4292 Résultats
Classification:
photographies
photographies
Titre:
Questioning Pictures: Photograph of West Wall of Smicoa, Gelatin silver print by Lewis Baltz, 1974
Questioning Pictures: Photograph of West Wall of Smicoa, Gelatin silver print by Lewis Baltz, 1974
Actions:
Numéro de référence:
PH2018:0005:027
Description:
Photograph by Stefano Graziani of the following work: Lewis Baltz, West Wall, Semicoa, 333 McCormick, Cosa Mesa from The New Industrial Parks near Irving, California, 1974, gelatin silver print, 20.3 x 24.5 cm, PH2001:0177, Canadian Centre for Architecture, © Estate of Lewis Baltz Questioning Pictures is a 36 photograph project commissioned by Fondazione Prada, Milan. Artist Stefano Graziani investigates archival and conservation systems in a number of museums. Through photographing museum objects, Graziani, focusing on the relationship between photographs, the museum objects and the power structures at play within institutions. The museums include the Canadian Centre for Architecture (CCA) in Montréal, Canada; Sir John Soane’s Museum in London, UK; the Kunstmuseum Basel, Switzerland; Museum Insel Hombroich in Neuss, Germany; the Museo di Castelvecchio in Verona, Italy; and the Plaster Cast Gallery at Museo Canova in Possagno, Italy.
PH2018:0005:027
Description:
Photograph by Stefano Graziani of the following work: Lewis Baltz, West Wall, Semicoa, 333 McCormick, Cosa Mesa from The New Industrial Parks near Irving, California, 1974, gelatin silver print, 20.3 x 24.5 cm, PH2001:0177, Canadian Centre for Architecture, © Estate of Lewis Baltz Questioning Pictures is a 36 photograph project commissioned by Fondazione Prada, Milan. Artist Stefano Graziani investigates archival and conservation systems in a number of museums. Through photographing museum objects, Graziani, focusing on the relationship between photographs, the museum objects and the power structures at play within institutions. The museums include the Canadian Centre for Architecture (CCA) in Montréal, Canada; Sir John Soane’s Museum in London, UK; the Kunstmuseum Basel, Switzerland; Museum Insel Hombroich in Neuss, Germany; the Museo di Castelvecchio in Verona, Italy; and the Plaster Cast Gallery at Museo Canova in Possagno, Italy.
Personnes et institutions:
Date:
2017
2017
Titre:
Questioning Pictures: Photograph of West Wall of Smicoa, Gelatin silver print by Lewis Baltz, 1974
Actions:
PH2018:0005:027
Description:
Photograph by Stefano Graziani of the following work: Lewis Baltz, West Wall, Semicoa, 333 McCormick, Cosa Mesa from The New Industrial Parks near Irving, California, 1974, gelatin silver print, 20.3 x 24.5 cm, PH2001:0177, Canadian Centre for Architecture, © Estate of Lewis Baltz Questioning Pictures is a 36 photograph project commissioned by Fondazione Prada, Milan. Artist Stefano Graziani investigates archival and conservation systems in a number of museums. Through photographing museum objects, Graziani, focusing on the relationship between photographs, the museum objects and the power structures at play within institutions. The museums include the Canadian Centre for Architecture (CCA) in Montréal, Canada; Sir John Soane’s Museum in London, UK; the Kunstmuseum Basel, Switzerland; Museum Insel Hombroich in Neuss, Germany; the Museo di Castelvecchio in Verona, Italy; and the Plaster Cast Gallery at Museo Canova in Possagno, Italy.
Questioning Pictures: Photograph of West Wall of Smicoa, Gelatin silver print by Lewis Baltz, 1974
Actions:
PH2018:0005:027
Description:
Photograph by Stefano Graziani of the following work: Lewis Baltz, West Wall, Semicoa, 333 McCormick, Cosa Mesa from The New Industrial Parks near Irving, California, 1974, gelatin silver print, 20.3 x 24.5 cm, PH2001:0177, Canadian Centre for Architecture, © Estate of Lewis Baltz Questioning Pictures is a 36 photograph project commissioned by Fondazione Prada, Milan. Artist Stefano Graziani investigates archival and conservation systems in a number of museums. Through photographing museum objects, Graziani, focusing on the relationship between photographs, the museum objects and the power structures at play within institutions. The museums include the Canadian Centre for Architecture (CCA) in Montréal, Canada; Sir John Soane’s Museum in London, UK; the Kunstmuseum Basel, Switzerland; Museum Insel Hombroich in Neuss, Germany; the Museo di Castelvecchio in Verona, Italy; and the Plaster Cast Gallery at Museo Canova in Possagno, Italy.
Classification:
photographies
photographies
Date:
2017
2017
Personnes et institutions:
Classification:
photographies
photographies
Actions:
Numéro de référence:
PH2018:0005:034
Description:
Photograph by Stefano Graziani of the following work: Aldo Rossi, study model for the entrance foyer of the Deutsches Historisches Museum, Berlin, 1987-1990, 12.0 x 25.0 x 25.0 cm, AP145.S1.D122.P18, Aldo Rossi fonds, Canadian Centre for Architecture, © Fondazione Aldo Rossi Questioning Pictures is a 36 photograph project commissioned by Fondazione Prada, Milan. Artist Stefano Graziani investigates archival and conservation systems in a number of museums. Through photographing museum objects, Graziani, focusing on the relationship between photographs, the museum objects and the power structures at play within institutions. The museums include the Canadian Centre for Architecture (CCA) in Montréal, Canada; Sir John Soane’s Museum in London, UK; the Kunstmuseum Basel, Switzerland; Museum Insel Hombroich in Neuss, Germany; the Museo di Castelvecchio in Verona, Italy; and the Plaster Cast Gallery at Museo Canova in Possagno, Italy.
PH2018:0005:034
Description:
Photograph by Stefano Graziani of the following work: Aldo Rossi, study model for the entrance foyer of the Deutsches Historisches Museum, Berlin, 1987-1990, 12.0 x 25.0 x 25.0 cm, AP145.S1.D122.P18, Aldo Rossi fonds, Canadian Centre for Architecture, © Fondazione Aldo Rossi Questioning Pictures is a 36 photograph project commissioned by Fondazione Prada, Milan. Artist Stefano Graziani investigates archival and conservation systems in a number of museums. Through photographing museum objects, Graziani, focusing on the relationship between photographs, the museum objects and the power structures at play within institutions. The museums include the Canadian Centre for Architecture (CCA) in Montréal, Canada; Sir John Soane’s Museum in London, UK; the Kunstmuseum Basel, Switzerland; Museum Insel Hombroich in Neuss, Germany; the Museo di Castelvecchio in Verona, Italy; and the Plaster Cast Gallery at Museo Canova in Possagno, Italy.
Personnes et institutions:
Date:
2017
2017
Titre:
Questioning Pictures: Photograph of study model for the entrance foyer of the Deutsches Historisches Museum by Aldo Rossi, 1987-1990
Actions:
PH2018:0005:034
Description:
Photograph by Stefano Graziani of the following work: Aldo Rossi, study model for the entrance foyer of the Deutsches Historisches Museum, Berlin, 1987-1990, 12.0 x 25.0 x 25.0 cm, AP145.S1.D122.P18, Aldo Rossi fonds, Canadian Centre for Architecture, © Fondazione Aldo Rossi Questioning Pictures is a 36 photograph project commissioned by Fondazione Prada, Milan. Artist Stefano Graziani investigates archival and conservation systems in a number of museums. Through photographing museum objects, Graziani, focusing on the relationship between photographs, the museum objects and the power structures at play within institutions. The museums include the Canadian Centre for Architecture (CCA) in Montréal, Canada; Sir John Soane’s Museum in London, UK; the Kunstmuseum Basel, Switzerland; Museum Insel Hombroich in Neuss, Germany; the Museo di Castelvecchio in Verona, Italy; and the Plaster Cast Gallery at Museo Canova in Possagno, Italy.
Questioning Pictures: Photograph of study model for the entrance foyer of the Deutsches Historisches Museum by Aldo Rossi, 1987-1990
Actions:
PH2018:0005:034
Description:
Photograph by Stefano Graziani of the following work: Aldo Rossi, study model for the entrance foyer of the Deutsches Historisches Museum, Berlin, 1987-1990, 12.0 x 25.0 x 25.0 cm, AP145.S1.D122.P18, Aldo Rossi fonds, Canadian Centre for Architecture, © Fondazione Aldo Rossi Questioning Pictures is a 36 photograph project commissioned by Fondazione Prada, Milan. Artist Stefano Graziani investigates archival and conservation systems in a number of museums. Through photographing museum objects, Graziani, focusing on the relationship between photographs, the museum objects and the power structures at play within institutions. The museums include the Canadian Centre for Architecture (CCA) in Montréal, Canada; Sir John Soane’s Museum in London, UK; the Kunstmuseum Basel, Switzerland; Museum Insel Hombroich in Neuss, Germany; the Museo di Castelvecchio in Verona, Italy; and the Plaster Cast Gallery at Museo Canova in Possagno, Italy.
Classification:
photographies
photographies
Date:
2017
2017
Personnes et institutions:
Classification:
photographies
photographies
Actions:
Numéro de référence:
PH2018:0012:001
Description:
Editioned pigment inkjet print titled 'An Enduring Wilderness: black locust among sumacs, Sylvan Park, 2013' in special edition 264 page bound book titled 'An Enduring Wilderness: Toronto's Natural Parklands' published by ECW Press, Toronto, 2017 print ed. 4/20, book ed. 24/40 An Enduring Wilderness: Toronto’s Natural Parklands is a series commissioned in 2012 by the City of Toronto that chronicles the extensive ravine network of sunken rivers, forested vales, and an expansive shoreline of Toronto, which has historically been overlooked, neglected, or forgotten. Robert Burley looks at these sites as integral parts of urban life, from lake views of the Scarborough Bluffs to glimpses of the densely wooded trails in the Carolinian forests of Rouge Park, questioning their role in a diverse and growing twenty-first century city.
PH2018:0012:001
Description:
Editioned pigment inkjet print titled 'An Enduring Wilderness: black locust among sumacs, Sylvan Park, 2013' in special edition 264 page bound book titled 'An Enduring Wilderness: Toronto's Natural Parklands' published by ECW Press, Toronto, 2017 print ed. 4/20, book ed. 24/40 An Enduring Wilderness: Toronto’s Natural Parklands is a series commissioned in 2012 by the City of Toronto that chronicles the extensive ravine network of sunken rivers, forested vales, and an expansive shoreline of Toronto, which has historically been overlooked, neglected, or forgotten. Robert Burley looks at these sites as integral parts of urban life, from lake views of the Scarborough Bluffs to glimpses of the densely wooded trails in the Carolinian forests of Rouge Park, questioning their role in a diverse and growing twenty-first century city.
Personnes et institutions:
Date:
2013
2013
Titre:
An Enduring Wilderness: black locust among sumacs, Sylvan Park, 2013
Actions:
PH2018:0012:001
Description:
Editioned pigment inkjet print titled 'An Enduring Wilderness: black locust among sumacs, Sylvan Park, 2013' in special edition 264 page bound book titled 'An Enduring Wilderness: Toronto's Natural Parklands' published by ECW Press, Toronto, 2017 print ed. 4/20, book ed. 24/40 An Enduring Wilderness: Toronto’s Natural Parklands is a series commissioned in 2012 by the City of Toronto that chronicles the extensive ravine network of sunken rivers, forested vales, and an expansive shoreline of Toronto, which has historically been overlooked, neglected, or forgotten. Robert Burley looks at these sites as integral parts of urban life, from lake views of the Scarborough Bluffs to glimpses of the densely wooded trails in the Carolinian forests of Rouge Park, questioning their role in a diverse and growing twenty-first century city.
An Enduring Wilderness: black locust among sumacs, Sylvan Park, 2013
Actions:
PH2018:0012:001
Description:
Editioned pigment inkjet print titled 'An Enduring Wilderness: black locust among sumacs, Sylvan Park, 2013' in special edition 264 page bound book titled 'An Enduring Wilderness: Toronto's Natural Parklands' published by ECW Press, Toronto, 2017 print ed. 4/20, book ed. 24/40 An Enduring Wilderness: Toronto’s Natural Parklands is a series commissioned in 2012 by the City of Toronto that chronicles the extensive ravine network of sunken rivers, forested vales, and an expansive shoreline of Toronto, which has historically been overlooked, neglected, or forgotten. Robert Burley looks at these sites as integral parts of urban life, from lake views of the Scarborough Bluffs to glimpses of the densely wooded trails in the Carolinian forests of Rouge Park, questioning their role in a diverse and growing twenty-first century city.
Classification:
photographies
photographies
Date:
2013
2013
Personnes et institutions:
Classification:
photographies
photographies
Numéro de référence:
PH2018:0012
Description:
Special edition 264 page bound book titled 'An Enduring Wilderness: Toronto's Natural Parklands' published by ECW Press, Toronto, 2017. With editioned pigment inkjet print titled 'An Enduring Wilderness: black locust among sumacs, Sylvan Park, 2013' book ed. 24/40, print ed. 4/20 An Enduring Wilderness: Toronto’s Natural Parklands is a series commissioned in 2012 by the City of Toronto that chronicles the extensive ravine network of sunken rivers, forested vales, and an expansive shoreline of Toronto, which has historically been overlooked, neglected, or forgotten. Robert Burley looks at these sites as integral parts of urban life, from lake views of the Scarborough Bluffs to glimpses of the densely wooded trails in the Carolinian forests of Rouge Park, questioning their role in a diverse and growing twenty-first century city.
PH2018:0012
Description:
Special edition 264 page bound book titled 'An Enduring Wilderness: Toronto's Natural Parklands' published by ECW Press, Toronto, 2017. With editioned pigment inkjet print titled 'An Enduring Wilderness: black locust among sumacs, Sylvan Park, 2013' book ed. 24/40, print ed. 4/20 An Enduring Wilderness: Toronto’s Natural Parklands is a series commissioned in 2012 by the City of Toronto that chronicles the extensive ravine network of sunken rivers, forested vales, and an expansive shoreline of Toronto, which has historically been overlooked, neglected, or forgotten. Robert Burley looks at these sites as integral parts of urban life, from lake views of the Scarborough Bluffs to glimpses of the densely wooded trails in the Carolinian forests of Rouge Park, questioning their role in a diverse and growing twenty-first century city.
Personnes et institutions:
Date:
2017
2017
Titre:
An Enduring Wilderness: Toronto's Natural Parklands
Actions:
PH2018:0012
Description:
Special edition 264 page bound book titled 'An Enduring Wilderness: Toronto's Natural Parklands' published by ECW Press, Toronto, 2017. With editioned pigment inkjet print titled 'An Enduring Wilderness: black locust among sumacs, Sylvan Park, 2013' book ed. 24/40, print ed. 4/20 An Enduring Wilderness: Toronto’s Natural Parklands is a series commissioned in 2012 by the City of Toronto that chronicles the extensive ravine network of sunken rivers, forested vales, and an expansive shoreline of Toronto, which has historically been overlooked, neglected, or forgotten. Robert Burley looks at these sites as integral parts of urban life, from lake views of the Scarborough Bluffs to glimpses of the densely wooded trails in the Carolinian forests of Rouge Park, questioning their role in a diverse and growing twenty-first century city.
An Enduring Wilderness: Toronto's Natural Parklands
Actions:
PH2018:0012
Description:
Special edition 264 page bound book titled 'An Enduring Wilderness: Toronto's Natural Parklands' published by ECW Press, Toronto, 2017. With editioned pigment inkjet print titled 'An Enduring Wilderness: black locust among sumacs, Sylvan Park, 2013' book ed. 24/40, print ed. 4/20 An Enduring Wilderness: Toronto’s Natural Parklands is a series commissioned in 2012 by the City of Toronto that chronicles the extensive ravine network of sunken rivers, forested vales, and an expansive shoreline of Toronto, which has historically been overlooked, neglected, or forgotten. Robert Burley looks at these sites as integral parts of urban life, from lake views of the Scarborough Bluffs to glimpses of the densely wooded trails in the Carolinian forests of Rouge Park, questioning their role in a diverse and growing twenty-first century city.
Classification:
photographies
photographies
Date:
2017
2017
Personnes et institutions:
Niveau de description archivistique:
Série(s)
Série(s)
Titre:
Hans and Wassili Luckhardt
Hans and Wassili Luckhardt
Numéro de référence:
AP162.S6
Description:
Series documents the contribution of architects Hans Luckhardt and Wasilli Luckhardt to the correspondence circle of Die gläserne Kette, with each writing under the pseudonyms Angkor and Zachen respectively. Born in Berlin in 1880, Hans Luckhardt studied architecture at the Technische Hochschule at Karlsruhe, Germany. In 1919, he joined the Novembergruppe, an exhibiting group of painters, sculptors, architects and musicians, and the Arbeitsrat für Kunst, lead by Bruno Taut. These two groups merged in November 1919. The same year, Luckhardt exhibitied his work at the Ausstellung für unbekannte Architekten and contributed to the organization of the Neues Bauen exhibition the next year. In 1921, Hans Luckhardt began his working collaboration with his brother Wassili. Born in Berlin in 1989, Wassili Luckhardt studied archictecture at the Technische Hochschule at Berlin-Charlottenburg and at the Technische Hochschule in Dresden. He undertook his military service from 1914 to 1918. Like his brother Hans, Wasilli joined the Novembergruppeand the Arbeitsrat für Kunst in 1919 and exhibited his work at the Ausstellung für unbekannte Architekten. During their collaboration, the Luckhardt brothers worked on designs for private commisions and competition schemes including some for Berlin and Hanover (1951-1952). Hans Luckhardt died in 1954 in Bad Wiessee. Wassili Luckhardt continued his work as an architect on various architectural projects. He died in 1972 in Berlin. (Source: Ian Boyd Whyte, Bruno Taut and the Architecture of Activism. Cambridge: Cambridge University Press, 1982) The series comprises part of the correspondence of Hans and Wasilli Luckhardt to the Die gläserne Kette circle, along with related drawings and photographs. The series also includes a photograph of a architectural model for a project by the Luckhart brothers.
AP162.S6
Description:
Series documents the contribution of architects Hans Luckhardt and Wasilli Luckhardt to the correspondence circle of Die gläserne Kette, with each writing under the pseudonyms Angkor and Zachen respectively. Born in Berlin in 1880, Hans Luckhardt studied architecture at the Technische Hochschule at Karlsruhe, Germany. In 1919, he joined the Novembergruppe, an exhibiting group of painters, sculptors, architects and musicians, and the Arbeitsrat für Kunst, lead by Bruno Taut. These two groups merged in November 1919. The same year, Luckhardt exhibitied his work at the Ausstellung für unbekannte Architekten and contributed to the organization of the Neues Bauen exhibition the next year. In 1921, Hans Luckhardt began his working collaboration with his brother Wassili. Born in Berlin in 1989, Wassili Luckhardt studied archictecture at the Technische Hochschule at Berlin-Charlottenburg and at the Technische Hochschule in Dresden. He undertook his military service from 1914 to 1918. Like his brother Hans, Wasilli joined the Novembergruppeand the Arbeitsrat für Kunst in 1919 and exhibited his work at the Ausstellung für unbekannte Architekten. During their collaboration, the Luckhardt brothers worked on designs for private commisions and competition schemes including some for Berlin and Hanover (1951-1952). Hans Luckhardt died in 1954 in Bad Wiessee. Wassili Luckhardt continued his work as an architect on various architectural projects. He died in 1972 in Berlin. (Source: Ian Boyd Whyte, Bruno Taut and the Architecture of Activism. Cambridge: Cambridge University Press, 1982) The series comprises part of the correspondence of Hans and Wasilli Luckhardt to the Die gläserne Kette circle, along with related drawings and photographs. The series also includes a photograph of a architectural model for a project by the Luckhart brothers.
Personnes et institutions:
Date:
1919-1920
1919-1920
Titre:
Hans and Wassili Luckhardt
Actions:
AP162.S6
Description:
Series documents the contribution of architects Hans Luckhardt and Wasilli Luckhardt to the correspondence circle of Die gläserne Kette, with each writing under the pseudonyms Angkor and Zachen respectively. Born in Berlin in 1880, Hans Luckhardt studied architecture at the Technische Hochschule at Karlsruhe, Germany. In 1919, he joined the Novembergruppe, an exhibiting group of painters, sculptors, architects and musicians, and the Arbeitsrat für Kunst, lead by Bruno Taut. These two groups merged in November 1919. The same year, Luckhardt exhibitied his work at the Ausstellung für unbekannte Architekten and contributed to the organization of the Neues Bauen exhibition the next year. In 1921, Hans Luckhardt began his working collaboration with his brother Wassili. Born in Berlin in 1989, Wassili Luckhardt studied archictecture at the Technische Hochschule at Berlin-Charlottenburg and at the Technische Hochschule in Dresden. He undertook his military service from 1914 to 1918. Like his brother Hans, Wasilli joined the Novembergruppeand the Arbeitsrat für Kunst in 1919 and exhibited his work at the Ausstellung für unbekannte Architekten. During their collaboration, the Luckhardt brothers worked on designs for private commisions and competition schemes including some for Berlin and Hanover (1951-1952). Hans Luckhardt died in 1954 in Bad Wiessee. Wassili Luckhardt continued his work as an architect on various architectural projects. He died in 1972 in Berlin. (Source: Ian Boyd Whyte, Bruno Taut and the Architecture of Activism. Cambridge: Cambridge University Press, 1982) The series comprises part of the correspondence of Hans and Wasilli Luckhardt to the Die gläserne Kette circle, along with related drawings and photographs. The series also includes a photograph of a architectural model for a project by the Luckhart brothers.
Hans and Wassili Luckhardt
Actions:
AP162.S6
Description:
Series documents the contribution of architects Hans Luckhardt and Wasilli Luckhardt to the correspondence circle of Die gläserne Kette, with each writing under the pseudonyms Angkor and Zachen respectively. Born in Berlin in 1880, Hans Luckhardt studied architecture at the Technische Hochschule at Karlsruhe, Germany. In 1919, he joined the Novembergruppe, an exhibiting group of painters, sculptors, architects and musicians, and the Arbeitsrat für Kunst, lead by Bruno Taut. These two groups merged in November 1919. The same year, Luckhardt exhibitied his work at the Ausstellung für unbekannte Architekten and contributed to the organization of the Neues Bauen exhibition the next year. In 1921, Hans Luckhardt began his working collaboration with his brother Wassili. Born in Berlin in 1989, Wassili Luckhardt studied archictecture at the Technische Hochschule at Berlin-Charlottenburg and at the Technische Hochschule in Dresden. He undertook his military service from 1914 to 1918. Like his brother Hans, Wasilli joined the Novembergruppeand the Arbeitsrat für Kunst in 1919 and exhibited his work at the Ausstellung für unbekannte Architekten. During their collaboration, the Luckhardt brothers worked on designs for private commisions and competition schemes including some for Berlin and Hanover (1951-1952). Hans Luckhardt died in 1954 in Bad Wiessee. Wassili Luckhardt continued his work as an architect on various architectural projects. He died in 1972 in Berlin. (Source: Ian Boyd Whyte, Bruno Taut and the Architecture of Activism. Cambridge: Cambridge University Press, 1982) The series comprises part of the correspondence of Hans and Wasilli Luckhardt to the Die gläserne Kette circle, along with related drawings and photographs. The series also includes a photograph of a architectural model for a project by the Luckhart brothers.
Niveau de description archivistique:
series
series
Date:
1919-1920
1919-1920
Personnes et institutions:
Classification:
dessins
dessins
Actions:
Numéro de référence:
DR1989:0015:029
Description:
- This plan of the chapel crypt of Saint Peter's Home, Woking has been signed by agents for two different contracting firms: Luscombe & Son of Exeter (Quiney 1979, 284) and E. Abley & Co. of Salisbury (Quiney 1979, 242). The plan is colour-coded, with yellow signifying masonry and red signifying brick-reinforced cement. Three sections for the chapel crypt, DR1989:0015:038 - DR1989:0015:040, correspond to the section lines of this drawing and are similar in size, format, and colour-coding. - This work is part of a group of drawings and reprographic prints of drawings for St. Peter's Home, Woking, and St. Peter's Convent, Woking, from the offices of John Loughborough Pearson and Frank Loughborough Pearson (DR1989:0015:011 - DR1989:0015:085 R/V). Composed of contract and working drawings including plans, site plans, sections, and elevations dated between 1881 and 1936, these drawings were sold at auction by the convent along with those for the older institution of St. Peter's Home, Kilburn (DR1989:0015:001 - DR1989:0015:010). Both St. Peter's Home, Kilburn, and St. Peter's Home, Woking were commissioned from John Loughborough Pearson by Benjamin Lancaster. The alterations to the Home at Kilburn were commissioned on behalf of Lancaster's wife, who founded the home and a lay nursing order which ran it. The institution at Woking was founded by Lancaster as a home for incurables in 1882 and dedicated to the memory of his deceased wife (Quiney 67-68, 254-255, and 284). It was probably first known as St. Peter's Home, Woking, not becoming a convent until ca. 1934.
DR1989:0015:029
Description:
- This plan of the chapel crypt of Saint Peter's Home, Woking has been signed by agents for two different contracting firms: Luscombe & Son of Exeter (Quiney 1979, 284) and E. Abley & Co. of Salisbury (Quiney 1979, 242). The plan is colour-coded, with yellow signifying masonry and red signifying brick-reinforced cement. Three sections for the chapel crypt, DR1989:0015:038 - DR1989:0015:040, correspond to the section lines of this drawing and are similar in size, format, and colour-coding. - This work is part of a group of drawings and reprographic prints of drawings for St. Peter's Home, Woking, and St. Peter's Convent, Woking, from the offices of John Loughborough Pearson and Frank Loughborough Pearson (DR1989:0015:011 - DR1989:0015:085 R/V). Composed of contract and working drawings including plans, site plans, sections, and elevations dated between 1881 and 1936, these drawings were sold at auction by the convent along with those for the older institution of St. Peter's Home, Kilburn (DR1989:0015:001 - DR1989:0015:010). Both St. Peter's Home, Kilburn, and St. Peter's Home, Woking were commissioned from John Loughborough Pearson by Benjamin Lancaster. The alterations to the Home at Kilburn were commissioned on behalf of Lancaster's wife, who founded the home and a lay nursing order which ran it. The institution at Woking was founded by Lancaster as a home for incurables in 1882 and dedicated to the memory of his deceased wife (Quiney 67-68, 254-255, and 284). It was probably first known as St. Peter's Home, Woking, not becoming a convent until ca. 1934.
Personnes et institutions:
Sujet:
architecture
architecture
Date:
1897
1897
Titre:
St. Peter's Home, Woking: Plan for the crypt
Actions:
DR1989:0015:029
Description:
- This plan of the chapel crypt of Saint Peter's Home, Woking has been signed by agents for two different contracting firms: Luscombe & Son of Exeter (Quiney 1979, 284) and E. Abley & Co. of Salisbury (Quiney 1979, 242). The plan is colour-coded, with yellow signifying masonry and red signifying brick-reinforced cement. Three sections for the chapel crypt, DR1989:0015:038 - DR1989:0015:040, correspond to the section lines of this drawing and are similar in size, format, and colour-coding. - This work is part of a group of drawings and reprographic prints of drawings for St. Peter's Home, Woking, and St. Peter's Convent, Woking, from the offices of John Loughborough Pearson and Frank Loughborough Pearson (DR1989:0015:011 - DR1989:0015:085 R/V). Composed of contract and working drawings including plans, site plans, sections, and elevations dated between 1881 and 1936, these drawings were sold at auction by the convent along with those for the older institution of St. Peter's Home, Kilburn (DR1989:0015:001 - DR1989:0015:010). Both St. Peter's Home, Kilburn, and St. Peter's Home, Woking were commissioned from John Loughborough Pearson by Benjamin Lancaster. The alterations to the Home at Kilburn were commissioned on behalf of Lancaster's wife, who founded the home and a lay nursing order which ran it. The institution at Woking was founded by Lancaster as a home for incurables in 1882 and dedicated to the memory of his deceased wife (Quiney 67-68, 254-255, and 284). It was probably first known as St. Peter's Home, Woking, not becoming a convent until ca. 1934.
St. Peter's Home, Woking: Plan for the crypt
Actions:
DR1989:0015:029
Description:
- This plan of the chapel crypt of Saint Peter's Home, Woking has been signed by agents for two different contracting firms: Luscombe & Son of Exeter (Quiney 1979, 284) and E. Abley & Co. of Salisbury (Quiney 1979, 242). The plan is colour-coded, with yellow signifying masonry and red signifying brick-reinforced cement. Three sections for the chapel crypt, DR1989:0015:038 - DR1989:0015:040, correspond to the section lines of this drawing and are similar in size, format, and colour-coding. - This work is part of a group of drawings and reprographic prints of drawings for St. Peter's Home, Woking, and St. Peter's Convent, Woking, from the offices of John Loughborough Pearson and Frank Loughborough Pearson (DR1989:0015:011 - DR1989:0015:085 R/V). Composed of contract and working drawings including plans, site plans, sections, and elevations dated between 1881 and 1936, these drawings were sold at auction by the convent along with those for the older institution of St. Peter's Home, Kilburn (DR1989:0015:001 - DR1989:0015:010). Both St. Peter's Home, Kilburn, and St. Peter's Home, Woking were commissioned from John Loughborough Pearson by Benjamin Lancaster. The alterations to the Home at Kilburn were commissioned on behalf of Lancaster's wife, who founded the home and a lay nursing order which ran it. The institution at Woking was founded by Lancaster as a home for incurables in 1882 and dedicated to the memory of his deceased wife (Quiney 67-68, 254-255, and 284). It was probably first known as St. Peter's Home, Woking, not becoming a convent until ca. 1934.
Classification:
dessins
dessins
Date:
1897
1897
Personnes et institutions:
Sujet:
architecture
architecture
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Titre:
Fonds Jean Michaud
Fonds Jean Michaud
Numéro de référence:
AP012
Résumé:
Le Fonds Jean Michaud est constitué autour de 5 projets étudiants, 79 projets professionnels, 6 projets non identifiés, 13 projets réalisés par d'autres architectes, ainsi que divers documents visuels et textuels. Les projets de l'architecte sont répartis en 42 projets résidentiels, 4 pour les loisirs et l'animation sociale, 9 éducatifs, 7 commerciaux et administratifs, 3 industriels et manufacturiers, 1 pour le transport routier, 9 gouvernementales, 1 médical, 2 religieux et 1 projet d'aménagement urbain. Ces projets sont principalement concentrés dans quatre régions du Québec. Il y en a 29 dans la région de Montréal (incluant Laval et Vaudreuil-Dorion; dont 17 à Montréal), 20 dans la région du Bas-Saint-Laurent et Gaspésie (11 à Rimouski), 12 en Montérégie (8 à Saint-Marc-sur-Richelieu) et 7 dans les Laurentides. Le fonds Jean Michaud comprend 1613 dessins, 959 reprographies, 271 documents photographiques, 43 documents graphiques, 1 maquette, ainsi que 2.805 m.l. de documents textuels. Ces documents ont été principalement produits entre 1950 et 1970.
AP012
Résumé:
Le Fonds Jean Michaud est constitué autour de 5 projets étudiants, 79 projets professionnels, 6 projets non identifiés, 13 projets réalisés par d'autres architectes, ainsi que divers documents visuels et textuels. Les projets de l'architecte sont répartis en 42 projets résidentiels, 4 pour les loisirs et l'animation sociale, 9 éducatifs, 7 commerciaux et administratifs, 3 industriels et manufacturiers, 1 pour le transport routier, 9 gouvernementales, 1 médical, 2 religieux et 1 projet d'aménagement urbain. Ces projets sont principalement concentrés dans quatre régions du Québec. Il y en a 29 dans la région de Montréal (incluant Laval et Vaudreuil-Dorion; dont 17 à Montréal), 20 dans la région du Bas-Saint-Laurent et Gaspésie (11 à Rimouski), 12 en Montérégie (8 à Saint-Marc-sur-Richelieu) et 7 dans les Laurentides. Le fonds Jean Michaud comprend 1613 dessins, 959 reprographies, 271 documents photographiques, 43 documents graphiques, 1 maquette, ainsi que 2.805 m.l. de documents textuels. Ces documents ont été principalement produits entre 1950 et 1970.
Personnes et institutions:
Date:
1852, 1916, 1938-1981, surtout 1950-1974
1852, 1916, 1938-1981, surtout 1950-1974
Titre:
Fonds Jean Michaud
Actions:
AP012
Résumé:
Le Fonds Jean Michaud est constitué autour de 5 projets étudiants, 79 projets professionnels, 6 projets non identifiés, 13 projets réalisés par d'autres architectes, ainsi que divers documents visuels et textuels. Les projets de l'architecte sont répartis en 42 projets résidentiels, 4 pour les loisirs et l'animation sociale, 9 éducatifs, 7 commerciaux et administratifs, 3 industriels et manufacturiers, 1 pour le transport routier, 9 gouvernementales, 1 médical, 2 religieux et 1 projet d'aménagement urbain. Ces projets sont principalement concentrés dans quatre régions du Québec. Il y en a 29 dans la région de Montréal (incluant Laval et Vaudreuil-Dorion; dont 17 à Montréal), 20 dans la région du Bas-Saint-Laurent et Gaspésie (11 à Rimouski), 12 en Montérégie (8 à Saint-Marc-sur-Richelieu) et 7 dans les Laurentides. Le fonds Jean Michaud comprend 1613 dessins, 959 reprographies, 271 documents photographiques, 43 documents graphiques, 1 maquette, ainsi que 2.805 m.l. de documents textuels. Ces documents ont été principalement produits entre 1950 et 1970.
Fonds Jean Michaud
Actions:
AP012
Résumé:
Le Fonds Jean Michaud est constitué autour de 5 projets étudiants, 79 projets professionnels, 6 projets non identifiés, 13 projets réalisés par d'autres architectes, ainsi que divers documents visuels et textuels. Les projets de l'architecte sont répartis en 42 projets résidentiels, 4 pour les loisirs et l'animation sociale, 9 éducatifs, 7 commerciaux et administratifs, 3 industriels et manufacturiers, 1 pour le transport routier, 9 gouvernementales, 1 médical, 2 religieux et 1 projet d'aménagement urbain. Ces projets sont principalement concentrés dans quatre régions du Québec. Il y en a 29 dans la région de Montréal (incluant Laval et Vaudreuil-Dorion; dont 17 à Montréal), 20 dans la région du Bas-Saint-Laurent et Gaspésie (11 à Rimouski), 12 en Montérégie (8 à Saint-Marc-sur-Richelieu) et 7 dans les Laurentides. Le fonds Jean Michaud comprend 1613 dessins, 959 reprographies, 271 documents photographiques, 43 documents graphiques, 1 maquette, ainsi que 2.805 m.l. de documents textuels. Ces documents ont été principalement produits entre 1950 et 1970.
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Date:
1852, 1916, 1938-1981, surtout 1950-1974
1852, 1916, 1938-1981, surtout 1950-1974
Personnes et institutions:
Classification:
photographies
photographies
![Partial view, eastern mahadvara [main entrance] gorupa, Virupaksha Temple Complex, Vijayanagara, Hampi, India](/img-collection/JQwEzU3Q45U0Hno6KgT9avJ6JG0=/500x666/654.jpg)
Actions:
Numéro de référence:
PH1986:1084
Description:
- Photographs PH1986:1064 - PH1986:1163 comprise 50 photographs by Colonel Alexander John Greenlaw, printed by John Gollings, and 50 photographs by John Gollings. On 22 May 1983, Edgar Gibbons commissioned Gollings to print three sets of photographs from a group of waxed-paper negatives taken in 1856 by Greenlaw of Vijayanagara. Eventually, only two sets of prints were made between the dates 23 May and 31 May 1983, of which photographs PH1986:1064 - PH1986:1113 were a part (Unpublished Document, 22 May 1983; Gibbons, 18 February 1990). From 1981 until 1984, John Gollings visited Vijayanagara and produced matching photographs of the Greenlaw series (Mitchell, 11 May 1984), with efforts taken to fix his camera, tripod and other equipment at almost the same spots as Greenlaw (Rao, p. 4). Photographs PH1986:1114 - PH1986:1163 represent his matching photographs.
PH1986:1084
Description:
- Photographs PH1986:1064 - PH1986:1163 comprise 50 photographs by Colonel Alexander John Greenlaw, printed by John Gollings, and 50 photographs by John Gollings. On 22 May 1983, Edgar Gibbons commissioned Gollings to print three sets of photographs from a group of waxed-paper negatives taken in 1856 by Greenlaw of Vijayanagara. Eventually, only two sets of prints were made between the dates 23 May and 31 May 1983, of which photographs PH1986:1064 - PH1986:1113 were a part (Unpublished Document, 22 May 1983; Gibbons, 18 February 1990). From 1981 until 1984, John Gollings visited Vijayanagara and produced matching photographs of the Greenlaw series (Mitchell, 11 May 1984), with efforts taken to fix his camera, tripod and other equipment at almost the same spots as Greenlaw (Rao, p. 4). Photographs PH1986:1114 - PH1986:1163 represent his matching photographs.
Personnes et institutions:
Sujet:
architecture, sculpture
architecture, sculpture
Date:
1856
1856
Titre:
Partial view, eastern mahadvara [main entrance] gorupa, Virupaksha Temple Complex, Vijayanagara, Hampi, India
Actions:
PH1986:1084
Description:
- Photographs PH1986:1064 - PH1986:1163 comprise 50 photographs by Colonel Alexander John Greenlaw, printed by John Gollings, and 50 photographs by John Gollings. On 22 May 1983, Edgar Gibbons commissioned Gollings to print three sets of photographs from a group of waxed-paper negatives taken in 1856 by Greenlaw of Vijayanagara. Eventually, only two sets of prints were made between the dates 23 May and 31 May 1983, of which photographs PH1986:1064 - PH1986:1113 were a part (Unpublished Document, 22 May 1983; Gibbons, 18 February 1990). From 1981 until 1984, John Gollings visited Vijayanagara and produced matching photographs of the Greenlaw series (Mitchell, 11 May 1984), with efforts taken to fix his camera, tripod and other equipment at almost the same spots as Greenlaw (Rao, p. 4). Photographs PH1986:1114 - PH1986:1163 represent his matching photographs.
Partial view, eastern mahadvara [main entrance] gorupa, Virupaksha Temple Complex, Vijayanagara, Hampi, India
Actions:
PH1986:1084
Description:
- Photographs PH1986:1064 - PH1986:1163 comprise 50 photographs by Colonel Alexander John Greenlaw, printed by John Gollings, and 50 photographs by John Gollings. On 22 May 1983, Edgar Gibbons commissioned Gollings to print three sets of photographs from a group of waxed-paper negatives taken in 1856 by Greenlaw of Vijayanagara. Eventually, only two sets of prints were made between the dates 23 May and 31 May 1983, of which photographs PH1986:1064 - PH1986:1113 were a part (Unpublished Document, 22 May 1983; Gibbons, 18 February 1990). From 1981 until 1984, John Gollings visited Vijayanagara and produced matching photographs of the Greenlaw series (Mitchell, 11 May 1984), with efforts taken to fix his camera, tripod and other equipment at almost the same spots as Greenlaw (Rao, p. 4). Photographs PH1986:1114 - PH1986:1163 represent his matching photographs.
Classification:
photographies
photographies
Date:
1856
1856
Personnes et institutions:
Sujet:
architecture, sculpture
architecture, sculpture
Classification:
photographies
photographies
![View of the Deepastambha [lamp post] with mandapas of the Vithala Temple Complex in the background, Vijayanagara, Hampi, India](/img-collection/W2zkwkLjkJNnz93EUDKlQKjFaBs=/500x666/667.jpg)
Actions:
Numéro de référence:
PH1986:1096
Description:
- Photographs PH1986:1064 - PH1986:1163 comprise 50 photographs by Colonel Alexander John Greenlaw, printed by John Gollings, and 50 photographs by John Gollings. On 22 May 1983, Edgar Gibbons commissioned Gollings to print three sets of photographs from a group of waxed-paper negatives taken in 1856 by Greenlaw of Vijayanagara. Eventually, only two sets of prints were made between the dates 23 May and 31 May 1983, of which photographs PH1986:1064 - PH1986:1113 were a part (Unpublished Document, 22 May 1983; Gibbons, 18 February 1990). From 1981 until 1984, John Gollings visited Vijayanagara and produced matching photographs of the Greenlaw series (Mitchell, 11 May 1984), with efforts taken to fix his camera, tripod and other equipment at almost the same spots as Greenlaw (Rao, p. 4). Photographs PH1986:1114 - PH1986:1163 represent his matching photographs.
PH1986:1096
Description:
- Photographs PH1986:1064 - PH1986:1163 comprise 50 photographs by Colonel Alexander John Greenlaw, printed by John Gollings, and 50 photographs by John Gollings. On 22 May 1983, Edgar Gibbons commissioned Gollings to print three sets of photographs from a group of waxed-paper negatives taken in 1856 by Greenlaw of Vijayanagara. Eventually, only two sets of prints were made between the dates 23 May and 31 May 1983, of which photographs PH1986:1064 - PH1986:1113 were a part (Unpublished Document, 22 May 1983; Gibbons, 18 February 1990). From 1981 until 1984, John Gollings visited Vijayanagara and produced matching photographs of the Greenlaw series (Mitchell, 11 May 1984), with efforts taken to fix his camera, tripod and other equipment at almost the same spots as Greenlaw (Rao, p. 4). Photographs PH1986:1114 - PH1986:1163 represent his matching photographs.
Personnes et institutions:
Sujet:
architecture
architecture
Date:
1856
1856
Titre:
View of the Deepastambha [lamp post] with mandapas of the Vithala Temple Complex in the background, Vijayanagara, Hampi, India
Actions:
PH1986:1096
Description:
- Photographs PH1986:1064 - PH1986:1163 comprise 50 photographs by Colonel Alexander John Greenlaw, printed by John Gollings, and 50 photographs by John Gollings. On 22 May 1983, Edgar Gibbons commissioned Gollings to print three sets of photographs from a group of waxed-paper negatives taken in 1856 by Greenlaw of Vijayanagara. Eventually, only two sets of prints were made between the dates 23 May and 31 May 1983, of which photographs PH1986:1064 - PH1986:1113 were a part (Unpublished Document, 22 May 1983; Gibbons, 18 February 1990). From 1981 until 1984, John Gollings visited Vijayanagara and produced matching photographs of the Greenlaw series (Mitchell, 11 May 1984), with efforts taken to fix his camera, tripod and other equipment at almost the same spots as Greenlaw (Rao, p. 4). Photographs PH1986:1114 - PH1986:1163 represent his matching photographs.
View of the Deepastambha [lamp post] with mandapas of the Vithala Temple Complex in the background, Vijayanagara, Hampi, India
Actions:
PH1986:1096
Description:
- Photographs PH1986:1064 - PH1986:1163 comprise 50 photographs by Colonel Alexander John Greenlaw, printed by John Gollings, and 50 photographs by John Gollings. On 22 May 1983, Edgar Gibbons commissioned Gollings to print three sets of photographs from a group of waxed-paper negatives taken in 1856 by Greenlaw of Vijayanagara. Eventually, only two sets of prints were made between the dates 23 May and 31 May 1983, of which photographs PH1986:1064 - PH1986:1113 were a part (Unpublished Document, 22 May 1983; Gibbons, 18 February 1990). From 1981 until 1984, John Gollings visited Vijayanagara and produced matching photographs of the Greenlaw series (Mitchell, 11 May 1984), with efforts taken to fix his camera, tripod and other equipment at almost the same spots as Greenlaw (Rao, p. 4). Photographs PH1986:1114 - PH1986:1163 represent his matching photographs.
Classification:
photographies
photographies
Date:
1856
1856
Personnes et institutions:
Sujet:
architecture
architecture
Classification:
photographies
photographies
Actions:
Numéro de référence:
PH1986:1097
Description:
- Photographs PH1986:1064 - PH1986:1163 comprise 50 photographs by Colonel Alexander John Greenlaw, printed by John Gollings, and 50 photographs by John Gollings. On 22 May 1983, Edgar Gibbons commissioned Gollings to print three sets of photographs from a group of waxed-paper negatives taken in 1856 by Greenlaw of Vijayanagara. Eventually, only two sets of prints were made between the dates 23 May and 31 May 1983, of which photographs PH1986:1064 - PH1986:1113 were a part (Unpublished Document, 22 May 1983; Gibbons, 18 February 1990). From 1981 until 1984, John Gollings visited Vijayanagara and produced matching photographs of the Greenlaw series (Mitchell, 11 May 1984), with efforts taken to fix his camera, tripod and other equipment at almost the same spots as Greenlaw (Rao, p. 4). Photographs PH1986:1114 - PH1986:1163 represent his matching photographs.
PH1986:1097
Description:
- Photographs PH1986:1064 - PH1986:1163 comprise 50 photographs by Colonel Alexander John Greenlaw, printed by John Gollings, and 50 photographs by John Gollings. On 22 May 1983, Edgar Gibbons commissioned Gollings to print three sets of photographs from a group of waxed-paper negatives taken in 1856 by Greenlaw of Vijayanagara. Eventually, only two sets of prints were made between the dates 23 May and 31 May 1983, of which photographs PH1986:1064 - PH1986:1113 were a part (Unpublished Document, 22 May 1983; Gibbons, 18 February 1990). From 1981 until 1984, John Gollings visited Vijayanagara and produced matching photographs of the Greenlaw series (Mitchell, 11 May 1984), with efforts taken to fix his camera, tripod and other equipment at almost the same spots as Greenlaw (Rao, p. 4). Photographs PH1986:1114 - PH1986:1163 represent his matching photographs.
Personnes et institutions:
Sujet:
architecture, sculpture
architecture, sculpture
Date:
1856
1856
Titre:
Close-up view of a fragment of stone with a bas-relief depicting the mythological figure Bhima, Bhima's Gate, Vijayanagara, Hampi, India
Actions:
PH1986:1097
Description:
- Photographs PH1986:1064 - PH1986:1163 comprise 50 photographs by Colonel Alexander John Greenlaw, printed by John Gollings, and 50 photographs by John Gollings. On 22 May 1983, Edgar Gibbons commissioned Gollings to print three sets of photographs from a group of waxed-paper negatives taken in 1856 by Greenlaw of Vijayanagara. Eventually, only two sets of prints were made between the dates 23 May and 31 May 1983, of which photographs PH1986:1064 - PH1986:1113 were a part (Unpublished Document, 22 May 1983; Gibbons, 18 February 1990). From 1981 until 1984, John Gollings visited Vijayanagara and produced matching photographs of the Greenlaw series (Mitchell, 11 May 1984), with efforts taken to fix his camera, tripod and other equipment at almost the same spots as Greenlaw (Rao, p. 4). Photographs PH1986:1114 - PH1986:1163 represent his matching photographs.
Close-up view of a fragment of stone with a bas-relief depicting the mythological figure Bhima, Bhima's Gate, Vijayanagara, Hampi, India
Actions:
PH1986:1097
Description:
- Photographs PH1986:1064 - PH1986:1163 comprise 50 photographs by Colonel Alexander John Greenlaw, printed by John Gollings, and 50 photographs by John Gollings. On 22 May 1983, Edgar Gibbons commissioned Gollings to print three sets of photographs from a group of waxed-paper negatives taken in 1856 by Greenlaw of Vijayanagara. Eventually, only two sets of prints were made between the dates 23 May and 31 May 1983, of which photographs PH1986:1064 - PH1986:1113 were a part (Unpublished Document, 22 May 1983; Gibbons, 18 February 1990). From 1981 until 1984, John Gollings visited Vijayanagara and produced matching photographs of the Greenlaw series (Mitchell, 11 May 1984), with efforts taken to fix his camera, tripod and other equipment at almost the same spots as Greenlaw (Rao, p. 4). Photographs PH1986:1114 - PH1986:1163 represent his matching photographs.
Classification:
photographies
photographies
Date:
1856
1856
Personnes et institutions:
Sujet:
architecture, sculpture
architecture, sculpture
