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Detailing architect Florian Beigel's prize-winning land reclamation project, this book is a study of urban planning typology and the derivation of an urban land-use concept plan based thereon including solutions to environmental issues. Florian Beigel and the Architecture Research Unit were invited by the Provincial Government of Jeollabukdo, Korea in 2008, along with(...)
Architecture as city: Saemangeum island city
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Detailing architect Florian Beigel's prize-winning land reclamation project, this book is a study of urban planning typology and the derivation of an urban land-use concept plan based thereon including solutions to environmental issues. Florian Beigel and the Architecture Research Unit were invited by the Provincial Government of Jeollabukdo, Korea in 2008, along with seven other teams to participate in an international ideas competition to develop urban design proposals for the Saemangeum land reclamation project. Saemangeum Island City comprises a surface area of some 400 km^2, more than a quarter of the area of Greater London (which is approx. 1.570 km^2). The design project by ARU / London Metropolitan University was declared one of three winning competition proposals and selected to be part of the main exhibition at the 2010 Venice Biennale. The urban land-use concept plan begins with a phased landscape infrastructure design of 8 new islands with a highly remarkable solution as to environmental issues.
Paysages urbains
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Bernard Rudofsky was neither an architect nor a theorist in the usual sense. At the start of his career he completed a number of houses in Italy and Brazil, where he employed the formal language of the Modernists even though his writings appear to indicate he rejected their teachings. From the 1940s onwards, Rudofsky was primarily engaged as a critic and culture(...)
Publications du CCA
juin 2007, Vienne / Montréal / Los Angeles
Lessons from Bernard Rudofsky : life as a voyage
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Bernard Rudofsky was neither an architect nor a theorist in the usual sense. At the start of his career he completed a number of houses in Italy and Brazil, where he employed the formal language of the Modernists even though his writings appear to indicate he rejected their teachings. From the 1940s onwards, Rudofsky was primarily engaged as a critic and culture theorist who did not just write about architecture and design, but also on topics such as clothing, shoes, eating and bathing. The common element behind all of these activities, though, was the human body, and his lamentation of the loss of sensual awareness. This comprehensive show on Bernard Rudofsky provides detailed information on his life, his travels, his various activities as an architect, designer, exhibition-maker, author and theorist, as well as about the life he shared with his wife, Berta Rudofsky. Bernard Rudofsky made a large number of exhibitions during his widely travelled and cosmopolitan life, however there has never been an exhibition about him and his work. This exhibition, the first on Bernard Rudofsky in the world, has not been conceived as a classical retrospective. The aim is to make the cosmopolitan Rudofsky's complex architectural concept and concept of how to live accessible to a broad public, and to address his relevance for today.
Publications du CCA
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115 pages : illustrations ; 25 cm
Chichester, West Sussex : Wiley-Academy, 2003.
Cedric Price : the square book.
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115 pages : illustrations ; 25 cm
livres
Chichester, West Sussex : Wiley-Academy, 2003.
$71.95
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Films use architecture as visual shorthand to tell viewers everything they need to know about the characters in a short amount of time. Illustrated by a diverse range of films from different eras and cultures, this book investigates the reciprocity between film and architecture. Using a phenomenological approach, it describes how we, the viewers, can learn how to read(...)
avril 2018
Film, architecture and spatial imagination
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Films use architecture as visual shorthand to tell viewers everything they need to know about the characters in a short amount of time. Illustrated by a diverse range of films from different eras and cultures, this book investigates the reciprocity between film and architecture. Using a phenomenological approach, it describes how we, the viewers, can learn how to read architecture and design in film in order to see the many inherent messages. Architecture’s representational capacity contributes to the plausibility or 'reality' possible in film. The book provides an ontological understanding that clarifies and stabilizes the reciprocity of the actual world and a filmic world of illusion and human imagination, thereby shedding light on both film and architecture.
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"Leven Betts: Pattern Recognition" features 18 projects from the firm’s critically acclaimed first decade. The diverse portfolio of projects included run the gamut in scale from furniture and exhibition design to townhouse and city plans. Well grounded in the realities of construction – Leven's resume includes a stint in a metal fabrication shop, while Betts spent two(...)
Architecture, monographies
octobre 2008, New York
Leven Betts: pattern recognition
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"Leven Betts: Pattern Recognition" features 18 projects from the firm’s critically acclaimed first decade. The diverse portfolio of projects included run the gamut in scale from furniture and exhibition design to townhouse and city plans. Well grounded in the realities of construction – Leven's resume includes a stint in a metal fabrication shop, while Betts spent two years as a project manager at a construction firm – the spare but elegant work of Leven Betts is characterized by a distinctive blend of materials, light, and texture. Featuring numerous photos, drawings, and diagrams, "Leven Betts: Pattern Recognition" invites architecture professionals and students to explore a unique design process and discover their own powers of observation. David Leven and Stella Betts are principals of Leven Betts in Manhattan. Their architecture has been highlighted in numerous magazines and books.
Architecture, monographies
Still Cabanon
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In 1952, Le Corbusier designed a small wooden building for himself that he would inhabit for years as a home-shelter. Le Cabanon would be remembered as a reflection on the concentration of inhabited space, on the versatility of space and its uses. This formed the basis for a challenge posed to a group of authors from different fields in art, architecture and design. Their(...)
Still Cabanon
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In 1952, Le Corbusier designed a small wooden building for himself that he would inhabit for years as a home-shelter. Le Cabanon would be remembered as a reflection on the concentration of inhabited space, on the versatility of space and its uses. This formed the basis for a challenge posed to a group of authors from different fields in art, architecture and design. Their aim: to think and design an intimate shelter space for themselves, where they would reflect on inhabiting the twenty-first century. The exhibition of their exercises and proposals, "Still Cabanon", took place during the 2017 Anozero Biennial, Coimbra (PT) and this book is its catalogue. With contributions by, among others Aires Mateus, Carvalho Araújo, Didier Fiuza Faustino, Eduardo Souto Moura, Fernanda Fragateiro, and José Pedro Croft.
Architecture contemporaine
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Today, it is hard to imagine the everyday work in an architectural practice without computers. Bits and bytes play an important role in the design and presentation of architecture. This book, which is published in the context of an exhibition of the same name of the Architekturmuseum der TUM at the Pinakothek der Moderne in Munich (October 14, 2020 to January 10, 2021),(...)
The architecture machine: the role of computers in architecture
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Today, it is hard to imagine the everyday work in an architectural practice without computers. Bits and bytes play an important role in the design and presentation of architecture. This book, which is published in the context of an exhibition of the same name of the Architekturmuseum der TUM at the Pinakothek der Moderne in Munich (October 14, 2020 to January 10, 2021), considers the development of the digital in architecture. In four chapters, it recounts this intriguing history from its beginnings in the 1950s through to today and presents the computer as a drawing machine, as a design tool, as a medium for telling stories, and as an interactive communication platform. The basic underlying question is simple: Has the computer changed architecture? And if so, by how much?
Architecture numérique
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Situated on the shore of the Lake Zurich, Le Corbusier's exhibition pavilion is his last realised design. Based on his Modulor proportional system and at the scale of a single-family home, it demonstrates the potential of prefabricated elements to form a perfect space for art and design. Commissioned in 1960 by Heidi Weber, Zurich-based gallery owner and patron of Le(...)
Pavillon Le Corbusier Zürich: restoration of an architectural jewel
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Situated on the shore of the Lake Zurich, Le Corbusier's exhibition pavilion is his last realised design. Based on his Modulor proportional system and at the scale of a single-family home, it demonstrates the potential of prefabricated elements to form a perfect space for art and design. Commissioned in 1960 by Heidi Weber, Zurich-based gallery owner and patron of Le Corbusier the visual artist, this structure in steel and glass represents pivotal aspects of his architectural philosophy and also points to the future. Architects Silvio Schmed and Arthur Ruegg have carefully restored the Pavillon Le Corbusier to its original state, including the reconstruction of missing pieces of furniture and luminaires. This book documents their research and the restored building, featuring previously unpublished historic photographs and documents alongside newly commissioned images by Georg Aerni.
Architecture, monographies
Toshiko Mori architect
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Founded in New York City in 1981, Toshiko Mori Architect is known for using both new and traditional materials and for integrating architecture with light and landscape. This monograph, the first on the practice, includes more than twenty-five residential, cultural, institutional, and commercial projects. The firm has designed private houses in Maine, New York, and(...)
Toshiko Mori architect
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Founded in New York City in 1981, Toshiko Mori Architect is known for using both new and traditional materials and for integrating architecture with light and landscape. This monograph, the first on the practice, includes more than twenty-five residential, cultural, institutional, and commercial projects. The firm has designed private houses in Maine, New York, and Florida, including additions to modern residences by Paul Rudolph and Marcel Breuer. In addition, Toshiko Mori Architect specializes in exhibition designs, notably various installations of textiles and other materials at the Museum of Modern Art and the Cooper-Hewitt, National Design Museum.
Architecture, monographies
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From the summer of 1933 to the fall of 1934, more than 38 million fairgoers visited a 3-mile stretch along Lake Michigan, home to Chicago’s second World’s Fair. Millions more experienced the Century of Progress International Exposition through newspaper and magazine articles, newsreels, and souvenirs. Together, all marveled at the industrial, scientific, consumer, and(...)
août 2007, Minneapolis, London
Building a century of progress : the architecture of Chicago's 1933-34 World's Fair
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From the summer of 1933 to the fall of 1934, more than 38 million fairgoers visited a 3-mile stretch along Lake Michigan, home to Chicago’s second World’s Fair. Millions more experienced the Century of Progress International Exposition through newspaper and magazine articles, newsreels, and souvenirs. Together, all marveled at the industrial, scientific, consumer, and cultural displays, many of which were housed in fifty massive and colorful exhibition halls, the largest architectural project realized in the United States during the Great Depression. In the richly illustrated "Building a century of progress", Lisa D. Schrenk explores the pivotal role of the 1933 Chicago World’s Fair in modern American architecture. She recounts how the exposition’s architectural commission promoted a broad definition of modern architecture, not relying on purely aesthetic characteristics but instead focusing on new design solutions. The fair’s pavilions incorporated recently introduced building materials such as masonite and gypsum board; structural innovations (for example, the first thin-shell concrete roof and the first suspended roof structures built in the United States); and new construction processes, most notably the use of prefabrication. They also featured curiosities like the giant, constantly operating mayonnaise maker and the glass-walled House of Tomorrow, which had no operable windows. Schrenk shows how the halls’ designs reflected cultural and political developments of the period, including the expanding relationships between science, industry, and government; the rise of a corporate consumer culture; and the impact of the Great Depression. Many of the designs provoked intense responses from critics and other prominent architects, including Frank Lloyd Wright and Ralph Adams Cram, fueling heated debates over the appropriate direction for architecture in the United States. Demonstrating the rich diversity of progressive American building design seen at the fair, this book captures a crucial moment in American modernism.