582 Résultats
Classification:
livres
livres
Titre:
New museums
New museums
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Prix:
$89.95
(disponible sur commande)
Résumé:
The lead article in the October 2004 issue of Architectural Record, devoted to contemporary museums, noted that “museums continue to proliferate across the international landscape, leading to the conclusion that, post-Bilbao, every municipality seems to want a smash.” Certainly, following the opening of Frank Gehry’s Guggenheim Museum Bilbao, museums gained a newfound(...)
$89.95
(disponible sur commande)
Résumé:
The lead article in the October 2004 issue of Architectural Record, devoted to contemporary museums, noted that “museums continue to proliferate across the international landscape, leading to the conclusion that, post-Bilbao, every municipality seems to want a smash.” Certainly, following the opening of Frank Gehry’s Guggenheim Museum Bilbao, museums gained a newfound(...)
Publication:
mai 2005, London
mai 2005, London
Titre:
New museums
Actions:
Prix:
$89.95
(disponible sur commande)
Résumé:
The lead article in the October 2004 issue of Architectural Record, devoted to contemporary museums, noted that “museums continue to proliferate across the international landscape, leading to the conclusion that, post-Bilbao, every municipality seems to want a smash.” Certainly, following the opening of Frank Gehry’s Guggenheim Museum Bilbao, museums gained a newfound cache among architects and clients. The mission and purpose of the museum is rapidly evolving: museums today are frequently more than repositories for historical art: they can be research centers, memorials, contemporary galleries, or site-specific artworks in themselves. New Museums documents the best of new museum design and features 27 projects in 13 countries in Europe, the United States, Israel, and Japan. The architects represented are among the most renowned practitioners in the world today; in addition to those mentioned above, they include van Berkel + Bos, Santiago Calatrava, Zaha Hadid, Kengo Kuma, and Alvaro Siza, as well as lesser-known, talented designers such as Zvi Hecker in Israel and Diener & Diener in Switzerland. An illustrated general introduction discusses well-known historical precedents as well as current themes relevant to museum design: the museum as a neutral container, its role in placing art in context, the museum as an addition to an existing building, and as a distinct work of art. Each project is documented with color photographs, plans, drawings, and a project description.
New museums
Actions:
Prix:
$89.95
(disponible sur commande)
Résumé:
The lead article in the October 2004 issue of Architectural Record, devoted to contemporary museums, noted that “museums continue to proliferate across the international landscape, leading to the conclusion that, post-Bilbao, every municipality seems to want a smash.” Certainly, following the opening of Frank Gehry’s Guggenheim Museum Bilbao, museums gained a newfound cache among architects and clients. The mission and purpose of the museum is rapidly evolving: museums today are frequently more than repositories for historical art: they can be research centers, memorials, contemporary galleries, or site-specific artworks in themselves. New Museums documents the best of new museum design and features 27 projects in 13 countries in Europe, the United States, Israel, and Japan. The architects represented are among the most renowned practitioners in the world today; in addition to those mentioned above, they include van Berkel + Bos, Santiago Calatrava, Zaha Hadid, Kengo Kuma, and Alvaro Siza, as well as lesser-known, talented designers such as Zvi Hecker in Israel and Diener & Diener in Switzerland. An illustrated general introduction discusses well-known historical precedents as well as current themes relevant to museum design: the museum as a neutral container, its role in placing art in context, the museum as an addition to an existing building, and as a distinct work of art. Each project is documented with color photographs, plans, drawings, and a project description.
Classification:
livres
livres
Publication:
mai 2005, London
mai 2005, London
Classification:
livres
livres
Actions:
Prix:
$32.95
(disponible sur commande)
Résumé:
Bay by the turn of the century. But in 1912, backed by some of the country’s leading financiers and industrialists, MIT officials purchased an undeveloped tract of land in Cambridge, launching a long and complex review of proposals for a new quadrangle. Based largely on the recommendation of John D. Rockefeller Jr., the commission was awarded to MIT and the École des(...)
$32.95
(disponible sur commande)
Résumé:
Bay by the turn of the century. But in 1912, backed by some of the country’s leading financiers and industrialists, MIT officials purchased an undeveloped tract of land in Cambridge, launching a long and complex review of proposals for a new quadrangle. Based largely on the recommendation of John D. Rockefeller Jr., the commission was awarded to MIT and the École des(...)
Titre:
Designing MIT: Bosworth's new tech
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Prix:
$32.95
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Résumé:
Bay by the turn of the century. But in 1912, backed by some of the country’s leading financiers and industrialists, MIT officials purchased an undeveloped tract of land in Cambridge, launching a long and complex review of proposals for a new quadrangle. Based largely on the recommendation of John D. Rockefeller Jr., the commission was awarded to MIT and the École des Beaux-Arts-trained architect William Welles Bosworth, known for his AT Building in Manhattan, and Kykuit, the Rockefeller mansion in Tarrytown, New York. Designing MIT is the first book to detail Bosworth’s challenges in the planning and construction of the Institute’s unique Cambridge campus. Beginning with an examination of the competing project proposals—from Steven Child, an emerging landscape designer and student of Frederick Law Olmstead; Desiré Despradelle, Chairman of the Department of Architecture at MIT and a leading Beaux-Arts stylist; Ralph Adams Cram, noted for his gothic West Point campus; and John Freeman, one of the country’s leading civil engineers—Mark M. Jarzombek provides a captivating cross-section of the architectural debates of the time. Though Bosworth’s considerable social and political finesse enabled him to land the commission and balance varied competing interests, he found his classically oriented vision challenged by engineer John Freeman, proponent of Frederick W. Taylor’s new principle of Scientific Management. However strained, the conflict ultimately resulted in a far more innovative design than either individual approach, employing new European concepts of industrialism, efficiency, and aesthetics in academic structures.
Designing MIT: Bosworth's new tech
Actions:
Prix:
$32.95
(disponible sur commande)
Résumé:
Bay by the turn of the century. But in 1912, backed by some of the country’s leading financiers and industrialists, MIT officials purchased an undeveloped tract of land in Cambridge, launching a long and complex review of proposals for a new quadrangle. Based largely on the recommendation of John D. Rockefeller Jr., the commission was awarded to MIT and the École des Beaux-Arts-trained architect William Welles Bosworth, known for his AT Building in Manhattan, and Kykuit, the Rockefeller mansion in Tarrytown, New York. Designing MIT is the first book to detail Bosworth’s challenges in the planning and construction of the Institute’s unique Cambridge campus. Beginning with an examination of the competing project proposals—from Steven Child, an emerging landscape designer and student of Frederick Law Olmstead; Desiré Despradelle, Chairman of the Department of Architecture at MIT and a leading Beaux-Arts stylist; Ralph Adams Cram, noted for his gothic West Point campus; and John Freeman, one of the country’s leading civil engineers—Mark M. Jarzombek provides a captivating cross-section of the architectural debates of the time. Though Bosworth’s considerable social and political finesse enabled him to land the commission and balance varied competing interests, he found his classically oriented vision challenged by engineer John Freeman, proponent of Frederick W. Taylor’s new principle of Scientific Management. However strained, the conflict ultimately resulted in a far more innovative design than either individual approach, employing new European concepts of industrialism, efficiency, and aesthetics in academic structures.
Classification:
livres
livres
Publication:
novembre 2004
novembre 2004
