusama simply called it "a sublime, miraculous field of phalluses." A precursor of performance-based feminist art practice, media pranksterism, and "Occupy" movements, Kusama (born in 1929) was once as well known as her admirers - Andy Warhol, Donald Judd, and Joseph Cornell. In this first monograph on an epoch-defining work, Jo Applin looks at the installation in detail and places it in the context of subsequent art practice and theory as well as Kusama's own (as she called it) "obsessional art." Applin also discusses Kusama's relationship to her contemporaries, particularly those working with environments, abstract-erotic sculpture, and mirrors, and those grappling with such issues as abstraction, eroticism, sexuality, and softness. The work of Lee Lozano, Claes Oldenburg, Louise Bourgeois, and Eva Hesse is seen anew when considered in relation to Yayoi Kusama's.
Yayoi Kusuma : Infinity mirror room - Phalli's Field
Actions:
Prix:
$17.95
(disponible sur commande)
Résumé:
Almost a half-century after Yayoi Kusama debuted her landmark installation Infinity Mirror Room - Phalli's Field (1965) in New York, the work remains challenging and unclassifiable. Shifting between the Pop-like and the Surreal, the Minimal and the metaphorical, the figurative and the abstract, the psychotic and the erotic, with references to "free love" and psychedelia, it seemed to embody all that the 1960s was about, while at the same time denying the prevailing aesthetics of its time. The installation itself was a room lined with mirrored panels and carpeted with several hundred brightly polka-dotted soft fabric protrusions into which the visitor was completely absorbed. Kusama simply called it "a sublime, miraculous field of phalluses." A precursor of performance-based feminist art practice, media pranksterism, and "Occupy" movements, Kusama (born in 1929) was once as well known as her admirers - Andy Warhol, Donald Judd, and Joseph Cornell. In this first monograph on an epoch-defining work, Jo Applin looks at the installation in detail and places it in the context of subsequent art practice and theory as well as Kusama's own (as she called it) "obsessional art." Applin also discusses Kusama's relationship to her contemporaries, particularly those working with environments, abstract-erotic sculpture, and mirrors, and those grappling with such issues as abstraction, eroticism, sexuality, and softness. The work of Lee Lozano, Claes Oldenburg, Louise Bourgeois, and Eva Hesse is seen anew when considered in relation to Yayoi Kusama's.
Classification:
livres
livres
Publication:
novembre 2012
novembre 2012
Sujet:
Théorie de l’art
Théorie de l’art
Classification:
livres
livres
Actions:
Prix:
$33.95
(disponible sur commande)
Résumé:
Poets often have responded vitally to the art of their time, and ever since Susan Stewart began writing about art in the early 1980s, her work has resonated with practicing artists, curators, art historians, and art critics. Rooted in a broad and learned range of references, Stewart's fresh and independent essays bridge the fields of literature, aesthetics, and(...)
$33.95
(disponible sur commande)
Résumé:
Poets often have responded vitally to the art of their time, and ever since Susan Stewart began writing about art in the early 1980s, her work has resonated with practicing artists, curators, art historians, and art critics. Rooted in a broad and learned range of references, Stewart's fresh and independent essays bridge the fields of literature, aesthetics, and(...)
Titre:
The open studio : Essays on art and aesthetics
Actions:
Prix:
$33.95
(disponible sur commande)
Résumé:
Poets often have responded vitally to the art of their time, and ever since Susan Stewart began writing about art in the early 1980s, her work has resonated with practicing artists, curators, art historians, and art critics. Rooted in a broad and learned range of references, Stewart's fresh and independent essays bridge the fields of literature, aesthetics, and contemporary art. Gathering most of Stewart's writing on contemporary art—long and short pieces first published in small magazines, museum and gallery publications, and edited collections—The Open Studio illuminates work ranging from the installation art of Ann Hamilton to the sculptures and watercolors of Thomas Schütte, the prints and animations of William Kentridge to the films of Tacita Dean. Stewart's essays are often the record of studio conversations with living artists and curators, and of the afterlife of those experiences in the solitude of her own study. Considering a wide variety of art forms, Stewart finds pathbreaking ways to explore them. Whether she is following central traditions of painting, drawing, sculpture, film, photography, and printmaking or exploring the less well-known realms of portrait miniatures, collecting practices, doll-making, music boxes, and gardening, Stewart speaks to the creative process in general and to the relation between art and ethics. The Open Studio will be read eagerly by scholars of art, poetry, and visual theory; by historians interested in the links between contemporary and classic literature and art; and by teachers, students, and practitioners of the visual arts.
The open studio : Essays on art and aesthetics
Actions:
Prix:
$33.95
(disponible sur commande)
Résumé:
Poets often have responded vitally to the art of their time, and ever since Susan Stewart began writing about art in the early 1980s, her work has resonated with practicing artists, curators, art historians, and art critics. Rooted in a broad and learned range of references, Stewart's fresh and independent essays bridge the fields of literature, aesthetics, and contemporary art. Gathering most of Stewart's writing on contemporary art—long and short pieces first published in small magazines, museum and gallery publications, and edited collections—The Open Studio illuminates work ranging from the installation art of Ann Hamilton to the sculptures and watercolors of Thomas Schütte, the prints and animations of William Kentridge to the films of Tacita Dean. Stewart's essays are often the record of studio conversations with living artists and curators, and of the afterlife of those experiences in the solitude of her own study. Considering a wide variety of art forms, Stewart finds pathbreaking ways to explore them. Whether she is following central traditions of painting, drawing, sculpture, film, photography, and printmaking or exploring the less well-known realms of portrait miniatures, collecting practices, doll-making, music boxes, and gardening, Stewart speaks to the creative process in general and to the relation between art and ethics. The Open Studio will be read eagerly by scholars of art, poetry, and visual theory; by historians interested in the links between contemporary and classic literature and art; and by teachers, students, and practitioners of the visual arts.
Classification:
livres
livres
Publication:
septembre 2004, Chicago London
septembre 2004, Chicago London
Sujet:
Théorie de l’art
Théorie de l’art
