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xxii, 367 pages, 12 unnumbered pages of plates : illustrations (some color) ; 26 cm
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xxii, 367 pages, 12 unnumbered pages of plates : illustrations (some color) ; 26 cm
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Oxford ; New York : Oxford University Press, 2000.
Oxford ; New York : Oxford University Press, 2000.
Titre:
Eduardo Paolozzi : writings and interviews / edited by Robin Spencer.
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Description:
xxii, 367 pages, 12 unnumbered pages of plates : illustrations (some color) ; 26 cm
Eduardo Paolozzi : writings and interviews / edited by Robin Spencer.
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Description:
xxii, 367 pages, 12 unnumbered pages of plates : illustrations (some color) ; 26 cm
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livres
livres
Publication:
Oxford ; New York : Oxford University Press, 2000.
Oxford ; New York : Oxford University Press, 2000.
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livres
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$43.95
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This catalogue was published on the occasion of the exhibition "Down the path : the artist's garden after modernism" at the Queens Museum of Art. " This study will not perpetuate a restricted examination of the formal aspects of gardens but present a selection of divergent positions taken both from lived experience and scholarship. In this effort "Down the garden path:(...)
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This catalogue was published on the occasion of the exhibition "Down the path : the artist's garden after modernism" at the Queens Museum of Art. " This study will not perpetuate a restricted examination of the formal aspects of gardens but present a selection of divergent positions taken both from lived experience and scholarship. In this effort "Down the garden path:(...)
Sujet:
Jardins
Jardins
Publication:
janvier 2006, Queens
janvier 2006, Queens
Titre:
Down the garden path : the artist's garden after modernism
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This catalogue was published on the occasion of the exhibition "Down the path : the artist's garden after modernism" at the Queens Museum of Art. " This study will not perpetuate a restricted examination of the formal aspects of gardens but present a selection of divergent positions taken both from lived experience and scholarship. In this effort "Down the garden path: the artist’s garden after modernism" moves away from the narrow representation of only exhibiting garden documents, to show a broad range of materials that refer to gardens as metaphors or points of departure to understand history, politics, and our relationship to nature. There is a long and distinguished list of artists’ gardens. Presented here is a small selection chosen from the vast history, not because they are well known for several of them are imaginary and another has been all but destroyed, but because of their integrity to an uncompromising position about the world." (Valerie Smith). Participating artists : Vito Acconci, Ghada Amer, Lothar Baumgarten, Roberto Burle Marx, Tom Burr, Mel Chin, Thierry De Cordier, Mark Dion, Stan Douglas, Ian Hamilton Finlay, Dan Graham, Lonnie Graham, Paula Hayes, Jenny Holzer, Ronald Jones, Anissa Mack and Dave McKenzie, Gordon Matta-Clark, Franco Mondini-Ruiz, Isamu Noguchi, Nils Norman, Christian Philipp Müller, Ingrid Pollard, Robert Smithson, Alan Sonfist, Brian Tolle and Diana Balmori, Sergio Vega, Jan Vercruysse and Meg Webster.
Down the garden path : the artist's garden after modernism
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This catalogue was published on the occasion of the exhibition "Down the path : the artist's garden after modernism" at the Queens Museum of Art. " This study will not perpetuate a restricted examination of the formal aspects of gardens but present a selection of divergent positions taken both from lived experience and scholarship. In this effort "Down the garden path: the artist’s garden after modernism" moves away from the narrow representation of only exhibiting garden documents, to show a broad range of materials that refer to gardens as metaphors or points of departure to understand history, politics, and our relationship to nature. There is a long and distinguished list of artists’ gardens. Presented here is a small selection chosen from the vast history, not because they are well known for several of them are imaginary and another has been all but destroyed, but because of their integrity to an uncompromising position about the world." (Valerie Smith). Participating artists : Vito Acconci, Ghada Amer, Lothar Baumgarten, Roberto Burle Marx, Tom Burr, Mel Chin, Thierry De Cordier, Mark Dion, Stan Douglas, Ian Hamilton Finlay, Dan Graham, Lonnie Graham, Paula Hayes, Jenny Holzer, Ronald Jones, Anissa Mack and Dave McKenzie, Gordon Matta-Clark, Franco Mondini-Ruiz, Isamu Noguchi, Nils Norman, Christian Philipp Müller, Ingrid Pollard, Robert Smithson, Alan Sonfist, Brian Tolle and Diana Balmori, Sergio Vega, Jan Vercruysse and Meg Webster.
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livres
livres
Publication:
janvier 2006, Queens
janvier 2006, Queens
Sujet:
Jardins
Jardins
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livres
livres
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$69.95
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An artist, curator, critic, and teacher, Ian Carr-Harris has been a central figure in Toronto’s art scene since the 1970s. By collecting his impressive output of essays, critical experiments, and reviews into a single volume, Tracings documents the growth of conceptual art and postmodernism in Canadian art, as well as the expansion of mediums and spaces, while providing(...)
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An artist, curator, critic, and teacher, Ian Carr-Harris has been a central figure in Toronto’s art scene since the 1970s. By collecting his impressive output of essays, critical experiments, and reviews into a single volume, Tracings documents the growth of conceptual art and postmodernism in Canadian art, as well as the expansion of mediums and spaces, while providing(...)
Titre:
Tracings: Writing art, 1975-2020
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An artist, curator, critic, and teacher, Ian Carr-Harris has been a central figure in Toronto’s art scene since the 1970s. By collecting his impressive output of essays, critical experiments, and reviews into a single volume, Tracings documents the growth of conceptual art and postmodernism in Canadian art, as well as the expansion of mediums and spaces, while providing insights into methods of representation and the role of criticism in contemporary art. In clear and intelligent prose, Carr-Harris offers detailed studies of individual artists and exhibitions as well as theoretically informed reflections on broader cultural concerns. Whether writing about the complexities involved in the construction and transmission of knowledge, meaning, and historical narrative; discussing the material matters of government cultural funding, patronage, and artist-run centres; or describing his own process and artworks, these pieces reveal a literary love of language and a nuanced and investigative mind at work. Throughout his writing, he considers themes of identity, cultural nationalism, postcolonialism, institutionalism, the act of viewing, and relations of power. An introduction by Dan Adler situates Carr-Harris’s work within the context of his contemporaries, collaborators, and cultural environment, pointing out the mutually reinforcing qualities and relationships between his art and his writing. Covering decades of critical thought and engagement, "Tracings" confirms why Ian Carr-Harris has indelibly written himself into Canadian art.
Tracings: Writing art, 1975-2020
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An artist, curator, critic, and teacher, Ian Carr-Harris has been a central figure in Toronto’s art scene since the 1970s. By collecting his impressive output of essays, critical experiments, and reviews into a single volume, Tracings documents the growth of conceptual art and postmodernism in Canadian art, as well as the expansion of mediums and spaces, while providing insights into methods of representation and the role of criticism in contemporary art. In clear and intelligent prose, Carr-Harris offers detailed studies of individual artists and exhibitions as well as theoretically informed reflections on broader cultural concerns. Whether writing about the complexities involved in the construction and transmission of knowledge, meaning, and historical narrative; discussing the material matters of government cultural funding, patronage, and artist-run centres; or describing his own process and artworks, these pieces reveal a literary love of language and a nuanced and investigative mind at work. Throughout his writing, he considers themes of identity, cultural nationalism, postcolonialism, institutionalism, the act of viewing, and relations of power. An introduction by Dan Adler situates Carr-Harris’s work within the context of his contemporaries, collaborators, and cultural environment, pointing out the mutually reinforcing qualities and relationships between his art and his writing. Covering decades of critical thought and engagement, "Tracings" confirms why Ian Carr-Harris has indelibly written himself into Canadian art.
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livres
livres
Publication:
novembre 2024
novembre 2024
Sujet:
Théorie de l’art
Théorie de l’art
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livres
livres
Titre:
Screening the city
Screening the city
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$29.00
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In this provocative collection of essays, films as diverse as "The Man with a Movie Camera", "Annie Hall", "Street of Crocodiles", "Boyz N the Hood", "Three Colors Red", and "Crash" are examined in terms of the relationship between cinema and the changing urban experience in Europe and the United States since the early twentieth century. Peter Jelavich, for example, links(...)
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In this provocative collection of essays, films as diverse as "The Man with a Movie Camera", "Annie Hall", "Street of Crocodiles", "Boyz N the Hood", "Three Colors Red", and "Crash" are examined in terms of the relationship between cinema and the changing urban experience in Europe and the United States since the early twentieth century. Peter Jelavich, for example, links(...)
Sujet:
Théorie de l’urbanisme
Théorie de l’urbanisme
Publication:
mars 2003, London / New York
mars 2003, London / New York
Titre:
Screening the city
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In this provocative collection of essays, films as diverse as "The Man with a Movie Camera", "Annie Hall", "Street of Crocodiles", "Boyz N the Hood", "Three Colors Red", and "Crash" are examined in terms of the relationship between cinema and the changing urban experience in Europe and the United States since the early twentieth century. Peter Jelavich, for example, links the suppression of the creative, liberal Weimar Berlin in the 1931 film "Berlin Alexanderplatz" to the rise of the Nazi regime and the end of one of the great eras of modernist experimentation in German visual culture; Jessie Labov considers Kieslowski’s treatment of the Warsaw housing blok in "Dekalog" in terms of Solidarity’s strategy of resisting totalitarianism in 1980's Poland; Allan Siegel examines the motif of the city in a broad range of American and international cinema to demonstrate how film and society since the 1960's have been driven by the fading of mass political radicalism and the triumph of privatization and capital; Paula Massood uses the socially illuminating theories of Mikhail Bakhtin to examine the representation of the ghetto and urban underclass in recent African-American films such as "Menace II Society"; and Matthew Gandy examines the focus on disease in Todd Haynes’s "[Safe]" as a metaphor for social and spatial breakdown in contemporary Los Angeles.
Screening the city
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In this provocative collection of essays, films as diverse as "The Man with a Movie Camera", "Annie Hall", "Street of Crocodiles", "Boyz N the Hood", "Three Colors Red", and "Crash" are examined in terms of the relationship between cinema and the changing urban experience in Europe and the United States since the early twentieth century. Peter Jelavich, for example, links the suppression of the creative, liberal Weimar Berlin in the 1931 film "Berlin Alexanderplatz" to the rise of the Nazi regime and the end of one of the great eras of modernist experimentation in German visual culture; Jessie Labov considers Kieslowski’s treatment of the Warsaw housing blok in "Dekalog" in terms of Solidarity’s strategy of resisting totalitarianism in 1980's Poland; Allan Siegel examines the motif of the city in a broad range of American and international cinema to demonstrate how film and society since the 1960's have been driven by the fading of mass political radicalism and the triumph of privatization and capital; Paula Massood uses the socially illuminating theories of Mikhail Bakhtin to examine the representation of the ghetto and urban underclass in recent African-American films such as "Menace II Society"; and Matthew Gandy examines the focus on disease in Todd Haynes’s "[Safe]" as a metaphor for social and spatial breakdown in contemporary Los Angeles.
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livres
livres
Publication:
mars 2003, London / New York
mars 2003, London / New York
Sujet:
Théorie de l’urbanisme
Théorie de l’urbanisme
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livres
livres
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$52.00
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Getting the picture, constructing (and deconstructing) the picture, finding the picture, viewing the picture, being in the picture , changing the pictures --these are all phrases that apply to the fascinating world of 'putting people in the picture' in visual research within the Social Sciences. Putting People in the Picture: Visual Methodologies for Social Change focuses(...)
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Getting the picture, constructing (and deconstructing) the picture, finding the picture, viewing the picture, being in the picture , changing the pictures --these are all phrases that apply to the fascinating world of 'putting people in the picture' in visual research within the Social Sciences. Putting People in the Picture: Visual Methodologies for Social Change focuses(...)
Sujet:
Théorie de la photographie
Théorie de la photographie
Publication:
mai 2008, Rotterdam
mai 2008, Rotterdam
Titre:
Putting people in the picture: visual methodologies for social change
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Getting the picture, constructing (and deconstructing) the picture, finding the picture, viewing the picture, being in the picture , changing the pictures --these are all phrases that apply to the fascinating world of 'putting people in the picture' in visual research within the Social Sciences. Putting People in the Picture: Visual Methodologies for Social Change focuses on the ways in which researchers, practitioners and activists are using such techniques as photo voice, collaborative video, drawings and other visual and arts-based tools as modes of inquiry, as modes of representation and as modes of disseminating findings in social research. The various chapters address methodological, analytical, interpretive, aesthetic, technical and ethical concerns in using visual methodologies in work with young people, teachers, community health care workers -- and even the self-as-researcher. The range of issues addressed in the work is broad, and includes work in the areas of HIV & AIDS, schooling, poverty, gender violence, race, and children's visions for the future. While the studies are situated within a variety of social contexts, the focus is primarily on work in Southern Africa. The book takes up some of the theoretical and practical challenges offered by Visual Sociology, Image- based Research, Media Studies, Rural Development, and Community-based and Participatory Research, and in so doing offers audiences an array of visual approaches to studying and bringing about social change.
Putting people in the picture: visual methodologies for social change
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Getting the picture, constructing (and deconstructing) the picture, finding the picture, viewing the picture, being in the picture , changing the pictures --these are all phrases that apply to the fascinating world of 'putting people in the picture' in visual research within the Social Sciences. Putting People in the Picture: Visual Methodologies for Social Change focuses on the ways in which researchers, practitioners and activists are using such techniques as photo voice, collaborative video, drawings and other visual and arts-based tools as modes of inquiry, as modes of representation and as modes of disseminating findings in social research. The various chapters address methodological, analytical, interpretive, aesthetic, technical and ethical concerns in using visual methodologies in work with young people, teachers, community health care workers -- and even the self-as-researcher. The range of issues addressed in the work is broad, and includes work in the areas of HIV & AIDS, schooling, poverty, gender violence, race, and children's visions for the future. While the studies are situated within a variety of social contexts, the focus is primarily on work in Southern Africa. The book takes up some of the theoretical and practical challenges offered by Visual Sociology, Image- based Research, Media Studies, Rural Development, and Community-based and Participatory Research, and in so doing offers audiences an array of visual approaches to studying and bringing about social change.
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livres
livres
Publication:
mai 2008, Rotterdam
mai 2008, Rotterdam
Sujet:
Théorie de la photographie
Théorie de la photographie
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livres
livres
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$27.95
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"Filth" is concerned with what waste reveals about the culture that creates it. From floating barges of urban refuse to dung-encrusted works of art, from toxic landfills to dirty movies, filth has become a major presence and a point of volatile contention in modern life. This book explores the question of what filth has to do with culture: what critical role the lost,(...)
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"Filth" is concerned with what waste reveals about the culture that creates it. From floating barges of urban refuse to dung-encrusted works of art, from toxic landfills to dirty movies, filth has become a major presence and a point of volatile contention in modern life. This book explores the question of what filth has to do with culture: what critical role the lost,(...)
Sujet:
Théorie de l’architecture
Théorie de l’architecture
Publication:
janvier 2005, Minneapolis
janvier 2005, Minneapolis
Titre:
Filth : dirt, disgust, and modern life
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"Filth" is concerned with what waste reveals about the culture that creates it. From floating barges of urban refuse to dung-encrusted works of art, from toxic landfills to dirty movies, filth has become a major presence and a point of volatile contention in modern life. This book explores the question of what filth has to do with culture: what critical role the lost, the rejected, the abject, and the dirty play in social management and identity formation. It suggests the ongoing power of culturally mandated categories of exclusion and repression. Focusing on filth in literary and cultural materials from London, Paris, and their colonial outposts in the nineteenth and early twentieth centuries, the essays in "Filth" - all but one previously unpublished - range over topics as diverse as the building of sewers in nineteenth-century European metropolises, the link between interior design and bourgeois sanitary phobias, the fictional representation of labouring women and foreigners as polluting, and relations among disease, disorder, and sexual-racial disharmony. "Filth" provides the first sustained consideration, both theoretical and historical, of a subject whose power to horrify, fascinate, and repel is as old as civilization itself. Contributors: David S. Barnes, Neil Blackadder, Joseph Bristow, Joseph W. Childers, Eileen Cleere, Natalka Freeland, Pamela K. Gilbert, Christopher Hamlin, William Kupinse, Benjamin Lazier, David L. Pike, David Trotter.
Filth : dirt, disgust, and modern life
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"Filth" is concerned with what waste reveals about the culture that creates it. From floating barges of urban refuse to dung-encrusted works of art, from toxic landfills to dirty movies, filth has become a major presence and a point of volatile contention in modern life. This book explores the question of what filth has to do with culture: what critical role the lost, the rejected, the abject, and the dirty play in social management and identity formation. It suggests the ongoing power of culturally mandated categories of exclusion and repression. Focusing on filth in literary and cultural materials from London, Paris, and their colonial outposts in the nineteenth and early twentieth centuries, the essays in "Filth" - all but one previously unpublished - range over topics as diverse as the building of sewers in nineteenth-century European metropolises, the link between interior design and bourgeois sanitary phobias, the fictional representation of labouring women and foreigners as polluting, and relations among disease, disorder, and sexual-racial disharmony. "Filth" provides the first sustained consideration, both theoretical and historical, of a subject whose power to horrify, fascinate, and repel is as old as civilization itself. Contributors: David S. Barnes, Neil Blackadder, Joseph Bristow, Joseph W. Childers, Eileen Cleere, Natalka Freeland, Pamela K. Gilbert, Christopher Hamlin, William Kupinse, Benjamin Lazier, David L. Pike, David Trotter.
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livres
livres
Publication:
janvier 2005, Minneapolis
janvier 2005, Minneapolis
Sujet:
Théorie de l’architecture
Théorie de l’architecture
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livres
livres
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$32.95
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Public toilets provide a unique opportunity for interrogating how conventional assumptions about the body, sexuality, privacy, and technology are formed in public spaces and inscribed through design across cultures. This collection of original essays from international scholars is the first to explore the cultural meanings, histories, and ideologies of public toilets as(...)
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Public toilets provide a unique opportunity for interrogating how conventional assumptions about the body, sexuality, privacy, and technology are formed in public spaces and inscribed through design across cultures. This collection of original essays from international scholars is the first to explore the cultural meanings, histories, and ideologies of public toilets as(...)
Titre:
Ladies and gents ; public toilets and gender
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Public toilets provide a unique opportunity for interrogating how conventional assumptions about the body, sexuality, privacy, and technology are formed in public spaces and inscribed through design across cultures. This collection of original essays from international scholars is the first to explore the cultural meanings, histories, and ideologies of public toilets as gendered spaces. The publication consists of two sets of essays. The first, "Potty Politics: Toilets, Gender and Identity," establishes the importance of accessible, secure public toilets to the creation of inclusive cities, work, and learning environments. The second set of essays, "Toilet Art : Design and Cultural Representations," discusses public toilets as spaces of representation and representational spaces, with reference to architectural design, humor, film, theater, art, and popular culture. Visual materials and original artwork are included throughout, depicting subjects as varied as female urinals, art installations sited in public restrooms, and the toilet in contemporary art. Taken together, these seventeen essays demonstrate that public toilets are often sites where gendered bodies compete for resources and recognition — and the stakes are high. Contributors include: Nathan Abrams, Jami L. Anderson, Johan Andersson, Kathryn H. Anthony, Kathy Battista, Andrew Brown-May, Ben Campkin, Meghan Dufresne, Peg Fraser, Deborah Gans, Clara Greed, Robin Lydenberg, Claudia Mitchell, Alison Moore, Frances Pheasant-Kelly, Bushra Rehman, Alex Schweder, Naomi Stead, and the editors.
Ladies and gents ; public toilets and gender
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$32.95
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Public toilets provide a unique opportunity for interrogating how conventional assumptions about the body, sexuality, privacy, and technology are formed in public spaces and inscribed through design across cultures. This collection of original essays from international scholars is the first to explore the cultural meanings, histories, and ideologies of public toilets as gendered spaces. The publication consists of two sets of essays. The first, "Potty Politics: Toilets, Gender and Identity," establishes the importance of accessible, secure public toilets to the creation of inclusive cities, work, and learning environments. The second set of essays, "Toilet Art : Design and Cultural Representations," discusses public toilets as spaces of representation and representational spaces, with reference to architectural design, humor, film, theater, art, and popular culture. Visual materials and original artwork are included throughout, depicting subjects as varied as female urinals, art installations sited in public restrooms, and the toilet in contemporary art. Taken together, these seventeen essays demonstrate that public toilets are often sites where gendered bodies compete for resources and recognition — and the stakes are high. Contributors include: Nathan Abrams, Jami L. Anderson, Johan Andersson, Kathryn H. Anthony, Kathy Battista, Andrew Brown-May, Ben Campkin, Meghan Dufresne, Peg Fraser, Deborah Gans, Clara Greed, Robin Lydenberg, Claudia Mitchell, Alison Moore, Frances Pheasant-Kelly, Bushra Rehman, Alex Schweder, Naomi Stead, and the editors.
Classification:
livres
livres
Publication:
juillet 2009
juillet 2009
Sujet:
Théorie de l’urbanisme
Théorie de l’urbanisme
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livres
livres
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$12.00
(disponible en magasin)
Résumé:
During the crucifixion Christ is said to have sustained 5 wounds: 1 in each hand and foot from the nails of the cross, and the 5th was formed when the side of Christ was pierced by the sword of Longinus. These 5 wounds became objects of specific veneration in the late Middle Ages and in manuscripts the side wound is usually depicted as a mandorla: an almond/diamond/vulvic(...)
$12.00
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During the crucifixion Christ is said to have sustained 5 wounds: 1 in each hand and foot from the nails of the cross, and the 5th was formed when the side of Christ was pierced by the sword of Longinus. These 5 wounds became objects of specific veneration in the late Middle Ages and in manuscripts the side wound is usually depicted as a mandorla: an almond/diamond/vulvic(...)
Titre:
Side wound: the female Christ
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$12.00
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During the crucifixion Christ is said to have sustained 5 wounds: 1 in each hand and foot from the nails of the cross, and the 5th was formed when the side of Christ was pierced by the sword of Longinus. These 5 wounds became objects of specific veneration in the late Middle Ages and in manuscripts the side wound is usually depicted as a mandorla: an almond/diamond/vulvic shape, generally isolated from Christ's body and oriented vertically on the page. It is the vulvic shape of these images, and their implications, that this publication takes as its focus. Images of the side wound were used as talismans, one could gain magical protections by looking at them, touching, ingesting, or wrapping them around your body, and they are often found on birth girdles: rolls of parchment with magical formulae for easing birth. Mystics of this time speak of drinking from the wound, kissing it, entering it, living within it, and subsequently being birthed from the wound. The vulvic representation of the wound produced a state where Christ was seen as neither fully male, nor fully female, but rather as an unstably sexed figure, asserting a constant fluidity. Through this side wound Christ became a mother, lover, object of erotic desire, and a portal for the whole universe to emerge from.
Side wound: the female Christ
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During the crucifixion Christ is said to have sustained 5 wounds: 1 in each hand and foot from the nails of the cross, and the 5th was formed when the side of Christ was pierced by the sword of Longinus. These 5 wounds became objects of specific veneration in the late Middle Ages and in manuscripts the side wound is usually depicted as a mandorla: an almond/diamond/vulvic shape, generally isolated from Christ's body and oriented vertically on the page. It is the vulvic shape of these images, and their implications, that this publication takes as its focus. Images of the side wound were used as talismans, one could gain magical protections by looking at them, touching, ingesting, or wrapping them around your body, and they are often found on birth girdles: rolls of parchment with magical formulae for easing birth. Mystics of this time speak of drinking from the wound, kissing it, entering it, living within it, and subsequently being birthed from the wound. The vulvic representation of the wound produced a state where Christ was seen as neither fully male, nor fully female, but rather as an unstably sexed figure, asserting a constant fluidity. Through this side wound Christ became a mother, lover, object of erotic desire, and a portal for the whole universe to emerge from.
Classification:
livres
livres
Publication:
janvier 2025
janvier 2025
Sujet:
Zines
Zines
Classification:
livres
livres
Prix:
$49.95
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Seduced by Modernity is the first book devoted to the life and work of Canadian-born modernist photographer Margaret Watkins. Best known for art and advertising photography executed in New York in the 1920s, Watkins was active in the Clarence White school of photography and a participant in the shift from pictorialism to modernism. Mary O'Connor and Katherine Tweedie tell(...)
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Seduced by Modernity is the first book devoted to the life and work of Canadian-born modernist photographer Margaret Watkins. Best known for art and advertising photography executed in New York in the 1920s, Watkins was active in the Clarence White school of photography and a participant in the shift from pictorialism to modernism. Mary O'Connor and Katherine Tweedie tell(...)
Sujet:
Monographies photo
Monographies photo
Publication:
septembre 2007, Montreal Kingston London Ithica
septembre 2007, Montreal Kingston London Ithica
Titre:
Seduced by modernity : The photography of Margaret Watkins
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Seduced by Modernity is the first book devoted to the life and work of Canadian-born modernist photographer Margaret Watkins. Best known for art and advertising photography executed in New York in the 1920s, Watkins was active in the Clarence White school of photography and a participant in the shift from pictorialism to modernism. Mary O'Connor and Katherine Tweedie tell the story of a dedicated artist in difficult circumstances whose working life spanned a Victorian upbringing in Hamilton, Ontario, and the witnessing of the first Soviet Five-Year Plan. The authors use feminist and historical questions as well as close readings of the photographs to relate Watkins' work to questions of gender, modernity, and visual culture. Watkins' modernism, which involved experimentation and a radical focus on form, transgressed boundaries of conventional, high-art subject matter. Her focus was daily life and her photographs, whether an exploration of the objects in her New York kitchen or the public and industrial spaces of Glasgow, Paris, Cologne, Moscow, and Leningrad in the 1930s, strike a balance between abstraction and an evocation of the everyday, offering a unique gendered perspective on modernism and modernity. Seduced by Modernity makes available for the first time an extensive representation of Watkins' work in high-quality reproduction as part of an exemplary interdisciplinary study that honours an intrepid Canadian artist who refused to be confined by borders, convention, or gender.
Seduced by modernity : The photography of Margaret Watkins
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Résumé:
Seduced by Modernity is the first book devoted to the life and work of Canadian-born modernist photographer Margaret Watkins. Best known for art and advertising photography executed in New York in the 1920s, Watkins was active in the Clarence White school of photography and a participant in the shift from pictorialism to modernism. Mary O'Connor and Katherine Tweedie tell the story of a dedicated artist in difficult circumstances whose working life spanned a Victorian upbringing in Hamilton, Ontario, and the witnessing of the first Soviet Five-Year Plan. The authors use feminist and historical questions as well as close readings of the photographs to relate Watkins' work to questions of gender, modernity, and visual culture. Watkins' modernism, which involved experimentation and a radical focus on form, transgressed boundaries of conventional, high-art subject matter. Her focus was daily life and her photographs, whether an exploration of the objects in her New York kitchen or the public and industrial spaces of Glasgow, Paris, Cologne, Moscow, and Leningrad in the 1930s, strike a balance between abstraction and an evocation of the everyday, offering a unique gendered perspective on modernism and modernity. Seduced by Modernity makes available for the first time an extensive representation of Watkins' work in high-quality reproduction as part of an exemplary interdisciplinary study that honours an intrepid Canadian artist who refused to be confined by borders, convention, or gender.
Classification:
livres
livres
Publication:
septembre 2007, Montreal Kingston London Ithica
septembre 2007, Montreal Kingston London Ithica
Sujet:
Monographies photo
Monographies photo
Classification:
livres
livres
Prix:
$34.95
(disponible sur commande)
Résumé:
In this second volume in the Chora series, contributing authors take an interdisciplinary approach to architecture and other cultural concerns, challenging readers to consider alternatives to conventional aesthetic and technological reductions. Karsten Harris provides a new and long-overdue reading of Martin Heidegger's well-known(...)
$34.95
(disponible sur commande)
Résumé:
In this second volume in the Chora series, contributing authors take an interdisciplinary approach to architecture and other cultural concerns, challenging readers to consider alternatives to conventional aesthetic and technological reductions. Karsten Harris provides a new and long-overdue reading of Martin Heidegger's well-known(...)
Sujet:
Théorie de l’architecture
Théorie de l’architecture
Publication:
septembre 1996, Montréal
septembre 1996, Montréal
Titre:
Chora 2 : intervals in the philosophy of architecture
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Prix:
$34.95
(disponible sur commande)
Résumé:
In this second volume in the Chora series, contributing authors take an interdisciplinary approach to architecture and other cultural concerns, challenging readers to consider alternatives to conventional aesthetic and technological reductions. Karsten Harris provides a new and long-overdue reading of Martin Heidegger's well-known essay "Building Dwelling Thinking." Donald Kunze and Stephen Parcell consider possibilities of meaningful architectural space for a visual culture, continuing themes they addressed in Chora 1. Further reflections on the spaces of literature, cinema, and architecture include an interview with French writer and film maker Alain Robbe-Grillet and articles by Dagmar Motycka Weston on the surrealist city, Tracey Eve Winton on the museum as a paradigmatic modern building, and Terrance Galvin on spiritual space in the works of Jean Cocteau. Jean-Pierre Chupin and Bram Ratner explore historical themes in their essays on French Renaissance architect Philibert de l'Orme and the Jewish myth of the Golem. Gregory Caicco addresses ethical questions in his essay on the Greek agora and the death of Socrates, as does Lily Chi in her meditation on the critical issue of use in architectural works. A concern with architectural representation and generative strategies for the making of architecture is present throughout, especially in the essay by Joanna Merwood on the provocative House by British artist Rachel Whiteread.
Chora 2 : intervals in the philosophy of architecture
Actions:
Prix:
$34.95
(disponible sur commande)
Résumé:
In this second volume in the Chora series, contributing authors take an interdisciplinary approach to architecture and other cultural concerns, challenging readers to consider alternatives to conventional aesthetic and technological reductions. Karsten Harris provides a new and long-overdue reading of Martin Heidegger's well-known essay "Building Dwelling Thinking." Donald Kunze and Stephen Parcell consider possibilities of meaningful architectural space for a visual culture, continuing themes they addressed in Chora 1. Further reflections on the spaces of literature, cinema, and architecture include an interview with French writer and film maker Alain Robbe-Grillet and articles by Dagmar Motycka Weston on the surrealist city, Tracey Eve Winton on the museum as a paradigmatic modern building, and Terrance Galvin on spiritual space in the works of Jean Cocteau. Jean-Pierre Chupin and Bram Ratner explore historical themes in their essays on French Renaissance architect Philibert de l'Orme and the Jewish myth of the Golem. Gregory Caicco addresses ethical questions in his essay on the Greek agora and the death of Socrates, as does Lily Chi in her meditation on the critical issue of use in architectural works. A concern with architectural representation and generative strategies for the making of architecture is present throughout, especially in the essay by Joanna Merwood on the provocative House by British artist Rachel Whiteread.
Classification:
livres
livres
Publication:
septembre 1996, Montréal
septembre 1996, Montréal
Sujet:
Théorie de l’architecture
Théorie de l’architecture
