6610 Résultats
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The aim of this book is to expose readers to architecture’s pretexts that include literary narratives, film, theatre, painting, music, and ritual, as a bridge between diverse intellectual territories and architecture. It introduces a selection of seminal modern and contemporary architectural projects, their situation within the built environment, and their intellectual(...)
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The aim of this book is to expose readers to architecture’s pretexts that include literary narratives, film, theatre, painting, music, and ritual, as a bridge between diverse intellectual territories and architecture. It introduces a selection of seminal modern and contemporary architectural projects, their situation within the built environment, and their intellectual(...)
Titre:
Architecture's pretexts: spaces of translation
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The aim of this book is to expose readers to architecture’s pretexts that include literary narratives, film, theatre, painting, music, and ritual, as a bridge between diverse intellectual territories and architecture. It introduces a selection of seminal modern and contemporary architectural projects, their situation within the built environment, and their intellectual and formal situation/context as pretexts and design paradigms. Connections between diverse bodies of information will be cultivated along with the ability to posit consequential relationships for the production of architecture.
Architecture's pretexts: spaces of translation
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The aim of this book is to expose readers to architecture’s pretexts that include literary narratives, film, theatre, painting, music, and ritual, as a bridge between diverse intellectual territories and architecture. It introduces a selection of seminal modern and contemporary architectural projects, their situation within the built environment, and their intellectual and formal situation/context as pretexts and design paradigms. Connections between diverse bodies of information will be cultivated along with the ability to posit consequential relationships for the production of architecture.
Classification:
livres
livres
Publication:
août 2013
août 2013
Sujet:
Théorie de l’architecture
Théorie de l’architecture
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livres
livres
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Few twentieth-century writers on architecture and design have enjoyed the renown of Reyner Banham. Born and trained in England and a U.S. resident starting in 1976, Banham wrote incisively about American and European buildings and culture. Now readers can enjoy a chronological cross-section of essays, polemics, and reviews drawn from more than three decades of Banham's(...)
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Few twentieth-century writers on architecture and design have enjoyed the renown of Reyner Banham. Born and trained in England and a U.S. resident starting in 1976, Banham wrote incisively about American and European buildings and culture. Now readers can enjoy a chronological cross-section of essays, polemics, and reviews drawn from more than three decades of Banham's(...)
Titre:
A critic writes : essays by Reyner Banham
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Few twentieth-century writers on architecture and design have enjoyed the renown of Reyner Banham. Born and trained in England and a U.S. resident starting in 1976, Banham wrote incisively about American and European buildings and culture. Now readers can enjoy a chronological cross-section of essays, polemics, and reviews drawn from more than three decades of Banham's writings. The volume, which includes discussions of Italian Futurism, Adolf Loos, Paul Scheerbart, and the Bauhaus as well as explorations of contemporary architecture by Frank Gehry, James Stirling, and Norman Foster, conveys the full range of Banham's belief in industrial and technological development as the motor of architectural evolution. Banham's interests and passions ranged from architecture and the culture of pop art to urban and industrial design. In brilliant analyses of automobile styling, mobile homes, science fiction films, and the American predilection for gadgets, he anticipated many of the preoccupations of contemporary cultural studies. Los Angeles, the city that Banham commemorated in a book and a film, receives extensive attention in essays on the Santa Monica Pier, the Getty Museum, Forest Lawn cemetery, and the ubiquitous freeway system. Eminently readable, provocative, and entertaining, this book is certain to consolidate Banham's reputation among architects and students of contemporary culture. For those acquainted with his writing, it offers welcome surprises as well as familiar delights. For those encountering Banham for the first time, it comprises the perfect introduction.
A critic writes : essays by Reyner Banham
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Few twentieth-century writers on architecture and design have enjoyed the renown of Reyner Banham. Born and trained in England and a U.S. resident starting in 1976, Banham wrote incisively about American and European buildings and culture. Now readers can enjoy a chronological cross-section of essays, polemics, and reviews drawn from more than three decades of Banham's writings. The volume, which includes discussions of Italian Futurism, Adolf Loos, Paul Scheerbart, and the Bauhaus as well as explorations of contemporary architecture by Frank Gehry, James Stirling, and Norman Foster, conveys the full range of Banham's belief in industrial and technological development as the motor of architectural evolution. Banham's interests and passions ranged from architecture and the culture of pop art to urban and industrial design. In brilliant analyses of automobile styling, mobile homes, science fiction films, and the American predilection for gadgets, he anticipated many of the preoccupations of contemporary cultural studies. Los Angeles, the city that Banham commemorated in a book and a film, receives extensive attention in essays on the Santa Monica Pier, the Getty Museum, Forest Lawn cemetery, and the ubiquitous freeway system. Eminently readable, provocative, and entertaining, this book is certain to consolidate Banham's reputation among architects and students of contemporary culture. For those acquainted with his writing, it offers welcome surprises as well as familiar delights. For those encountering Banham for the first time, it comprises the perfect introduction.
Classification:
livres
livres
Publication:
avril 1999, Berkeley
avril 1999, Berkeley
Sujet:
Théorie de l’architecture
Théorie de l’architecture
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livres
livres
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Toby Paterson makes paintings, reliefs and constructions which explore the relationship between abstraction and reality. He has a keen interest in post-war modernist architecture which he deconstructs both materially and politically, developing a practice in which some works are almost understandable as architecture, while others are expressions of purely abstract form.(...)
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Toby Paterson makes paintings, reliefs and constructions which explore the relationship between abstraction and reality. He has a keen interest in post-war modernist architecture which he deconstructs both materially and politically, developing a practice in which some works are almost understandable as architecture, while others are expressions of purely abstract form.(...)
Titre:
Toby Paterson: consensus and collapse
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Toby Paterson makes paintings, reliefs and constructions which explore the relationship between abstraction and reality. He has a keen interest in post-war modernist architecture which he deconstructs both materially and politically, developing a practice in which some works are almost understandable as architecture, while others are expressions of purely abstract form. His work is engaged with the architecture of Denys Lasdun, Berthold Lubetkin, Cedric Price as well as the paintings of Ben Nicholson and Victor Pasmore.
Toby Paterson: consensus and collapse
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Toby Paterson makes paintings, reliefs and constructions which explore the relationship between abstraction and reality. He has a keen interest in post-war modernist architecture which he deconstructs both materially and politically, developing a practice in which some works are almost understandable as architecture, while others are expressions of purely abstract form. His work is engaged with the architecture of Denys Lasdun, Berthold Lubetkin, Cedric Price as well as the paintings of Ben Nicholson and Victor Pasmore.
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livres
livres
Publication:
septembre 2010
septembre 2010
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livres
livres
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Concerned with "development as art," this book is written by Roger Zogolovitch, founder of Solidspace. Zogolovitch studied at the Architectural Association in London between 1965 and 1971, and has seen the business of architecture since then from all sides: as architect, client and developer. He set up Solidspace as a vehicle to develop interstitial sites not otherwise(...)
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Concerned with "development as art," this book is written by Roger Zogolovitch, founder of Solidspace. Zogolovitch studied at the Architectural Association in London between 1965 and 1971, and has seen the business of architecture since then from all sides: as architect, client and developer. He set up Solidspace as a vehicle to develop interstitial sites not otherwise(...)
Titre:
Shouldn't we all be developers?
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Concerned with "development as art," this book is written by Roger Zogolovitch, founder of Solidspace. Zogolovitch studied at the Architectural Association in London between 1965 and 1971, and has seen the business of architecture since then from all sides: as architect, client and developer. He set up Solidspace as a vehicle to develop interstitial sites not otherwise recognised as suitable for inner city development. ''Shouldn’t we all be developers?'' is written in the first person, as a manifesto for an approach to contemporary development and architecture.
Shouldn't we all be developers?
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Concerned with "development as art," this book is written by Roger Zogolovitch, founder of Solidspace. Zogolovitch studied at the Architectural Association in London between 1965 and 1971, and has seen the business of architecture since then from all sides: as architect, client and developer. He set up Solidspace as a vehicle to develop interstitial sites not otherwise recognised as suitable for inner city development. ''Shouldn’t we all be developers?'' is written in the first person, as a manifesto for an approach to contemporary development and architecture.
Classification:
livres
livres
Publication:
mars 2016
mars 2016
Sujet:
Théorie de l’architecture
Théorie de l’architecture
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livres
livres
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$66.00
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This monograph explores the design philosophy of the three partners of Surfacedesign, who are committed to solutions that emerge from the site itself and challenge conventional approaches to landscape. The work is informed by the vast openness and frontier spirit of the West, expressed in rugged materials and sustainable planting. Surfacedesign focuses on cultivating a(...)
$66.00
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This monograph explores the design philosophy of the three partners of Surfacedesign, who are committed to solutions that emerge from the site itself and challenge conventional approaches to landscape. The work is informed by the vast openness and frontier spirit of the West, expressed in rugged materials and sustainable planting. Surfacedesign focuses on cultivating a(...)
Publication:
octobre 2019
octobre 2019
Titre:
Surafcedesign: material landscapes
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This monograph explores the design philosophy of the three partners of Surfacedesign, who are committed to solutions that emerge from the site itself and challenge conventional approaches to landscape. The work is informed by the vast openness and frontier spirit of the West, expressed in rugged materials and sustainable planting. Surfacedesign focuses on cultivating a sense of connection to the built and natural world, pushing people to engage with the landscape in new ways. The design approach emphasizes and celebrates the unique context and imaginative potential of each project. The studio's process is rooted in asking novel questions and listening to a site and its users, a process that has led to engaging and inspiring landscapes that are rugged, contemporary, and crafted.
Surafcedesign: material landscapes
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This monograph explores the design philosophy of the three partners of Surfacedesign, who are committed to solutions that emerge from the site itself and challenge conventional approaches to landscape. The work is informed by the vast openness and frontier spirit of the West, expressed in rugged materials and sustainable planting. Surfacedesign focuses on cultivating a sense of connection to the built and natural world, pushing people to engage with the landscape in new ways. The design approach emphasizes and celebrates the unique context and imaginative potential of each project. The studio's process is rooted in asking novel questions and listening to a site and its users, a process that has led to engaging and inspiring landscapes that are rugged, contemporary, and crafted.
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livres
livres
Publication:
octobre 2019
octobre 2019
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livres
livres
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$26.95
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In 2006, even though he could barely type, China's most famous artist started blogging. For more than three years, Ai Weiwei turned out a steady stream of scathing social commentary, criticism of government policy, thoughts on art and architecture, and autobiographical writings. He wrote about the Sichuan earthquake (and posted a list of the schoolchildren who died(...)
$26.95
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In 2006, even though he could barely type, China's most famous artist started blogging. For more than three years, Ai Weiwei turned out a steady stream of scathing social commentary, criticism of government policy, thoughts on art and architecture, and autobiographical writings. He wrote about the Sichuan earthquake (and posted a list of the schoolchildren who died(...)
Titre:
Ai Weiwei's blog : writings, interviews, and digital rants, 2006-2009
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In 2006, even though he could barely type, China's most famous artist started blogging. For more than three years, Ai Weiwei turned out a steady stream of scathing social commentary, criticism of government policy, thoughts on art and architecture, and autobiographical writings. He wrote about the Sichuan earthquake (and posted a list of the schoolchildren who died because of the government’s "tofu-dregs engineering"), reminisced about Andy Warhol and the East Village art scene, described the irony of being investigated for "fraud" by the Ministry of Public Security, made a modest proposal for tax collection. Then, on June 1, 2009, Chinese authorities shut down the blog. This book offers a collection of Ai's online writings translated into English - the most complete, public documentation of the original Chinese blog available in any language. The New York Times has called Ai "a figure of Warholian celebrity." He is a leading figure on the international art scene, a regular in museums and biennials, but in China he is a manifold and controversial presence : artist, architect, curator, social critic, justice-seeker. He was a consultant on the design of the famous "Bird’s Nest" stadium but called for an Olympic boycott; he received a Chinese Contemporary Art "lifetime achievement award" in 2008 but was beaten by the police in connection with his "citizen investigation" of earthquake casualties in 2009. This publication documents Ai's passion, his genius, his hubris, his righteous anger, and his vision for China.
Ai Weiwei's blog : writings, interviews, and digital rants, 2006-2009
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In 2006, even though he could barely type, China's most famous artist started blogging. For more than three years, Ai Weiwei turned out a steady stream of scathing social commentary, criticism of government policy, thoughts on art and architecture, and autobiographical writings. He wrote about the Sichuan earthquake (and posted a list of the schoolchildren who died because of the government’s "tofu-dregs engineering"), reminisced about Andy Warhol and the East Village art scene, described the irony of being investigated for "fraud" by the Ministry of Public Security, made a modest proposal for tax collection. Then, on June 1, 2009, Chinese authorities shut down the blog. This book offers a collection of Ai's online writings translated into English - the most complete, public documentation of the original Chinese blog available in any language. The New York Times has called Ai "a figure of Warholian celebrity." He is a leading figure on the international art scene, a regular in museums and biennials, but in China he is a manifold and controversial presence : artist, architect, curator, social critic, justice-seeker. He was a consultant on the design of the famous "Bird’s Nest" stadium but called for an Olympic boycott; he received a Chinese Contemporary Art "lifetime achievement award" in 2008 but was beaten by the police in connection with his "citizen investigation" of earthquake casualties in 2009. This publication documents Ai's passion, his genius, his hubris, his righteous anger, and his vision for China.
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livres
livres
Publication:
mars 2011
mars 2011
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livres
livres
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$51.95
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Lars Spuybroek argues that we must 'undo' the twentieth century and learn to understand the aesthetic insights of the nineteenth-century art critic John Ruskin, from which he distils pointers for the contemporary age. Linking philosophy, design, and the digital, with art history, architecture, and craft, Spuybroek explores the romantic notion of 'sympathy', a core concept(...)
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Lars Spuybroek argues that we must 'undo' the twentieth century and learn to understand the aesthetic insights of the nineteenth-century art critic John Ruskin, from which he distils pointers for the contemporary age. Linking philosophy, design, and the digital, with art history, architecture, and craft, Spuybroek explores the romantic notion of 'sympathy', a core concept(...)
Titre:
The sympathy of things: Ruskin and the ecology of design, 2nd edition
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Lars Spuybroek argues that we must 'undo' the twentieth century and learn to understand the aesthetic insights of the nineteenth-century art critic John Ruskin, from which he distils pointers for the contemporary age. Linking philosophy, design, and the digital, with art history, architecture, and craft, Spuybroek explores the romantic notion of 'sympathy', a core concept in Ruskin's aesthetics, re-evaluating it as the driving force of the twenty-first century aesthetic experience. For Ruskin, beauty always comprises variation, imperfection and fragility, three concepts that wholly disappeared from our mindsets during the twentieth century, but which Spuybroek argues to be central to contemporary aesthetics and design.
The sympathy of things: Ruskin and the ecology of design, 2nd edition
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Lars Spuybroek argues that we must 'undo' the twentieth century and learn to understand the aesthetic insights of the nineteenth-century art critic John Ruskin, from which he distils pointers for the contemporary age. Linking philosophy, design, and the digital, with art history, architecture, and craft, Spuybroek explores the romantic notion of 'sympathy', a core concept in Ruskin's aesthetics, re-evaluating it as the driving force of the twenty-first century aesthetic experience. For Ruskin, beauty always comprises variation, imperfection and fragility, three concepts that wholly disappeared from our mindsets during the twentieth century, but which Spuybroek argues to be central to contemporary aesthetics and design.
Classification:
livres
livres
Publication:
juin 2016
juin 2016
Sujet:
Théorie de l’architecture
Théorie de l’architecture
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livres
livres
Prix:
$162.00
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Résumé:
Herzog & de Meuron rank among the most important contemporary international architects. Their latest commission for the new Tate Gallery in London has now brought this fact home to the public at large, as have the large exhibitions in Tokyo, New York and Paris. The complete edition from Birkhäuser accords due recognition and presents the works in their entirety. Following(...)
$162.00
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Herzog & de Meuron rank among the most important contemporary international architects. Their latest commission for the new Tate Gallery in London has now brought this fact home to the public at large, as have the large exhibitions in Tokyo, New York and Paris. The complete edition from Birkhäuser accords due recognition and presents the works in their entirety. Following(...)
Titre:
Herzog & de Meuron 1978-1988 : the complete works volume 1
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$162.00
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Herzog & de Meuron rank among the most important contemporary international architects. Their latest commission for the new Tate Gallery in London has now brought this fact home to the public at large, as have the large exhibitions in Tokyo, New York and Paris. The complete edition from Birkhäuser accords due recognition and presents the works in their entirety. Following Volume 2 published last year, Volume 1 now documents the first eleven years of Herzog & de Meuron's work. Between the years 1978 and 1988, the architects developed a methodological basis upon which the large projects of the following years could be based. Whereas buildings such as the "blue house" near Basel were marked by a nature-related imagery, Herzog & de Meuron came forward almost simultaneously with designs so condensed that the expression, function and structure formed a whole. The storage building for Ricola in Laufen is a perfect example with its shell of layered eternit boards. Another central theme of the first decade of their work called for taking a fresh look at building materials. A house in a garden near Basel was joined together with completely different types of plywood on the inside and outside; the outside walls of an apartment building in Tavole (Liguria) were layered with rough stone; a glass shell was planned for a laboratory in Basel, partly detached from the building volume; an apartment house with a gallery is enlivened by the versatile use of concrete. Already the early works demonstrate an intense interest in the design of the facade. Their Pilotengasse development at Vienna's city limits was the first project to grapple with far-reaching urban planning considerations. It was designed and completed between 1987 and 1992 in cooperation with Adolf Krischanitz and Otto Steidle. In our rapidly changing times, a pragmatic way of thinking about a specific location and purpose distinguishes the architectural discourse of Herzog & de Meuron in a special way. Various theoretical contributions in the book elaborate on this pragmatism. Volume 1, as Volume 2, presents the central projects in detail. The addendum includes a chronology of all 47 numbered works from 1978 to 1988 with precise technical and bibliographical information.
Herzog & de Meuron 1978-1988 : the complete works volume 1
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$162.00
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Herzog & de Meuron rank among the most important contemporary international architects. Their latest commission for the new Tate Gallery in London has now brought this fact home to the public at large, as have the large exhibitions in Tokyo, New York and Paris. The complete edition from Birkhäuser accords due recognition and presents the works in their entirety. Following Volume 2 published last year, Volume 1 now documents the first eleven years of Herzog & de Meuron's work. Between the years 1978 and 1988, the architects developed a methodological basis upon which the large projects of the following years could be based. Whereas buildings such as the "blue house" near Basel were marked by a nature-related imagery, Herzog & de Meuron came forward almost simultaneously with designs so condensed that the expression, function and structure formed a whole. The storage building for Ricola in Laufen is a perfect example with its shell of layered eternit boards. Another central theme of the first decade of their work called for taking a fresh look at building materials. A house in a garden near Basel was joined together with completely different types of plywood on the inside and outside; the outside walls of an apartment building in Tavole (Liguria) were layered with rough stone; a glass shell was planned for a laboratory in Basel, partly detached from the building volume; an apartment house with a gallery is enlivened by the versatile use of concrete. Already the early works demonstrate an intense interest in the design of the facade. Their Pilotengasse development at Vienna's city limits was the first project to grapple with far-reaching urban planning considerations. It was designed and completed between 1987 and 1992 in cooperation with Adolf Krischanitz and Otto Steidle. In our rapidly changing times, a pragmatic way of thinking about a specific location and purpose distinguishes the architectural discourse of Herzog & de Meuron in a special way. Various theoretical contributions in the book elaborate on this pragmatism. Volume 1, as Volume 2, presents the central projects in detail. The addendum includes a chronology of all 47 numbered works from 1978 to 1988 with precise technical and bibliographical information.
Classification:
livres
livres
Publication:
octobre 1997, Basel
octobre 1997, Basel
Sujet:
Architecture, monographies
Architecture, monographies
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livres
livres
Titre:
George III & Queen Charlotte : patronage, collecting and court taste / edited by Jane Roberts.
George III & Queen Charlotte : patronage, collecting and court taste / edited by Jane Roberts.
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Description:
407 pages : color illustrations, genealogical tables ; 29 cm
Description:
407 pages : color illustrations, genealogical tables ; 29 cm
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London : Royal Collection, ©2004.
London : Royal Collection, ©2004.
Titre:
George III & Queen Charlotte : patronage, collecting and court taste / edited by Jane Roberts.
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Description:
407 pages : color illustrations, genealogical tables ; 29 cm
George III & Queen Charlotte : patronage, collecting and court taste / edited by Jane Roberts.
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Description:
407 pages : color illustrations, genealogical tables ; 29 cm
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livres
livres
Publication:
London : Royal Collection, ©2004.
London : Royal Collection, ©2004.
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livres
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$77.50
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Queer people have always found ways to exist and be together, and there will always be a need for queer spaces. In this illustrated volume, Adam Nathaniel Furman and Joshua Mardell have gathered together a community of contributors to share stories of spaces that range from the educational to the institutional to the re-appropriated, and many more besides. With historic,(...)
$77.50
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Queer people have always found ways to exist and be together, and there will always be a need for queer spaces. In this illustrated volume, Adam Nathaniel Furman and Joshua Mardell have gathered together a community of contributors to share stories of spaces that range from the educational to the institutional to the re-appropriated, and many more besides. With historic,(...)
Publication:
mai 2022
mai 2022
Titre:
Queer spaces: An atlas of LGBTQ+ places and stories
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$77.50
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Résumé:
Queer people have always found ways to exist and be together, and there will always be a need for queer spaces. In this illustrated volume, Adam Nathaniel Furman and Joshua Mardell have gathered together a community of contributors to share stories of spaces that range from the educational to the institutional to the re-appropriated, and many more besides. With historic, contemporary and speculative examples from around the world, this book recognises LGBTQIA+ life past and present as strong, vibrant, vigorous, and worthy of its own place in history. Looking forward, it suggests visions of what form these spaces may take in the future to continue uplifting queer lives.
Queer spaces: An atlas of LGBTQ+ places and stories
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$77.50
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Queer people have always found ways to exist and be together, and there will always be a need for queer spaces. In this illustrated volume, Adam Nathaniel Furman and Joshua Mardell have gathered together a community of contributors to share stories of spaces that range from the educational to the institutional to the re-appropriated, and many more besides. With historic, contemporary and speculative examples from around the world, this book recognises LGBTQIA+ life past and present as strong, vibrant, vigorous, and worthy of its own place in history. Looking forward, it suggests visions of what form these spaces may take in the future to continue uplifting queer lives.
Classification:
livres
livres
Publication:
mai 2022
mai 2022
