Zukunft Schulbau
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The construction and design of school buildings in Germany faces major challenges. Particularly in metropolitan areas, student numbers are continuously rising and, according to all forecasts, population growth is set to continue in the coming years. This is why new school buildings, including extensions and renovations of existing school buildings, are one of the central(...)
Zukunft Schulbau
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The construction and design of school buildings in Germany faces major challenges. Particularly in metropolitan areas, student numbers are continuously rising and, according to all forecasts, population growth is set to continue in the coming years. This is why new school buildings, including extensions and renovations of existing school buildings, are one of the central topics of investment policy throughout Germany today. Approximately 5.5 billion euros will be spent from 2017 to 2026 on the refurbishment and/or expansion of existing schools; about 40 new school buildings will be erected. Against this backdrop, the exhibition initiated and curated by Beate Engelhorn at Aedes Architecture Forum presents 12 contemporary school buildings in Europe that are exemplary for the implementation of current educational and urban planning models. The exhibition will be introduced by a two-day conference with numerous contributions from experts from Germany and abroad.
Karel Martens: Unbound
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Unbound accompanies Karel Martens’ first solo exhibition at the Stedelijk Museum Amsterdam, bringing together a wide-ranging body of work Karel made and collected over the entire span of his decades long career. Containing works from the show, collaged, overprinted and juxtaposed with elements found around his studio, the book balances between being an artist book and a(...)
Karel Martens: Unbound
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Unbound accompanies Karel Martens’ first solo exhibition at the Stedelijk Museum Amsterdam, bringing together a wide-ranging body of work Karel made and collected over the entire span of his decades long career. Containing works from the show, collaged, overprinted and juxtaposed with elements found around his studio, the book balances between being an artist book and a catalog. “This publication, thoughtfully designed by Jordi de Vetten and Susu Lee in close collaboration with Martens himself, functions as a handbook to his work. But it’s an unconventional one: unstructured, non-hierarchical, playful, personal, and associative.” With texts by Thomas Castro, curator of the exhibition and Rein Wolfs, director of the Stedelijk Museum.
Ai Weiwei
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Born in 1957, Beijing-based Ai Weiwei is perhaps the most internationally visible contemporary Chinese artist. Philip Tinari has described his practice as a, "multitasking sprawl--encompassing artmaking, curating, publishing and architectural design--[that] threatens to answer the vaguely unsettling question, What would Andy Warhol's career have looked like if it had(...)
Ai Weiwei
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Born in 1957, Beijing-based Ai Weiwei is perhaps the most internationally visible contemporary Chinese artist. Philip Tinari has described his practice as a, "multitasking sprawl--encompassing artmaking, curating, publishing and architectural design--[that] threatens to answer the vaguely unsettling question, What would Andy Warhol's career have looked like if it had played out in turn-of-the-millennium China? (For one thing, architecture might have stood in for film; where Warhol created an alter-Hollywood, Ai is a self-invented starchitect)." After spending the early 1980s in New York, Ai moved back to Beijing in 1994. Already an important member of the Stars group, a socially critical movement that borrowed heavily from western art and culture, he established the famed China Art Archives and Warehouse in 1997. In 2000, on the occasion of the Shanghai Biennale, he organized the attention-grabbing group exhibition Fuck Off in collaboration with curator Feng Boyi. More recently, he was involved in the design of the Olympic Stadium in Beijing by Herzog & de Meuron. This publication takes an in-depth look at Ai's under-explored engagement with ceramics, and is published on the occasion of a solo exhibition of his recent ceramic work at Holland's Groningen Museum.
$64.00
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During the midcentury period, Michigan attracted visionary architects, designers, and theorists, including Alexander Girard. While much has been written about Girard’s vibrantly colored and patterned textiles for Herman Miller, the story of his Detroit period (1937–53)—encompassing interior and industrial design, exhibition curation, and residential architecture—has not(...)
Alexander Girard, architect: Creating midcentury modern masterpieces
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During the midcentury period, Michigan attracted visionary architects, designers, and theorists, including Alexander Girard. While much has been written about Girard’s vibrantly colored and patterned textiles for Herman Miller, the story of his Detroit period (1937–53)—encompassing interior and industrial design, exhibition curation, and residential architecture—has not been told. "Alexander Girard, Architect: Creating Midcentury Modern Masterpieces" by Deborah Lubera Kawsky is the first comprehensive study of Girard’s exceptional architectural projects, specifically those concentrated in the ultra-traditional Detroit suburb of Grosse Pointe.
Architecture, monographies
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Angelidakis is an architect working at the intersection of digital culture and architectural production. In these parallel realities he treats the internet (eg. Second Life) as a place where ideas are born and get tested, and where new social behaviours define the way our society will develop in years to come. These experiments have a real life counterpart in his(...)
DD 25: Internet suburbia, Andreas Angelidakis, Greece-Norway
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Angelidakis is an architect working at the intersection of digital culture and architectural production. In these parallel realities he treats the internet (eg. Second Life) as a place where ideas are born and get tested, and where new social behaviours define the way our society will develop in years to come. These experiments have a real life counterpart in his exhibition and installation design, furniture, urban planning and housing projects. Many of the designs are reproduced here with the help of images, photographs and models.
Revues
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The name MA of Gallery MA represents a distinctively Japanese concept of the delicate balance among people, time and space. Dedicated to architecture and design, the gallery has striven to become a provider of quality of information through originally produced exhibitions and lectures that communicate the thougts and philosophies of architects and designers in Japan and(...)
décembre 2005, Tokyo
Gallery MA 2001-2005 : transfiguration of the space 3
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The name MA of Gallery MA represents a distinctively Japanese concept of the delicate balance among people, time and space. Dedicated to architecture and design, the gallery has striven to become a provider of quality of information through originally produced exhibitions and lectures that communicate the thougts and philosophies of architects and designers in Japan and overseas. This publication collected exhibitions and other activities by Gallery MA from 2001 to 2005. The text of this publication was originally written by exhibitors for the exhibition.
$55.95
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Bringing together more than 200 objects produced over the past five centuries, this volume explores ornament in architecture, art, and design through the lens of drawing. In conjunction with the exhibition presented at the Drawing Center, this catalog seeks to address the multilayered complexity of the history of ornament, including the dissonance between the unequal and(...)
Drawing Papers 149: The clamor of ornament
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Bringing together more than 200 objects produced over the past five centuries, this volume explores ornament in architecture, art, and design through the lens of drawing. In conjunction with the exhibition presented at the Drawing Center, this catalog seeks to address the multilayered complexity of the history of ornament, including the dissonance between the unequal and destructive relationships that mediate its movement between sources, and its irrepressible power to express joy through motifs drawn from both the natural world and the minds of artists and designers.
Théorie de l’art
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De Zwarte Hond was founded 40 years ago in Groningen and has evolved from an established architectural practice into a multidisciplinary studio with more than 120 people. With offices in the Netherlands and Germany, the firm combines social commitment with high-quality architectural and urban design projects. Going beyond mere architecture and urbanism by taking(...)
Optimistic activism : Architecture, urbanism and the power of generosity
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De Zwarte Hond was founded 40 years ago in Groningen and has evolved from an established architectural practice into a multidisciplinary studio with more than 120 people. With offices in the Netherlands and Germany, the firm combines social commitment with high-quality architectural and urban design projects. Going beyond mere architecture and urbanism by taking responsibility for the quality of the built environment in a wider sense, the office considers itself more a movement rather than a traditional design office. Optimistic Activism is presented across two exhibition spaces: the HOW illustrates the collaborative way of working, where generosity shapes both the spatial and social approach. The WHAT showcases twelve projects through models, drawings and photographs, demonstrating how social engagement, design expertise and craftsmanship translate into built reality. Through their methods and projects, De Zwarte Hond generates optimistic impulses, creating places that bring people together and enrich community life.
Architecture, monographies
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Martin Mostböck works across design, material and craft. "The state of things" reveals how furniture, objects and houses emerge from production, testing and experimentation. On display are chairs, tables, lamps as well as residential houses and pavilions — works that make his distinctive material language and hands-on, craft-based approach, tangible. As an architect and(...)
Martin Mostböck: Setting things up (Der Stand der Dinge)
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Martin Mostböck works across design, material and craft. "The state of things" reveals how furniture, objects and houses emerge from production, testing and experimentation. On display are chairs, tables, lamps as well as residential houses and pavilions — works that make his distinctive material language and hands-on, craft-based approach, tangible. As an architect and designer, he develops ideas into objects: knife, saw and prototype in hand, he tests and shapes his designs, making decisions through an immediate dialogue between material and production. Balancing functional clarity with playful form, the works tell stories, shift scales and open new perspectives on space, material and everyday life. The exhibition at Aedes presents a multifaceted view of a practice that melds together processes from architecture to design through its craftsmanship.
Architecture, monographies
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The use of glass as a building material was encouraged in particular by garden design, as the protection of exotic plants required the construction of greenhouses and orangeries. In a record time of just five months, Joseph Paxton, himself a garden designer, put up the Crystal Palace in London's Hyde Park for the Great Exhibition of 1851. A totally glazed exhibition hall,(...)
octobre 2008, Köln
Architecture materials glass verre glas
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The use of glass as a building material was encouraged in particular by garden design, as the protection of exotic plants required the construction of greenhouses and orangeries. In a record time of just five months, Joseph Paxton, himself a garden designer, put up the Crystal Palace in London's Hyde Park for the Great Exhibition of 1851. A totally glazed exhibition hall, of gigantic proportions by the standards of the time, it was a milestone in the history of building in glass. The result was a totally new spatial quality and a new aesthetic, as interior and exterior could now enter into a quite unique mutual relationship. Since then, architecture without glass has been inconceivable, and glass has been used as a construction material by renowned architects worldwide for industrial buildings and private houses. Glass masterpieces, erected in particular in combination with other materials, for example, wood, stone or steel, demonstrate the potential and variety of glass architecture.