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Dan Graham
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This catalogue of the retrospective exhibition of the work of Dan Graham, includes his architecture, architectural installations, models and pavilions.
Dan Graham
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This catalogue of the retrospective exhibition of the work of Dan Graham, includes his architecture, architectural installations, models and pavilions.
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juillet 1998, Barcelona
Alternative histories
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Acknowledging that architecture is a corpus of inherited ideas, this publication began with a question: could a contemporary architect, with their own references, make a model that would respond to a drawing from the past? This book collects the 85 models produced by the same number of practices alongside the architectural drawings that prompted them, all of which are(...)
Théorie de l’architecture
août 2020
Alternative histories
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Acknowledging that architecture is a corpus of inherited ideas, this publication began with a question: could a contemporary architect, with their own references, make a model that would respond to a drawing from the past? This book collects the 85 models produced by the same number of practices alongside the architectural drawings that prompted them, all of which are held in the UK-based archive of Drawing Matter. Taken as a whole, the responses challenge the facile understanding of concepts of reference, history or influence as drivers of contemporary architectural thinking. From methods to materials, the project opens up not only new ways of looking at the past, but also a series of conversations about how architects today shape their present.
Théorie de l’architecture
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In this Dialogue on Art and Architecture, Ellsworth Kelly (born 1923) reminisces with Hans Ulrich Obrist about his early career, his teachers (Max Beckmann, Brancusi, Léger and Vantongerloo) and particularly on the relation of his work to architecture: “architects are usually the first people who understand my work,” he tells Obrist here, while describing his many(...)
Ellsworth Kelly: thumbing through the folder
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In this Dialogue on Art and Architecture, Ellsworth Kelly (born 1923) reminisces with Hans Ulrich Obrist about his early career, his teachers (Max Beckmann, Brancusi, Léger and Vantongerloo) and particularly on the relation of his work to architecture: “architects are usually the first people who understand my work,” he tells Obrist here, while describing his many collaborations in this field. Throughout this beautiful publication runs a series of collaged and overpainted postcards by Kelly, dating from 1949 to 1984, which are reproduced here for the first time. These postcards, referred to throughout the dialogue, are unlike any of Kelly's paintings and sculptures, particularly in their use of body imagery; others are closer to familiar Kelly terrain, as projections of torn colored paper forms onto found landscapes and architecture. This artist's book makes a wonderfully unusual record of a warm encounter.
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In three recent video installations, Zachary Formwalt focuses on the architecture of OMA’s new Shenzhen Stock Exchange and the Amsterdam stock and commodities exchange by H.P. Berlage. Although our economy is dictated by financial transactions, the activity of trading itself has become increasingly remote, without actual human encounter. The architecture of the two(...)
Zachary Formwalt: three exchanges. OMA, H.P Berlage
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In three recent video installations, Zachary Formwalt focuses on the architecture of OMA’s new Shenzhen Stock Exchange and the Amsterdam stock and commodities exchange by H.P. Berlage. Although our economy is dictated by financial transactions, the activity of trading itself has become increasingly remote, without actual human encounter. The architecture of the two buildings serves as a starting point for a investigation into the limitations of photography to represent global capital and into the interrelationships between financial capitalism and image-making.
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Africa’s population and economic growth make it the world’s fastest urbanizing continent. While some might still associate Africa with rural development, the future of Africa is, in fact, very urban. This urbanization is a huge challenge in areas with fragile institutional frameworks and chronic poverty. Many migrants moving to the city end up in self-organized(...)
To build a city in Africa: a history and a manual
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Africa’s population and economic growth make it the world’s fastest urbanizing continent. While some might still associate Africa with rural development, the future of Africa is, in fact, very urban. This urbanization is a huge challenge in areas with fragile institutional frameworks and chronic poverty. Many migrants moving to the city end up in self-organized settlements without basic services. ''Urban Africa'' brings together authors from various academic, political, and design backgrounds: as well as case studies on new towns in Ghana, Egypt, South Africa, Angola, Morocco, Kenya etc. In this way, the book provides a critical narrative about contemporary ''Urban Africa'' and the western world’s role – if any – in the radical transformations happening today.
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Modernism
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In this comprehensive survey, Richard Weston traces the course of Modernism from its beginnings to its contemporary manifestations. He explores the Modernist movements of the early twentieth century – Cubism, Surrealism, Futurism and Purism – and concludes with the ‘post-modernist’ experiments of the 1980s and 1990s. He shows how the ‘tradition of the new’ became the(...)
Modernism
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In this comprehensive survey, Richard Weston traces the course of Modernism from its beginnings to its contemporary manifestations. He explores the Modernist movements of the early twentieth century – Cubism, Surrealism, Futurism and Purism – and concludes with the ‘post-modernist’ experiments of the 1980s and 1990s. He shows how the ‘tradition of the new’ became the creative credo of a small group of progressive artists and how, with the emigration of leading German modernists to Britain and the USA in the 1930s, the theory and practice of Modernism became widespread. What had begun as a cluster of loosely related artistic movements scattered across Europe emerged as the dominant style of the twentieth century.
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avril 2001, London
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Modernism
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In this comprehensive survey, Richard Weston traces the course of Modernism from its beginnings to its contemporary manifestations. He explores the Modernist movements of the early twentieth century – Cubism, Surrealism, Futurism and Purism – and concludes with the ‘post-modernist’ experiments of the 1980s and 1990s. He shows how the ‘tradition of the new’ became the(...)
Modernism
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In this comprehensive survey, Richard Weston traces the course of Modernism from its beginnings to its contemporary manifestations. He explores the Modernist movements of the early twentieth century – Cubism, Surrealism, Futurism and Purism – and concludes with the ‘post-modernist’ experiments of the 1980s and 1990s. He shows how the ‘tradition of the new’ became the creative credo of a small group of progressive artists and how, with the emigration of leading German modernists to Britain and the USA in the 1930s, the theory and practice of Modernism became widespread. What had begun as a cluster of loosely related artistic movements scattered across Europe emerged as the dominant style of the twentieth century.
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octobre 1996, London
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Figure majeure de l'art américain des années 1970, Gordon Matta-Clark a produit un corpus d'œuvres d'une grande diversité. Expérimentations sur la matière, installations, performances, découpes architecturales, dessins, films, photographies, ou photomontages témoignent de cette multiplicité de démarches et de mediums explorés. C'est au travers de ses découpes (cuttings)(...)
L'architecture selon Gordon Matta-Clark
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Figure majeure de l'art américain des années 1970, Gordon Matta-Clark a produit un corpus d'œuvres d'une grande diversité. Expérimentations sur la matière, installations, performances, découpes architecturales, dessins, films, photographies, ou photomontages témoignent de cette multiplicité de démarches et de mediums explorés. C'est au travers de ses découpes (cuttings) et dissections de bâtiments qu'il s'est fait d'abord connaître, en intervenant sur des immeubles abandonnés et voués à la démolition. Ces spectaculaires découpes ont longtemps prévalu dans les analyses, et ont le plus souvent été considérées comme des attaques portées contre l'architecture. Pourtant, architecte de formation, Gordon Matta-Clark a surtout cherché à expérimenter, selon ses termes, « les usages alternatifs d'espaces qui sont les plus familiers ». Sur la base de documents d'archives, cet ouvrage propose de lire ses travaux depuis ce point de vue venant de l'architecture, en envisageant les mouvements de sa pensée spatiale et ses enjeux architecturaux, dans tous les lieux singuliers explorés. Que ce soit en découpant les murs, planchers et plafonds de bâtiments abandonnés ; en créant une perspective implicite sous une dalle funéraire ; en installant un abri dans un arbre ; en dessinant des maisons-paniers mobiles ; en construisant un mur à partir de déchets trouvés dans la rue ; en voulant grimper au ciel avec une échelle en corde ou en voulant habiter dans un immeuble ballon, que disent ses projets de son idée d'architecture ?
$84.95
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Architects are used to designing visually. In order to expand their basic design tools, this book explores the interactions between sound, space, hearing, and architecture. To this end, the author uses contemporary and historic buildings and projects, but also fictional, philosophical, and theoretical approaches – the idea is not only to define sound as a source, but also(...)
Architectures of sound: acoustic concepts and parameters for architectural design
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Architects are used to designing visually. In order to expand their basic design tools, this book explores the interactions between sound, space, hearing, and architecture. To this end, the author uses contemporary and historic buildings and projects, but also fictional, philosophical, and theoretical approaches – the idea is not only to define sound as a source, but also as an instrument of architectural space. By introducing a metatheory of "critical hearing", designers are able to acoustically test their projects and contribute to their design with auditive input, already at the design stage.
Acoustique
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La paysagiste américaine Kathryn Gustafson a acquis une renommée internationale exceptionnelle. Son travail actuel se concentre sur les espaces publics. La récente Fontaine à la mémoire de Diana, Princess of Wales, au Hyde Park à Londres, n'est qu'un exemple d'une longue liste de projets acclamés, réalisés avec ses associés chez Gustafson Porter (Londres) et Gustafson(...)
Moving horizons : les paysages de Kathryn Gustafson et Associés
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La paysagiste américaine Kathryn Gustafson a acquis une renommée internationale exceptionnelle. Son travail actuel se concentre sur les espaces publics. La récente Fontaine à la mémoire de Diana, Princess of Wales, au Hyde Park à Londres, n'est qu'un exemple d'une longue liste de projets acclamés, réalisés avec ses associés chez Gustafson Porter (Londres) et Gustafson Guthrie Nichol (Seattle), dont la Arthur Ross Terrace au American Museum of Natural History (New York), le Cultuurpark Westergasfabriek à Amsterdam, le Lurie Garden à Chicago et le Hadiqat As-Samah à Beyrouth. Les plus de trente projets internationaux présentés dans Moving Horizons illustrent le talent distinctif et éminemment artistique de Kathryn Gustafson et Associés à créer des formes sensuelles, sculpturales. Le livre présente en même temps les collaborations avec des architectes comme Norman Foster, Ian Ritchie, Mecanoo, Valode & Pistre et James Polshek. L'importance de cette œuvre a également été reconnue par de nombreux prix, comme le Chrysler Design Award, et la sélection pour l'exposition " Groundswell: Constructing the Contemporary Landscape " au Museum of Modern Art de New York.