Apartamento 31
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The latest issue of Apartamento is now available at the bookstore. Featuring: Tal R & Emma Rosenzweig, Pedro Costa, Dayanita Singh, Alexander Calder, Paul Mpagi Sepuya, Laura & Deanna Fanning, Misha Kahn, Abdellah Taïa, Lucia Di Luciano & Giovanni Pizzo, Robert Barber, Bas Princen, Seyni Awa Camara, Supriya Lele, and William Strobeck. Plus: ‘The Goodbyes’, a short story(...)
Apartamento 31
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The latest issue of Apartamento is now available at the bookstore. Featuring: Tal R & Emma Rosenzweig, Pedro Costa, Dayanita Singh, Alexander Calder, Paul Mpagi Sepuya, Laura & Deanna Fanning, Misha Kahn, Abdellah Taïa, Lucia Di Luciano & Giovanni Pizzo, Robert Barber, Bas Princen, Seyni Awa Camara, Supriya Lele, and William Strobeck. Plus: ‘The Goodbyes’, a short story by Abdellah Taïa, and texts by Khushnu Hoof, Oscar Perry, Layla Benitez-James, Diana McCaulay, Estelle Hoy, and John Douglas Millar
Revues
Defining criteria
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Together, images and conversations portray the underlying motivation, orientation and stances of some of the most prominent young architects, photographers, artists and filmmakers whose body of work gravitates around the world of architecture. Interviews with: Kersten Geers (Office KGDVS, architect), François Charbonnet (Made In, architect), Ila Bêka & Louise Lemoine(...)
Defining criteria
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Together, images and conversations portray the underlying motivation, orientation and stances of some of the most prominent young architects, photographers, artists and filmmakers whose body of work gravitates around the world of architecture. Interviews with: Kersten Geers (Office KGDVS, architect), François Charbonnet (Made In, architect), Ila Bêka & Louise Lemoine (filmmakers), Junya Ishigami (architect), Pier Vittorio Aureli and Martino Tattara (DOGMA, architects), Philipp Schaerer (visual artist), Go Hasegawa (architect), Bas Princen (photographer), Yuri Ancarani (visual artist) and Anne Holtrop (architect).
Théorie de l’architecture
périodiques
Hunch no 3 2001
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Hunch 3 features Julius Shulman, Richard Neutra, and Henry the Dog. Live and work in Igor Kebel’s Just-in-Time Infrastructure; expect an explosion in the photos of Bas Princen; sink into 3D-City with Winy Maas and Wiel Arets; x-ray Rotterdam with Berlage students; ask Jeff Derkson why Nobody Likes You; redefine agriculture in Andrea Branzi’s Weak Urbanization; read(...)
Hunch no 3 2001
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Hunch 3 features Julius Shulman, Richard Neutra, and Henry the Dog. Live and work in Igor Kebel’s Just-in-Time Infrastructure; expect an explosion in the photos of Bas Princen; sink into 3D-City with Winy Maas and Wiel Arets; x-ray Rotterdam with Berlage students; ask Jeff Derkson why Nobody Likes You; redefine agriculture in Andrea Branzi’s Weak Urbanization; read Shiuan-Wen Chu’s latest Bad Architecture Story; get stuck in unfine spaces with Diego Barajas; and debate the Dutch non-debate with Rem Koolhaas.
périodiques
juin 2001, Amsterdam
Revues
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Atelier Van Lieshout, Boundary Umlimited, DUS Architects, Haas & Hahn, Nicoline van Harskamp, Anne Holtrop and Bas Princen, Wouter Klein Velderman, Krijn de Koning, NIO Architects and Onix: the artists and architects in this catalogue of the eponymous exhibition in the Centro per l’arte contemporanea Luigi Pecci in Prato seek a direct relationship with reality,(...)
Triggering reality : new conditions for art and architecture in the Netherlands
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Atelier Van Lieshout, Boundary Umlimited, DUS Architects, Haas & Hahn, Nicoline van Harskamp, Anne Holtrop and Bas Princen, Wouter Klein Velderman, Krijn de Koning, NIO Architects and Onix: the artists and architects in this catalogue of the eponymous exhibition in the Centro per l’arte contemporanea Luigi Pecci in Prato seek a direct relationship with reality, investigating and reproducing it, representing and criticizing it.Their approach is increasingly trans-disciplinary: architects utilize media and supports typical of the arts, while artists investigate urban realities in three-dimensional architectural installations.
Théorie de l’architecture
AV proyectos 050: Lorca
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Beginning with a close look at the strategy for the rebuilding of Lorca after a devastating earthquake in 2011, this instalment goes on to highlight this year's Serpentine Pavilion by Herzog & de Meuron and Ai Weiwei, OMA's concept for Garage Gorky Park, Moscow, and Dominique Perrault's design for the New Longchamp Racecourse, plus competitions for the Yenikapi Transfer(...)
AV proyectos 050: Lorca
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Beginning with a close look at the strategy for the rebuilding of Lorca after a devastating earthquake in 2011, this instalment goes on to highlight this year's Serpentine Pavilion by Herzog & de Meuron and Ai Weiwei, OMA's concept for Garage Gorky Park, Moscow, and Dominique Perrault's design for the New Longchamp Racecourse, plus competitions for the Yenikapi Transfer Point, Istanbul, and the Bünder Kunstmuseum, Chur. It also includes an extensive feature on Izaskun Chinchilla's rehabilitation of Castillo de Garcimuñoz in Cuenca and the photography of Bas Princen, which contrasts the duality between natural and artificial, “understanding the landscape as a place that will be transformed and later colonized.”
Revues
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Positions addresses the ascent of architectural photography as a discipline, and the changing role of the architectural photographer. Once merely charged with providing a purely documentary representation of a building, the architectural photographer now offers a personal interpretation of the work of the architect, urban planner or landscape designer. The common factor(...)
Photographie- collections
septembre 2010
Positions: photography of architecture, city and landscape in the Netherlands
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Positions addresses the ascent of architectural photography as a discipline, and the changing role of the architectural photographer. Once merely charged with providing a purely documentary representation of a building, the architectural photographer now offers a personal interpretation of the work of the architect, urban planner or landscape designer. The common factor that unites the photographers presented here--Theo Baart, Bas Princen, Ralph Kamena, Jannes Linders, Jeroen Musch and Hans Werlemann--is that each of them has brought a highly personal perspective to bear upon their approach to their commissions, and that each of their oeuvres has had a direct impact on contemporary architecture and urban planning. Positions examines the photographer's emancipation from documentary constraint to creative agency.
Photographie- collections
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In 2006, Amsterdam's 66 East: Centre for Urban Culture organized a project in which artists and architects--including Theo Baart, Bas Princen, Ralph Kämena, Jannes Linders, Jeroen Musch and Hans Werlemann--examined Amsterdam's predominately Arabic and Turkish neighborhood, Indische Buurt, which had recently become home to studios and offices for the creative sector, often(...)
Houses in transformation: interventions in European gentrification
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In 2006, Amsterdam's 66 East: Centre for Urban Culture organized a project in which artists and architects--including Theo Baart, Bas Princen, Ralph Kämena, Jannes Linders, Jeroen Musch and Hans Werlemann--examined Amsterdam's predominately Arabic and Turkish neighborhood, Indische Buurt, which had recently become home to studios and offices for the creative sector, often seen as the first step in gentrification. Adopting strategies ranging from critical commentary to activist intervention, the project and subsequent exhibition, Houses of Transformation, posits creative alternatives for urban planners, developers and administrators in responding to the inevitable and ongoing problems of urban renewal. This volume documents these strategies and proposals, while also casting a critical eye on similar neighborhoods in other European cities--including Barcelona, Berlin, Budapest, Brussels and London--putting the unique issues of Dutch gentrification into a larger perspective
Théorie de l’urbanisme
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Aglaia Konrad’s work often takes the form of a book, each conceived as an edited archive of the ways in which she uses photography to investigate urban landscapes. Two of her book projects were part of "The lives of documents—Photography as project", the project curated by Stefano Graziani and Bas Princen, and it was while putting this exhibition together that Konrad(...)
Alina, Barbara, Halina, Helena, Zofia
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Aglaia Konrad’s work often takes the form of a book, each conceived as an edited archive of the ways in which she uses photography to investigate urban landscapes. Two of her book projects were part of "The lives of documents—Photography as project", the project curated by Stefano Graziani and Bas Princen, and it was while putting this exhibition together that Konrad shared her enthusiasm after researching the work of five women that conceived several residential neighbourhoods in Warsaw after the Second World War and redefined the city as a green haven. If the two book projects she presented in our exhibition—Atlas (2000) and Copy Cities (2003–2004)—brought together multiple fragments of her extensive and systematic documentary work on cities, her survey of the work of Alina Scholtz, Barbara Brukalska, Halina Skibniewska, Helena Syrkus, and Zofia Hansen leads now to a travel diary that reflects on the role of architecture and landscape architecture in defining places of bonding and belonging.
Publications du CCA
OASE #84: Models Maquettes
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In recent decades models have made a contribution to architectural discourse that should not be underestimated. Christophe Van Gerrewey considers the models in OMA’s oeuvre and ascertains that OMA’s models always take on a life of their own, turning into ‘a realisation of what architecture promises, yet can never attain itself’. For example, the two plaster models of(...)
OASE #84: Models Maquettes
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In recent decades models have made a contribution to architectural discourse that should not be underestimated. Christophe Van Gerrewey considers the models in OMA’s oeuvre and ascertains that OMA’s models always take on a life of their own, turning into ‘a realisation of what architecture promises, yet can never attain itself’. For example, the two plaster models of the Très Grande Bibliothèque in Paris afforded new insights into a space that can be read both as mass and as counter-mass, while the model of the cruise terminal in Zeebrugge exemplified the power of the iconic form. OASE 84 devotes considerable attention to (architectural) models that play an important part in the work of various artists as well, like in the work of Mike Kelley and Thomas Demand. These models are hardly ever meant to be realised on a different scale elsewhere; they work with the dualistic connotations of the model directly. Although the two disciplines have markedly different motives for using models, we are confident that the cross-pollination brought about here will generate novel insights about the model’s significance and possibilities. With contributions by Jacob Bil, Adam Caruso, Thomas Demand, Job Floris, Kersten Geers, Christophe Van Gerrewey, Anne Holtrop, Christian Hubert, Junya Ishigami, Krijn de Koning, Véronique Patteeuw, Bas Princen, Hans Teerds, Milica Topalovic and Stefaan Vervoort OASE is an independent, international journal published in Dutch and English that features architecture, urban design and landscape design. Each issue is devoted to a topical theme and thus makes a significant contribution to international discourse within these fields. OASE is published three times a year