archives
Niveau de description archivistique:
Collection
CD033
Résumé:
The Aldo Cibic Microrealities project collection primarily consists of presentation materials, publications and born digital materials, like videos and photographs, by Aldo Cibic produced between 2003 and 2008 for the project “Microrealities”.
2003-2008
Collection d’Aldo Cibic pour le projet Microrealities
Actions:
CD033
Résumé:
The Aldo Cibic Microrealities project collection primarily consists of presentation materials, publications and born digital materials, like videos and photographs, by Aldo Cibic produced between 2003 and 2008 for the project “Microrealities”.
archives
Niveau de description archivistique:
collection
2003-2008
oeuvres d'art
Quantité:
20 print(s)
Détails d'architecture
DR1990:0047:001-020
Description:
The etchings in this set include designs for various parts of architectural orders including column bases, capitals, and entablatures. There is some overlap with prints in Du Cerceau’s 'Détails d’ordres antiques' (notably elements on Plates 007 and 011), however most of the etchings include novel elements drawn from the type of ornament in use in works produced by the First School of Fontainebleau such as armor, musical instruments, and fruit. In purportedly representing architectural elements drawn from antiquity, Du Cerceau introduces a high level of variation and innovation. Some of these details are whimsical, for example a small detail of a dog on the entablature of Plate 002. Each plate is organized to accommodate the greatest number of variations possible. For example, Plate 12 includes two friezes, one with a series of musical instruments and the other with instruments of war – suggesting that the designs could be adapted to suit each patron’s particular interests.
architecture
engraved circa 1566-1570
Détails d'architecture
Actions:
DR1990:0047:001-020
Description:
The etchings in this set include designs for various parts of architectural orders including column bases, capitals, and entablatures. There is some overlap with prints in Du Cerceau’s 'Détails d’ordres antiques' (notably elements on Plates 007 and 011), however most of the etchings include novel elements drawn from the type of ornament in use in works produced by the First School of Fontainebleau such as armor, musical instruments, and fruit. In purportedly representing architectural elements drawn from antiquity, Du Cerceau introduces a high level of variation and innovation. Some of these details are whimsical, for example a small detail of a dog on the entablature of Plate 002. Each plate is organized to accommodate the greatest number of variations possible. For example, Plate 12 includes two friezes, one with a series of musical instruments and the other with instruments of war – suggesting that the designs could be adapted to suit each patron’s particular interests.
oeuvres d'art
Quantité:
20 print(s)
engraved circa 1566-1570
architecture
documents textuels
ARCH158396
Description:
Cette chemise contient de la correspondance diverse de la Fondation Frank Lloyd Wright, adressée à M. et Mme Roger D'Astous, soit à titre d'amis de la Fondation ou à titre d'ancien apprenti du Fellowship, selon le cas, et en particulier de la correspondance relative aux célébrations du cinquantième anniversaire de Taliesin, en 1987 ; de même que des exemplaires du bulletin Taliesin Fellowship News (Vol. 1, no 2 et vol. 2, no 1) et 1 exemplaire du Frank Lloyd Wright Quarterly, vol. 3, no. 4, et 1 exemplaire de la brochure The Frank Lloyd Wright School of Architecture - An Overview 1993-1994. De plus, on retrouve parmi la correspondance : 1 lettre de William Wesley Peters 1 lettre de Mme Frank Lloyd Wright 2 cartes de souhaits signées par Frank Lloyd Wright 11,5 x 16,5cm et 13 x 18cm 1 lettre de Kamal Amin à Roger D'Astous, 1er février 1977 1 lettre de Anna Delson à Micheline et Roger D'Astous, 4 septembre 1989 1 feuillet 19,5 x 14,5 cm 1 lettre de Morton Delson à Micheline et Roger D'Astous, ca. septembre 1989. 1 feuillet accompagné de photocopie et coupure de presse 9,5 x 25,5 cm 1 photographie: prise à l'occasion des célébrations du 50ième de Taliesin, noir et blanc 22,5 x 25,5 cm 1 projet de lettre de Roger D'Astous à William Wesley Peters, ca. 1991
Correspondance diverse de la Fondation Frank Lloyd Wright
Actions:
ARCH158396
Description:
Cette chemise contient de la correspondance diverse de la Fondation Frank Lloyd Wright, adressée à M. et Mme Roger D'Astous, soit à titre d'amis de la Fondation ou à titre d'ancien apprenti du Fellowship, selon le cas, et en particulier de la correspondance relative aux célébrations du cinquantième anniversaire de Taliesin, en 1987 ; de même que des exemplaires du bulletin Taliesin Fellowship News (Vol. 1, no 2 et vol. 2, no 1) et 1 exemplaire du Frank Lloyd Wright Quarterly, vol. 3, no. 4, et 1 exemplaire de la brochure The Frank Lloyd Wright School of Architecture - An Overview 1993-1994. De plus, on retrouve parmi la correspondance : 1 lettre de William Wesley Peters 1 lettre de Mme Frank Lloyd Wright 2 cartes de souhaits signées par Frank Lloyd Wright 11,5 x 16,5cm et 13 x 18cm 1 lettre de Kamal Amin à Roger D'Astous, 1er février 1977 1 lettre de Anna Delson à Micheline et Roger D'Astous, 4 septembre 1989 1 feuillet 19,5 x 14,5 cm 1 lettre de Morton Delson à Micheline et Roger D'Astous, ca. septembre 1989. 1 feuillet accompagné de photocopie et coupure de presse 9,5 x 25,5 cm 1 photographie: prise à l'occasion des célébrations du 50ième de Taliesin, noir et blanc 22,5 x 25,5 cm 1 projet de lettre de Roger D'Astous à William Wesley Peters, ca. 1991
documents textuels
archives
Niveau de description archivistique:
Collection
Collection Mart Stam
CI006
Résumé:
The Mart Stam Collection documents Stam's work as an architect between 1926 and 1932. The collection focuses primarly on Stam's architectural projects, mainly work executed in The Netherlands, Germany and Czechoslovakia. The collection also includes photographic material of Stam projects by German photographer Ilse Bing.
1925-1932, 1972
Collection Mart Stam
CI006
Résumé:
The Mart Stam Collection documents Stam's work as an architect between 1926 and 1932. The collection focuses primarly on Stam's architectural projects, mainly work executed in The Netherlands, Germany and Czechoslovakia. The collection also includes photographic material of Stam projects by German photographer Ilse Bing.
archives
Niveau de description archivistique:
Collection institutionnelle
1925-1932, 1972
Série(s)
CD041.S5
Description:
This series documents nine projects by the firm Vecsei Architects. In 1984, Eva Hollo Vecsei and André Vecsei opened a joint practice, Vecsei Architects. Both architects retired in 2005. Together they worked on several major planning studies, such as Les Hautières du Mont-Royal, Montréal, Québec (circa 1983-1988) and the Genome Centre and the Lorne M. Trottier Building, Montréal (1999-2000), documented in this series. Les Hautières du Mont-Royal was a residential complex adjacent to Montréal's Golden Square Mile, on Cedar Avenue. The project consisted of nine staggering buildings (29 villas) around a landscaped European-style courtyard on a sloping site facing Mount Royal while also preserving a turn of the century landmark situated within the Mount Royal Heritage Site . The project is also known as "Projet Cours Cedar". Through the Genome Centre, McGill University sought to fill a need for a modern and cross-disciplinary research space in genomics and proteomics. Vecsei Architects submitted a joint proposal with Dupuis, Le Tourneaux, architects, and NFOE et associés architectes. Ultimately, KPMB Architects and Fichten Soiferman et Associés, Architectes' proposal was chosen and built. The Lorne M. Trottier Building is a building for popular electrical engineering, computer science and telecommunications programs at McGill University. Vecsei Architects submitted a joint proposal for this project with Julian Jacobs Architectes and Architectes Lemay et associés. Jodoin Lamarre Pratte architectes and Marosi Troy's proposal was chosen and built. Also documented in this series are the following projects: Elementary school for College Marie de France, Montréal, Québec (circa 1984-1986); High-rise office tower, underground commercial centre tied to Montréal’s underground mall and subway network, Christ Church Cathedral, Montréal, Québec (circa 1987-1988); Seniors condominium, Manoir Montefiore, Côte-Saint-Luc, Québec (1988); Ark and artworks for the Beth Zion Synagogue, Côte-Saint-Luc, Québec (1989); Municipal library, Dollard-des-Ormeaux, Québec (circa 1990), Cultural Centre and extension of sport centre, Dollard-des-Ormeaux, Québec (circa 2001-2003); Renovation and new elevation for Schneider house, Montréal, Québec (2002). Collection material in this series was produced between 1983 and 2006. Documents include architectural records, such as presentation, conceptual, and design development drawings, and as well as photographs of facades and interior views. This series also includes digital material (mainly photographs), and a few project proposals and publications. The level of documentation varies greatly from project to project, from a single presentation drawing to complete project proposal.
1983-2006
Vecsei Architects (1984-2005)
Actions:
CD041.S5
Description:
This series documents nine projects by the firm Vecsei Architects. In 1984, Eva Hollo Vecsei and André Vecsei opened a joint practice, Vecsei Architects. Both architects retired in 2005. Together they worked on several major planning studies, such as Les Hautières du Mont-Royal, Montréal, Québec (circa 1983-1988) and the Genome Centre and the Lorne M. Trottier Building, Montréal (1999-2000), documented in this series. Les Hautières du Mont-Royal was a residential complex adjacent to Montréal's Golden Square Mile, on Cedar Avenue. The project consisted of nine staggering buildings (29 villas) around a landscaped European-style courtyard on a sloping site facing Mount Royal while also preserving a turn of the century landmark situated within the Mount Royal Heritage Site . The project is also known as "Projet Cours Cedar". Through the Genome Centre, McGill University sought to fill a need for a modern and cross-disciplinary research space in genomics and proteomics. Vecsei Architects submitted a joint proposal with Dupuis, Le Tourneaux, architects, and NFOE et associés architectes. Ultimately, KPMB Architects and Fichten Soiferman et Associés, Architectes' proposal was chosen and built. The Lorne M. Trottier Building is a building for popular electrical engineering, computer science and telecommunications programs at McGill University. Vecsei Architects submitted a joint proposal for this project with Julian Jacobs Architectes and Architectes Lemay et associés. Jodoin Lamarre Pratte architectes and Marosi Troy's proposal was chosen and built. Also documented in this series are the following projects: Elementary school for College Marie de France, Montréal, Québec (circa 1984-1986); High-rise office tower, underground commercial centre tied to Montréal’s underground mall and subway network, Christ Church Cathedral, Montréal, Québec (circa 1987-1988); Seniors condominium, Manoir Montefiore, Côte-Saint-Luc, Québec (1988); Ark and artworks for the Beth Zion Synagogue, Côte-Saint-Luc, Québec (1989); Municipal library, Dollard-des-Ormeaux, Québec (circa 1990), Cultural Centre and extension of sport centre, Dollard-des-Ormeaux, Québec (circa 2001-2003); Renovation and new elevation for Schneider house, Montréal, Québec (2002). Collection material in this series was produced between 1983 and 2006. Documents include architectural records, such as presentation, conceptual, and design development drawings, and as well as photographs of facades and interior views. This series also includes digital material (mainly photographs), and a few project proposals and publications. The level of documentation varies greatly from project to project, from a single presentation drawing to complete project proposal.
Series
1983-2006
archives
Niveau de description archivistique:
Fonds
AP175
Résumé:
UNStudio Erasmus Bridge project records, 1990-1996, documents the design, conception and construction process for the Erasmus Bridge in Rotterdam, Netherlands. The records consist largely of textual records and technical drawings material in addition to born-digital material and two models.
1990-1996
Documents d’archives de UNStudio pour le projet Erasmus Bridge
Actions:
AP175
Résumé:
UNStudio Erasmus Bridge project records, 1990-1996, documents the design, conception and construction process for the Erasmus Bridge in Rotterdam, Netherlands. The records consist largely of textual records and technical drawings material in addition to born-digital material and two models.
archives
Niveau de description archivistique:
Fonds
1990-1996
archives
Niveau de description archivistique:
Fonds
Fonds Ross & Macdonald
AP013
Résumé:
The Ross & Macdonald fonds is comprised of documents concerning the work of six successive architectural firms: Ross & MacFarlane (1905-1912), Ross & Macdonald (1913-1944), Ross & Ross (1944-1946), Ross, Patterson, Townsend & Heughan (1946-1950), Ross, Patterson, Townsend & Fish (1950-1958), and Ross, Fish, Duschenes & Barrett (1958-1976). The greatest concentration of work was produced in Montreal where each of the firms maintained their head office, but there were also a large number of works executed in New Brunswick and Nova Scotia. The fonds contains 27 884 drawings (24 294 originals plus 3 590 reproductions), 236 photographs, and 18.6 metres of textual documents.
1902-1982
Fonds Ross & Macdonald
Actions:
AP013
Résumé:
The Ross & Macdonald fonds is comprised of documents concerning the work of six successive architectural firms: Ross & MacFarlane (1905-1912), Ross & Macdonald (1913-1944), Ross & Ross (1944-1946), Ross, Patterson, Townsend & Heughan (1946-1950), Ross, Patterson, Townsend & Fish (1950-1958), and Ross, Fish, Duschenes & Barrett (1958-1976). The greatest concentration of work was produced in Montreal where each of the firms maintained their head office, but there were also a large number of works executed in New Brunswick and Nova Scotia. The fonds contains 27 884 drawings (24 294 originals plus 3 590 reproductions), 236 photographs, and 18.6 metres of textual documents.
archives
Niveau de description archivistique:
Fonds
1902-1982
dessins, documents textuels, photographies
DR1995:0253:005-134
Description:
publications, drawings of proposal, including presentation drawings and conceptual sketches, some annotated for publication, clippings, competition entry, photographs of site, buildings, and model, competition programme, and programme translation by B. Tschumi, trade brochures, correspondence, including letter by Hans Hollein, pamphlet showing map of Olympic site, colour samples, notes, estimate, draft notes for competition entry, letterhead for 'Polyark' (Architectural Schools Network), and reference drawings of Olympic village design
Publications, drawings of proposal, including presentation drawings and conceptual sketches
Actions:
DR1995:0253:005-134
Description:
publications, drawings of proposal, including presentation drawings and conceptual sketches, some annotated for publication, clippings, competition entry, photographs of site, buildings, and model, competition programme, and programme translation by B. Tschumi, trade brochures, correspondence, including letter by Hans Hollein, pamphlet showing map of Olympic site, colour samples, notes, estimate, draft notes for competition entry, letterhead for 'Polyark' (Architectural Schools Network), and reference drawings of Olympic village design
dessins, documents textuels, photographies
archives
Niveau de description archivistique:
Collection
Collection Eero Saarinen
AP159
Résumé:
The Eero Saarinen Collection documents eight built projects undertaken between 1956 and 1964. The IBM Exhibition Pavilion for the New York World's Fair was undertaken in association with Charles Eames. Eero Saarinen died before this project got underway and was carried out by his successor firm, led by Kevin Roche.
1956-1964
Collection Eero Saarinen
Actions:
AP159
Résumé:
The Eero Saarinen Collection documents eight built projects undertaken between 1956 and 1964. The IBM Exhibition Pavilion for the New York World's Fair was undertaken in association with Charles Eames. Eero Saarinen died before this project got underway and was carried out by his successor firm, led by Kevin Roche.
archives
Niveau de description archivistique:
Collection
1956-1964
archives
Niveau de description archivistique:
Fonds
AP096
Résumé:
The Charles B.K. Van Norman fonds consists of photographs, drawings, albums, a presentation panel, and textual records. The material ranges in date from ca. 1942 to 1967, and shows the variety of building types that Van Norman designed, primarily for corporate and government clients, through the busiest period of his career.
[ca. 1942-1967]
Fonds Charles B.K. Van Norman
Actions:
AP096
Résumé:
The Charles B.K. Van Norman fonds consists of photographs, drawings, albums, a presentation panel, and textual records. The material ranges in date from ca. 1942 to 1967, and shows the variety of building types that Van Norman designed, primarily for corporate and government clients, through the busiest period of his career.
archives
Niveau de description archivistique:
Fonds
[ca. 1942-1967]