6052 Résultats
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Los Angeles is a city that has long thrived on the continual re-creation of its own myth. In this extraordinary work, Norman Klein examines the process of memory erasure in LA. Using a provocative mixture of fact and fiction, the book takes us on an "anti-tour" of downtown LA, examines life for Vietnamese immigrants in the City of Dreams, imagines Walter Benjamin as a Los(...)
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Los Angeles is a city that has long thrived on the continual re-creation of its own myth. In this extraordinary work, Norman Klein examines the process of memory erasure in LA. Using a provocative mixture of fact and fiction, the book takes us on an "anti-tour" of downtown LA, examines life for Vietnamese immigrants in the City of Dreams, imagines Walter Benjamin as a Los(...)
Titre:
The history of forgetting: Los Angeles and the erasure of the memory
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Los Angeles is a city that has long thrived on the continual re-creation of its own myth. In this extraordinary work, Norman Klein examines the process of memory erasure in LA. Using a provocative mixture of fact and fiction, the book takes us on an "anti-tour" of downtown LA, examines life for Vietnamese immigrants in the City of Dreams, imagines Walter Benjamin as a Los Angeleno, and finally looks at the way information technology has recreated the city, turning cyberspace into the last suburb. In this new edition, Norman Klein explores the evolution of the Latino majority, how the Pacific economy is changing the structure of urban life, the impact of collapsing infrastructure in the city, and the restructuring of those very districts that had been "forgotten." Norman M. Klein is a critic and historian of mass culture, author of most recently, The Vatican to Vegas: The History of Special Effects. He teaches at the California Institute of the Arts in Los Angeles.
The history of forgetting: Los Angeles and the erasure of the memory
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Los Angeles is a city that has long thrived on the continual re-creation of its own myth. In this extraordinary work, Norman Klein examines the process of memory erasure in LA. Using a provocative mixture of fact and fiction, the book takes us on an "anti-tour" of downtown LA, examines life for Vietnamese immigrants in the City of Dreams, imagines Walter Benjamin as a Los Angeleno, and finally looks at the way information technology has recreated the city, turning cyberspace into the last suburb. In this new edition, Norman Klein explores the evolution of the Latino majority, how the Pacific economy is changing the structure of urban life, the impact of collapsing infrastructure in the city, and the restructuring of those very districts that had been "forgotten." Norman M. Klein is a critic and historian of mass culture, author of most recently, The Vatican to Vegas: The History of Special Effects. He teaches at the California Institute of the Arts in Los Angeles.
Classification:
livres
livres
Publication:
août 2008, London, New York
août 2008, London, New York
Sujet:
Théorie de l’urbanisme
Théorie de l’urbanisme
Classification:
périodiques
périodiques
Titre:
Border crossings issue 145
Border crossings issue 145
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Border Crossings takes an in-depth look at California-based American artist Nancy Rubins. For over forty years, Rubins’ work has contained unpredictable elements as she has transformed industrial materials such as mattresses, television sets, RV campers and boat parts into large-scale installations. This issue also includes a look into the world of one of Canada’s most(...)
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Border Crossings takes an in-depth look at California-based American artist Nancy Rubins. For over forty years, Rubins’ work has contained unpredictable elements as she has transformed industrial materials such as mattresses, television sets, RV campers and boat parts into large-scale installations. This issue also includes a look into the world of one of Canada’s most(...)
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Border crossings issue 145
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Border Crossings takes an in-depth look at California-based American artist Nancy Rubins. For over forty years, Rubins’ work has contained unpredictable elements as she has transformed industrial materials such as mattresses, television sets, RV campers and boat parts into large-scale installations. This issue also includes a look into the world of one of Canada’s most important conceptual artists, Toronto-based Kelly Mark; a portfolio of charcoal drawings by Berlin-based Canadian artist Ambera Wellmann, winner of the 2017 RBC painting competition; Stephen Horne looks at artifact and artifice in Sophie Calle’s and Serena Carone’s quiet insertions into the quirky, lavish and eccentric Paris museum, La Musée de la Chasse et de la Nature; Robin Laurence presents a profile of Inuit artist Shuvinai Ashoona and writes about the work recently presented at the Marion Scott Gallery; Ray Cronin looks at "Places, paths and pauses", a retrospective of Newfoundland photographer Marlene Creates.
Border crossings issue 145
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Border Crossings takes an in-depth look at California-based American artist Nancy Rubins. For over forty years, Rubins’ work has contained unpredictable elements as she has transformed industrial materials such as mattresses, television sets, RV campers and boat parts into large-scale installations. This issue also includes a look into the world of one of Canada’s most important conceptual artists, Toronto-based Kelly Mark; a portfolio of charcoal drawings by Berlin-based Canadian artist Ambera Wellmann, winner of the 2017 RBC painting competition; Stephen Horne looks at artifact and artifice in Sophie Calle’s and Serena Carone’s quiet insertions into the quirky, lavish and eccentric Paris museum, La Musée de la Chasse et de la Nature; Robin Laurence presents a profile of Inuit artist Shuvinai Ashoona and writes about the work recently presented at the Marion Scott Gallery; Ray Cronin looks at "Places, paths and pauses", a retrospective of Newfoundland photographer Marlene Creates.
Classification:
périodiques
périodiques
Publication:
mars 2018
mars 2018
Sujet:
Revues
Revues
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livres
livres
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Between 1969 and 1974, Lucy Lippard curated four exhibitions of contemporary art, which have become renowned as her “numbers shows.” Each took the population of the city in which it was shown as its title: 557,087 in Seattle, 955,000 in Vancouver, 2,972,453 in Buenos Aires and c. 7,500, which opened in Valencia, California, before touring the U.S. and then traveling to(...)
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Between 1969 and 1974, Lucy Lippard curated four exhibitions of contemporary art, which have become renowned as her “numbers shows.” Each took the population of the city in which it was shown as its title: 557,087 in Seattle, 955,000 in Vancouver, 2,972,453 in Buenos Aires and c. 7,500, which opened in Valencia, California, before touring the U.S. and then traveling to(...)
Titre:
From conceptualism to feminism: Lucy Lippard’s numbers shows,1969-74
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Between 1969 and 1974, Lucy Lippard curated four exhibitions of contemporary art, which have become renowned as her “numbers shows.” Each took the population of the city in which it was shown as its title: 557,087 in Seattle, 955,000 in Vancouver, 2,972,453 in Buenos Aires and c. 7,500, which opened in Valencia, California, before touring the U.S. and then traveling to London. From Conceptualism to Feminism follows Lippard’s curatorial trajectory, analyzing her transition from a writer about art to a maker of exhibitions, and tracing her growing political engagement and involvement with feminism. Extensive photographic material is complemented by a major new essay by Cornelia Butler and interviews with Lucy Lippard, Seth Siegelaub and with artists in c. 7,500. The volume also includes an analysis of artists’ initiatives in Argentina, which give a context for Lippard’s emerging political consciousness. From Conceptualism to Feminism is the third publication in Afterall’s Exhibition Histories series, which investigates exhibitions that have shaped the way contemporary art is experienced, made and discussed.
From conceptualism to feminism: Lucy Lippard’s numbers shows,1969-74
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Between 1969 and 1974, Lucy Lippard curated four exhibitions of contemporary art, which have become renowned as her “numbers shows.” Each took the population of the city in which it was shown as its title: 557,087 in Seattle, 955,000 in Vancouver, 2,972,453 in Buenos Aires and c. 7,500, which opened in Valencia, California, before touring the U.S. and then traveling to London. From Conceptualism to Feminism follows Lippard’s curatorial trajectory, analyzing her transition from a writer about art to a maker of exhibitions, and tracing her growing political engagement and involvement with feminism. Extensive photographic material is complemented by a major new essay by Cornelia Butler and interviews with Lucy Lippard, Seth Siegelaub and with artists in c. 7,500. The volume also includes an analysis of artists’ initiatives in Argentina, which give a context for Lippard’s emerging political consciousness. From Conceptualism to Feminism is the third publication in Afterall’s Exhibition Histories series, which investigates exhibitions that have shaped the way contemporary art is experienced, made and discussed.
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livres
livres
Publication:
août 2012
août 2012
Sujet:
Muséologie
Muséologie
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livres
livres
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$37.95
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"In From Yard to Garden, Christopher Grampp has produced a work of major importance and significant originality. This book will change the way Americans see and understand their homes, yards, and gardens. Grampp provides the first full-length and thoroughly documented history of the American back yard. He takes courageous, new positions that are sure to prompt thinking(...)
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"In From Yard to Garden, Christopher Grampp has produced a work of major importance and significant originality. This book will change the way Americans see and understand their homes, yards, and gardens. Grampp provides the first full-length and thoroughly documented history of the American back yard. He takes courageous, new positions that are sure to prompt thinking(...)
Titre:
From yard to garden: the domestication of America's home grounds (Center for American Places - Center Books on American Places)
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"In From Yard to Garden, Christopher Grampp has produced a work of major importance and significant originality. This book will change the way Americans see and understand their homes, yards, and gardens. Grampp provides the first full-length and thoroughly documented history of the American back yard. He takes courageous, new positions that are sure to prompt thinking for all his readers and to suggest further research by his academic readers. The illustrations and captions are absolutely excellent. "Grampp's writing style is direct, clear, personal, and always approachable. He provides enough detail-and so much original new information-that the specialist, academic reader will be intrigued and satisfied; yet the narrative moves forward quickly enough to engage even the general reader who may be entirely new to the subject. Grampp's writing also sparkles with real humor."-Paul Groth, University of California at Berkeley, and author of Living Downtown: The History of Residential Hotels in the United States (Paul Groth 20070901)
From yard to garden: the domestication of America's home grounds (Center for American Places - Center Books on American Places)
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"In From Yard to Garden, Christopher Grampp has produced a work of major importance and significant originality. This book will change the way Americans see and understand their homes, yards, and gardens. Grampp provides the first full-length and thoroughly documented history of the American back yard. He takes courageous, new positions that are sure to prompt thinking for all his readers and to suggest further research by his academic readers. The illustrations and captions are absolutely excellent. "Grampp's writing style is direct, clear, personal, and always approachable. He provides enough detail-and so much original new information-that the specialist, academic reader will be intrigued and satisfied; yet the narrative moves forward quickly enough to engage even the general reader who may be entirely new to the subject. Grampp's writing also sparkles with real humor."-Paul Groth, University of California at Berkeley, and author of Living Downtown: The History of Residential Hotels in the United States (Paul Groth 20070901)
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livres
livres
Publication:
mai 2008, Chicago
mai 2008, Chicago
Sujet:
Théorie du paysage
Théorie du paysage
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livres
livres
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Nestled between Santa Monica and Marina del Rey, Venice is a Los Angeles community filled with apparent contradictions. There, people of various races and classes live side by side, a population of astounding diversity bound together by geographic proximity. From street to street, and from block to block, million dollar homes stand near housing projects and homeless(...)
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Nestled between Santa Monica and Marina del Rey, Venice is a Los Angeles community filled with apparent contradictions. There, people of various races and classes live side by side, a population of astounding diversity bound together by geographic proximity. From street to street, and from block to block, million dollar homes stand near housing projects and homeless(...)
Titre:
Venice: a contested bohemia in Los Angeles
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Nestled between Santa Monica and Marina del Rey, Venice is a Los Angeles community filled with apparent contradictions. There, people of various races and classes live side by side, a population of astounding diversity bound together by geographic proximity. From street to street, and from block to block, million dollar homes stand near housing projects and homeless encampments; and upscale boutiques are just a short walk from the (in)famous Venice Beach where artists and carnival performers practice their crafts opposite cafes and ragtag tourist shops. In Venice: A Contested Bohemia in Los Angeles Andrew Deener invites the reader on an ethnographic tour of this legendary California beach community and the people who live there. In writing this book, the ethnographer became an insider; Deener lived as a resident of Venice for close to six years. Here, he brings a scholarly eye to bear on the effects of gentrification, homelessness, segregation, and immigration on this community.
Venice: a contested bohemia in Los Angeles
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Nestled between Santa Monica and Marina del Rey, Venice is a Los Angeles community filled with apparent contradictions. There, people of various races and classes live side by side, a population of astounding diversity bound together by geographic proximity. From street to street, and from block to block, million dollar homes stand near housing projects and homeless encampments; and upscale boutiques are just a short walk from the (in)famous Venice Beach where artists and carnival performers practice their crafts opposite cafes and ragtag tourist shops. In Venice: A Contested Bohemia in Los Angeles Andrew Deener invites the reader on an ethnographic tour of this legendary California beach community and the people who live there. In writing this book, the ethnographer became an insider; Deener lived as a resident of Venice for close to six years. Here, he brings a scholarly eye to bear on the effects of gentrification, homelessness, segregation, and immigration on this community.
Classification:
livres
livres
Publication:
juillet 2012
juillet 2012
Sujet:
Théorie de l’urbanisme
Théorie de l’urbanisme
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livres
livres
Titre:
Building with water
Building with water
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Water has been an important topic in architecture and urban planning for years. The theme of this publication is the use of water in architecture. It presents buildings that explicitly refer to water in their design and form. It establishes a typology of building by the water: residential buildings, transportation and industrial buildings, buildings for culture and(...)
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Water has been an important topic in architecture and urban planning for years. The theme of this publication is the use of water in architecture. It presents buildings that explicitly refer to water in their design and form. It establishes a typology of building by the water: residential buildings, transportation and industrial buildings, buildings for culture and(...)
Titre:
Building with water
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Water has been an important topic in architecture and urban planning for years. The theme of this publication is the use of water in architecture. It presents buildings that explicitly refer to water in their design and form. It establishes a typology of building by the water: residential buildings, transportation and industrial buildings, buildings for culture and leisure. Classic examples of building by, in, or on the water serve as introductions : for example, the Château de Chenonceaux on the Loire, Falling Water in Pennsylvania by Frank Lloyd Wright, and the Salk Institute in La Jolla, California, by Louis I. Kahn. Organized according to their locations by a river, lake, or the sea, some twenty international projects are presented. The authors’ concern is not showing luxurious buildings in privileged locations but rather presenting projects that seriously grapple with the main criterion of the location — namely, water — in an ecologically sustainable way and respond to it with their design.
Building with water
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Water has been an important topic in architecture and urban planning for years. The theme of this publication is the use of water in architecture. It presents buildings that explicitly refer to water in their design and form. It establishes a typology of building by the water: residential buildings, transportation and industrial buildings, buildings for culture and leisure. Classic examples of building by, in, or on the water serve as introductions : for example, the Château de Chenonceaux on the Loire, Falling Water in Pennsylvania by Frank Lloyd Wright, and the Salk Institute in La Jolla, California, by Louis I. Kahn. Organized according to their locations by a river, lake, or the sea, some twenty international projects are presented. The authors’ concern is not showing luxurious buildings in privileged locations but rather presenting projects that seriously grapple with the main criterion of the location — namely, water — in an ecologically sustainable way and respond to it with their design.
Classification:
livres
livres
Publication:
juin 2010
juin 2010
Sujet:
Architecture écologique
Architecture écologique
Classification:
livres
livres
Titre:
Reading Ed Ruscha
Reading Ed Ruscha
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Reading Ed Ruscha focuses on California-based artist Ed Ruscha’s interests in books, writing and the act of reading--and his particular relationship with artist’s books--which he has pursued over the course of five decades. Ruscha created his first word paintings--with oil paint on paper--in Paris in 1961. While words and phrases often function as symbols and motifs in(...)
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Reading Ed Ruscha focuses on California-based artist Ed Ruscha’s interests in books, writing and the act of reading--and his particular relationship with artist’s books--which he has pursued over the course of five decades. Ruscha created his first word paintings--with oil paint on paper--in Paris in 1961. While words and phrases often function as symbols and motifs in(...)
Titre:
Reading Ed Ruscha
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Reading Ed Ruscha focuses on California-based artist Ed Ruscha’s interests in books, writing and the act of reading--and his particular relationship with artist’s books--which he has pursued over the course of five decades. Ruscha created his first word paintings--with oil paint on paper--in Paris in 1961. While words and phrases often function as symbols and motifs in his work, books as objects also make a substantial appearance, and the artist has deployed an astonishing range of visual means to explore the act of reading as a meaning-generating process. The 16 small artist’s books Ruscha produced between 1962 and 1978 (Twentysix Gasoline Stations, Various Small Fires, et al.) remain definitive classics of the genre. The texts written especially for Reading Ed Ruscha by Douglas Coupland and W.S. Di Piero explore Ruscha’s use of text through the lens of literary and poetic form, while Beatrice von Bismarck examines the book as work, medium of publication and exhibition format.
Reading Ed Ruscha
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Reading Ed Ruscha focuses on California-based artist Ed Ruscha’s interests in books, writing and the act of reading--and his particular relationship with artist’s books--which he has pursued over the course of five decades. Ruscha created his first word paintings--with oil paint on paper--in Paris in 1961. While words and phrases often function as symbols and motifs in his work, books as objects also make a substantial appearance, and the artist has deployed an astonishing range of visual means to explore the act of reading as a meaning-generating process. The 16 small artist’s books Ruscha produced between 1962 and 1978 (Twentysix Gasoline Stations, Various Small Fires, et al.) remain definitive classics of the genre. The texts written especially for Reading Ed Ruscha by Douglas Coupland and W.S. Di Piero explore Ruscha’s use of text through the lens of literary and poetic form, while Beatrice von Bismarck examines the book as work, medium of publication and exhibition format.
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livres
livres
Publication:
octobre 2012
octobre 2012
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livres
livres
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$36.95
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Inspired by artists like Edward Curtis and Charles Schulz, who devoted their lives to a single objective, Rudy VanderLans continues his pursuit to create a consistent body of work of postcard-size images, rendering a comprehensive portrait of California in the early part of the 21st century. VanderLans, who is often drawn to places with fantastical names- like Oleander(...)
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Inspired by artists like Edward Curtis and Charles Schulz, who devoted their lives to a single objective, Rudy VanderLans continues his pursuit to create a consistent body of work of postcard-size images, rendering a comprehensive portrait of California in the early part of the 21st century. VanderLans, who is often drawn to places with fantastical names- like Oleander(...)
Titre:
Rudy Vanderlans: Oleander sunset
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Inspired by artists like Edward Curtis and Charles Schulz, who devoted their lives to a single objective, Rudy VanderLans continues his pursuit to create a consistent body of work of postcard-size images, rendering a comprehensive portrait of California in the early part of the 21st century. VanderLans, who is often drawn to places with fantastical names- like Oleander Sunset- wanders about California's back roads with eyes wide open. Without theorizing, or searching for subjects, he allows himself to be receptive to the world around him and discovers beauty in the most ordinary locales. Like the men who named the cities and towns he visits, VanderLans makes the mundane seem less so, and in the process shows us what’s been overlooked. "Oleander Sunset" juxtaposes single images on opposing pages, setting up dynamic formal and contextual interactions through contrasting, complementing and reiteration. The book is interspersed with a number of fold-out panoramas, placing the viewer smack in the middle of the author's habitual stamping ground.
Rudy Vanderlans: Oleander sunset
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Inspired by artists like Edward Curtis and Charles Schulz, who devoted their lives to a single objective, Rudy VanderLans continues his pursuit to create a consistent body of work of postcard-size images, rendering a comprehensive portrait of California in the early part of the 21st century. VanderLans, who is often drawn to places with fantastical names- like Oleander Sunset- wanders about California's back roads with eyes wide open. Without theorizing, or searching for subjects, he allows himself to be receptive to the world around him and discovers beauty in the most ordinary locales. Like the men who named the cities and towns he visits, VanderLans makes the mundane seem less so, and in the process shows us what’s been overlooked. "Oleander Sunset" juxtaposes single images on opposing pages, setting up dynamic formal and contextual interactions through contrasting, complementing and reiteration. The book is interspersed with a number of fold-out panoramas, placing the viewer smack in the middle of the author's habitual stamping ground.
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livres
livres
Publication:
août 2021
août 2021
Sujet:
Monographies photo
Monographies photo
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livres
livres
Prix:
$95.00
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This book object combines two volumes and covers the sweep and depth of Lewis Baltz’s influential oeuvre. Rule Without Exception is a re-issue of Baltz’s award-winning mid-career retrospective book which accompanied a travelling exhibition of the same name in 1991. The book surveys Baltz’s work from The Prototype Works of 1967 through to Sites of Technology of 1991,(...)
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This book object combines two volumes and covers the sweep and depth of Lewis Baltz’s influential oeuvre. Rule Without Exception is a re-issue of Baltz’s award-winning mid-career retrospective book which accompanied a travelling exhibition of the same name in 1991. The book surveys Baltz’s work from The Prototype Works of 1967 through to Sites of Technology of 1991,(...)
Titre:
Lewis Baltz: rule without exception / only Exceptions
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$95.00
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This book object combines two volumes and covers the sweep and depth of Lewis Baltz’s influential oeuvre. Rule Without Exception is a re-issue of Baltz’s award-winning mid-career retrospective book which accompanied a travelling exhibition of the same name in 1991. The book surveys Baltz’s work from The Prototype Works of 1967 through to Sites of Technology of 1991, showing the range of his images of industrialised landscapes and technological sites. Each section of the book is accompanied by installation views as well as texts by distinguished writers, some newly commissioned for this edition. Only Exceptions is a new book chronicling Baltz’s work – now usually site-generated commissioned works – from 1992 to the present and is published on the occasion of an exhibition organized by the Kunstmuseum, Bonn. Only Exceptions includes Baltz’s work in California, Leipzig’s “Black Triangle”, Reggio Emilia, Groningen, Rome, Venice, and two projects with Jean Nouvel in France and Italy.
Lewis Baltz: rule without exception / only Exceptions
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$95.00
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This book object combines two volumes and covers the sweep and depth of Lewis Baltz’s influential oeuvre. Rule Without Exception is a re-issue of Baltz’s award-winning mid-career retrospective book which accompanied a travelling exhibition of the same name in 1991. The book surveys Baltz’s work from The Prototype Works of 1967 through to Sites of Technology of 1991, showing the range of his images of industrialised landscapes and technological sites. Each section of the book is accompanied by installation views as well as texts by distinguished writers, some newly commissioned for this edition. Only Exceptions is a new book chronicling Baltz’s work – now usually site-generated commissioned works – from 1992 to the present and is published on the occasion of an exhibition organized by the Kunstmuseum, Bonn. Only Exceptions includes Baltz’s work in California, Leipzig’s “Black Triangle”, Reggio Emilia, Groningen, Rome, Venice, and two projects with Jean Nouvel in France and Italy.
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livres
livres
Publication:
avril 2012
avril 2012
Classification:
livres
livres
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Description:
x, 753 pages : illustrations, maps, plans ; 24 cm
Description:
x, 753 pages : illustrations, maps, plans ; 24 cm
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[Ferrara] : Edisai, [2011]
[Ferrara] : Edisai, [2011]
Titre:
Proceedings of a Conference on Early Modern Rome 1341-1667 held on May 13-15, 2010 in Rome / [edited by Portia Prebys].
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Description:
x, 753 pages : illustrations, maps, plans ; 24 cm
Proceedings of a Conference on Early Modern Rome 1341-1667 held on May 13-15, 2010 in Rome / [edited by Portia Prebys].
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Description:
x, 753 pages : illustrations, maps, plans ; 24 cm
Classification:
livres
livres
Publication:
[Ferrara] : Edisai, [2011]
[Ferrara] : Edisai, [2011]
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