Weeds of North America
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“What is a weed,” opined Emerson, “but a plant whose virtues have not yet been discovered?” While that may be a worthy notion in theory, these plants of undiscovered virtue cause endless hours of toil for backyard gardeners. Wherever they take root, weeds compete for resources, and most often win. Richard Dickinson and France Royer shed light on this complex world with(...)
Weeds of North America
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$39.95
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“What is a weed,” opined Emerson, “but a plant whose virtues have not yet been discovered?” While that may be a worthy notion in theory, these plants of undiscovered virtue cause endless hours of toil for backyard gardeners. Wherever they take root, weeds compete for resources, and most often win. Richard Dickinson and France Royer shed light on this complex world with Weeds of North America.
Jardins
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$73.00
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An exceptionally approachable, thorough, informative guide to the theory and technique of designing classical buildings, as taught by a graduate of the École des Beaux-Arts, this book, generously illustrated with sketches, freehand diagrams, renderings, and photographs, gives a lively, contemporary reality to what sometimes seems a remote subject. It is a practical text(...)
septembre 2004, New York
Classical architecture for the twenty-first century : an introduction to design
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An exceptionally approachable, thorough, informative guide to the theory and technique of designing classical buildings, as taught by a graduate of the École des Beaux-Arts, this book, generously illustrated with sketches, freehand diagrams, renderings, and photographs, gives a lively, contemporary reality to what sometimes seems a remote subject. It is a practical text for learning how to design buildings in the classical tradition today.
livres
septembre 2004, New York
livres
$71.95
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A collection of writings which outline the evolution of the environmental dimension of architectural theory and practice in the past twenty-five years. "The environmental tradition" deals with the transformation of the environmental design field which was brought about by the growth of energy awareness in the 1970's and 1980's. The book places environmental issues in the(...)
The environmental tradition : studies in the architecture of environment
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A collection of writings which outline the evolution of the environmental dimension of architectural theory and practice in the past twenty-five years. "The environmental tradition" deals with the transformation of the environmental design field which was brought about by the growth of energy awareness in the 1970's and 1980's. The book places environmental issues in the broader theoretical and historical context in architecture.
livres
janvier 1995, London
Architecture écologique
livres
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216 pages : illustrations (some color) ; 24 cm.
Chichester, West Sussex : Wiley-Academy, 2006.
Models : architecture and the miniature / Mark Morris.
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216 pages : illustrations (some color) ; 24 cm.
livres
Chichester, West Sussex : Wiley-Academy, 2006.
livres
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xvi, 246 pages : illustrations (black and white), maps ; 24 cm.
Washington : Smithsonian Institution Press, [1994], ©1994
Village spaces : settlement and society in northeastern Iran / Lee Horne.
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xvi, 246 pages : illustrations (black and white), maps ; 24 cm.
livres
Washington : Smithsonian Institution Press, [1994], ©1994
livres
Description:
xiii, 200 pages : illustrations ; 27 cm
Newark, DE : University of Delaware Press, ©1999.
Buildings for bluestockings : the architecture and social history of women's colleges in late Victorian England / by Margaret Birney Vickery.
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xiii, 200 pages : illustrations ; 27 cm
livres
Newark, DE : University of Delaware Press, ©1999.
livres
Description:
xix, 368 pages : illustrations ; 23 cm
Edmonton : University of Alberta Press, ©1995.
Town life : Main Street and the evolution of small town Alberta, 1880-1947 / Donald G. Wetherell, Irene R.A. Kmet.
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xix, 368 pages : illustrations ; 23 cm
livres
Edmonton : University of Alberta Press, ©1995.
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In February 1956 the president of IBM hired the industrial designer and architect Eliot F. Noyes, charging him with reinventing IBM's corporate image, from stationery and curtains to products such as typewriters and computers and to laboratory and administration buildings. What followed remade IBM in a way that would also transform the relationships between design,(...)
The interface: IBM and the transformation of corporate design 1945-1976
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In February 1956 the president of IBM hired the industrial designer and architect Eliot F. Noyes, charging him with reinventing IBM's corporate image, from stationery and curtains to products such as typewriters and computers and to laboratory and administration buildings. What followed remade IBM in a way that would also transform the relationships between design, computer science, and corporate culture. IBM's program assembled a cast of leading figures in American design: Noyes, Charles Eames, Paul Rand, George Nelson, and Edgar Kaufmann Jr. The Interface offers a detailed account of the key role these designers played in shaping both the computer and the multinational corporation. Harwood describes the influence of computer and corporation on the theory and practice of design. Here we see how, in the period stretching from the "invention" of the computer during World War II to the appearance of the personal computer in the mid-1970s, disciplines once well outside the realm of architectural design -information and management theory, cybernetics, ergonomics, computer science- became integral aspects of design.
Design industriel
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In "Archiveology" Catherine Russell uses the work of Walter Benjamin to explore how the practice of archiveology-the reuse, recycling, appropriation, and borrowing of archival sounds and images by filmmakers-provides ways to imagine the past and the future. Noting how the film archive does not function simply as a place where moving images are preserved, Russell examines(...)
Archiveology: Walter Benjamin and archival film practices
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In "Archiveology" Catherine Russell uses the work of Walter Benjamin to explore how the practice of archiveology-the reuse, recycling, appropriation, and borrowing of archival sounds and images by filmmakers-provides ways to imagine the past and the future. Noting how the film archive does not function simply as a place where moving images are preserved, Russell examines a range of films alongside Benjamin's conceptions of memory, document, excavation, and historiography. She shows how city films such as Nicole Vedres's Paris 1900 (1947) and Thom Andersen's Los Angeles Plays Itself (2003) reconstruct notions of urban life and uses Christian Marclay's The Clock (2010) to draw parallels between critical cinephilia and Benjamin's theory of the phantasmagoria. Russell also discusses practices of collecting in archiveological film and rereads films by Joseph Cornell and Rania Stephan to explore an archival practice that dislocates and relocates the female image in film. In so doing, she not only shows how Benjamin's work is as relevant to film theory as ever; she shows how archiveology can awaken artists and audiences to critical forms of history and memory.
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Whatever 'ugliness' is, it remains a problematic category in architectural aesthetics - alternately vilified and appropriated, either to shock or to invert conventions of architecture. This book presents eighteen new essays which rethink ugliness in architecture - from brutalism to eclectic postmodern architectural productions - and together offer a diverse reappraisal(...)
Architecture and ugliness: anti-aesthetics and the ugly in postmodern architecture
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Whatever 'ugliness' is, it remains a problematic category in architectural aesthetics - alternately vilified and appropriated, either to shock or to invert conventions of architecture. This book presents eighteen new essays which rethink ugliness in architecture - from brutalism to eclectic postmodern architectural productions - and together offer a diverse reappraisal of the history and theory of postmodern architecture and design. The essays address both broad theoretical questions on ugliness and postmodern aesthetics, as well as more specific analyses of significant architectural examples dating from the last decades of the twentieth century, addressing the relation between the aesthetic register of ugliness and aesthetic concepts such as brutalism, kitsch, the formless, ad hoc-ism, the monstrous, or the grotesque. "Architecture and ugliness" not only documents the history of a postmodern anti-aesthetic through a diverse set of case studies, it also sheds valuable light on an aesthetic problem which has been largely overlooked in architectural discourse. It is essential reading for all students and scholars with an interest in postmodern architectural history, architectural theory and aesthetics.
Post-modernisme