6052 Résultats
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Photographer Stephen Shore’s extensive travels across the United States, document the banal scenes and objects he encounters along the way. This series was made on a single day in 2013, when Shore revisited a small Arizona town he had first seen in 1972. As part of Doug Aitken’s Station to Station project, in which invited artists, writers, performers and filmmakers rode(...)
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Photographer Stephen Shore’s extensive travels across the United States, document the banal scenes and objects he encounters along the way. This series was made on a single day in 2013, when Shore revisited a small Arizona town he had first seen in 1972. As part of Doug Aitken’s Station to Station project, in which invited artists, writers, performers and filmmakers rode(...)
Titre:
Stephen Shore: Winslow Arizona
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Photographer Stephen Shore’s extensive travels across the United States, document the banal scenes and objects he encounters along the way. This series was made on a single day in 2013, when Shore revisited a small Arizona town he had first seen in 1972. As part of Doug Aitken’s Station to Station project, in which invited artists, writers, performers and filmmakers rode a train from New York to California, stopping at various points to stage “happenings”, Shore decided to photograph Winslow and make a slideshow at the next stop; a visual improvisation. His portrait of the sun-baked town is bleak, with boarded-up buildings, abandoned objects and lifeless streets.
Stephen Shore: Winslow Arizona
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Photographer Stephen Shore’s extensive travels across the United States, document the banal scenes and objects he encounters along the way. This series was made on a single day in 2013, when Shore revisited a small Arizona town he had first seen in 1972. As part of Doug Aitken’s Station to Station project, in which invited artists, writers, performers and filmmakers rode a train from New York to California, stopping at various points to stage “happenings”, Shore decided to photograph Winslow and make a slideshow at the next stop; a visual improvisation. His portrait of the sun-baked town is bleak, with boarded-up buildings, abandoned objects and lifeless streets.
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livres
livres
Publication:
octobre 2014
octobre 2014
Sujet:
Monographies photo
Monographies photo
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livres
livres
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In his Habitat series, Olaf Otto Becker (born 1959) presents idyllic dreamlike places—paradisical tableaus from the jungles of Malaysia and Indonesia. Even the temperate rainforest of Redwood National Parks in California seems reassuringly intact: the mammoth trees are surviving thanks to rigorous conservation measures. By contrast, in the second half of his series Becker(...)
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In his Habitat series, Olaf Otto Becker (born 1959) presents idyllic dreamlike places—paradisical tableaus from the jungles of Malaysia and Indonesia. Even the temperate rainforest of Redwood National Parks in California seems reassuringly intact: the mammoth trees are surviving thanks to rigorous conservation measures. By contrast, in the second half of his series Becker(...)
Titre:
Olaf Otto Becker: reading the landscape
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In his Habitat series, Olaf Otto Becker (born 1959) presents idyllic dreamlike places—paradisical tableaus from the jungles of Malaysia and Indonesia. Even the temperate rainforest of Redwood National Parks in California seems reassuringly intact: the mammoth trees are surviving thanks to rigorous conservation measures. By contrast, in the second half of his series Becker shows what happens across the globe when international corporations clear large tracts of land and giant areas of barren, treeless terrain result. Erosion also does its work, and no life can survive in these places. In the final section, Becker presents the artificial "forests" conceived by various international architects to insert greenery into urban space.
Olaf Otto Becker: reading the landscape
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In his Habitat series, Olaf Otto Becker (born 1959) presents idyllic dreamlike places—paradisical tableaus from the jungles of Malaysia and Indonesia. Even the temperate rainforest of Redwood National Parks in California seems reassuringly intact: the mammoth trees are surviving thanks to rigorous conservation measures. By contrast, in the second half of his series Becker shows what happens across the globe when international corporations clear large tracts of land and giant areas of barren, treeless terrain result. Erosion also does its work, and no life can survive in these places. In the final section, Becker presents the artificial "forests" conceived by various international architects to insert greenery into urban space.
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livres
livres
Publication:
février 2015
février 2015
Sujet:
Monographies photo
Monographies photo
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livres
livres
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$70.00
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Since the late 1970s, as a pioneer of Southern California underground culture, Raymond Pettibon has blurred the boundaries of "high" and "low," from the deviations of marginal youth to art history, literature, sports, religion, politics and sexuality. Rich in detail, his obsessively worked drawings pull freely from myriad sources spanning the cultural spectrum. The(...)
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Since the late 1970s, as a pioneer of Southern California underground culture, Raymond Pettibon has blurred the boundaries of "high" and "low," from the deviations of marginal youth to art history, literature, sports, religion, politics and sexuality. Rich in detail, his obsessively worked drawings pull freely from myriad sources spanning the cultural spectrum. The(...)
Titre:
Raymond Pettibon: here's your irony back, political works 1975-2013
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Since the late 1970s, as a pioneer of Southern California underground culture, Raymond Pettibon has blurred the boundaries of "high" and "low," from the deviations of marginal youth to art history, literature, sports, religion, politics and sexuality. Rich in detail, his obsessively worked drawings pull freely from myriad sources spanning the cultural spectrum. The resulting, highly poetic constructions function as acute reflections of contemporary society. Seen here are images of Ronald and Nancy Reagan, J. Edgar Hoover, both Bush presidents, the Kennedys, Hitler, scenes from the Vietnam War and protest movements, wars in Iraq and Afghanistan, the prisoner abuse of Abu Ghraib, President Obama and Osama bin Laden.
Raymond Pettibon: here's your irony back, political works 1975-2013
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Since the late 1970s, as a pioneer of Southern California underground culture, Raymond Pettibon has blurred the boundaries of "high" and "low," from the deviations of marginal youth to art history, literature, sports, religion, politics and sexuality. Rich in detail, his obsessively worked drawings pull freely from myriad sources spanning the cultural spectrum. The resulting, highly poetic constructions function as acute reflections of contemporary society. Seen here are images of Ronald and Nancy Reagan, J. Edgar Hoover, both Bush presidents, the Kennedys, Hitler, scenes from the Vietnam War and protest movements, wars in Iraq and Afghanistan, the prisoner abuse of Abu Ghraib, President Obama and Osama bin Laden.
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livres
livres
Publication:
juin 2015
juin 2015
Sujet:
Illustration
Illustration
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livres
livres
Description:
1 online resource (1 electronic resource (292 pages))
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Publication:
Open Humanities Press 2015.
Open Humanities Press 2015.
Titre:
Plastic Bodies: Rebuilding Sensation After Phenomenology.
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Description:
1 online resource (1 electronic resource (292 pages))
Plastic Bodies: Rebuilding Sensation After Phenomenology.
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Description:
1 online resource (1 electronic resource (292 pages))
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livres
livres
Publication:
Open Humanities Press 2015.
Open Humanities Press 2015.
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livres
livres
Titre:
Ed Ruscha, photographer
Ed Ruscha, photographer
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Although known for his paintings and drawings, California artist Ed Ruscha has also attracted critical attention for his photography. A new exhibition and accompanying catalogue, "Ed Ruscha, photographer", depart from earlier books to explore how the artist’s different disciplines — painting, drawing, printmaking, and photography — are guided and shaped by a single(...)
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Although known for his paintings and drawings, California artist Ed Ruscha has also attracted critical attention for his photography. A new exhibition and accompanying catalogue, "Ed Ruscha, photographer", depart from earlier books to explore how the artist’s different disciplines — painting, drawing, printmaking, and photography — are guided and shaped by a single(...)
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Ed Ruscha, photographer
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Although known for his paintings and drawings, California artist Ed Ruscha has also attracted critical attention for his photography. A new exhibition and accompanying catalogue, "Ed Ruscha, photographer", depart from earlier books to explore how the artist’s different disciplines — painting, drawing, printmaking, and photography — are guided and shaped by a single vision. Ruscha’s relationship to photography is complex and ambivalent, and the work is difficult to define. He has referred to his photography as a “hobby” but from the outset it has drawn considerable critical interest. The small books of photographs that Ruscha produced in the sixties and seventies earned him a reputation as an underground artist among his peers, and have influenced subsequent generations of artists in Europe and North America. The photographs were snapshot size, with an amateurish quality that intrigued his contemporaries. Neither purely documentary nor solely artistic, their subject matter was stereotypical and banal, with motifs drawn from sites in Southern California or the western United States. This, combined with their serial presentation, created a mythical road-movie or photo-novel effect with Beat Generation innuendos and inspired interest among artists at a time when serial logic was prominent in Pop art and Minimalism, and later in Conceptual art. This volume is produced in conjunction with a traveling exhibition to be shown in Europe in 2006, organized by The Whitney Museum of American Art, New York. The exhibition photographs have been selected from the collections of the Whitney and the artist by independent curator Margit Rowell.
Ed Ruscha, photographer
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Although known for his paintings and drawings, California artist Ed Ruscha has also attracted critical attention for his photography. A new exhibition and accompanying catalogue, "Ed Ruscha, photographer", depart from earlier books to explore how the artist’s different disciplines — painting, drawing, printmaking, and photography — are guided and shaped by a single vision. Ruscha’s relationship to photography is complex and ambivalent, and the work is difficult to define. He has referred to his photography as a “hobby” but from the outset it has drawn considerable critical interest. The small books of photographs that Ruscha produced in the sixties and seventies earned him a reputation as an underground artist among his peers, and have influenced subsequent generations of artists in Europe and North America. The photographs were snapshot size, with an amateurish quality that intrigued his contemporaries. Neither purely documentary nor solely artistic, their subject matter was stereotypical and banal, with motifs drawn from sites in Southern California or the western United States. This, combined with their serial presentation, created a mythical road-movie or photo-novel effect with Beat Generation innuendos and inspired interest among artists at a time when serial logic was prominent in Pop art and Minimalism, and later in Conceptual art. This volume is produced in conjunction with a traveling exhibition to be shown in Europe in 2006, organized by The Whitney Museum of American Art, New York. The exhibition photographs have been selected from the collections of the Whitney and the artist by independent curator Margit Rowell.
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livres
livres
Publication:
janvier 1900, Göttingen
janvier 1900, Göttingen
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livres
livres
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Where would you take someone on a guided tour of your neighborhood? In ''The Cities We Need'', photographer and urbanist Gabrielle Bendiner-Viani introduces us to the complex, political, and eminently personable stories of residents who answered this question in Brooklyn, New York, and Oakland, California. Their universal stories and Bendiner-Viani's evocative images(...)
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Where would you take someone on a guided tour of your neighborhood? In ''The Cities We Need'', photographer and urbanist Gabrielle Bendiner-Viani introduces us to the complex, political, and eminently personable stories of residents who answered this question in Brooklyn, New York, and Oakland, California. Their universal stories and Bendiner-Viani's evocative images(...)
Titre:
The cities we need: Essential stories of everyday places
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Where would you take someone on a guided tour of your neighborhood? In ''The Cities We Need'', photographer and urbanist Gabrielle Bendiner-Viani introduces us to the complex, political, and eminently personable stories of residents who answered this question in Brooklyn, New York, and Oakland, California. Their universal stories and Bendiner-Viani's evocative images illuminate what's at stake in our everyday places—from diners to churches to donut shops. In this culmination of two decades of research and art practice, Bendiner-Viani intertwines the personal, historical, and photographic to present us with placework, the way that unassuming places foster a sense of belonging and, in fact, do the essential work of helping us become communities.
The cities we need: Essential stories of everyday places
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Where would you take someone on a guided tour of your neighborhood? In ''The Cities We Need'', photographer and urbanist Gabrielle Bendiner-Viani introduces us to the complex, political, and eminently personable stories of residents who answered this question in Brooklyn, New York, and Oakland, California. Their universal stories and Bendiner-Viani's evocative images illuminate what's at stake in our everyday places—from diners to churches to donut shops. In this culmination of two decades of research and art practice, Bendiner-Viani intertwines the personal, historical, and photographic to present us with placework, the way that unassuming places foster a sense of belonging and, in fact, do the essential work of helping us become communities.
Classification:
livres
livres
Publication:
août 2024
août 2024
Sujet:
L'humain et la ville
L'humain et la ville
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livres
livres
Titre:
What's left
What's left
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The author sees connections that others do not, and uses those insights to make speculative proposals that often involve urban land use. This book is a collection of what he calls "detritus"; from the link he created between the historic Dutch city of Utrecht and a homeless camp in the California desert called Slab City. The mixed narratives of individual freedom and(...)
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The author sees connections that others do not, and uses those insights to make speculative proposals that often involve urban land use. This book is a collection of what he calls "detritus"; from the link he created between the historic Dutch city of Utrecht and a homeless camp in the California desert called Slab City. The mixed narratives of individual freedom and(...)
Titre:
What's left
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The author sees connections that others do not, and uses those insights to make speculative proposals that often involve urban land use. This book is a collection of what he calls "detritus"; from the link he created between the historic Dutch city of Utrecht and a homeless camp in the California desert called Slab City. The mixed narratives of individual freedom and communal living meet in both places, as diverse as they may seem, as do other places drawn together using non-linear, multi-layered methods to explore subjects like the history of the Colorado River, the social functions of books and libraries, and disciplines as diverse as chemistry, architecture, social psychology, agriculture, language and disaster response.
What's left
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The author sees connections that others do not, and uses those insights to make speculative proposals that often involve urban land use. This book is a collection of what he calls "detritus"; from the link he created between the historic Dutch city of Utrecht and a homeless camp in the California desert called Slab City. The mixed narratives of individual freedom and communal living meet in both places, as diverse as they may seem, as do other places drawn together using non-linear, multi-layered methods to explore subjects like the history of the Colorado River, the social functions of books and libraries, and disciplines as diverse as chemistry, architecture, social psychology, agriculture, language and disaster response.
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livres
livres
Publication:
janvier 2008
janvier 2008
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livres
livres
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Long out of print, this seminal collection of essays and photographs are by artist, theorist and filmmaker, Allan Sekula. Originally published by the Nova Scotia College of Art and Design in 1984, in these essays and images Sekula sought to portray the inextricable bond between labour and material culture, drawing deeply on Marxist theory to argue passionately for a(...)
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Long out of print, this seminal collection of essays and photographs are by artist, theorist and filmmaker, Allan Sekula. Originally published by the Nova Scotia College of Art and Design in 1984, in these essays and images Sekula sought to portray the inextricable bond between labour and material culture, drawing deeply on Marxist theory to argue passionately for a(...)
Titre:
Photography against the grain: essays and photo works 1973-1983
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Long out of print, this seminal collection of essays and photographs are by artist, theorist and filmmaker, Allan Sekula. Originally published by the Nova Scotia College of Art and Design in 1984, in these essays and images Sekula sought to portray the inextricable bond between labour and material culture, drawing deeply on Marxist theory to argue passionately for a collective model of progress. Sekula taught at California Institute of Arts (CalArts) from 1985 until his death in 2013, and from that insider's position he critiqued photography and the circumstances of its production and consumption, exposing what the medium failed to represent – women, labourers, minorities and the institutional structures that reinforce cultural biases.
Photography against the grain: essays and photo works 1973-1983
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Long out of print, this seminal collection of essays and photographs are by artist, theorist and filmmaker, Allan Sekula. Originally published by the Nova Scotia College of Art and Design in 1984, in these essays and images Sekula sought to portray the inextricable bond between labour and material culture, drawing deeply on Marxist theory to argue passionately for a collective model of progress. Sekula taught at California Institute of Arts (CalArts) from 1985 until his death in 2013, and from that insider's position he critiqued photography and the circumstances of its production and consumption, exposing what the medium failed to represent – women, labourers, minorities and the institutional structures that reinforce cultural biases.
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livres
livres
Publication:
octobre 2016
octobre 2016
Sujet:
Théorie de la photographie
Théorie de la photographie
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livres
livres
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$65.95
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In "Domesticated Land" Susan Lipper navigates an apocalyptic world poised between inertia and the end of mankind, somewhere in the California desert. Uncannily tranquil, the landscape offers a trans-historical litany of monuments, icons and signs from which the author and protagonist constructs a narrative interspersed with the words of historic and contemporary women.(...)
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In "Domesticated Land" Susan Lipper navigates an apocalyptic world poised between inertia and the end of mankind, somewhere in the California desert. Uncannily tranquil, the landscape offers a trans-historical litany of monuments, icons and signs from which the author and protagonist constructs a narrative interspersed with the words of historic and contemporary women.(...)
Titre:
Susan Lipper: Domesticated land
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In "Domesticated Land" Susan Lipper navigates an apocalyptic world poised between inertia and the end of mankind, somewhere in the California desert. Uncannily tranquil, the landscape offers a trans-historical litany of monuments, icons and signs from which the author and protagonist constructs a narrative interspersed with the words of historic and contemporary women. Putting female subjectivity into relief, Lipper obfuscates the romantic notion of the desert as a land of freedom and self-enlightenment. A lone snake, a dilapidated home, the remains of a cinematic stage set, the head of a fallen woman, a military base, barbed wire: such facts create ?ction, and one that serves as an unnerving political admonition concerning the current state of America.
Susan Lipper: Domesticated land
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In "Domesticated Land" Susan Lipper navigates an apocalyptic world poised between inertia and the end of mankind, somewhere in the California desert. Uncannily tranquil, the landscape offers a trans-historical litany of monuments, icons and signs from which the author and protagonist constructs a narrative interspersed with the words of historic and contemporary women. Putting female subjectivity into relief, Lipper obfuscates the romantic notion of the desert as a land of freedom and self-enlightenment. A lone snake, a dilapidated home, the remains of a cinematic stage set, the head of a fallen woman, a military base, barbed wire: such facts create ?ction, and one that serves as an unnerving political admonition concerning the current state of America.
Classification:
livres
livres
Publication:
avril 2018
avril 2018
Sujet:
Monographies photo
Monographies photo
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livres
livres
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$18.95
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Résumé:
Taylor McKimens was born in 1976 and grew up in Winterhaven, California, a small town on the borders of Arizona and Mexico. Strong comic book influences and his childhood in a small desert border town lend an edge to the tragico-comic energy of his pieces, and moments of elegant painterliness can invest even his ugliest image with a complex beauty. His comics "The(...)
$18.95
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Taylor McKimens was born in 1976 and grew up in Winterhaven, California, a small town on the borders of Arizona and Mexico. Strong comic book influences and his childhood in a small desert border town lend an edge to the tragico-comic energy of his pieces, and moments of elegant painterliness can invest even his ugliest image with a complex beauty. His comics "The(...)
Titre:
Taylor McKimens: this kind of livin
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Taylor McKimens was born in 1976 and grew up in Winterhaven, California, a small town on the borders of Arizona and Mexico. Strong comic book influences and his childhood in a small desert border town lend an edge to the tragico-comic energy of his pieces, and moments of elegant painterliness can invest even his ugliest image with a complex beauty. His comics "The Drips,"and "Good Life" were recently published by Picturebox Inc, and his artwork has been featured internationally in venues such as P.S.1 MoMA, Deitch Projects, and Clementine Gallery in New York, The Watari Museum of Contemporary Art in Tokyo, Galleri Loyal in Stockholm, Annet Gelink in Amsterdam, and Perugi Artecontemporanea in Padova, Italy.
Taylor McKimens: this kind of livin
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Taylor McKimens was born in 1976 and grew up in Winterhaven, California, a small town on the borders of Arizona and Mexico. Strong comic book influences and his childhood in a small desert border town lend an edge to the tragico-comic energy of his pieces, and moments of elegant painterliness can invest even his ugliest image with a complex beauty. His comics "The Drips,"and "Good Life" were recently published by Picturebox Inc, and his artwork has been featured internationally in venues such as P.S.1 MoMA, Deitch Projects, and Clementine Gallery in New York, The Watari Museum of Contemporary Art in Tokyo, Galleri Loyal in Stockholm, Annet Gelink in Amsterdam, and Perugi Artecontemporanea in Padova, Italy.
Classification:
livres
livres
Publication:
décembre 2008, Zurich
décembre 2008, Zurich
Sujet:
Illustration
Illustration
