13794 Résultats
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Renowned philosopher Susan Buck-Morss collaborates with Kevin McCaughey of Boot Boyz Biz and Adam Michaels of Inventory Press on this experimental image-text renewal of McLuhan, Berger and Benjamin. "Seeing <—> Making: Room for thought" both studies and presents the creative process of constructing ideas with images. By activating the techniques of montage and analogy,(...)
$47.00
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Renowned philosopher Susan Buck-Morss collaborates with Kevin McCaughey of Boot Boyz Biz and Adam Michaels of Inventory Press on this experimental image-text renewal of McLuhan, Berger and Benjamin. "Seeing <—> Making: Room for thought" both studies and presents the creative process of constructing ideas with images. By activating the techniques of montage and analogy,(...)
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janvier 2024
janvier 2024
Titre:
Seeing <—> Making: Room for thought
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$47.00
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Renowned philosopher Susan Buck-Morss collaborates with Kevin McCaughey of Boot Boyz Biz and Adam Michaels of Inventory Press on this experimental image-text renewal of McLuhan, Berger and Benjamin. "Seeing <—> Making: Room for thought" both studies and presents the creative process of constructing ideas with images. By activating the techniques of montage and analogy, the book reveals a wide field of view and a space to engage new critical connections between a multiplicity of objects from the past and present. Realized through an intergenerational collaboration of three cultural producers committed to making theory visible, a transformative anthology of critical essays by Susan Buck-Morss anchors this kaleidoscopic project. Images and ideas sync with Buck-Morss’ perceptive texts on visual culture, history, politics and aesthetics, fusing criticism with visual play and linking collective imagination and social action. In both design and content, "Seeing <—> Making: Room for thought" builds upon the dynamic sensorium of Marshall McLuhan and Quentin Fiore's book "The medium is the massage", Walter Benjamin's "Arcades" Project and John Berger's "Ways of seeing". This innovative volume brings Buck-Morss’ more experimental, visually engaged work to the fore in a way that has not been available in the usual contexts within which her writing has appeared.
Seeing <—> Making: Room for thought
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$47.00
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Renowned philosopher Susan Buck-Morss collaborates with Kevin McCaughey of Boot Boyz Biz and Adam Michaels of Inventory Press on this experimental image-text renewal of McLuhan, Berger and Benjamin. "Seeing <—> Making: Room for thought" both studies and presents the creative process of constructing ideas with images. By activating the techniques of montage and analogy, the book reveals a wide field of view and a space to engage new critical connections between a multiplicity of objects from the past and present. Realized through an intergenerational collaboration of three cultural producers committed to making theory visible, a transformative anthology of critical essays by Susan Buck-Morss anchors this kaleidoscopic project. Images and ideas sync with Buck-Morss’ perceptive texts on visual culture, history, politics and aesthetics, fusing criticism with visual play and linking collective imagination and social action. In both design and content, "Seeing <—> Making: Room for thought" builds upon the dynamic sensorium of Marshall McLuhan and Quentin Fiore's book "The medium is the massage", Walter Benjamin's "Arcades" Project and John Berger's "Ways of seeing". This innovative volume brings Buck-Morss’ more experimental, visually engaged work to the fore in a way that has not been available in the usual contexts within which her writing has appeared.
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janvier 2024
janvier 2024
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304 pages : illustrations ; 26 cm
Description:
304 pages : illustrations ; 26 cm
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New York : Rizzoli, 1996.
New York : Rizzoli, 1996.
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Too much is never enough / by Morris Lapidus.
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304 pages : illustrations ; 26 cm
Too much is never enough / by Morris Lapidus.
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304 pages : illustrations ; 26 cm
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New York : Rizzoli, 1996.
New York : Rizzoli, 1996.
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1 volume : illustrations (black and white, and colour) ; 25 cm
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1 volume : illustrations (black and white, and colour) ; 25 cm
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[Place of publication not identified] ROUTLEDGE, 2018.
[Place of publication not identified] ROUTLEDGE, 2018.
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Architecture and the landscape of modernity in china before 1949.
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1 volume : illustrations (black and white, and colour) ; 25 cm
Architecture and the landscape of modernity in china before 1949.
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1 volume : illustrations (black and white, and colour) ; 25 cm
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[Place of publication not identified] ROUTLEDGE, 2018.
[Place of publication not identified] ROUTLEDGE, 2018.
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319 pages : illustrations ; 22 cm
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319 pages : illustrations ; 22 cm
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New York : Princeton Architectural Press, 2020., ©2021
New York : Princeton Architectural Press, 2020., ©2021
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Daddy wouldn't buy me a Bauhaus : profiles in architecture & design / Janet Abrams ; foreword, Deyan Sudjic.
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319 pages : illustrations ; 22 cm
Daddy wouldn't buy me a Bauhaus : profiles in architecture & design / Janet Abrams ; foreword, Deyan Sudjic.
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319 pages : illustrations ; 22 cm
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New York : Princeton Architectural Press, 2020., ©2021
New York : Princeton Architectural Press, 2020., ©2021
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Re-working Eisenman.
Re-working Eisenman.
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208 pages : illustrations (some color), color maps, plans (some color) ; 32 cm
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208 pages : illustrations (some color), color maps, plans (some color) ; 32 cm
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London : Academy Editions ; Berlin : Ernst & Sohn, 1993.
London : Academy Editions ; Berlin : Ernst & Sohn, 1993.
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Re-working Eisenman.
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208 pages : illustrations (some color), color maps, plans (some color) ; 32 cm
Re-working Eisenman.
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208 pages : illustrations (some color), color maps, plans (some color) ; 32 cm
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London : Academy Editions ; Berlin : Ernst & Sohn, 1993.
London : Academy Editions ; Berlin : Ernst & Sohn, 1993.
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$54.00
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In this new approach to the history of colour, Kelly Grovier takes readers on a search for the intriguing and unusual. In Grovier’s telling, a colour’s connotations are never fixed but are endlessly evolving. Knowledge of a pigment and its history can unlock meaning in the works that feature it. Grovier employs the term ''artymology'' to suggest that colour is a(...)
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In this new approach to the history of colour, Kelly Grovier takes readers on a search for the intriguing and unusual. In Grovier’s telling, a colour’s connotations are never fixed but are endlessly evolving. Knowledge of a pigment and its history can unlock meaning in the works that feature it. Grovier employs the term ''artymology'' to suggest that colour is a(...)
Titre:
The art of colour: a history in 39 pigments
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$54.00
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In this new approach to the history of colour, Kelly Grovier takes readers on a search for the intriguing and unusual. In Grovier’s telling, a colour’s connotations are never fixed but are endlessly evolving. Knowledge of a pigment and its history can unlock meaning in the works that feature it. Grovier employs the term ''artymology'' to suggest that colour is a linguistic device, where pigments stand in for syllables in art’s language. Colour is the site of invigorating conflict—a battleground where past and present, influence and originality, and superstition and science merge into meanings that complicate and intensify our appreciation of a given work. How might it change our understanding of a well-known masterpiece like Vincent van Gogh’s ''Starry Night'' to know that the intense yellow moon in that painting was sculpted from clumps of dehydrated urine from cows that were fed nothing but mango leaves? Or that the cobalt blue pigment in Van Gogh’s sky shares a material bloodline with the glaze of Ming Dynasty porcelain? Consisting of ten chapters, each presenting a biography of a family of colours, this volume mines a rich vein of pigmentation from prehistoric cave painting to art of the present day. The book also includes features exploring important milestones in the history of colour theory from the Enlightenment to the twentieth century.
The art of colour: a history in 39 pigments
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$54.00
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In this new approach to the history of colour, Kelly Grovier takes readers on a search for the intriguing and unusual. In Grovier’s telling, a colour’s connotations are never fixed but are endlessly evolving. Knowledge of a pigment and its history can unlock meaning in the works that feature it. Grovier employs the term ''artymology'' to suggest that colour is a linguistic device, where pigments stand in for syllables in art’s language. Colour is the site of invigorating conflict—a battleground where past and present, influence and originality, and superstition and science merge into meanings that complicate and intensify our appreciation of a given work. How might it change our understanding of a well-known masterpiece like Vincent van Gogh’s ''Starry Night'' to know that the intense yellow moon in that painting was sculpted from clumps of dehydrated urine from cows that were fed nothing but mango leaves? Or that the cobalt blue pigment in Van Gogh’s sky shares a material bloodline with the glaze of Ming Dynasty porcelain? Consisting of ten chapters, each presenting a biography of a family of colours, this volume mines a rich vein of pigmentation from prehistoric cave painting to art of the present day. The book also includes features exploring important milestones in the history of colour theory from the Enlightenment to the twentieth century.
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livres
livres
Publication:
mai 2023
mai 2023
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livres
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$35.95
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The last decade has witnessed a proliferation of artists whose primary medium is software. Algorithmic processes, harnessed through the medium of computer code, allow artists to generate increasingly complex visual forms that they otherwise might not have been able to imagine, let alone delineate. Form+Code in Design, Art, and Architecture is a non-technical introduction(...)
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The last decade has witnessed a proliferation of artists whose primary medium is software. Algorithmic processes, harnessed through the medium of computer code, allow artists to generate increasingly complex visual forms that they otherwise might not have been able to imagine, let alone delineate. Form+Code in Design, Art, and Architecture is a non-technical introduction(...)
Publication:
août 2010
août 2010
Titre:
Form + code in design, art, and architecture
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The last decade has witnessed a proliferation of artists whose primary medium is software. Algorithmic processes, harnessed through the medium of computer code, allow artists to generate increasingly complex visual forms that they otherwise might not have been able to imagine, let alone delineate. Form+Code in Design, Art, and Architecture is a non-technical introduction to the history, theory, and practice of software in the arts.
Form + code in design, art, and architecture
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$35.95
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The last decade has witnessed a proliferation of artists whose primary medium is software. Algorithmic processes, harnessed through the medium of computer code, allow artists to generate increasingly complex visual forms that they otherwise might not have been able to imagine, let alone delineate. Form+Code in Design, Art, and Architecture is a non-technical introduction to the history, theory, and practice of software in the arts.
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livres
livres
Publication:
août 2010
août 2010
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livres
livres
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R book
R book
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$23.95
(disponible en magasin)
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The R Book is large, entertaining and thought-provoking. In typical Martí Guixé style, it is for doing rather than for reading. Its clear-cut simple graphics stimulate creativity and the imagination. Using four different levels – analysis, simulation, theory and nomenclature - children and adults can try their hand at science; mixing carrots with tomatoes, artichokes with(...)
$23.95
(disponible en magasin)
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The R Book is large, entertaining and thought-provoking. In typical Martí Guixé style, it is for doing rather than for reading. Its clear-cut simple graphics stimulate creativity and the imagination. Using four different levels – analysis, simulation, theory and nomenclature - children and adults can try their hand at science; mixing carrots with tomatoes, artichokes with(...)
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R book
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$23.95
(disponible en magasin)
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The R Book is large, entertaining and thought-provoking. In typical Martí Guixé style, it is for doing rather than for reading. Its clear-cut simple graphics stimulate creativity and the imagination. Using four different levels – analysis, simulation, theory and nomenclature - children and adults can try their hand at science; mixing carrots with tomatoes, artichokes with ginger and raisins with mango, in the hunt for new shapes.
R book
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$23.95
(disponible en magasin)
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The R Book is large, entertaining and thought-provoking. In typical Martí Guixé style, it is for doing rather than for reading. Its clear-cut simple graphics stimulate creativity and the imagination. Using four different levels – analysis, simulation, theory and nomenclature - children and adults can try their hand at science; mixing carrots with tomatoes, artichokes with ginger and raisins with mango, in the hunt for new shapes.
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livres
livres
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août 2012
août 2012
Sujet:
Littérature jeunesse
Littérature jeunesse
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livres
livres
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$145.00
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Inspired by venerable cities like Kyoto, Vienna, and Venice, and by the great successes of L’Enfant’s Washington, Haussmann’s Paris, and Burnham’s Chicago, Buras combines theory and a host of examples to arrive at clear guidelines for best practices in classic planning for today’s world. The Art of Classic Planning celebrates the enduring principles of urban design and(...)
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Inspired by venerable cities like Kyoto, Vienna, and Venice, and by the great successes of L’Enfant’s Washington, Haussmann’s Paris, and Burnham’s Chicago, Buras combines theory and a host of examples to arrive at clear guidelines for best practices in classic planning for today’s world. The Art of Classic Planning celebrates the enduring principles of urban design and(...)
Titre:
The art of classic planning: building beautiful and enduring communities
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$145.00
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Inspired by venerable cities like Kyoto, Vienna, and Venice, and by the great successes of L’Enfant’s Washington, Haussmann’s Paris, and Burnham’s Chicago, Buras combines theory and a host of examples to arrive at clear guidelines for best practices in classic planning for today’s world. The Art of Classic Planning celebrates the enduring principles of urban design and invites us to return to building beautiful cities.
The art of classic planning: building beautiful and enduring communities
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$145.00
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Inspired by venerable cities like Kyoto, Vienna, and Venice, and by the great successes of L’Enfant’s Washington, Haussmann’s Paris, and Burnham’s Chicago, Buras combines theory and a host of examples to arrive at clear guidelines for best practices in classic planning for today’s world. The Art of Classic Planning celebrates the enduring principles of urban design and invites us to return to building beautiful cities.
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livres
livres
Publication:
janvier 2020
janvier 2020
Sujet:
Logements collectifs
Logements collectifs
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livres
livres
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$30.00
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Deux fois par an, la revue « Initiales » esquisse les contours d'une galerie de « portraits en creux » en s'organisant autour de « figures-source », existantes ou fictives. Ce numéro se consacre à Sylvère Lotringer, philosophe français et fondateur de Semiotext(e). Depuis les années 1970, cette maison d'édition indépendante diffuse la French Theory aux États-Unis,(...)
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Deux fois par an, la revue « Initiales » esquisse les contours d'une galerie de « portraits en creux » en s'organisant autour de « figures-source », existantes ou fictives. Ce numéro se consacre à Sylvère Lotringer, philosophe français et fondateur de Semiotext(e). Depuis les années 1970, cette maison d'édition indépendante diffuse la French Theory aux États-Unis,(...)
Titre:
Initiales n° 12 : Sylvère Lotringer
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Deux fois par an, la revue « Initiales » esquisse les contours d'une galerie de « portraits en creux » en s'organisant autour de « figures-source », existantes ou fictives. Ce numéro se consacre à Sylvère Lotringer, philosophe français et fondateur de Semiotext(e). Depuis les années 1970, cette maison d'édition indépendante diffuse la French Theory aux États-Unis, notamment la pensée de Deleuze, Guattari, Baudrillard, Virilio, Foucault et Clastres.
Initiales n° 12 : Sylvère Lotringer
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Deux fois par an, la revue « Initiales » esquisse les contours d'une galerie de « portraits en creux » en s'organisant autour de « figures-source », existantes ou fictives. Ce numéro se consacre à Sylvère Lotringer, philosophe français et fondateur de Semiotext(e). Depuis les années 1970, cette maison d'édition indépendante diffuse la French Theory aux États-Unis, notamment la pensée de Deleuze, Guattari, Baudrillard, Virilio, Foucault et Clastres.
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livres
livres
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novembre 2018
novembre 2018
Sujet:
Revues
Revues
