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Jill Jonnes’s Urban Forests is a natural history of the tree in American cities over the course of the past two centuries. Jonnes’s survey ranges from early sponsors for the Urban Tree Movement to the fascinating stories of particular species (including Washington, DC’s famed cherry trees, and the American chestnut and elm, and the diseases that almost destroyed them) to(...)
Urban Forests: a natural history of trees and people in the American cityscape
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Jill Jonnes’s Urban Forests is a natural history of the tree in American cities over the course of the past two centuries. Jonnes’s survey ranges from early sponsors for the Urban Tree Movement to the fascinating stories of particular species (including Washington, DC’s famed cherry trees, and the American chestnut and elm, and the diseases that almost destroyed them) to the institution of Arbor Day to the most recent generation of tree evangelists who are identifying the best species to populate our cities’ leafy canopies. The book examines such questions as the character of American urban forests and the effect that tree-rich landscaping might have on commerce, crime, and human well-being. As we wrestle with how to repair the damage we have wrought on nature and how to slow climate change, urban forests offer an obvious, low-tech solution.
Paysages urbains
The cabinet of traces
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''The Cabinet of Traces'' is a collection of 73 traces that were left behind by various artists in residency at Air Antwerp from 2012 onwards. The traces presented in this publication form a diverse collection of objects, drawings, little art works, letters, and clothes. Likewise a catalogue of an ethnographic collection, this publication provides all standard technical(...)
septembre 2018
The cabinet of traces
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''The Cabinet of Traces'' is a collection of 73 traces that were left behind by various artists in residency at Air Antwerp from 2012 onwards. The traces presented in this publication form a diverse collection of objects, drawings, little art works, letters, and clothes. Likewise a catalogue of an ethnographic collection, this publication provides all standard technical details with each trace: material, dimensions, title and the artist who created it. Each trace bears its own story. ''The Cabinet of Traces'' remembers these stories, while feeding new ones. Memories are constructions and the traces in the publication form the basis from which these memories can be created. ''The Cabinet of Traces'' is a tool that feeds the imagination. It will be passed on to future artists in residency in order to evoke a reaction. New artists will extend the collection.
Collections of nothing
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King, a professor at Santa Barbara, has spent decades collecting things that nobody else would want: food packages and labels (he has about eighteen thousand), illustrations snipped from old dictionaries (seven thousand), linings of "security" envelopes (eight hundred patterns), "the mute, meager, practically valueless object, like a sea-washed spigot, its mouth stoppered(...)
Collections of nothing
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King, a professor at Santa Barbara, has spent decades collecting things that nobody else would want: food packages and labels (he has about eighteen thousand), illustrations snipped from old dictionaries (seven thousand), linings of "security" envelopes (eight hundred patterns), "the mute, meager, practically valueless object, like a sea-washed spigot, its mouth stoppered by a stone." What makes this book, bred of a midlife crisis, extraordinary is the way King weaves his autobiography into the account of his collection, deftly demonstrating that the two stories are essentially one. "I lost and found myself in remote topical aisles of scholarship-wreck," he says of his hours in Yale’s library, reading the most obscure books he could find. His hard-won self-awareness gives his disclosures an intensity that will likely resonate with all readers, even those whose collections of nothing contain nothing at all.
Théorie du design
African water cities
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This volume presents essays, stories, research and photographs showing how African cities by waterfronts deal with two of the most significant trends of our time: urbanization and a changing climate. On the African continent, the impact of climate change is now an everyday reality. Coastal and waterfront cities in particular experience loss and damage due to significant(...)
octobre 2023
African water cities
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This volume presents essays, stories, research and photographs showing how African cities by waterfronts deal with two of the most significant trends of our time: urbanization and a changing climate. On the African continent, the impact of climate change is now an everyday reality. Coastal and waterfront cities in particular experience loss and damage due to significant increases in sea level rise, rainfall and flooding. At the same time, Africa is the second most rapidly urbanizing continent (after Asia). The intersections between water and cities are therefore critical for understanding the future of urban and rural developments in Africa. Through deeper understanding of the innovative and resourceful way of life of informal water communities such as Makoko and coastal cities such as Abidjan, "African water cities" reveals key factors, challenges and opportunities shaping human, physical and economic dynamics.
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As a young boy, Sebastião Salgado loved exploring his parents’ farm in the forests of Brazil, always dreaming of what might lie beyond his view. When he went away to school, he met Lélia, who showed him how to use a camera. As he looked through the lens, Sebastião realized he could use photography to capture how the world fits together. Sebastião used his pictures to tell(...)
Planting hope: A portrait of photographer Sebastião Salgado
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As a young boy, Sebastião Salgado loved exploring his parents’ farm in the forests of Brazil, always dreaming of what might lie beyond his view. When he went away to school, he met Lélia, who showed him how to use a camera. As he looked through the lens, Sebastião realized he could use photography to capture how the world fits together. Sebastião used his pictures to tell the stories of people who might not otherwise be seen. But after witnessing too much destruction, he put away his camera and returned to his childhood home. The land was in ruins. So Sebastião and Lélia decided to rebuild the rainforest and photograph the beauty of the world to save it. Through art and activism, they would show that everyone was responsible for caring for the planet and that hope endures if we take action.
Expositions en cours
Grandma's story
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The storyteller is the living memory of her time: at once an oracle, weaver, healer, warrior, witch, protectress, teacher and great mother. Her powers are to do with passing on – not only the stories but transmission itself: "what grandma began, granddaughter completes and passes on to be further completed." In contrast to the idea that a story is "just a story",(...)
Grandma's story
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The storyteller is the living memory of her time: at once an oracle, weaver, healer, warrior, witch, protectress, teacher and great mother. Her powers are to do with passing on – not only the stories but transmission itself: "what grandma began, granddaughter completes and passes on to be further completed." In contrast to the idea that a story is "just a story", pioneering postcolonial feminist theorist and filmmaker Trinh T. Minh-ha recodes ideas about truth and fantasy to tell a different story about power, civilisation, history, medicine and magic. "Grandma’s Story" shows how creative speech is connected to women’s powers of enchantment, drawing upon and speaking with storytellers including Theresa Hak Kyung Cha, Clarice Lispector, Maxine Hong Kingston, Leslie Marmon Silko and Zora Neale Hurston – all who may be known as ‘'she who breaks open the spell'’.
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$54.00
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When we think of climate, the stories we tell about the future are often catastrophic: megastorms, crop failures, and heat waves loom over us, sending a signal that the problem is so vast, so complex, that it’s out of our control. That narrative is compelling for some, but leaves others feeling hopeless, helpless, and disillusioned. Even the most ardent champions of(...)
décembre 2025
Climate imagination: Dispatches from hopeful futures
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When we think of climate, the stories we tell about the future are often catastrophic: megastorms, crop failures, and heat waves loom over us, sending a signal that the problem is so vast, so complex, that it’s out of our control. That narrative is compelling for some, but leaves others feeling hopeless, helpless, and disillusioned. Even the most ardent champions of decarbonization sometimes focus more on sounding the alarm than on mapping out what success might look like. Without positive climate futures, visions of climate adaptation and resilience that we can work toward, it’s much harder to motivate broad-based efforts for change in the present. Through short speculative fiction, essays, and visual art, "Climate imagination" seeks to inspire a wave of narratives about what positive climate futures might look like for communities around the world.
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When Ursula K. Le Guin started writing a new story, she would begin by drawing a map. "The Word for World" presents a selection of these images by the celebrated author, many of which have never been published before, to consider how her imaginary worlds enable us to re-envision our own. Le Guin’s maps offer journeys of consciousness beyond conventional cartography,(...)
The word for world: The maps of Ursula K. Leguin
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When Ursula K. Le Guin started writing a new story, she would begin by drawing a map. "The Word for World" presents a selection of these images by the celebrated author, many of which have never been published before, to consider how her imaginary worlds enable us to re-envision our own. Le Guin’s maps offer journeys of consciousness beyond conventional cartography, from the Rorschach-like archipelagos of Earthsea to the talismanic maps of "Always Coming Home." Rather than remaining within known terrain, they open up paradigms of knowledge, exemplified by the map’s edges and how a map is read, made and re-made, together. "The Word for World" brings her maps together with poems, stories, interviews, recipes and essays by contributors from a variety of perspectives to enquire into the relationship between worlds and how they are represented and imagined.
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Do you remember the series of lectures and teachers from your university days? No? Camilla van Deurs does. She particularly remembers one teacher and professor, Jan Gehl, not only for his knowledge but also for his ability to communicate it. Jan Gehl presented the key points of his research through anecdotes and repeated them until they became ingrained. From teacher to(...)
août 2025
The good city: The short story
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Do you remember the series of lectures and teachers from your university days? No? Camilla van Deurs does. She particularly remembers one teacher and professor, Jan Gehl, not only for his knowledge but also for his ability to communicate it. Jan Gehl presented the key points of his research through anecdotes and repeated them until they became ingrained. From teacher to student. From one generation of architects and urban planners to the next. "Good city: The short story" is a collection of 24 short stories in which Gehl's research work is translated into easy-to-understand reflections on city life. Like the staircase – an architecturally designed component, but one that quickly becomes an accumulation of newspapers and shopping bags. About the distinction between architecture and urban planning on the drawing board and the actual, lived city. About small spaces and big experiences.
Machine paralysis
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The Mechanicos (meaning ‘machinic’ in Greek) is a folk dance performed by the sponge divers of Kalymnos island, recording the crippling effects of decompression sickness and paralysis caused by increasing industrial exploitation. Today, a disproportionate number of persons with physical impairments and debilitating conditions remain largely invisible. The writing in this(...)
Machine paralysis
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The Mechanicos (meaning ‘machinic’ in Greek) is a folk dance performed by the sponge divers of Kalymnos island, recording the crippling effects of decompression sickness and paralysis caused by increasing industrial exploitation. Today, a disproportionate number of persons with physical impairments and debilitating conditions remain largely invisible. The writing in this book points to different experiences of movement, time, and space: Whether through the creation of a vernacular sign language; a different pacing of time and projection of futurity; exchanging forms of care around a healing spring; recording the ways in which 3 generations navigate everyday interactions through a ‘broken telephone line’ of connection; or the friendship between a woman with visual impairment and her dog, Mercy, who helps her navigate the narrow busy sidewalks of central Athens. These stories contribute to imagining a different kind of mobility.
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