Evelyn Hofer: New York
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The starting point for this publication is the 1965 book ''New York Proclaimed'', which features an in-depth essay by V.S. Pritchett and photos by Evelyn Hofer (1922–2009), and which enjoyed great popularity upon its original publication.This newly conceived ''New York'' focuses on Hofer's photos of the 1960s as well as previously unpublished images from the early 1970s.(...)
Evelyn Hofer: New York
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The starting point for this publication is the 1965 book ''New York Proclaimed'', which features an in-depth essay by V.S. Pritchett and photos by Evelyn Hofer (1922–2009), and which enjoyed great popularity upon its original publication.This newly conceived ''New York'' focuses on Hofer's photos of the 1960s as well as previously unpublished images from the early 1970s. In Hofer's photos of the street and (semi-) public spaces, people and architecture become symbols of a particular time and place. ''New York'' contains a new essay by John Haskell that posits possible stories behind Hofer's photos and draws connections between images taken over the course of ten years.
Monographies photo
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American artist Gordon Matta-Clark is perhaps best known for the site-specific artworks he made in the 1970s. His body of work includes performance and recycling pieces, space and texture works, and his “building cuts”. Matta-Clark used a number of media to document his work, such as film, video, and photography, much of which appears in this catalogue, itself published(...)
Gordon Matta-Clark: splitting, cutting, writing, drawing, eating
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American artist Gordon Matta-Clark is perhaps best known for the site-specific artworks he made in the 1970s. His body of work includes performance and recycling pieces, space and texture works, and his “building cuts”. Matta-Clark used a number of media to document his work, such as film, video, and photography, much of which appears in this catalogue, itself published on the occasion of an eponymous exhibition at the Serralves Museum of Contemporary Art, Porto, and Culturgest, Lisbon. The attractively designed book includes numerous of the artist’s own sketches and plans for various works, plus letters and other material that together form an in-depth portrait.
Archigram: the book
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Archigram comprised Warren Chalk (1927-88), Peter Cook (1936-), Dennis Crompton (1935-), David Greene (1937-), Ron Herron (1930-94), and Michael Webb (1937-). Together, in the 1960s and early 1970s, they envisioned the future of architecture in ways that enthralled a generation. In an era defined by the space race, they developed a 'high-tech', lightweight,(...)
Archigram: the book
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Archigram comprised Warren Chalk (1927-88), Peter Cook (1936-), Dennis Crompton (1935-), David Greene (1937-), Ron Herron (1930-94), and Michael Webb (1937-). Together, in the 1960s and early 1970s, they envisioned the future of architecture in ways that enthralled a generation. In an era defined by the space race, they developed a 'high-tech', lightweight, infra-structural approach that stretched far beyond known technologies or contemporary realities. Archigram's influence has been profound and enduring. This book catalogues Archigram's activities over fourteen years, together with commentaries by the architects and critics writing then and now. Edited and designed by Archigram member Dennis Crompton, it has been 40 years in the making.
Architecture, monographies
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A small town in the vast desert of West Texas, Marfa attracts visitors from around the world to its art foundations and galleries, film and music festivals, and design and architecture symposiums. While newcomers sometimes see it as "another Santa Fe," long-time residents often take a bemused, even disapproving attitude toward the changes that Marfa has undergone since(...)
Marfa: the transformation of a West Texas town
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A small town in the vast desert of West Texas, Marfa attracts visitors from around the world to its art foundations and galleries, film and music festivals, and design and architecture symposiums. While newcomers sometimes see it as "another Santa Fe," long-time residents often take a bemused, even disapproving attitude toward the changes that Marfa has undergone since artist Donald Judd came to town in the 1970s and began creating spaces for his own and other artists' work. They remember when ranching and the military formed the basis of the town's economy, even as they acknowledge that tourist dollars are now essential to Marfa's sustainability.
Théorie de l’art
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Before defining the IBM company’s graphic look in 1956, Paul Rand had never designed an entire corporate identity. The American graphic designer had created many trademarks for advertising clients, but IBM was his first foray into the conservative realm of big business communications, as well as a turning point for him. This manual offers an in-depth look at the further(...)
IBM: graphic design guide 1969-1987
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Before defining the IBM company’s graphic look in 1956, Paul Rand had never designed an entire corporate identity. The American graphic designer had created many trademarks for advertising clients, but IBM was his first foray into the conservative realm of big business communications, as well as a turning point for him. This manual offers an in-depth look at the further evolution of IBM’s house style in the 1970s and ’80s, from logotypes, fonts, numerals, and type specimens, to highly detailed information on imprinting binders, signage, packaging, and related material. It shows how the graphic designer selects and fits together material to produce visual relationships.
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The taste for industrial aesthetics, just one of many reasons for the popularity of industrial conversions today, saw its beginnings during the age of post-war modernism, popularised by architects such as Le Corbusier, Gropius, and Mies van der Rohe. Yet the trend to rethink industrial structures also signals the imbalance of production and consumption that has arisen(...)
C3 special : post-industrial conversions
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The taste for industrial aesthetics, just one of many reasons for the popularity of industrial conversions today, saw its beginnings during the age of post-war modernism, popularised by architects such as Le Corbusier, Gropius, and Mies van der Rohe. Yet the trend to rethink industrial structures also signals the imbalance of production and consumption that has arisen since the 1970s. Currently, however, rehabilitation initiatives are bringing production back to the city through projects like the thirteen examples in this special issue. Included are the Baltic Station Market by KOKO architects, Zeitz MOCAA by Heatherwick Studio, Malmö Market Hall by Wingårdh, and The Silo by COBE.
Revues
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If postmodernism is indeed ''the cultural logic of late capitalism,'' why did typical postmodernist themes like ornament, colour, history and identity find their application in the architecture of the socialist Second World? How do we explain the retreat into paper architecture and theoretical discussion in societies still nominally devoted to socialist modernization?(...)
Second world postmodernisms: architecture and society under late socialism
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If postmodernism is indeed ''the cultural logic of late capitalism,'' why did typical postmodernist themes like ornament, colour, history and identity find their application in the architecture of the socialist Second World? How do we explain the retreat into paper architecture and theoretical discussion in societies still nominally devoted to socialist modernization? Exploring the intersection of two areas of growing scholarly interest - postmodernism and the architecture of the former socialist world - this edited collection stakes out new ground in charting architecture's various transformations in the 1970s and 80s. Fourteen essays together explore the question of whether or not architectural postmodernism had a specific Second World variant.
Théorie de l’architecture
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How do we approach, understand, and process information that is presented as archived, historical documentation ? The Atlas Group was a project undertaken by Lebanese-born artist Walid Raad from 1989-2004. The Atlas Group was established "to research and document the contemporary history of Lebanon" with specific attention to the Lebanese wars (usually termed civil) from(...)
The dead weight of a quarrel hangs: selections from the atlas group archive
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How do we approach, understand, and process information that is presented as archived, historical documentation ? The Atlas Group was a project undertaken by Lebanese-born artist Walid Raad from 1989-2004. The Atlas Group was established "to research and document the contemporary history of Lebanon" with specific attention to the Lebanese wars (usually termed civil) from mid-1970s to early 1991s. This book is published on the occasion of the exhibition The Dead Weight of a Quarrel Hangs: Selections from the Atlas Group Archive, 12 September - 23 November 2008, The Glassel School of Art, Houston, The Museum of Fine Arts. Curated by Mary Leclère.
livres
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In the 1960s and 1970s large, high-technology, inpatient oriented hospitals reflected the central role of such facilities in an expanding healthcare system. But hospital architecture and the healthcare system have vastly changed since then, in profound and unpredicted ways. This book explores for the first time how and why acute care hospitals and the often related(...)
janvier 1900, New Haven/London
Healthcare architecture in an era of radical transformation
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In the 1960s and 1970s large, high-technology, inpatient oriented hospitals reflected the central role of such facilities in an expanding healthcare system. But hospital architecture and the healthcare system have vastly changed since then, in profound and unpredicted ways. This book explores for the first time how and why acute care hospitals and the often related psychiatric facilities, retirement communities, and community clinics have been transformed during the final decades of the twentieth century. The authors also consider utopian visions of unbuilt work and look ahead to the possible healthcare landscape of the future: "health villages," home-based care for the aging and aged population, and cyberclinics and virtual hospitals.
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janvier 1900, New Haven/London
Painting in New York 1971-83
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Published to follow the landmark exhibition at Karma Gallery, New York, this catalog unites the works of 30 women painters who were active in New York City during the 1970s. The collection showcases the diverse practices and backgrounds of these artists, all of whom were deeply influenced by the transformative legacy of second-wave feminism. During this period, a new form(...)
décembre 2023
Painting in New York 1971-83
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Published to follow the landmark exhibition at Karma Gallery, New York, this catalog unites the works of 30 women painters who were active in New York City during the 1970s. The collection showcases the diverse practices and backgrounds of these artists, all of whom were deeply influenced by the transformative legacy of second-wave feminism. During this period, a new form of painting emerged, fusing elements of sculpture and textile into the medium while reevaluating its role through innovative art historical methodologies. Amid debates about the relevance of painting, women artists revitalized the practice, coinciding with a shifting political landscape characterized by the global revolt of women against their marginalized status.