24946 Résultats
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP178.S1.1967.PR02
Description:
This project series documents the Monumento ao poeta António Nobre in Leça de Palmeira, Portugal. While the records were held in the office’s archives this project was assigned the number 27/60; in the past the office identified the project as number 117. The office assigned the date 1967 to this project. The project consisted of a sculpture located near the Boa Nova Tea house. The monument was a collaboration between Álvaro Siza and sculptor Barata Feyo. The bronze sculpture included feminine figures and poet António Nobre. It is important to note that another monument for António Nobre was built by Siza in 1980 (see project series AP178.S1.1980.PR04 in this fonds). Documenting this project are sketches, studies, topographic surveys, plans, drawings of lettering and details. Photographs, negatives, and slides document the site, model, inauguration and sculpture. Textual documentation includes a building program, notes and correspondence with the city of Matosinhos.
AP178.S1.1967.PR02
Description:
This project series documents the Monumento ao poeta António Nobre in Leça de Palmeira, Portugal. While the records were held in the office’s archives this project was assigned the number 27/60; in the past the office identified the project as number 117. The office assigned the date 1967 to this project. The project consisted of a sculpture located near the Boa Nova Tea house. The monument was a collaboration between Álvaro Siza and sculptor Barata Feyo. The bronze sculpture included feminine figures and poet António Nobre. It is important to note that another monument for António Nobre was built by Siza in 1980 (see project series AP178.S1.1980.PR04 in this fonds). Documenting this project are sketches, studies, topographic surveys, plans, drawings of lettering and details. Photographs, negatives, and slides document the site, model, inauguration and sculpture. Textual documentation includes a building program, notes and correspondence with the city of Matosinhos.
Personnes et institutions:
Date:
1967-1980
1967-1980
Titre:
Monumento ao poeta António Nobre [Monument to the poet António Nobre], Leça da Palmeira, Matosinhos, Portugal (1967)
Actions:
AP178.S1.1967.PR02
Description:
This project series documents the Monumento ao poeta António Nobre in Leça de Palmeira, Portugal. While the records were held in the office’s archives this project was assigned the number 27/60; in the past the office identified the project as number 117. The office assigned the date 1967 to this project. The project consisted of a sculpture located near the Boa Nova Tea house. The monument was a collaboration between Álvaro Siza and sculptor Barata Feyo. The bronze sculpture included feminine figures and poet António Nobre. It is important to note that another monument for António Nobre was built by Siza in 1980 (see project series AP178.S1.1980.PR04 in this fonds). Documenting this project are sketches, studies, topographic surveys, plans, drawings of lettering and details. Photographs, negatives, and slides document the site, model, inauguration and sculpture. Textual documentation includes a building program, notes and correspondence with the city of Matosinhos.
Monumento ao poeta António Nobre [Monument to the poet António Nobre], Leça da Palmeira, Matosinhos, Portugal (1967)
Actions:
AP178.S1.1967.PR02
Description:
This project series documents the Monumento ao poeta António Nobre in Leça de Palmeira, Portugal. While the records were held in the office’s archives this project was assigned the number 27/60; in the past the office identified the project as number 117. The office assigned the date 1967 to this project. The project consisted of a sculpture located near the Boa Nova Tea house. The monument was a collaboration between Álvaro Siza and sculptor Barata Feyo. The bronze sculpture included feminine figures and poet António Nobre. It is important to note that another monument for António Nobre was built by Siza in 1980 (see project series AP178.S1.1980.PR04 in this fonds). Documenting this project are sketches, studies, topographic surveys, plans, drawings of lettering and details. Photographs, negatives, and slides document the site, model, inauguration and sculpture. Textual documentation includes a building program, notes and correspondence with the city of Matosinhos.
Niveau de description archivistique:
Project
Project
Date:
1967-1980
1967-1980
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP178.S1.1967.PR04
Description:
This project series documents the Casa Manuel Magalhães in Porto, Portugal. While the records were held in the office’s archives this project was assigned the number 29/60; in the past the office identified the project as number 119. The office assigned the dates 1967-1971 for this project. The project consisted of a concrete house located on Avenida dos Combatentes in Porto. There was no direct opening to the street and the building was surrounded by a cement wall. Client Manuel Magalhães commissioned the house as a rental home, but became personally involved during the construction and decided to move in with his family. In 2001, Siza designed an intercom for the house. Documenting this project are sketches, studies, plans, elevations, and details. Photographs, negatives, and slides document the site and building work. Textual documentation includes correspondence with the city of Porto, Manuel Magalhães and Fernando Teixeira Rodrigues.
AP178.S1.1967.PR04
Description:
This project series documents the Casa Manuel Magalhães in Porto, Portugal. While the records were held in the office’s archives this project was assigned the number 29/60; in the past the office identified the project as number 119. The office assigned the dates 1967-1971 for this project. The project consisted of a concrete house located on Avenida dos Combatentes in Porto. There was no direct opening to the street and the building was surrounded by a cement wall. Client Manuel Magalhães commissioned the house as a rental home, but became personally involved during the construction and decided to move in with his family. In 2001, Siza designed an intercom for the house. Documenting this project are sketches, studies, plans, elevations, and details. Photographs, negatives, and slides document the site and building work. Textual documentation includes correspondence with the city of Porto, Manuel Magalhães and Fernando Teixeira Rodrigues.
Personnes et institutions:
Date:
1967-2001
1967-2001
Titre:
Casa Manuel Magalhães [Manuel Magalhães house], Porto, Portugal (1967-1971)
Actions:
AP178.S1.1967.PR04
Description:
This project series documents the Casa Manuel Magalhães in Porto, Portugal. While the records were held in the office’s archives this project was assigned the number 29/60; in the past the office identified the project as number 119. The office assigned the dates 1967-1971 for this project. The project consisted of a concrete house located on Avenida dos Combatentes in Porto. There was no direct opening to the street and the building was surrounded by a cement wall. Client Manuel Magalhães commissioned the house as a rental home, but became personally involved during the construction and decided to move in with his family. In 2001, Siza designed an intercom for the house. Documenting this project are sketches, studies, plans, elevations, and details. Photographs, negatives, and slides document the site and building work. Textual documentation includes correspondence with the city of Porto, Manuel Magalhães and Fernando Teixeira Rodrigues.
Casa Manuel Magalhães [Manuel Magalhães house], Porto, Portugal (1967-1971)
Actions:
AP178.S1.1967.PR04
Description:
This project series documents the Casa Manuel Magalhães in Porto, Portugal. While the records were held in the office’s archives this project was assigned the number 29/60; in the past the office identified the project as number 119. The office assigned the dates 1967-1971 for this project. The project consisted of a concrete house located on Avenida dos Combatentes in Porto. There was no direct opening to the street and the building was surrounded by a cement wall. Client Manuel Magalhães commissioned the house as a rental home, but became personally involved during the construction and decided to move in with his family. In 2001, Siza designed an intercom for the house. Documenting this project are sketches, studies, plans, elevations, and details. Photographs, negatives, and slides document the site and building work. Textual documentation includes correspondence with the city of Porto, Manuel Magalhães and Fernando Teixeira Rodrigues.
Niveau de description archivistique:
Project
Project
Date:
1967-2001
1967-2001
Personnes et institutions:
Niveau de description archivistique:
Série(s)
Série(s)
Numéro de référence:
CI007.S1
Description:
The series contains materials related to Mies van der Rohe's work as an architect, consulting architect, interior designer, and furniture designer. It documents various architectural projects in America and in Europe, predominantly in the United States and in Germany, between 1923 and 1958. The material in the series was produced between 1918 and 2000. Included are materials related to some of Mies' major projects as an architect, such as pavillion designs for the Illinois Institute of Technology in Chicago (1936-1958) and the Seagram Building in New York (1949-1958), Mies' work as consulting architect for the Toronto-Dominion Centre in Canada (1962-1985), as well as commissions for private residences, mainly in Germany and in the United States. The series also includes material related to his work for furniture designs. Documenting Mies's projects are photographs, textual documentation including notes, and some drawings, mainly conceptual sketches.
CI007.S1
Description:
The series contains materials related to Mies van der Rohe's work as an architect, consulting architect, interior designer, and furniture designer. It documents various architectural projects in America and in Europe, predominantly in the United States and in Germany, between 1923 and 1958. The material in the series was produced between 1918 and 2000. Included are materials related to some of Mies' major projects as an architect, such as pavillion designs for the Illinois Institute of Technology in Chicago (1936-1958) and the Seagram Building in New York (1949-1958), Mies' work as consulting architect for the Toronto-Dominion Centre in Canada (1962-1985), as well as commissions for private residences, mainly in Germany and in the United States. The series also includes material related to his work for furniture designs. Documenting Mies's projects are photographs, textual documentation including notes, and some drawings, mainly conceptual sketches.
Personnes et institutions:
Date:
1918-2000
1918-2000
Titre:
Architectural projects by Mies
CI007.S1
Description:
The series contains materials related to Mies van der Rohe's work as an architect, consulting architect, interior designer, and furniture designer. It documents various architectural projects in America and in Europe, predominantly in the United States and in Germany, between 1923 and 1958. The material in the series was produced between 1918 and 2000. Included are materials related to some of Mies' major projects as an architect, such as pavillion designs for the Illinois Institute of Technology in Chicago (1936-1958) and the Seagram Building in New York (1949-1958), Mies' work as consulting architect for the Toronto-Dominion Centre in Canada (1962-1985), as well as commissions for private residences, mainly in Germany and in the United States. The series also includes material related to his work for furniture designs. Documenting Mies's projects are photographs, textual documentation including notes, and some drawings, mainly conceptual sketches.
Architectural projects by Mies
CI007.S1
Description:
The series contains materials related to Mies van der Rohe's work as an architect, consulting architect, interior designer, and furniture designer. It documents various architectural projects in America and in Europe, predominantly in the United States and in Germany, between 1923 and 1958. The material in the series was produced between 1918 and 2000. Included are materials related to some of Mies' major projects as an architect, such as pavillion designs for the Illinois Institute of Technology in Chicago (1936-1958) and the Seagram Building in New York (1949-1958), Mies' work as consulting architect for the Toronto-Dominion Centre in Canada (1962-1985), as well as commissions for private residences, mainly in Germany and in the United States. The series also includes material related to his work for furniture designs. Documenting Mies's projects are photographs, textual documentation including notes, and some drawings, mainly conceptual sketches.
Niveau de description archivistique:
series
series
Date:
1918-2000
1918-2000
Personnes et institutions:
Niveau de description archivistique:
Sous-série
Sous-série
Titre:
Awards and honours
Awards and honours
Numéro de référence:
AP075.S3.SS3
Description:
This sub-series documents the awards and honours received by Cornelia Hahn Oberlander for her work as a landscape architect or awards for landscape projects. It includes design awards from Landscape architecture associations, such as the President's Award to Excellence from the American Society of Lanscape Architects (ASLA) for Robson Square in Vancouver in 1971, or the Canadian Society of Lanscape Architects (CSLA) award for the Canadian Chancery in Washington D.C. in 1991. It also contains honoris cause she received from universities or documents related to the been nomiated as Officer of the Order of Canada in 2009 or as Companion of the Order of Canada in 2018. The sub-series contains the awards, medals, trophies and certificats she received, invitations to official celebrations, a few recordings of the award ceremonies, photographs, and other correspondence and administrative documents related to the planning of ceremonies.
AP075.S3.SS3
Description:
This sub-series documents the awards and honours received by Cornelia Hahn Oberlander for her work as a landscape architect or awards for landscape projects. It includes design awards from Landscape architecture associations, such as the President's Award to Excellence from the American Society of Lanscape Architects (ASLA) for Robson Square in Vancouver in 1971, or the Canadian Society of Lanscape Architects (CSLA) award for the Canadian Chancery in Washington D.C. in 1991. It also contains honoris cause she received from universities or documents related to the been nomiated as Officer of the Order of Canada in 2009 or as Companion of the Order of Canada in 2018. The sub-series contains the awards, medals, trophies and certificats she received, invitations to official celebrations, a few recordings of the award ceremonies, photographs, and other correspondence and administrative documents related to the planning of ceremonies.
Personnes et institutions:
Date:
1950-2018
1950-2018
Titre:
Awards and honours
Actions:
AP075.S3.SS3
Description:
This sub-series documents the awards and honours received by Cornelia Hahn Oberlander for her work as a landscape architect or awards for landscape projects. It includes design awards from Landscape architecture associations, such as the President's Award to Excellence from the American Society of Lanscape Architects (ASLA) for Robson Square in Vancouver in 1971, or the Canadian Society of Lanscape Architects (CSLA) award for the Canadian Chancery in Washington D.C. in 1991. It also contains honoris cause she received from universities or documents related to the been nomiated as Officer of the Order of Canada in 2009 or as Companion of the Order of Canada in 2018. The sub-series contains the awards, medals, trophies and certificats she received, invitations to official celebrations, a few recordings of the award ceremonies, photographs, and other correspondence and administrative documents related to the planning of ceremonies.
Awards and honours
Actions:
AP075.S3.SS3
Description:
This sub-series documents the awards and honours received by Cornelia Hahn Oberlander for her work as a landscape architect or awards for landscape projects. It includes design awards from Landscape architecture associations, such as the President's Award to Excellence from the American Society of Lanscape Architects (ASLA) for Robson Square in Vancouver in 1971, or the Canadian Society of Lanscape Architects (CSLA) award for the Canadian Chancery in Washington D.C. in 1991. It also contains honoris cause she received from universities or documents related to the been nomiated as Officer of the Order of Canada in 2009 or as Companion of the Order of Canada in 2018. The sub-series contains the awards, medals, trophies and certificats she received, invitations to official celebrations, a few recordings of the award ceremonies, photographs, and other correspondence and administrative documents related to the planning of ceremonies.
Niveau de description archivistique:
Sub-series
Sub-series
Date:
1950-2018
1950-2018
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP207.S1.1967.PR01
Description:
This project series documents the "Rumble" Sofa, a couch designed by Pettena in 1967 and produced in 1968 by Gufram, an Italian seat and furniture manufacturer based in Barolo. The "Rumble" Sofa was part of the furniture at Pettena's studio-home." […] The design of this couch […] derives from the experience of living in a spacious place, originally a 19th century studio for artists, in which the furnishings had to suit the scale of the place and not that of the being." [1] The project series contains sketches, plans and details of the couch, as well as videos and photographs of the couch showing its various possible shapes and usages. It also includes a small wooden model with movable blocks, each block represents one of the cushions of the couch. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/design-rumble-couch-1967/ (last accessed 16 October 2019)
AP207.S1.1967.PR01
Description:
This project series documents the "Rumble" Sofa, a couch designed by Pettena in 1967 and produced in 1968 by Gufram, an Italian seat and furniture manufacturer based in Barolo. The "Rumble" Sofa was part of the furniture at Pettena's studio-home." […] The design of this couch […] derives from the experience of living in a spacious place, originally a 19th century studio for artists, in which the furnishings had to suit the scale of the place and not that of the being." [1] The project series contains sketches, plans and details of the couch, as well as videos and photographs of the couch showing its various possible shapes and usages. It also includes a small wooden model with movable blocks, each block represents one of the cushions of the couch. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/design-rumble-couch-1967/ (last accessed 16 October 2019)
Personnes et institutions:
Date:
circa 1967
circa 1967
Titre:
“Rumble” Sofa [“Rumble” Couch] (1967)
Actions:
AP207.S1.1967.PR01
Description:
This project series documents the "Rumble" Sofa, a couch designed by Pettena in 1967 and produced in 1968 by Gufram, an Italian seat and furniture manufacturer based in Barolo. The "Rumble" Sofa was part of the furniture at Pettena's studio-home." […] The design of this couch […] derives from the experience of living in a spacious place, originally a 19th century studio for artists, in which the furnishings had to suit the scale of the place and not that of the being." [1] The project series contains sketches, plans and details of the couch, as well as videos and photographs of the couch showing its various possible shapes and usages. It also includes a small wooden model with movable blocks, each block represents one of the cushions of the couch. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/design-rumble-couch-1967/ (last accessed 16 October 2019)
“Rumble” Sofa [“Rumble” Couch] (1967)
Actions:
AP207.S1.1967.PR01
Description:
This project series documents the "Rumble" Sofa, a couch designed by Pettena in 1967 and produced in 1968 by Gufram, an Italian seat and furniture manufacturer based in Barolo. The "Rumble" Sofa was part of the furniture at Pettena's studio-home." […] The design of this couch […] derives from the experience of living in a spacious place, originally a 19th century studio for artists, in which the furnishings had to suit the scale of the place and not that of the being." [1] The project series contains sketches, plans and details of the couch, as well as videos and photographs of the couch showing its various possible shapes and usages. It also includes a small wooden model with movable blocks, each block represents one of the cushions of the couch. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/design-rumble-couch-1967/ (last accessed 16 October 2019)
Niveau de description archivistique:
Project
Project
Date:
circa 1967
circa 1967
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Titre:
Red Line (1972)
Red Line (1972)
Numéro de référence:
AP207.S1.1972.PR04
Description:
The project series documents "Red Line", a performance that consisted in tracing a red line in the middle of the road with paint sprayer and compressor loaded on the back of a truck. The red line stretched across forty-five kilometres of road and traced the limits of the municipality of Salt Lake City. "The red line rendered visible the boundaries that structure our mental fields of perception and modify our understanding of space." [1] The performance was carried out in February and March 1972 with a group of students from the University of Utah, in Salt Lake City. The project series contains photographs of Pettena and his team at work tracing the red line, a drawing, and a map of the Salt Lake City municipality showing the trajectory of the line. Source: [1] Marco Scotini, editor. Non-conscious architecture: Gianni Pettena, Sternberg Press, 2018, 235 pages. p. 168.
AP207.S1.1972.PR04
Description:
The project series documents "Red Line", a performance that consisted in tracing a red line in the middle of the road with paint sprayer and compressor loaded on the back of a truck. The red line stretched across forty-five kilometres of road and traced the limits of the municipality of Salt Lake City. "The red line rendered visible the boundaries that structure our mental fields of perception and modify our understanding of space." [1] The performance was carried out in February and March 1972 with a group of students from the University of Utah, in Salt Lake City. The project series contains photographs of Pettena and his team at work tracing the red line, a drawing, and a map of the Salt Lake City municipality showing the trajectory of the line. Source: [1] Marco Scotini, editor. Non-conscious architecture: Gianni Pettena, Sternberg Press, 2018, 235 pages. p. 168.
Personnes et institutions:
Date:
circa 1972-2015
circa 1972-2015
Titre:
Red Line (1972)
Actions:
AP207.S1.1972.PR04
Description:
The project series documents "Red Line", a performance that consisted in tracing a red line in the middle of the road with paint sprayer and compressor loaded on the back of a truck. The red line stretched across forty-five kilometres of road and traced the limits of the municipality of Salt Lake City. "The red line rendered visible the boundaries that structure our mental fields of perception and modify our understanding of space." [1] The performance was carried out in February and March 1972 with a group of students from the University of Utah, in Salt Lake City. The project series contains photographs of Pettena and his team at work tracing the red line, a drawing, and a map of the Salt Lake City municipality showing the trajectory of the line. Source: [1] Marco Scotini, editor. Non-conscious architecture: Gianni Pettena, Sternberg Press, 2018, 235 pages. p. 168.
Red Line (1972)
Actions:
AP207.S1.1972.PR04
Description:
The project series documents "Red Line", a performance that consisted in tracing a red line in the middle of the road with paint sprayer and compressor loaded on the back of a truck. The red line stretched across forty-five kilometres of road and traced the limits of the municipality of Salt Lake City. "The red line rendered visible the boundaries that structure our mental fields of perception and modify our understanding of space." [1] The performance was carried out in February and March 1972 with a group of students from the University of Utah, in Salt Lake City. The project series contains photographs of Pettena and his team at work tracing the red line, a drawing, and a map of the Salt Lake City municipality showing the trajectory of the line. Source: [1] Marco Scotini, editor. Non-conscious architecture: Gianni Pettena, Sternberg Press, 2018, 235 pages. p. 168.
Niveau de description archivistique:
Project
Project
Date:
circa 1972-2015
circa 1972-2015
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP207.S1.1985.PR01
Description:
The project series documents "Integrazioni" an installation by Pettena for the Expo Arte at the Galleria Megapoli in Bari in 1985. The installation consisted of a framed three dimensional 'picture' in which is placed two benches and a table, and perspective is added in with paint to give the impression of depth. "A picture that, for once, has a depth (so that you can enter it) is in fact a place, the place where names change, the place where natures change, the location of a shift between real and imaginary, a door opening onto a reality that is certainly imagined, but that you can pass through." [1] The project series contains sketches and photographs of the installation, and a leaflet from the Galleria Megapoli on the exhibition and the installations presented. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/inst-integrations-1984/ (last accessed 11 December 2019).
AP207.S1.1985.PR01
Description:
The project series documents "Integrazioni" an installation by Pettena for the Expo Arte at the Galleria Megapoli in Bari in 1985. The installation consisted of a framed three dimensional 'picture' in which is placed two benches and a table, and perspective is added in with paint to give the impression of depth. "A picture that, for once, has a depth (so that you can enter it) is in fact a place, the place where names change, the place where natures change, the location of a shift between real and imaginary, a door opening onto a reality that is certainly imagined, but that you can pass through." [1] The project series contains sketches and photographs of the installation, and a leaflet from the Galleria Megapoli on the exhibition and the installations presented. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/inst-integrations-1984/ (last accessed 11 December 2019).
Personnes et institutions:
Date:
circa 1985-2015
circa 1985-2015
Titre:
Integrazioni [Integrations] (1985)
Actions:
AP207.S1.1985.PR01
Description:
The project series documents "Integrazioni" an installation by Pettena for the Expo Arte at the Galleria Megapoli in Bari in 1985. The installation consisted of a framed three dimensional 'picture' in which is placed two benches and a table, and perspective is added in with paint to give the impression of depth. "A picture that, for once, has a depth (so that you can enter it) is in fact a place, the place where names change, the place where natures change, the location of a shift between real and imaginary, a door opening onto a reality that is certainly imagined, but that you can pass through." [1] The project series contains sketches and photographs of the installation, and a leaflet from the Galleria Megapoli on the exhibition and the installations presented. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/inst-integrations-1984/ (last accessed 11 December 2019).
Integrazioni [Integrations] (1985)
Actions:
AP207.S1.1985.PR01
Description:
The project series documents "Integrazioni" an installation by Pettena for the Expo Arte at the Galleria Megapoli in Bari in 1985. The installation consisted of a framed three dimensional 'picture' in which is placed two benches and a table, and perspective is added in with paint to give the impression of depth. "A picture that, for once, has a depth (so that you can enter it) is in fact a place, the place where names change, the place where natures change, the location of a shift between real and imaginary, a door opening onto a reality that is certainly imagined, but that you can pass through." [1] The project series contains sketches and photographs of the installation, and a leaflet from the Galleria Megapoli on the exhibition and the installations presented. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/inst-integrations-1984/ (last accessed 11 December 2019).
Niveau de description archivistique:
Project
Project
Date:
circa 1985-2015
circa 1985-2015
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP207.S1.1995.PR01
Description:
The project series documents Pettena's research and study for the restoration and conversion of the Tonnara dell’Enfola, the promontory of the Enfola in Portoferraio, Italy. The project, on which Pettena worked from 1995 to 2000, was commissioned by the Parco Nazionale of the Arcipelago Toscano. The project included the restoration and conversion of the 18th century former tuna factory building into a museum and a theme park. The project was not realized as the general plan for the project is yet to be defined. The project series contains a complete set of plans for Pettena's proposal, including site plans, elevations, sections and floor plans, and a report on the project. The project series also includes contracts, cost estimates, project descriptions, handwritten notes (possibly by Pettena), correspondence and a list of work for the project. It also contains research material such as reference photographs and a set of reference plans for the building.
AP207.S1.1995.PR01
Description:
The project series documents Pettena's research and study for the restoration and conversion of the Tonnara dell’Enfola, the promontory of the Enfola in Portoferraio, Italy. The project, on which Pettena worked from 1995 to 2000, was commissioned by the Parco Nazionale of the Arcipelago Toscano. The project included the restoration and conversion of the 18th century former tuna factory building into a museum and a theme park. The project was not realized as the general plan for the project is yet to be defined. The project series contains a complete set of plans for Pettena's proposal, including site plans, elevations, sections and floor plans, and a report on the project. The project series also includes contracts, cost estimates, project descriptions, handwritten notes (possibly by Pettena), correspondence and a list of work for the project. It also contains research material such as reference photographs and a set of reference plans for the building.
Personnes et institutions:
Date:
1995-2014
1995-2014
Titre:
Restauro E Riconversione dell’Edifico Storico "Tonnara dell’Enfola" [Restoration and Conversion of the Historic “Tonnara Dell’Enfola”], Portoferraio, Italy (1995)
Actions:
AP207.S1.1995.PR01
Description:
The project series documents Pettena's research and study for the restoration and conversion of the Tonnara dell’Enfola, the promontory of the Enfola in Portoferraio, Italy. The project, on which Pettena worked from 1995 to 2000, was commissioned by the Parco Nazionale of the Arcipelago Toscano. The project included the restoration and conversion of the 18th century former tuna factory building into a museum and a theme park. The project was not realized as the general plan for the project is yet to be defined. The project series contains a complete set of plans for Pettena's proposal, including site plans, elevations, sections and floor plans, and a report on the project. The project series also includes contracts, cost estimates, project descriptions, handwritten notes (possibly by Pettena), correspondence and a list of work for the project. It also contains research material such as reference photographs and a set of reference plans for the building.
Restauro E Riconversione dell’Edifico Storico "Tonnara dell’Enfola" [Restoration and Conversion of the Historic “Tonnara Dell’Enfola”], Portoferraio, Italy (1995)
Actions:
AP207.S1.1995.PR01
Description:
The project series documents Pettena's research and study for the restoration and conversion of the Tonnara dell’Enfola, the promontory of the Enfola in Portoferraio, Italy. The project, on which Pettena worked from 1995 to 2000, was commissioned by the Parco Nazionale of the Arcipelago Toscano. The project included the restoration and conversion of the 18th century former tuna factory building into a museum and a theme park. The project was not realized as the general plan for the project is yet to be defined. The project series contains a complete set of plans for Pettena's proposal, including site plans, elevations, sections and floor plans, and a report on the project. The project series also includes contracts, cost estimates, project descriptions, handwritten notes (possibly by Pettena), correspondence and a list of work for the project. It also contains research material such as reference photographs and a set of reference plans for the building.
Niveau de description archivistique:
Project
Project
Date:
1995-2014
1995-2014
Personnes et institutions:
Niveau de description archivistique:
Sous-série
Sous-série
Numéro de référence:
AP207.S2.SS12
Description:
The sub-series documents the exhibition "Giardini Parchi Paesaggi. L’avventura delle idee in Toscana dall’Ottocento a oggi", curated by Pettena and presented at the Uffizi Gallery in Florence, in 1998. The exhibition focuses on landscape architecture and its historical development by using the example of Tuscany from the 19th century to present day. "This set out to illustrate a historical course of development that also entailed the consideration and reevaluation [sic] of the landscape that results from human activity [...] and extended as far as an analysis and presentation of the most modern theme parks of sculpture and environmental art." [1] The sub-series contains research material, such as photocopies of articles and books on landscape architecture, and reference photographs. The sub-series also contains texts for the publication and correspondence related to the planning of the exhibition. Source: [1] Gianni Pettena website, https://www.giannipettena.it/english/exhibitions/settings/ (last accessed 29 January 2020).
AP207.S2.SS12
Description:
The sub-series documents the exhibition "Giardini Parchi Paesaggi. L’avventura delle idee in Toscana dall’Ottocento a oggi", curated by Pettena and presented at the Uffizi Gallery in Florence, in 1998. The exhibition focuses on landscape architecture and its historical development by using the example of Tuscany from the 19th century to present day. "This set out to illustrate a historical course of development that also entailed the consideration and reevaluation [sic] of the landscape that results from human activity [...] and extended as far as an analysis and presentation of the most modern theme parks of sculpture and environmental art." [1] The sub-series contains research material, such as photocopies of articles and books on landscape architecture, and reference photographs. The sub-series also contains texts for the publication and correspondence related to the planning of the exhibition. Source: [1] Gianni Pettena website, https://www.giannipettena.it/english/exhibitions/settings/ (last accessed 29 January 2020).
Personnes et institutions:
Date:
circa 1998
circa 1998
Titre:
Giardini Parchi Paesaggi. L’avventura delle idee in Toscana dall’Ottocento a oggi (1998)
Actions:
AP207.S2.SS12
Description:
The sub-series documents the exhibition "Giardini Parchi Paesaggi. L’avventura delle idee in Toscana dall’Ottocento a oggi", curated by Pettena and presented at the Uffizi Gallery in Florence, in 1998. The exhibition focuses on landscape architecture and its historical development by using the example of Tuscany from the 19th century to present day. "This set out to illustrate a historical course of development that also entailed the consideration and reevaluation [sic] of the landscape that results from human activity [...] and extended as far as an analysis and presentation of the most modern theme parks of sculpture and environmental art." [1] The sub-series contains research material, such as photocopies of articles and books on landscape architecture, and reference photographs. The sub-series also contains texts for the publication and correspondence related to the planning of the exhibition. Source: [1] Gianni Pettena website, https://www.giannipettena.it/english/exhibitions/settings/ (last accessed 29 January 2020).
Giardini Parchi Paesaggi. L’avventura delle idee in Toscana dall’Ottocento a oggi (1998)
Actions:
AP207.S2.SS12
Description:
The sub-series documents the exhibition "Giardini Parchi Paesaggi. L’avventura delle idee in Toscana dall’Ottocento a oggi", curated by Pettena and presented at the Uffizi Gallery in Florence, in 1998. The exhibition focuses on landscape architecture and its historical development by using the example of Tuscany from the 19th century to present day. "This set out to illustrate a historical course of development that also entailed the consideration and reevaluation [sic] of the landscape that results from human activity [...] and extended as far as an analysis and presentation of the most modern theme parks of sculpture and environmental art." [1] The sub-series contains research material, such as photocopies of articles and books on landscape architecture, and reference photographs. The sub-series also contains texts for the publication and correspondence related to the planning of the exhibition. Source: [1] Gianni Pettena website, https://www.giannipettena.it/english/exhibitions/settings/ (last accessed 29 January 2020).
Niveau de description archivistique:
Subseries
Subseries
Date:
circa 1998
circa 1998
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP206.S1.1983.PR03
Description:
This project series documents a competition entry for an office block and residences called Electra Complex in Meerut, India around 1983. The competition entry proposed a mid-rise office block with decks wrapping the building's exterior, which would connect via ramp to the neighbouring residential block. Both building types would feature shops, walkways and parking at their ground level. The proposal also included the design of a children's park next to the residential complex. This project is recorded through drawings, including a large number of reprographic copies, textual records and a photograph and negatives dating from around 1983. The drawings consist of plans, elevations, sections and perspectives, while the textual records consist of the project proposal report with the accompanying photo and drawings. The negatives are of the architects with presentation materials and reproduced drawings. It does not appear that this project was ever built.
AP206.S1.1983.PR03
Description:
This project series documents a competition entry for an office block and residences called Electra Complex in Meerut, India around 1983. The competition entry proposed a mid-rise office block with decks wrapping the building's exterior, which would connect via ramp to the neighbouring residential block. Both building types would feature shops, walkways and parking at their ground level. The proposal also included the design of a children's park next to the residential complex. This project is recorded through drawings, including a large number of reprographic copies, textual records and a photograph and negatives dating from around 1983. The drawings consist of plans, elevations, sections and perspectives, while the textual records consist of the project proposal report with the accompanying photo and drawings. The negatives are of the architects with presentation materials and reproduced drawings. It does not appear that this project was ever built.
Personnes et institutions:
Date:
circa 1983
circa 1983
Titre:
Electra Complex, Meerut, India (circa 1983)
Actions:
AP206.S1.1983.PR03
Description:
This project series documents a competition entry for an office block and residences called Electra Complex in Meerut, India around 1983. The competition entry proposed a mid-rise office block with decks wrapping the building's exterior, which would connect via ramp to the neighbouring residential block. Both building types would feature shops, walkways and parking at their ground level. The proposal also included the design of a children's park next to the residential complex. This project is recorded through drawings, including a large number of reprographic copies, textual records and a photograph and negatives dating from around 1983. The drawings consist of plans, elevations, sections and perspectives, while the textual records consist of the project proposal report with the accompanying photo and drawings. The negatives are of the architects with presentation materials and reproduced drawings. It does not appear that this project was ever built.
Electra Complex, Meerut, India (circa 1983)
Actions:
AP206.S1.1983.PR03
Description:
This project series documents a competition entry for an office block and residences called Electra Complex in Meerut, India around 1983. The competition entry proposed a mid-rise office block with decks wrapping the building's exterior, which would connect via ramp to the neighbouring residential block. Both building types would feature shops, walkways and parking at their ground level. The proposal also included the design of a children's park next to the residential complex. This project is recorded through drawings, including a large number of reprographic copies, textual records and a photograph and negatives dating from around 1983. The drawings consist of plans, elevations, sections and perspectives, while the textual records consist of the project proposal report with the accompanying photo and drawings. The negatives are of the architects with presentation materials and reproduced drawings. It does not appear that this project was ever built.
Niveau de description archivistique:
Project
Project
Date:
circa 1983
circa 1983
Personnes et institutions:
