13682 Résultats
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livres
livres
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Résumé:
In "Archiveology" Catherine Russell uses the work of Walter Benjamin to explore how the practice of archiveology-the reuse, recycling, appropriation, and borrowing of archival sounds and images by filmmakers-provides ways to imagine the past and the future. Noting how the film archive does not function simply as a place where moving images are preserved, Russell examines(...)
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Résumé:
In "Archiveology" Catherine Russell uses the work of Walter Benjamin to explore how the practice of archiveology-the reuse, recycling, appropriation, and borrowing of archival sounds and images by filmmakers-provides ways to imagine the past and the future. Noting how the film archive does not function simply as a place where moving images are preserved, Russell examines(...)
Titre:
Archiveology: Walter Benjamin and archival film practices
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In "Archiveology" Catherine Russell uses the work of Walter Benjamin to explore how the practice of archiveology-the reuse, recycling, appropriation, and borrowing of archival sounds and images by filmmakers-provides ways to imagine the past and the future. Noting how the film archive does not function simply as a place where moving images are preserved, Russell examines a range of films alongside Benjamin's conceptions of memory, document, excavation, and historiography. She shows how city films such as Nicole Vedres's Paris 1900 (1947) and Thom Andersen's Los Angeles Plays Itself (2003) reconstruct notions of urban life and uses Christian Marclay's The Clock (2010) to draw parallels between critical cinephilia and Benjamin's theory of the phantasmagoria. Russell also discusses practices of collecting in archiveological film and rereads films by Joseph Cornell and Rania Stephan to explore an archival practice that dislocates and relocates the female image in film. In so doing, she not only shows how Benjamin's work is as relevant to film theory as ever; she shows how archiveology can awaken artists and audiences to critical forms of history and memory.
Archiveology: Walter Benjamin and archival film practices
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Résumé:
In "Archiveology" Catherine Russell uses the work of Walter Benjamin to explore how the practice of archiveology-the reuse, recycling, appropriation, and borrowing of archival sounds and images by filmmakers-provides ways to imagine the past and the future. Noting how the film archive does not function simply as a place where moving images are preserved, Russell examines a range of films alongside Benjamin's conceptions of memory, document, excavation, and historiography. She shows how city films such as Nicole Vedres's Paris 1900 (1947) and Thom Andersen's Los Angeles Plays Itself (2003) reconstruct notions of urban life and uses Christian Marclay's The Clock (2010) to draw parallels between critical cinephilia and Benjamin's theory of the phantasmagoria. Russell also discusses practices of collecting in archiveological film and rereads films by Joseph Cornell and Rania Stephan to explore an archival practice that dislocates and relocates the female image in film. In so doing, she not only shows how Benjamin's work is as relevant to film theory as ever; she shows how archiveology can awaken artists and audiences to critical forms of history and memory.
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livres
livres
Publication:
mars 2018
mars 2018
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livres
livres
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$38.95
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In February 1956 the president of IBM hired the industrial designer and architect Eliot F. Noyes, charging him with reinventing IBM's corporate image, from stationery and curtains to products such as typewriters and computers and to laboratory and administration buildings. What followed remade IBM in a way that would also transform the relationships between design,(...)
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Résumé:
In February 1956 the president of IBM hired the industrial designer and architect Eliot F. Noyes, charging him with reinventing IBM's corporate image, from stationery and curtains to products such as typewriters and computers and to laboratory and administration buildings. What followed remade IBM in a way that would also transform the relationships between design,(...)
Titre:
The interface: IBM and the transformation of corporate design 1945-1976
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In February 1956 the president of IBM hired the industrial designer and architect Eliot F. Noyes, charging him with reinventing IBM's corporate image, from stationery and curtains to products such as typewriters and computers and to laboratory and administration buildings. What followed remade IBM in a way that would also transform the relationships between design, computer science, and corporate culture. IBM's program assembled a cast of leading figures in American design: Noyes, Charles Eames, Paul Rand, George Nelson, and Edgar Kaufmann Jr. The Interface offers a detailed account of the key role these designers played in shaping both the computer and the multinational corporation. Harwood describes the influence of computer and corporation on the theory and practice of design. Here we see how, in the period stretching from the "invention" of the computer during World War II to the appearance of the personal computer in the mid-1970s, disciplines once well outside the realm of architectural design -information and management theory, cybernetics, ergonomics, computer science- became integral aspects of design.
The interface: IBM and the transformation of corporate design 1945-1976
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In February 1956 the president of IBM hired the industrial designer and architect Eliot F. Noyes, charging him with reinventing IBM's corporate image, from stationery and curtains to products such as typewriters and computers and to laboratory and administration buildings. What followed remade IBM in a way that would also transform the relationships between design, computer science, and corporate culture. IBM's program assembled a cast of leading figures in American design: Noyes, Charles Eames, Paul Rand, George Nelson, and Edgar Kaufmann Jr. The Interface offers a detailed account of the key role these designers played in shaping both the computer and the multinational corporation. Harwood describes the influence of computer and corporation on the theory and practice of design. Here we see how, in the period stretching from the "invention" of the computer during World War II to the appearance of the personal computer in the mid-1970s, disciplines once well outside the realm of architectural design -information and management theory, cybernetics, ergonomics, computer science- became integral aspects of design.
Classification:
livres
livres
Publication:
novembre 2011
novembre 2011
Sujet:
Design industriel
Design industriel
Classification:
périodiques
périodiques
Titre:
October 162
October 162
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$25.00
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At the forefront of art criticism and theory, October focuses critical attention on the contemporary arts—film, painting, music, media, photography, performance, sculpture, and literature—and their various contexts of interpretation. Examining relationships between the arts and their critical and social contexts, October addresses a broad range of readers. Original,(...)
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At the forefront of art criticism and theory, October focuses critical attention on the contemporary arts—film, painting, music, media, photography, performance, sculpture, and literature—and their various contexts of interpretation. Examining relationships between the arts and their critical and social contexts, October addresses a broad range of readers. Original,(...)
Titre:
October 162
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$25.00
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At the forefront of art criticism and theory, October focuses critical attention on the contemporary arts—film, painting, music, media, photography, performance, sculpture, and literature—and their various contexts of interpretation. Examining relationships between the arts and their critical and social contexts, October addresses a broad range of readers. Original, innovative, provocative, each issue presents the best, most current texts by and about today’s artistic, intellectual, and critical vanguard.
October 162
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At the forefront of art criticism and theory, October focuses critical attention on the contemporary arts—film, painting, music, media, photography, performance, sculpture, and literature—and their various contexts of interpretation. Examining relationships between the arts and their critical and social contexts, October addresses a broad range of readers. Original, innovative, provocative, each issue presents the best, most current texts by and about today’s artistic, intellectual, and critical vanguard.
Classification:
périodiques
périodiques
Publication:
janvier 2018
janvier 2018
Sujet:
Revues
Revues
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livres
livres
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$64.95
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Résumé:
Combining real examples from practice with colour theory, this book will help readers to fully understand the role and impact of colour in our urban spaces. Contributions from leading architects Will Alsop, Legorreta and Legorreta, John Outram, Sauerbruch Hutton and Neuterlings Riedijk accompany those from artists Alain Bony and Yann Kersalé, and from colour researchers(...)
$64.95
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Combining real examples from practice with colour theory, this book will help readers to fully understand the role and impact of colour in our urban spaces. Contributions from leading architects Will Alsop, Legorreta and Legorreta, John Outram, Sauerbruch Hutton and Neuterlings Riedijk accompany those from artists Alain Bony and Yann Kersalé, and from colour researchers(...)
Titre:
Colour for architecture today
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$64.95
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Combining real examples from practice with colour theory, this book will help readers to fully understand the role and impact of colour in our urban spaces. Contributions from leading architects Will Alsop, Legorreta and Legorreta, John Outram, Sauerbruch Hutton and Neuterlings Riedijk accompany those from artists Alain Bony and Yann Kersalé, and from colour researchers such as Kristina Enberg and Anders Hård, who developed the Natural Colour System.
Colour for architecture today
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$64.95
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Résumé:
Combining real examples from practice with colour theory, this book will help readers to fully understand the role and impact of colour in our urban spaces. Contributions from leading architects Will Alsop, Legorreta and Legorreta, John Outram, Sauerbruch Hutton and Neuterlings Riedijk accompany those from artists Alain Bony and Yann Kersalé, and from colour researchers such as Kristina Enberg and Anders Hård, who developed the Natural Colour System.
Classification:
livres
livres
Publication:
décembre 2008
décembre 2008
Sujet:
Matériaux et éclairage
Matériaux et éclairage
Classification:
périodiques
périodiques
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$40.00
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Résumé:
This issue of 'Arch+' aims to help change how we view urban land and encourage land law reform, to return land governance to the local level. Secondly, it addresses the domestic sphere and its activities with the help of feminist theory, because this largely falls outside the economic equation yet is also a genuinely political place. With 16 pages special feature on the(...)
$40.00
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This issue of 'Arch+' aims to help change how we view urban land and encourage land law reform, to return land governance to the local level. Secondly, it addresses the domestic sphere and its activities with the help of feminist theory, because this largely falls outside the economic equation yet is also a genuinely political place. With 16 pages special feature on the(...)
Titre:
Arch+ Spring 2018: the property issue
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$40.00
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This issue of 'Arch+' aims to help change how we view urban land and encourage land law reform, to return land governance to the local level. Secondly, it addresses the domestic sphere and its activities with the help of feminist theory, because this largely falls outside the economic equation yet is also a genuinely political place. With 16 pages special feature on the Luxembourg Pavilion at Venice Biennale.
Arch+ Spring 2018: the property issue
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$40.00
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This issue of 'Arch+' aims to help change how we view urban land and encourage land law reform, to return land governance to the local level. Secondly, it addresses the domestic sphere and its activities with the help of feminist theory, because this largely falls outside the economic equation yet is also a genuinely political place. With 16 pages special feature on the Luxembourg Pavilion at Venice Biennale.
Classification:
périodiques
périodiques
Publication:
mai 2018
mai 2018
Sujet:
Revues
Revues
Classification:
livres
livres
Titre:
The form of the book book
The form of the book book
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$28.00
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A collection of essays, analyses and examples regarding the theory and production of bound volumes, this small but dense publication includes contributions by Catherine de Smet, James Goggin, Richard Hollis, Sarah Gottlieb, Armand Mevis and Chrissie Charlton, and ranges in topic from the Matta-Clark Complex and Le Corbusier as book designer to the Most Beautiful Swiss(...)
$28.00
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A collection of essays, analyses and examples regarding the theory and production of bound volumes, this small but dense publication includes contributions by Catherine de Smet, James Goggin, Richard Hollis, Sarah Gottlieb, Armand Mevis and Chrissie Charlton, and ranges in topic from the Matta-Clark Complex and Le Corbusier as book designer to the Most Beautiful Swiss(...)
Publication:
décembre 2012
décembre 2012
Titre:
The form of the book book
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$28.00
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Résumé:
A collection of essays, analyses and examples regarding the theory and production of bound volumes, this small but dense publication includes contributions by Catherine de Smet, James Goggin, Richard Hollis, Sarah Gottlieb, Armand Mevis and Chrissie Charlton, and ranges in topic from the Matta-Clark Complex and Le Corbusier as book designer to the Most Beautiful Swiss Books in retrospect, modern typographer Herbert Spencer and essential notes for designers.
The form of the book book
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$28.00
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Résumé:
A collection of essays, analyses and examples regarding the theory and production of bound volumes, this small but dense publication includes contributions by Catherine de Smet, James Goggin, Richard Hollis, Sarah Gottlieb, Armand Mevis and Chrissie Charlton, and ranges in topic from the Matta-Clark Complex and Le Corbusier as book designer to the Most Beautiful Swiss Books in retrospect, modern typographer Herbert Spencer and essential notes for designers.
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livres
livres
Publication:
décembre 2012
décembre 2012
Classification:
livres
livres
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$49.95
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Imagining the Audience offers an unusual glimpse behind the work of both artist and curator concerning the role of the audience. Part of a research project on viewpoints in aesthetics and film theory applied to contemporary art, this book asks how an artist or curator imagines the experience, movement, and mental processes of the viewer, and how this perspective(...)
$49.95
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Imagining the Audience offers an unusual glimpse behind the work of both artist and curator concerning the role of the audience. Part of a research project on viewpoints in aesthetics and film theory applied to contemporary art, this book asks how an artist or curator imagines the experience, movement, and mental processes of the viewer, and how this perspective(...)
Titre:
Imagining the audience: viewing positions in curatorial and artistic practice
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$49.95
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Imagining the Audience offers an unusual glimpse behind the work of both artist and curator concerning the role of the audience. Part of a research project on viewpoints in aesthetics and film theory applied to contemporary art, this book asks how an artist or curator imagines the experience, movement, and mental processes of the viewer, and how this perspective influences the artwork, the way the viewer experiences it.
Imagining the audience: viewing positions in curatorial and artistic practice
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$49.95
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Imagining the Audience offers an unusual glimpse behind the work of both artist and curator concerning the role of the audience. Part of a research project on viewpoints in aesthetics and film theory applied to contemporary art, this book asks how an artist or curator imagines the experience, movement, and mental processes of the viewer, and how this perspective influences the artwork, the way the viewer experiences it.
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livres
livres
Publication:
décembre 2012
décembre 2012
Sujet:
Muséologie
Muséologie
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livres
livres
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Exemplaires:
Description:
x, 298 pages : illustrations ; 23 cm
Description:
x, 298 pages : illustrations ; 23 cm
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Publication:
Cambridge, Massachusetts : The MIT Press, [2014], ©2014
Cambridge, Massachusetts : The MIT Press, [2014], ©2014
Titre:
Buildings must die : a perverse view of architecture / Stephen Cairns, Jane M. Jacobs.
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Description:
x, 298 pages : illustrations ; 23 cm
Buildings must die : a perverse view of architecture / Stephen Cairns, Jane M. Jacobs.
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Description:
x, 298 pages : illustrations ; 23 cm
Classification:
livres
livres
Publication:
Cambridge, Massachusetts : The MIT Press, [2014], ©2014
Cambridge, Massachusetts : The MIT Press, [2014], ©2014
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livres
livres
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Description:
xvii, 340 pages ; 26 cm
Description:
xvii, 340 pages ; 26 cm
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Publication:
London ; New York : Routledge, Taylor & Francis Group, 2017.
London ; New York : Routledge, Taylor & Francis Group, 2017.
Titre:
Architecture and the landscape of modernity in China before 1949 / Edward Denison.
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Description:
xvii, 340 pages ; 26 cm
Architecture and the landscape of modernity in China before 1949 / Edward Denison.
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Description:
xvii, 340 pages ; 26 cm
Classification:
livres
livres
Publication:
London ; New York : Routledge, Taylor & Francis Group, 2017.
London ; New York : Routledge, Taylor & Francis Group, 2017.
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vidéo
vidéo
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Description:
1 online resource (1 video file (30 minutes)) : sound, color
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Publication:
London, England : Pidgeon Digital, 1986.
London, England : Pidgeon Digital, 1986.
Titre:
The Representation of Opposites / [presented by] Peter Ahrends (Ahrends, Burton & Koralek).
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Description:
1 online resource (1 video file (30 minutes)) : sound, color
The Representation of Opposites / [presented by] Peter Ahrends (Ahrends, Burton & Koralek).
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Description:
1 online resource (1 video file (30 minutes)) : sound, color
Classification:
vidéo
vidéo
Publication:
London, England : Pidgeon Digital, 1986.
London, England : Pidgeon Digital, 1986.
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Sujet:
