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Reinhold Martin and Claire Zimmerman bring together essays from an array of scholars exploring the troubled relationship between architecture and antidemocratic politics. Comprising detailed case studies throughout the world spanning from the early nineteenth century to the present, "Architecture against Democracy" analyzes crucial occasions when the built environment has(...)
Architecture against democracy: histories of the nationalist international
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Reinhold Martin and Claire Zimmerman bring together essays from an array of scholars exploring the troubled relationship between architecture and antidemocratic politics. Comprising detailed case studies throughout the world spanning from the early nineteenth century to the present, "Architecture against Democracy" analyzes crucial occasions when the built environment has been harnessed as an instrument of authoritarian power. Alongside chapters focusing on paradigmatic episodes from twentieth-century German and Italian fascism, the contributors examine historic and contemporary events and subjects that are organized thematically, including the founding of the Smithsonian Institution, Ellis Island infrastructure, the aftermath of the Paris Commune, Cold War West Germany and Iraq, Frank Lloyd Wright’s domestic architecture, and Istanbul’s Taksim Square. Through the range and depth of these accounts, "Architecture against Democracy" presents a selective overview of antidemocratic processes as they unfold in the built environment throughout Western modernity, offering an architectural history of the recent "nationalist international."
Théorie de l’architecture
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Media theory has long overlooked the built environment and its communicative capacity: how built structures and spaces convey meaning through material embodiment and symbolization. "Architecture as communication" advances the idea that built environments function as media of communication. Using practice theory in conjunction with the concept of style, this book is(...)
Architecture as communication: A medium like no other
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Media theory has long overlooked the built environment and its communicative capacity: how built structures and spaces convey meaning through material embodiment and symbolization. "Architecture as communication" advances the idea that built environments function as media of communication. Using practice theory in conjunction with the concept of style, this book is anchored in three historical determinants: the quest for perfect proportion in buildings, the belief in architectural determinism, and the ongoing efforts within other media to influence how those who experience built environments understand them. Ross Eaman explores how houses, schools, places of worship, factories, office buildings, stores, malls, opera houses, plazas, and parks have meaning for people as subjective life-worlds. "Architecture as communication" proposes media theory that articulates the social construction of meaning as a unique way of understanding the built environment – one in which the users and observers of structures and spaces participate along with architects and designers.
Théorie de l’architecture
Architecture and the sense in the Italian Renaissance: the varieties of architectural experience
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This is the first study of Renaissance architecture as an immersive, multisensory experience that combines historical analysis with the evidence of first-hand accounts. Questioning the universalizing claims of contemporary architectural phenomenologists, David Karmon emphasizes the infinite variety of meanings produced through human interactions with the built(...)
Architecture and the sense in the Italian Renaissance: the varieties of architectural experience
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This is the first study of Renaissance architecture as an immersive, multisensory experience that combines historical analysis with the evidence of first-hand accounts. Questioning the universalizing claims of contemporary architectural phenomenologists, David Karmon emphasizes the infinite variety of meanings produced through human interactions with the built environment. His book draws upon the close study of literary and visual sources to prove that early modern audiences paid sustained attention to the multisensory experience of the buildings and cities in which they lived. Through reconstructing the Renaissance understanding of the senses, we can better gauge how constant interaction with the built environment shaped daily practices and contributed to new forms of understanding.'' Architecture and the senses in the Italian Renaissance'' offers a stimulating new approach to the study of Renaissance architecture and urbanism as a kind of ''experiential trigger'' that shaped ways of both thinking and being in the world.
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Bringing together the reflections of an architectural theorist and a philosopher, this book encourages philosophers and architects, scholars and designers alike, to reconsider what they do as well as what they can do in the face of challenging times. It does so by exploring the notion that architecture and design can make for a distinctive form of ethical(...)
Prospects for an ethics of architecture
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Bringing together the reflections of an architectural theorist and a philosopher, this book encourages philosophers and architects, scholars and designers alike, to reconsider what they do as well as what they can do in the face of challenging times. It does so by exploring the notion that architecture and design can make for a distinctive form of ethical investigation. The book is less concerned with absolutist understandings of the two components of ethics, a theory of ‘the good’ and a theory of ‘the right’, than with remaining open to multiple relations between ideas about the built environment, design practices and the plurality of kinds of human subjects (inhabitants, individuals and communities) accommodated by buildings and urban spaces. This book aims to change the way people commonly think about ethics, not only in relation to the built environment, but to themselves, their ways of thinking and modes of behaviour.
Théorie de l’architecture
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443 pages : chiefly illustrations (chiefly color), color plans ; 38 cm
Köln : Taschen GmbH, [2022], ©2022
Contemporary Japanese architecture / Philip Jodidio ; collaboration, Harriet Graham ; German translation, Gregor Runge ; French translation, Claire Debard.
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443 pages : chiefly illustrations (chiefly color), color plans ; 38 cm
livres
Köln : Taschen GmbH, [2022], ©2022
livres
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496 pages : illustrations (some color), maps, plans ; 27 cm
Berlin : Ruby Press, [2014], ©2014
Minha casa--nossa cidade : innovating mass housing for social change in Brazil / [edited by Marc Angélil & Rainer Hehl in collaboration with Something Fantastic].
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496 pages : illustrations (some color), maps, plans ; 27 cm
livres
Berlin : Ruby Press, [2014], ©2014
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What do we mean when we say that something is contemporary? And what should the designator “contemporary art” refer to? An immediate response would be that contemporary art is an art of the present, that it somehow addresses and expresses the present. But what is this present? What constitutes the present present or the contemporary contemporary? This first book in the(...)
The contemporary condition : a slow, contemporary violence : damaged environments of technological culture
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What do we mean when we say that something is contemporary? And what should the designator “contemporary art” refer to? An immediate response would be that contemporary art is an art of the present, that it somehow addresses and expresses the present. But what is this present? What constitutes the present present or the contemporary contemporary? This first book in the Contemporary Condition series introduces some of the key issues concerning contemporaneity as a defining condition of our historical present. It thus acts as an extended preface to the series as a whole, calling for a rethinking of the deep structures of temporalization that render our present the way it is.
Théorie de l’art
Carlos Bunga: the architecture of life: environments, sculptures, paintings, drawings and films
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The first monograph on Portugese artist Carlos Bunga (born 1976) presents over a decade of his fantastical sculptural and painterly structures. Bunga uses only cardboard and paint to create immersive installations, furniture-like sculptures and paintings. “The Architecture of Life” surveys the artist’s sculptures, paintings, films, performances and installations from(...)
Carlos Bunga: the architecture of life: environments, sculptures, paintings, drawings and films
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The first monograph on Portugese artist Carlos Bunga (born 1976) presents over a decade of his fantastical sculptural and painterly structures. Bunga uses only cardboard and paint to create immersive installations, furniture-like sculptures and paintings. “The Architecture of Life” surveys the artist’s sculptures, paintings, films, performances and installations from throughout his career, including the major new works created for his exhibition at the Museum of Art, Architecture, And Technology (MAAT) and Fundação Carmona e Costa in Lisbon. Whether he is using recycled materials or demolishing his own works, Bunga consistently pursues cycles of construction and destruction, and as a result explores the relationship of a space to its history and the inherent contradiction of the simultaneous impermanence and permanence of art. This volume features some of the artist’s own reflections on his work and writing from various art critics, writers and curators.
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As the American environmental movement emerged in the 1960s and 1970s, ecological perspectives also emerged in art. But ecological artworks were not limited to conventional understandings of environmental art as something that had to be located outdoors or made of organic materials. Created in a range of media, they reflected a widespread reconceptualization of the(...)
Ecologies, environments, and energy systems in art of the 1960s and 1970s
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As the American environmental movement emerged in the 1960s and 1970s, ecological perspectives also emerged in art. But ecological artworks were not limited to conventional understandings of environmental art as something that had to be located outdoors or made of organic materials. Created in a range of media, they reflected a widespread reconceptualization of the material world and a sense of the interconnectedness of all things. In this book, James Nisbet investigates the many levels of intersection between ecology and art in the 1960s and 1970s, examining a series of works that served as sensory interfaces to ecological concepts and reflected the shifting notions of ecology during the period.
Théorie de l’art
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Contents : problems and methods from idelogy to strategy for social development ; the Academy for applied art, Zagreb, 1949-1955 ; institutional forms of the promotion of design ; product design ; graphic design ; towards synthesis of design and environment ; set design ; the artistic architecture department and the Academy of fine arts ; conclusion ; catalogue ;(...)
Design of the fifties in Croatia : from utopia to reality
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Contents : problems and methods from idelogy to strategy for social development ; the Academy for applied art, Zagreb, 1949-1955 ; institutional forms of the promotion of design ; product design ; graphic design ; towards synthesis of design and environment ; set design ; the artistic architecture department and the Academy of fine arts ; conclusion ; catalogue ; documents AAA ; documents Ritz bar ; bibliography ; sources ; abbreviations.
Design, époques et styles