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xvi, 475 pages, 12 pages of plates : illustrations, portraits ; 23 cm.
Toronto ; Buffalo : University of Toronto Press in association with the Renaissance Society of America, ©1997.
The Vespasiano memoirs : lives of illustrious men of the XVth century / Vespasiano da Bisticci ; translated by William George and Emily Waters ; introduction by Myron P. Gilmore.
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xvi, 475 pages, 12 pages of plates : illustrations, portraits ; 23 cm.
livres
Toronto ; Buffalo : University of Toronto Press in association with the Renaissance Society of America, ©1997.
$51.50
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Si les Gaulois et leurs prédécesseurs avaient établi des axes de communication à travers l'Europe, les Romains furent célèbres pour l'implantation systématique de réseaux routiers dont héritera le Moyen Age. Une route s'avère souvent un monument important aux yeux de la population, plus que les temples ou les théâtres. Elles traversent des territoires, sont utilisées pour(...)
La toponymie des voies romaines et médiévales : les mots des routes anciennes
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Si les Gaulois et leurs prédécesseurs avaient établi des axes de communication à travers l'Europe, les Romains furent célèbres pour l'implantation systématique de réseaux routiers dont héritera le Moyen Age. Une route s'avère souvent un monument important aux yeux de la population, plus que les temples ou les théâtres. Elles traversent des territoires, sont utilisées pour la vie de tous les jours, comme elles marquent le paysage. Des constructions humaines, ce sont elles qui ont laissé le plus de mots dans la mémoire du sol et dans le souvenir des hommes. Des milliers de noms dans les campagnes se rattachent aux voies, aux auberges, aux ponts, aux gués. Suivre une voie ancienne ne correspond pas seulement à faire des kilomètres ; c'est aussi une remontée dans le temps. Les noms de lieux appartiennent à l'histoire et nous guident dans différents paysages, de l'époque gauloise à la fin du Moyen Age.
livres
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Straightforward photography, a restrained color scheme, simple texts set in a functional typeface: these are the formal elements that German graphic designer Michael Engelmann drew on to create an unmistakable pictorial language for posters. Engelmann came to advertising self-taught, with a background in American advertising practice. In the 1950s, he set about expunging(...)
Poster collection 10 : Michael Engelmann
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Straightforward photography, a restrained color scheme, simple texts set in a functional typeface: these are the formal elements that German graphic designer Michael Engelmann drew on to create an unmistakable pictorial language for posters. Engelmann came to advertising self-taught, with a background in American advertising practice. In the 1950s, he set about expunging any trace of empty bourgeois enthusiasm for advertising by applying a strictly conceptual working approach. In his posters for Pirelli, The Philadelphia Enquirer, Renault, or Roth Händle, images and ideas came together in a way as simple as it was compelling, creating signs of great associative force. His was a highly regarded contribution to graphic design's breakthrough into the age of mass communication; it introduced wit and a sense of using resources economically. "Poster Collection 10" brings together numerous posters created by Engelmann, who died prematurely at the age of 38.
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octobre 2004, Baden
Technics & civilization
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Technics and Civilization first presented its compelling history of the machine and critical study of its effects on civilization in 1934 —before television, the personal computer, and the Internet even appeared on our periphery. Drawing upon art, science, philosophy, and the history of culture, Lewis Mumford explained the origin of the machine age and traced its(...)
Technics & civilization
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Technics and Civilization first presented its compelling history of the machine and critical study of its effects on civilization in 1934 —before television, the personal computer, and the Internet even appeared on our periphery. Drawing upon art, science, philosophy, and the history of culture, Lewis Mumford explained the origin of the machine age and traced its social results, asserting that the development of modern technology had its roots in the Middle Ages rather than the Industrial Revolution. Mumford sagely argued that it was the moral, economic, and political choices we made, not the machines that we used, that determined our then industrially driven economy. Equal parts powerful history and polemic criticism, this book was the first comprehensive attempt in English to portray the development of the machine age over the last thousand years — and to predict the pull the technological still holds over us today.
Théorie de l’architecture
artéfacts
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1 construction set (243 pieces) : cardboard, plastic ; various sizes in cardboard box 37 x 52 x 7 cm + 2 construction manuals (16; 16 pages : illustrations ; 21 cm)
Toronto, Ontario : Ideal Toy Limited, [1968]
Super City town & country building set = Super City ensemble à bâtir ville et campagne
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1 construction set (243 pieces) : cardboard, plastic ; various sizes in cardboard box 37 x 52 x 7 cm + 2 construction manuals (16; 16 pages : illustrations ; 21 cm)
artéfacts
Toronto, Ontario : Ideal Toy Limited, [1968]
The lichen museum
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This publication explores how the physiological characteristics of lichens provide a valuable template for reimagining human relations in an age of ecological and social precarity. Using this tiny organism as an emblem through which to navigate environmental and social concerns, Palmer implores us to envision alternative ways of living based on interdependence rather than(...)
février 2023
The lichen museum
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This publication explores how the physiological characteristics of lichens provide a valuable template for reimagining human relations in an age of ecological and social precarity. Using this tiny organism as an emblem through which to navigate environmental and social concerns, Palmer implores us to envision alternative ways of living based on interdependence rather than individualism and competition.
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In 'Underland', Robert Macfarlane takes us on a journey into the worlds beneath our feet. From the ice-blue depths of Greenland's glaciers, to the underground networks by which trees communicate, from Bronze Age burial chambers to the rock art of remote Arctic sea-caves, this is a deep-time voyage into the planet's past and future.
Underland: a deep time journey
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In 'Underland', Robert Macfarlane takes us on a journey into the worlds beneath our feet. From the ice-blue depths of Greenland's glaciers, to the underground networks by which trees communicate, from Bronze Age burial chambers to the rock art of remote Arctic sea-caves, this is a deep-time voyage into the planet's past and future.
Théorie du paysage
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After a career as a stylist in Paris and New York, Nicole de Vésian (1916-1996) retired to Provence where, at the age of seventy, she began designing La Louve. Now an European icon, this garden was soon inspiring garderners from all over the world. Vésian also designed other garderns nearby, largely unknown, presented here for the first time.
Nicole de Vésian - Gardens : Modern design in Provence
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After a career as a stylist in Paris and New York, Nicole de Vésian (1916-1996) retired to Provence where, at the age of seventy, she began designing La Louve. Now an European icon, this garden was soon inspiring garderners from all over the world. Vésian also designed other garderns nearby, largely unknown, presented here for the first time.
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With a focus on vernacular roadside architecture built between 1920 and the late 1960s, the golden age of the American road, Road Trip is a time capsule, a snapshot taken primarily in the early 1970s, of an extraordinary era and its roadside buildings, restaurants, gas stations, motels, and places of amusement, most of which are now long since gone.
Road trip : roadside America from Custard's last stand to the Wigwam restaurant
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With a focus on vernacular roadside architecture built between 1920 and the late 1960s, the golden age of the American road, Road Trip is a time capsule, a snapshot taken primarily in the early 1970s, of an extraordinary era and its roadside buildings, restaurants, gas stations, motels, and places of amusement, most of which are now long since gone.
Photographie- collections
Networks
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The dawn of the electronic media age in the 1960s began a cultural shift from the modernist grid and its determination of projection and representation to the fluid structures and circuits of the network, presenting art with new challenges and possibilities. This anthology considers art at the center of network theory, from the 1960s to the present
Networks
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The dawn of the electronic media age in the 1960s began a cultural shift from the modernist grid and its determination of projection and representation to the fluid structures and circuits of the network, presenting art with new challenges and possibilities. This anthology considers art at the center of network theory, from the 1960s to the present