6133 Résultats
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The Centre Georges Pompidou, also called Beaubourg, is today considered an icon of contemporary Paris, the quintessence of a modern building, and a model for what a museum can be. In 1971, Renzo Piano and Richard Rogers, together with the engineering firm Ove Arup & Partners, won an international architecture competition with their innovative and irreverent design.(...)
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The Centre Georges Pompidou, also called Beaubourg, is today considered an icon of contemporary Paris, the quintessence of a modern building, and a model for what a museum can be. In 1971, Renzo Piano and Richard Rogers, together with the engineering firm Ove Arup & Partners, won an international architecture competition with their innovative and irreverent design.(...)
Titre:
Centre Pompidou: Renzo Piano, Richard Rogers, and the making of a modern monument
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The Centre Georges Pompidou, also called Beaubourg, is today considered an icon of contemporary Paris, the quintessence of a modern building, and a model for what a museum can be. In 1971, Renzo Piano and Richard Rogers, together with the engineering firm Ove Arup & Partners, won an international architecture competition with their innovative and irreverent design. Completed in 1977, the building was at first received skeptically by critics, yet it was quickly embraced by the public as a beloved monument of the modern city of Paris. This lively intellectual biography of the building explores its history and the reasons for its success, from its genesis as a politically calculated response to Paris’s turbulent 1968 student protests to the role played by architects in its construction, as well as the historical influences and the engineering solutions that inform its design. A key reason for the Centre Pompidou’s success indeed lies in its ability to channel architectural memory, connecting it powerfully to Paris’s historic urban fabric. This essential text on one of the twentieth century’s most significant buildings is accompanied by a portfolio of rare drawings and photographs.
Centre Pompidou: Renzo Piano, Richard Rogers, and the making of a modern monument
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The Centre Georges Pompidou, also called Beaubourg, is today considered an icon of contemporary Paris, the quintessence of a modern building, and a model for what a museum can be. In 1971, Renzo Piano and Richard Rogers, together with the engineering firm Ove Arup & Partners, won an international architecture competition with their innovative and irreverent design. Completed in 1977, the building was at first received skeptically by critics, yet it was quickly embraced by the public as a beloved monument of the modern city of Paris. This lively intellectual biography of the building explores its history and the reasons for its success, from its genesis as a politically calculated response to Paris’s turbulent 1968 student protests to the role played by architects in its construction, as well as the historical influences and the engineering solutions that inform its design. A key reason for the Centre Pompidou’s success indeed lies in its ability to channel architectural memory, connecting it powerfully to Paris’s historic urban fabric. This essential text on one of the twentieth century’s most significant buildings is accompanied by a portfolio of rare drawings and photographs.
Classification:
livres
livres
Publication:
novembre 2016
novembre 2016
Sujet:
Architecture contemporaine
Architecture contemporaine
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livres
livres
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$71.95
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At the peak of the 1968/69 students' riots at American Universities, Robert Venturi and Denise Scott Brown, together with Steven Izenour, pursued their Design and Research Studio on the topic of Las Vegas at Yale School of Architecture. The results of this were condensed into the book 'Learning from Las Vegas' that became a classic almost instantly upon its first(...)
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At the peak of the 1968/69 students' riots at American Universities, Robert Venturi and Denise Scott Brown, together with Steven Izenour, pursued their Design and Research Studio on the topic of Las Vegas at Yale School of Architecture. The results of this were condensed into the book 'Learning from Las Vegas' that became a classic almost instantly upon its first(...)
Titre:
Eyes that saw: Architecture after Las Vegas
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At the peak of the 1968/69 students' riots at American Universities, Robert Venturi and Denise Scott Brown, together with Steven Izenour, pursued their Design and Research Studio on the topic of Las Vegas at Yale School of Architecture. The results of this were condensed into the book 'Learning from Las Vegas' that became a classic almost instantly upon its first publication in 1972. The treatise excited the 1970s architecture world and has remained influential to architects, teachers and theoreticians to the present day. Some forty years later, 'Eyes that Saw: Architecture after Las Vegas' offers a richly illustrated collection of essays by renowned scholars of art and architectural history, eminent architects, and artists, investigating Learning from Las Vegas and its heritage from various perspectives. Each chapter builds on the knowledge of the radical influence it had on architecture and urban design, visual art, and even on history more generally. Published alongside are documents from the Venturi, Scott Brown & Associates Archive at the University of Pennsylvania, as well as an illustrated chronology of the resonance in international media following the publication of Learning from Las Vegas in 1972.
Eyes that saw: Architecture after Las Vegas
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$71.95
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At the peak of the 1968/69 students' riots at American Universities, Robert Venturi and Denise Scott Brown, together with Steven Izenour, pursued their Design and Research Studio on the topic of Las Vegas at Yale School of Architecture. The results of this were condensed into the book 'Learning from Las Vegas' that became a classic almost instantly upon its first publication in 1972. The treatise excited the 1970s architecture world and has remained influential to architects, teachers and theoreticians to the present day. Some forty years later, 'Eyes that Saw: Architecture after Las Vegas' offers a richly illustrated collection of essays by renowned scholars of art and architectural history, eminent architects, and artists, investigating Learning from Las Vegas and its heritage from various perspectives. Each chapter builds on the knowledge of the radical influence it had on architecture and urban design, visual art, and even on history more generally. Published alongside are documents from the Venturi, Scott Brown & Associates Archive at the University of Pennsylvania, as well as an illustrated chronology of the resonance in international media following the publication of Learning from Las Vegas in 1972.
Classification:
livres
livres
Publication:
juin 2019
juin 2019
Sujet:
Théorie de l’architecture
Théorie de l’architecture
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livres
livres
Titre:
Lefebvre for architects
Lefebvre for architects
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Contemporary discomfort with romanticism and Utopia arguably obstructs the shift of Lefebvre’s thinking from being objects of theoretical interest into positions of actually influencing practices. Attempting to understand and act upon architecture and the city with Lefebvre but without Utopia and romanticism risks muting the impact of his ideas. Although Utopia may seem(...)
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Contemporary discomfort with romanticism and Utopia arguably obstructs the shift of Lefebvre’s thinking from being objects of theoretical interest into positions of actually influencing practices. Attempting to understand and act upon architecture and the city with Lefebvre but without Utopia and romanticism risks muting the impact of his ideas. Although Utopia may seem(...)
Titre:
Lefebvre for architects
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$51.70
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Contemporary discomfort with romanticism and Utopia arguably obstructs the shift of Lefebvre’s thinking from being objects of theoretical interest into positions of actually influencing practices. Attempting to understand and act upon architecture and the city with Lefebvre but without Utopia and romanticism risks muting the impact of his ideas. Although Utopia may seem to have no place in the present, Lefebvre reveals this as little more than a self-serving affirmation that ‘there is no alternative’ to social and political detachment. Demanding the impossible may end in failure but as Lefebvre shows us, doing so is the first step towards other possibilities. To think with Lefebvre is to think about Utopia, doing so makes contact with what is most enduring about his project for the city and its inhabitants, and with what is most radical about it as well. "Lefebvre for architects" offers a concise account of the relevance of Henri Lefebvre’s writing for the theory and practice of architecture, planning and urban design. This book is accessible for students and practitioners who wish to fully engage with the design possibilities offered by Lefebvre’s philosophy.
Lefebvre for architects
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$51.70
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Contemporary discomfort with romanticism and Utopia arguably obstructs the shift of Lefebvre’s thinking from being objects of theoretical interest into positions of actually influencing practices. Attempting to understand and act upon architecture and the city with Lefebvre but without Utopia and romanticism risks muting the impact of his ideas. Although Utopia may seem to have no place in the present, Lefebvre reveals this as little more than a self-serving affirmation that ‘there is no alternative’ to social and political detachment. Demanding the impossible may end in failure but as Lefebvre shows us, doing so is the first step towards other possibilities. To think with Lefebvre is to think about Utopia, doing so makes contact with what is most enduring about his project for the city and its inhabitants, and with what is most radical about it as well. "Lefebvre for architects" offers a concise account of the relevance of Henri Lefebvre’s writing for the theory and practice of architecture, planning and urban design. This book is accessible for students and practitioners who wish to fully engage with the design possibilities offered by Lefebvre’s philosophy.
Classification:
livres
livres
Publication:
février 1993
février 1993
Sujet:
Théorie de l’architecture
Théorie de l’architecture
Classification:
livres
livres
Titre:
Passing through moving in and getting away with it: Gordon Matta-Clark New York city graffiti
Passing through moving in and getting away with it: Gordon Matta-Clark New York city graffiti
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From 1972 to 1973, Gordon Matta-Clark took over fifteen hundred photographs of gra?ti in New York City. These pictures are some of the earliest documentation of an emerging art form, and are an under-recognized body of work from Matta-Clark—an artist who used the city’s crumbling infrastructure to reveal the social and political implications of architecture and urban(...)
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From 1972 to 1973, Gordon Matta-Clark took over fifteen hundred photographs of gra?ti in New York City. These pictures are some of the earliest documentation of an emerging art form, and are an under-recognized body of work from Matta-Clark—an artist who used the city’s crumbling infrastructure to reveal the social and political implications of architecture and urban(...)
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Passing through moving in and getting away with it: Gordon Matta-Clark New York city graffiti
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From 1972 to 1973, Gordon Matta-Clark took over fifteen hundred photographs of gra?ti in New York City. These pictures are some of the earliest documentation of an emerging art form, and are an under-recognized body of work from Matta-Clark—an artist who used the city’s crumbling infrastructure to reveal the social and political implications of architecture and urban design. This publication features every frame from every roll of film Matta-Clark shot, organized according to the sequence of contact sheets in the artist’s archive. Taken together, these pictures demonstrate Matta-Clark’s obsession with the gra?ti that had exploded across the city’s walls, subways, and buses, and show him growing bolder as he moved from photographing on the streets and subway platforms, to trespassing in outer borough train yards.
Passing through moving in and getting away with it: Gordon Matta-Clark New York city graffiti
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From 1972 to 1973, Gordon Matta-Clark took over fifteen hundred photographs of gra?ti in New York City. These pictures are some of the earliest documentation of an emerging art form, and are an under-recognized body of work from Matta-Clark—an artist who used the city’s crumbling infrastructure to reveal the social and political implications of architecture and urban design. This publication features every frame from every roll of film Matta-Clark shot, organized according to the sequence of contact sheets in the artist’s archive. Taken together, these pictures demonstrate Matta-Clark’s obsession with the gra?ti that had exploded across the city’s walls, subways, and buses, and show him growing bolder as he moved from photographing on the streets and subway platforms, to trespassing in outer borough train yards.
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livres
livres
Publication:
septembre 2025
septembre 2025
Sujet:
Monographies photo
Monographies photo
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livres
livres
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$55.00
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In ''The Villa'', James Ackerman explores villa building in the West from ancient Rome to twentieth-century France and America. In this wide-ranging book, he illuminates such topics as the early villas of the Medici, the rise of the Palladian villa in England, and the modern villas of Frank Lloyd Wright and Le Corbusier. Ackerman uses the phenomenon of the 'country place'(...)
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In ''The Villa'', James Ackerman explores villa building in the West from ancient Rome to twentieth-century France and America. In this wide-ranging book, he illuminates such topics as the early villas of the Medici, the rise of the Palladian villa in England, and the modern villas of Frank Lloyd Wright and Le Corbusier. Ackerman uses the phenomenon of the 'country place'(...)
Titre:
The Villa: Form and ideology of country houses
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In ''The Villa'', James Ackerman explores villa building in the West from ancient Rome to twentieth-century France and America. In this wide-ranging book, he illuminates such topics as the early villas of the Medici, the rise of the Palladian villa in England, and the modern villas of Frank Lloyd Wright and Le Corbusier. Ackerman uses the phenomenon of the 'country place' as a focus for examining the relationships between urban and rural life, between building and the natural environment, and between architectural design and social, cultural, economic, and political forces. ''The villa,'' he reminds us, ''accommodates a fantasy which is impervious to reality.'' As city dwellers idealized country life, the villa, unlike the farmhouse, became associated with pleasure and asserted its modernity and status as a product of the architect’s imagination.
The Villa: Form and ideology of country houses
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In ''The Villa'', James Ackerman explores villa building in the West from ancient Rome to twentieth-century France and America. In this wide-ranging book, he illuminates such topics as the early villas of the Medici, the rise of the Palladian villa in England, and the modern villas of Frank Lloyd Wright and Le Corbusier. Ackerman uses the phenomenon of the 'country place' as a focus for examining the relationships between urban and rural life, between building and the natural environment, and between architectural design and social, cultural, economic, and political forces. ''The villa,'' he reminds us, ''accommodates a fantasy which is impervious to reality.'' As city dwellers idealized country life, the villa, unlike the farmhouse, became associated with pleasure and asserted its modernity and status as a product of the architect’s imagination.
Classification:
livres
livres
Publication:
août 2023
août 2023
Sujet:
Théorie de l’architecture
Théorie de l’architecture
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livres
livres
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$69.95
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"The architecture of Duany Plater-Zyberk and Company is a monograph on the urban design and architecture firm started by Andrés Duany and Elizabeth Plater-Zyberk in 1980 and is now known simply as DPZ. Credited with popularizing small towns and villages as welcome alternatives to the bleak monotony of the suburbs, DPZ champions vernacular architecture (traditional(...)
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"The architecture of Duany Plater-Zyberk and Company is a monograph on the urban design and architecture firm started by Andrés Duany and Elizabeth Plater-Zyberk in 1980 and is now known simply as DPZ. Credited with popularizing small towns and villages as welcome alternatives to the bleak monotony of the suburbs, DPZ champions vernacular architecture (traditional(...)
Sujet:
Architecture, monographies
Architecture, monographies
Publication:
août 2004, New York
août 2004, New York
Titre:
The architecture of Duany Plater-Zyberk and Company
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"The architecture of Duany Plater-Zyberk and Company is a monograph on the urban design and architecture firm started by Andrés Duany and Elizabeth Plater-Zyberk in 1980 and is now known simply as DPZ. Credited with popularizing small towns and villages as welcome alternatives to the bleak monotony of the suburbs, DPZ champions vernacular architecture (traditional buildings with ties to local culture) in neighborhoods that share the same common features that made small-town living so livable. This book illustrates representative buildings, mainly houses, that make up some of these communities in such places as Seaside, Florida, Kentlands, Maryland, and Markham, Ontario. In addition, the book showcases individual buildings that demonstrate DPZ’s reinvigoration of a simple vernacular architecture, including the Hibiscus House in Coconut Grove, Florida, and the Carambola Villas in St. Croix.
The architecture of Duany Plater-Zyberk and Company
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"The architecture of Duany Plater-Zyberk and Company is a monograph on the urban design and architecture firm started by Andrés Duany and Elizabeth Plater-Zyberk in 1980 and is now known simply as DPZ. Credited with popularizing small towns and villages as welcome alternatives to the bleak monotony of the suburbs, DPZ champions vernacular architecture (traditional buildings with ties to local culture) in neighborhoods that share the same common features that made small-town living so livable. This book illustrates representative buildings, mainly houses, that make up some of these communities in such places as Seaside, Florida, Kentlands, Maryland, and Markham, Ontario. In addition, the book showcases individual buildings that demonstrate DPZ’s reinvigoration of a simple vernacular architecture, including the Hibiscus House in Coconut Grove, Florida, and the Carambola Villas in St. Croix.
Classification:
livres
livres
Publication:
août 2004, New York
août 2004, New York
Sujet:
Architecture, monographies
Architecture, monographies
Classification:
livres
livres
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$60.00
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Jeanne Gang, one of America’s most distinguished contemporary architects, proposes applying the plant cultivation technique of grafting to architecture and urban design as a way of rethinking adaptive reuse and combatting climate change. Grafting is the process of connecting two separate living plants—one old and one new—so they can grow and thrive as one. This ancient(...)
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Jeanne Gang, one of America’s most distinguished contemporary architects, proposes applying the plant cultivation technique of grafting to architecture and urban design as a way of rethinking adaptive reuse and combatting climate change. Grafting is the process of connecting two separate living plants—one old and one new—so they can grow and thrive as one. This ancient(...)
Titre:
The art of architectural grafting
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$60.00
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Jeanne Gang, one of America’s most distinguished contemporary architects, proposes applying the plant cultivation technique of grafting to architecture and urban design as a way of rethinking adaptive reuse and combatting climate change. Grafting is the process of connecting two separate living plants—one old and one new—so they can grow and thrive as one. This ancient practice continues to be performed today in search of more fruitful, palatable, and resilient varieties of plants. Grafting is also a useful paradigm for how architecture can address climate change on a broadly impactful scale by reusing and expanding older structures. Addressing both the environmental and cultural value of reuse, Gang shows how the concept of grafting can inform architecture across many scales, provoking the imagination and shaping tectonic, programmatic, formal, and regenerative adaptations.
The art of architectural grafting
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$60.00
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Jeanne Gang, one of America’s most distinguished contemporary architects, proposes applying the plant cultivation technique of grafting to architecture and urban design as a way of rethinking adaptive reuse and combatting climate change. Grafting is the process of connecting two separate living plants—one old and one new—so they can grow and thrive as one. This ancient practice continues to be performed today in search of more fruitful, palatable, and resilient varieties of plants. Grafting is also a useful paradigm for how architecture can address climate change on a broadly impactful scale by reusing and expanding older structures. Addressing both the environmental and cultural value of reuse, Gang shows how the concept of grafting can inform architecture across many scales, provoking the imagination and shaping tectonic, programmatic, formal, and regenerative adaptations.
Classification:
livres
livres
Publication:
avril 2024
avril 2024
Sujet:
Architecture contemporaine
Architecture contemporaine
Classification:
livres
livres
Titre:
Space settlements
Space settlements
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In the summer of 1975, NASA brought together a team of physicists, engineers, and space scientists—along with architects, urban planners, and artists—to design large-scale space habitats for millions of people. This Summer Study was led by Princeton physicist Gerard O’Neill, whose work on this topic had previously been funded by countercultural icon Stewart Brand’s Point(...)
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In the summer of 1975, NASA brought together a team of physicists, engineers, and space scientists—along with architects, urban planners, and artists—to design large-scale space habitats for millions of people. This Summer Study was led by Princeton physicist Gerard O’Neill, whose work on this topic had previously been funded by countercultural icon Stewart Brand’s Point(...)
Titre:
Space settlements
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$29.95
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In the summer of 1975, NASA brought together a team of physicists, engineers, and space scientists—along with architects, urban planners, and artists—to design large-scale space habitats for millions of people. This Summer Study was led by Princeton physicist Gerard O’Neill, whose work on this topic had previously been funded by countercultural icon Stewart Brand’s Point Foundation. Two painters, the artist and architect Rick Guidice and the planetary science illustrator Don Davis, created renderings for the project that would be widely circulated over the next years and decades and even included in testimony before a Congressional subcommittee. A product of its time, this work is nevertheless relevant to contemporary modes of thinking about architecture. ''Space Settlements'' examines these plans for life in space as serious architectural and spatial proposals.
Space settlements
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In the summer of 1975, NASA brought together a team of physicists, engineers, and space scientists—along with architects, urban planners, and artists—to design large-scale space habitats for millions of people. This Summer Study was led by Princeton physicist Gerard O’Neill, whose work on this topic had previously been funded by countercultural icon Stewart Brand’s Point Foundation. Two painters, the artist and architect Rick Guidice and the planetary science illustrator Don Davis, created renderings for the project that would be widely circulated over the next years and decades and even included in testimony before a Congressional subcommittee. A product of its time, this work is nevertheless relevant to contemporary modes of thinking about architecture. ''Space Settlements'' examines these plans for life in space as serious architectural and spatial proposals.
Classification:
livres
livres
Publication:
juillet 2019
juillet 2019
Classification:
livres
livres
Prix:
$120.99
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Since the early buildings in the 1950s at Udine in Friuli, Gino Valle has been recognised by international critics as one of the most original and creative European architects of the post-war period. His artistic talent, associated with a great intellectual curiosity and with a genuine passion for the experimentation of new construction systems, led Valle to develop an(...)
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Since the early buildings in the 1950s at Udine in Friuli, Gino Valle has been recognised by international critics as one of the most original and creative European architects of the post-war period. His artistic talent, associated with a great intellectual curiosity and with a genuine passion for the experimentation of new construction systems, led Valle to develop an(...)
Sujet:
Architecture, monographies
Architecture, monographies
Publication:
novembre 2018
novembre 2018
Titre:
Modern and site-specfic: the architecture of Gino Valle 1923-2003
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Since the early buildings in the 1950s at Udine in Friuli, Gino Valle has been recognised by international critics as one of the most original and creative European architects of the post-war period. His artistic talent, associated with a great intellectual curiosity and with a genuine passion for the experimentation of new construction systems, led Valle to develop an architectural work resolutely open and multiform. Whether in the smaller towns of Friuli and Veneto or in metropolitan centres as New York, Paris or Berlin, Valle realised a wide range of important works: social housing and banks, factories and offices, town halls and courthouses. These buildings make valuable contributions to debates concerning the relationship between new architecture and historic surroundings, between industrial and open landscape, between urban design and architectural intervention.
Modern and site-specfic: the architecture of Gino Valle 1923-2003
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$120.99
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Since the early buildings in the 1950s at Udine in Friuli, Gino Valle has been recognised by international critics as one of the most original and creative European architects of the post-war period. His artistic talent, associated with a great intellectual curiosity and with a genuine passion for the experimentation of new construction systems, led Valle to develop an architectural work resolutely open and multiform. Whether in the smaller towns of Friuli and Veneto or in metropolitan centres as New York, Paris or Berlin, Valle realised a wide range of important works: social housing and banks, factories and offices, town halls and courthouses. These buildings make valuable contributions to debates concerning the relationship between new architecture and historic surroundings, between industrial and open landscape, between urban design and architectural intervention.
Classification:
livres
livres
Publication:
novembre 2018
novembre 2018
Sujet:
Architecture, monographies
Architecture, monographies
Classification:
livres
livres
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$19.99
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Investigation goes on full steam ahead into the creative process and the concept of project in the latest issue of Inventario. This time the Mask takes pride of place on the front cover, while inside the disciplines of architecture, design and art communicate in a dialogue with everyday life. The contributors: Roberto Marone on Urban Jewels, Cristina Miglio on(...)
$19.99
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Investigation goes on full steam ahead into the creative process and the concept of project in the latest issue of Inventario. This time the Mask takes pride of place on the front cover, while inside the disciplines of architecture, design and art communicate in a dialogue with everyday life. The contributors: Roberto Marone on Urban Jewels, Cristina Miglio on(...)
Titre:
Inventario 04: everything is a project
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$19.99
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Investigation goes on full steam ahead into the creative process and the concept of project in the latest issue of Inventario. This time the Mask takes pride of place on the front cover, while inside the disciplines of architecture, design and art communicate in a dialogue with everyday life. The contributors: Roberto Marone on Urban Jewels, Cristina Miglio on Contemporary Jewellery, Paolo Bocchi on JoeVelluto (JVLT), Anselmo Tumpi and Dominic Wilcox, Giulio Iacchetti on Pens, Annalisa Ubaldi on Mirrors, Angelika Burtscher and Daniele Lupo interview Ika Künzel, Roberta Valtorta on Collecting/Arranging, Italo Lupi on Leonardo Sonnoli, Francesco M. Cataluccio and Lorena Tonin on Traces, Matteo Pirola on Equilibrium, Francesco Garutti on Carsten Höller, Michele Calzavara on Architecten DVVT, Deborah Duva on Jochen Gerz and Esther Shalev-Gerz, Alessandro Rabottini on Francis Alÿs.
Inventario 04: everything is a project
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$19.99
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Investigation goes on full steam ahead into the creative process and the concept of project in the latest issue of Inventario. This time the Mask takes pride of place on the front cover, while inside the disciplines of architecture, design and art communicate in a dialogue with everyday life. The contributors: Roberto Marone on Urban Jewels, Cristina Miglio on Contemporary Jewellery, Paolo Bocchi on JoeVelluto (JVLT), Anselmo Tumpi and Dominic Wilcox, Giulio Iacchetti on Pens, Annalisa Ubaldi on Mirrors, Angelika Burtscher and Daniele Lupo interview Ika Künzel, Roberta Valtorta on Collecting/Arranging, Italo Lupi on Leonardo Sonnoli, Francesco M. Cataluccio and Lorena Tonin on Traces, Matteo Pirola on Equilibrium, Francesco Garutti on Carsten Höller, Michele Calzavara on Architecten DVVT, Deborah Duva on Jochen Gerz and Esther Shalev-Gerz, Alessandro Rabottini on Francis Alÿs.
Classification:
livres
livres
Publication:
avril 2012
avril 2012
Sujet:
Revues
Revues
