23929 Résultats
Classification:
dessins
dessins
Numéro de référence:
ARCH250386
ARCH250386
Personnes et institutions:
Date:
1999
1999
Classification:
dessins
dessins
Date:
1999
1999
Personnes et institutions:
Classification:
dessins
dessins
Titre:
Elevation of a palace façade
Elevation of a palace façade
Actions:
Numéro de référence:
DR1970:0003
Description:
This drawing shows an exterior of a residential building. The artist uses color to suggest the materials used in construction; blue-grey for the pitched slate roof, brown for masonry details and architectural sculpture, and red striations for brickwork. This combination of materials was common in early modern France, where a play on color and materiality enlivened the façades of well-known royal edifices including the chateaux of Fontainebleau and Saint-Germain-en-Laye. As with the construction technique that interwove stone with brick, the architectural style depicted in the drawing combines traditional French ideas about building with classicizing elements imported to France via Italian artists and architects as well as through printed translations of Vitruvius’s 'De architectura' and Sebastiano Serlio’s architectural treatise. The inclusion of masonry rustication and the decorative urns that punctuate the roofline suggest a knowledge of classicizing trends in architectural ornament and a familiarity with the œuvre of artists working in the circle of the first and second Écoles de Fontainebleau. The structure’s elongated form suggests a gallery and the organization of the façade borrows the combination of slightly protruding vertical bays and long horizontal registers that characterizes Pierre Lescot’s wing of the Louvre, a project that would have been well-known in court circles in the latter half of the sixteenth century. Similarly, the two winged allegorical figures flanking the central pediment are reminiscent of Jean Goujon’s sculptural additions to the Lescot wing. In the Canadian Centre for Architecture’s drawing both figures hold palms, but the artist omitted any further identifying attributes, perhaps – along with the empty niches – as an invitation for the patron to imagine his or her own thematic program for the project.
DR1970:0003
Description:
This drawing shows an exterior of a residential building. The artist uses color to suggest the materials used in construction; blue-grey for the pitched slate roof, brown for masonry details and architectural sculpture, and red striations for brickwork. This combination of materials was common in early modern France, where a play on color and materiality enlivened the façades of well-known royal edifices including the chateaux of Fontainebleau and Saint-Germain-en-Laye. As with the construction technique that interwove stone with brick, the architectural style depicted in the drawing combines traditional French ideas about building with classicizing elements imported to France via Italian artists and architects as well as through printed translations of Vitruvius’s 'De architectura' and Sebastiano Serlio’s architectural treatise. The inclusion of masonry rustication and the decorative urns that punctuate the roofline suggest a knowledge of classicizing trends in architectural ornament and a familiarity with the œuvre of artists working in the circle of the first and second Écoles de Fontainebleau. The structure’s elongated form suggests a gallery and the organization of the façade borrows the combination of slightly protruding vertical bays and long horizontal registers that characterizes Pierre Lescot’s wing of the Louvre, a project that would have been well-known in court circles in the latter half of the sixteenth century. Similarly, the two winged allegorical figures flanking the central pediment are reminiscent of Jean Goujon’s sculptural additions to the Lescot wing. In the Canadian Centre for Architecture’s drawing both figures hold palms, but the artist omitted any further identifying attributes, perhaps – along with the empty niches – as an invitation for the patron to imagine his or her own thematic program for the project.
Personnes et institutions:
Date:
first quarter of the 16th century
first quarter of the 16th century
Titre:
Elevation of a palace façade
Actions:
DR1970:0003
Description:
This drawing shows an exterior of a residential building. The artist uses color to suggest the materials used in construction; blue-grey for the pitched slate roof, brown for masonry details and architectural sculpture, and red striations for brickwork. This combination of materials was common in early modern France, where a play on color and materiality enlivened the façades of well-known royal edifices including the chateaux of Fontainebleau and Saint-Germain-en-Laye. As with the construction technique that interwove stone with brick, the architectural style depicted in the drawing combines traditional French ideas about building with classicizing elements imported to France via Italian artists and architects as well as through printed translations of Vitruvius’s 'De architectura' and Sebastiano Serlio’s architectural treatise. The inclusion of masonry rustication and the decorative urns that punctuate the roofline suggest a knowledge of classicizing trends in architectural ornament and a familiarity with the œuvre of artists working in the circle of the first and second Écoles de Fontainebleau. The structure’s elongated form suggests a gallery and the organization of the façade borrows the combination of slightly protruding vertical bays and long horizontal registers that characterizes Pierre Lescot’s wing of the Louvre, a project that would have been well-known in court circles in the latter half of the sixteenth century. Similarly, the two winged allegorical figures flanking the central pediment are reminiscent of Jean Goujon’s sculptural additions to the Lescot wing. In the Canadian Centre for Architecture’s drawing both figures hold palms, but the artist omitted any further identifying attributes, perhaps – along with the empty niches – as an invitation for the patron to imagine his or her own thematic program for the project.
Elevation of a palace façade
Actions:
DR1970:0003
Description:
This drawing shows an exterior of a residential building. The artist uses color to suggest the materials used in construction; blue-grey for the pitched slate roof, brown for masonry details and architectural sculpture, and red striations for brickwork. This combination of materials was common in early modern France, where a play on color and materiality enlivened the façades of well-known royal edifices including the chateaux of Fontainebleau and Saint-Germain-en-Laye. As with the construction technique that interwove stone with brick, the architectural style depicted in the drawing combines traditional French ideas about building with classicizing elements imported to France via Italian artists and architects as well as through printed translations of Vitruvius’s 'De architectura' and Sebastiano Serlio’s architectural treatise. The inclusion of masonry rustication and the decorative urns that punctuate the roofline suggest a knowledge of classicizing trends in architectural ornament and a familiarity with the œuvre of artists working in the circle of the first and second Écoles de Fontainebleau. The structure’s elongated form suggests a gallery and the organization of the façade borrows the combination of slightly protruding vertical bays and long horizontal registers that characterizes Pierre Lescot’s wing of the Louvre, a project that would have been well-known in court circles in the latter half of the sixteenth century. Similarly, the two winged allegorical figures flanking the central pediment are reminiscent of Jean Goujon’s sculptural additions to the Lescot wing. In the Canadian Centre for Architecture’s drawing both figures hold palms, but the artist omitted any further identifying attributes, perhaps – along with the empty niches – as an invitation for the patron to imagine his or her own thematic program for the project.
Classification:
dessins
dessins
Date:
first quarter of the 16th century
first quarter of the 16th century
Personnes et institutions:
Classification:
expositions
expositions
Description:
Dans le cadre des célébrations soulignant l’inauguration de son nouvel édifice de la rue Baile, Centre Canadien d’Architecture : Architecture et paysage révèle des motifs sous-jacents ayant influé sur la conception de l’architecture et l’aménagement du CCA. Les objets présentés se complètent pour dire le musée d’architecture : la nature des œuvres qu’il collectionne et(...)
Dans le cadre des célébrations soulignant l’inauguration de son nouvel édifice de la rue Baile, Centre Canadien d’Architecture : Architecture et paysage révèle des motifs sous-jacents ayant influé sur la conception de l’architecture et l’aménagement du CCA. Les objets présentés se complètent pour dire le musée d’architecture : la nature des œuvres qu’il collectionne et(...)
Localisation:
Salle octogonale
Salle octogonale
Date:
7 mai 1989 au 25 mars 1990
7 mai 1989 au 25 mars 1990
Titre:
Centre Canadien d'Architecture : architecture et paysage
Actions:
Description:
Dans le cadre des célébrations soulignant l’inauguration de son nouvel édifice de la rue Baile, Centre Canadien d’Architecture : Architecture et paysage révèle des motifs sous-jacents ayant influé sur la conception de l’architecture et l’aménagement du CCA. Les objets présentés se complètent pour dire le musée d’architecture : la nature des œuvres qu’il collectionne et(...)
Centre Canadien d'Architecture : architecture et paysage
Actions:
Description:
Dans le cadre des célébrations soulignant l’inauguration de son nouvel édifice de la rue Baile, Centre Canadien d’Architecture : Architecture et paysage révèle des motifs sous-jacents ayant influé sur la conception de l’architecture et l’aménagement du CCA. Les objets présentés se complètent pour dire le musée d’architecture : la nature des œuvres qu’il collectionne et(...)
Classification:
expositions
expositions
Date:
7 mai 1989 au
25 mars 1990
7 mai 1989 au
25 mars 1990
Localisation:
Salle octogonale
Salle octogonale
Classification:
photographies
photographies
Titre:
The Museum Is Not Enough: Photograph of Peter Eisenman's axometric for Fin d'Ou T Hou S, 1983
The Museum Is Not Enough: Photograph of Peter Eisenman's axometric for Fin d'Ou T Hou S, 1983
Actions:
Numéro de référence:
PH2019:0007:011
Description:
The number of the object depicted is DR1994:0141:208 Commissioned by the Canadian Centre for Architecture, Montréal, for "The Museum Is Not Enough," 2018
PH2019:0007:011
Description:
The number of the object depicted is DR1994:0141:208 Commissioned by the Canadian Centre for Architecture, Montréal, for "The Museum Is Not Enough," 2018
Personnes et institutions:
Date:
October 2018
October 2018
Titre:
The Museum Is Not Enough: Photograph of Peter Eisenman's axometric for Fin d'Ou T Hou S, 1983
Actions:
PH2019:0007:011
Description:
The number of the object depicted is DR1994:0141:208 Commissioned by the Canadian Centre for Architecture, Montréal, for "The Museum Is Not Enough," 2018
The Museum Is Not Enough: Photograph of Peter Eisenman's axometric for Fin d'Ou T Hou S, 1983
Actions:
PH2019:0007:011
Description:
The number of the object depicted is DR1994:0141:208 Commissioned by the Canadian Centre for Architecture, Montréal, for "The Museum Is Not Enough," 2018
Classification:
photographies
photographies
Date:
October 2018
October 2018
Personnes et institutions:
Classification:
documents textuels
documents textuels
Numéro de référence:
ARCH258397
Description:
Listes des membres, procès-verbaux, correspondance, bulletins relatifs au Royal Architectural Institute of Canada. Comprend aussi des rapports des documents, et des publications des Corporations des Ingénieurs professionnels de Québec, Pen and Pencil Club, Le Cercle Universitaire de Montréal, La Chambre de construction, Engineering Institute of Canada, et Le Devoir (14 septembre 1956).
ARCH258397
Description:
Listes des membres, procès-verbaux, correspondance, bulletins relatifs au Royal Architectural Institute of Canada. Comprend aussi des rapports des documents, et des publications des Corporations des Ingénieurs professionnels de Québec, Pen and Pencil Club, Le Cercle Universitaire de Montréal, La Chambre de construction, Engineering Institute of Canada, et Le Devoir (14 septembre 1956).
Personnes et institutions:
Date:
1931-1959
1931-1959
Titre:
Listes des membres, procès-verbaux, correspondance relatifs à diverses associations professionnelles
Actions:
ARCH258397
Description:
Listes des membres, procès-verbaux, correspondance, bulletins relatifs au Royal Architectural Institute of Canada. Comprend aussi des rapports des documents, et des publications des Corporations des Ingénieurs professionnels de Québec, Pen and Pencil Club, Le Cercle Universitaire de Montréal, La Chambre de construction, Engineering Institute of Canada, et Le Devoir (14 septembre 1956).
Listes des membres, procès-verbaux, correspondance relatifs à diverses associations professionnelles
Actions:
ARCH258397
Description:
Listes des membres, procès-verbaux, correspondance, bulletins relatifs au Royal Architectural Institute of Canada. Comprend aussi des rapports des documents, et des publications des Corporations des Ingénieurs professionnels de Québec, Pen and Pencil Club, Le Cercle Universitaire de Montréal, La Chambre de construction, Engineering Institute of Canada, et Le Devoir (14 septembre 1956).
Classification:
documents textuels
documents textuels
Date:
1931-1959
1931-1959
Personnes et institutions:
Classification:
photographies
photographies
Actions:
Numéro de référence:
PH2019:0007:014
Description:
The number of the object depicted is DR1998:0109:002:001 Commissioned by the Canadian Centre for Architecture, Montréal, for "The Museum Is Not Enough," 2018
PH2019:0007:014
Description:
The number of the object depicted is DR1998:0109:002:001 Commissioned by the Canadian Centre for Architecture, Montréal, for "The Museum Is Not Enough," 2018
Personnes et institutions:
Date:
October 2018
October 2018
Titre:
The Museum Is Not Enough: Photograph of John Hejduk' s drawing, Victims, sketches of structures, 1984
Actions:
PH2019:0007:014
Description:
The number of the object depicted is DR1998:0109:002:001 Commissioned by the Canadian Centre for Architecture, Montréal, for "The Museum Is Not Enough," 2018
The Museum Is Not Enough: Photograph of John Hejduk' s drawing, Victims, sketches of structures, 1984
Actions:
PH2019:0007:014
Description:
The number of the object depicted is DR1998:0109:002:001 Commissioned by the Canadian Centre for Architecture, Montréal, for "The Museum Is Not Enough," 2018
Classification:
photographies
photographies
Date:
October 2018
October 2018
Personnes et institutions:
Classification:
documents textuels
documents textuels
Numéro de référence:
ARCH273421
Description:
File contains professional correspondence, including correspondence related to the demolition of the Graham House and a letter of recommendation written by Arthur Erickson for Cornelia Hahn Oberlander's advancement to Officer of the Order of Canada.
ARCH273421
Description:
File contains professional correspondence, including correspondence related to the demolition of the Graham House and a letter of recommendation written by Arthur Erickson for Cornelia Hahn Oberlander's advancement to Officer of the Order of Canada.
Personnes et institutions:
Date:
2007-2008
2007-2008
Titre:
Professional correspondence, 2007-2008
Actions:
ARCH273421
Description:
File contains professional correspondence, including correspondence related to the demolition of the Graham House and a letter of recommendation written by Arthur Erickson for Cornelia Hahn Oberlander's advancement to Officer of the Order of Canada.
Professional correspondence, 2007-2008
Actions:
ARCH273421
Description:
File contains professional correspondence, including correspondence related to the demolition of the Graham House and a letter of recommendation written by Arthur Erickson for Cornelia Hahn Oberlander's advancement to Officer of the Order of Canada.
Classification:
documents textuels
documents textuels
Date:
2007-2008
2007-2008
Personnes et institutions:
Classification:
dessins
Quantité:
23 File
dessins
Quantité:
23 File
Titre:
Landscaping designs
Landscaping designs
Numéro de référence:
ARCH255047
Description:
landscaping designs; one original landscaping sketch; Bank of Canada Landscape Presentation (van der Meulen and Associates Ltd., landscape architects), floor plans and details, information on plants
ARCH255047
Description:
landscaping designs; one original landscaping sketch; Bank of Canada Landscape Presentation (van der Meulen and Associates Ltd., landscape architects), floor plans and details, information on plants
Personnes et institutions:
Date:
1978
1978
Titre:
Landscaping designs
Actions:
ARCH255047
Description:
landscaping designs; one original landscaping sketch; Bank of Canada Landscape Presentation (van der Meulen and Associates Ltd., landscape architects), floor plans and details, information on plants
Landscaping designs
Actions:
ARCH255047
Description:
landscaping designs; one original landscaping sketch; Bank of Canada Landscape Presentation (van der Meulen and Associates Ltd., landscape architects), floor plans and details, information on plants
Classification:
dessins
Quantité:
23 File
dessins
Quantité:
23 File
Date:
1978
1978
Personnes et institutions:
Classification:
documents textuels
documents textuels
Numéro de référence:
ARCH267010
Description:
This group consists of tender forms and a report and analysis of the tenders received for the Imperial Tobacco Company of Canada building, in Montréal, Québec. There is also a copy of the specifications, an addendum, and a cost estimate for the project.
ARCH267010
Description:
This group consists of tender forms and a report and analysis of the tenders received for the Imperial Tobacco Company of Canada building, in Montréal, Québec. There is also a copy of the specifications, an addendum, and a cost estimate for the project.
Personnes et institutions:
Date:
1968
1968
Titre:
6705 / Imperial Tobacco Company Ltd. / Tender Form A, B, C, etc... & addendum
Actions:
ARCH267010
Description:
This group consists of tender forms and a report and analysis of the tenders received for the Imperial Tobacco Company of Canada building, in Montréal, Québec. There is also a copy of the specifications, an addendum, and a cost estimate for the project.
6705 / Imperial Tobacco Company Ltd. / Tender Form A, B, C, etc... & addendum
Actions:
ARCH267010
Description:
This group consists of tender forms and a report and analysis of the tenders received for the Imperial Tobacco Company of Canada building, in Montréal, Québec. There is also a copy of the specifications, an addendum, and a cost estimate for the project.
Classification:
documents textuels
documents textuels
Date:
1968
1968
Personnes et institutions:
Classification:
photographies
photographies
Actions:
Numéro de référence:
PH2018:0005:022
Description:
Photograph by Stefano Graziani of the following work: Pantheon, Rome Questioning Pictures is a 36 photograph project commissioned by Fondazione Prada, Milan. Artist Stefano Graziani investigates archival and conservation systems in a number of museums. Through photographing museum objects, Graziani, focusing on the relationship between photographs, the museum objects and the power structures at play within institutions. The museums include the Canadian Centre for Architecture (CCA) in Montréal, Canada; Sir John Soane’s Museum in London, UK; the Kunstmuseum Basel, Switzerland; Museum Insel Hombroich in Neuss, Germany; the Museo di Castelvecchio in Verona, Italy; and the Plaster Cast Gallery at Museo Canova in Possagno, Italy.
PH2018:0005:022
Description:
Photograph by Stefano Graziani of the following work: Pantheon, Rome Questioning Pictures is a 36 photograph project commissioned by Fondazione Prada, Milan. Artist Stefano Graziani investigates archival and conservation systems in a number of museums. Through photographing museum objects, Graziani, focusing on the relationship between photographs, the museum objects and the power structures at play within institutions. The museums include the Canadian Centre for Architecture (CCA) in Montréal, Canada; Sir John Soane’s Museum in London, UK; the Kunstmuseum Basel, Switzerland; Museum Insel Hombroich in Neuss, Germany; the Museo di Castelvecchio in Verona, Italy; and the Plaster Cast Gallery at Museo Canova in Possagno, Italy.
Personnes et institutions:
Date:
2016
2016
Titre:
Questioning Pictures: Photograph of Pantheon, detail of facade, Rome
Actions:
PH2018:0005:022
Description:
Photograph by Stefano Graziani of the following work: Pantheon, Rome Questioning Pictures is a 36 photograph project commissioned by Fondazione Prada, Milan. Artist Stefano Graziani investigates archival and conservation systems in a number of museums. Through photographing museum objects, Graziani, focusing on the relationship between photographs, the museum objects and the power structures at play within institutions. The museums include the Canadian Centre for Architecture (CCA) in Montréal, Canada; Sir John Soane’s Museum in London, UK; the Kunstmuseum Basel, Switzerland; Museum Insel Hombroich in Neuss, Germany; the Museo di Castelvecchio in Verona, Italy; and the Plaster Cast Gallery at Museo Canova in Possagno, Italy.
Questioning Pictures: Photograph of Pantheon, detail of facade, Rome
Actions:
PH2018:0005:022
Description:
Photograph by Stefano Graziani of the following work: Pantheon, Rome Questioning Pictures is a 36 photograph project commissioned by Fondazione Prada, Milan. Artist Stefano Graziani investigates archival and conservation systems in a number of museums. Through photographing museum objects, Graziani, focusing on the relationship between photographs, the museum objects and the power structures at play within institutions. The museums include the Canadian Centre for Architecture (CCA) in Montréal, Canada; Sir John Soane’s Museum in London, UK; the Kunstmuseum Basel, Switzerland; Museum Insel Hombroich in Neuss, Germany; the Museo di Castelvecchio in Verona, Italy; and the Plaster Cast Gallery at Museo Canova in Possagno, Italy.
Classification:
photographies
photographies
Date:
2016
2016
Personnes et institutions:
