3666 Résultats
Classification:
dessins
dessins
Actions:
Numéro de référence:
PH1979:0603.03:001-051
PH1979:0603.03:001-051
Personnes et institutions:
Date:
published 1874
published 1874
Classification:
dessins
dessins
Date:
published 1874
published 1874
Personnes et institutions:
Classification:
dessins
dessins
Actions:
Numéro de référence:
PH1979:0603.04:001-057
PH1979:0603.04:001-057
Personnes et institutions:
Date:
published 1874
published 1874
Classification:
dessins
dessins
Date:
published 1874
published 1874
Personnes et institutions:
Classification:
dessins
dessins
Numéro de référence:
PH1979:0603.02:022
PH1979:0603.02:022
Personnes et institutions:
Sujet:
portrait
portrait
Date:
published 1873
published 1873
Classification:
dessins
dessins
Date:
published 1873
published 1873
Personnes et institutions:
Sujet:
portrait
portrait
Classification:
photographies
photographies
Actions:
Numéro de référence:
PH1984:1203:036
PH1984:1203:036
Personnes et institutions:
Sujet:
architecture, ornement
architecture, ornement
Date:
ca. 1865
ca. 1865
Classification:
photographies
photographies
Date:
ca. 1865
ca. 1865
Personnes et institutions:
Sujet:
architecture, ornement
architecture, ornement
Numéro de référence:
ARCH281714
Description:
Tape is inscribed "FK/Hangchow." Hangchow is the romanized name for Hangzhou, China.
ARCH281714
Description:
Tape is inscribed "FK/Hangchow." Hangchow is the romanized name for Hangzhou, China.
Personnes et institutions:
Date:
circa 1970
circa 1970
Titre:
Sound recording of Francisco Kripacz's travel diaries in Hangzhou, China.
Actions:
ARCH281714
Description:
Tape is inscribed "FK/Hangchow." Hangchow is the romanized name for Hangzhou, China.
Sound recording of Francisco Kripacz's travel diaries in Hangzhou, China.
Actions:
ARCH281714
Description:
Tape is inscribed "FK/Hangchow." Hangchow is the romanized name for Hangzhou, China.
Date:
circa 1970
circa 1970
Personnes et institutions:
Niveau de description archivistique:
Série(s)
Série(s)
Numéro de référence:
AP179.S3
Description:
Series 3, Tongxian Art Center, Beijing, 2000 – 2007, documents the development of a multiphase project for a public arts complex thirty miles from Beijing. Phases are distinguished when possible. Phase I of the project is the gatehouse (realized), which consists of housing and studio space for artists-in-residence. It is conceived as a brick monolith that has been shrink-wrapped or vacuumed into its shape – a metaphor for the optimization of the building’s limited space. Regional materials are incorporated through the use of local brick and native chudumu wood on the exterior. The gatehouse was completed in 2003. Phase II of the project is the art center (unrealized), which consists of public spaces, sculpture courts, administrative spaces and infrastructural needs of the institution, connected through a series of alleyways. The layout is organized to maximize interaction between inhabitants while maintaining a level of privacy. In addition to phases I and II, records in the series document a design referred to as Tongxian Gatekeeper (unrealized). Drawings, circa 2006, illustrate a building to house animals and agriculture in the southwest corner of the Tongxian Art complex grounds. The series contains sketches, drawings and reprographic copies from pre-design to construction stages of the project, two models including a wood model of the art center and a cardboard model of the gatekeeper wall, and photographic materials. The series also contains textual documents including correspondence with on-site project coordinator Timothy Clark, as well as meeting agendas, project schedules, agreements and proposals, and other project documentation. Digital material includes photographs of construction, CAD drawings, renderings, e-mail, and a video featuring the project team. The majority of material in the series relates to phase I of the project, the gatehouse. Some files include documentation about the involvement of contemporary artist Ai Wei Wei in a supervisory role for the project.
AP179.S3
Description:
Series 3, Tongxian Art Center, Beijing, 2000 – 2007, documents the development of a multiphase project for a public arts complex thirty miles from Beijing. Phases are distinguished when possible. Phase I of the project is the gatehouse (realized), which consists of housing and studio space for artists-in-residence. It is conceived as a brick monolith that has been shrink-wrapped or vacuumed into its shape – a metaphor for the optimization of the building’s limited space. Regional materials are incorporated through the use of local brick and native chudumu wood on the exterior. The gatehouse was completed in 2003. Phase II of the project is the art center (unrealized), which consists of public spaces, sculpture courts, administrative spaces and infrastructural needs of the institution, connected through a series of alleyways. The layout is organized to maximize interaction between inhabitants while maintaining a level of privacy. In addition to phases I and II, records in the series document a design referred to as Tongxian Gatekeeper (unrealized). Drawings, circa 2006, illustrate a building to house animals and agriculture in the southwest corner of the Tongxian Art complex grounds. The series contains sketches, drawings and reprographic copies from pre-design to construction stages of the project, two models including a wood model of the art center and a cardboard model of the gatekeeper wall, and photographic materials. The series also contains textual documents including correspondence with on-site project coordinator Timothy Clark, as well as meeting agendas, project schedules, agreements and proposals, and other project documentation. Digital material includes photographs of construction, CAD drawings, renderings, e-mail, and a video featuring the project team. The majority of material in the series relates to phase I of the project, the gatehouse. Some files include documentation about the involvement of contemporary artist Ai Wei Wei in a supervisory role for the project.
Personnes et institutions:
Date:
2000 - 2007
2000 - 2007
Titre:
Tongxian Art Center, Beijing, China (2000 - 2007)
Actions:
AP179.S3
Description:
Series 3, Tongxian Art Center, Beijing, 2000 – 2007, documents the development of a multiphase project for a public arts complex thirty miles from Beijing. Phases are distinguished when possible. Phase I of the project is the gatehouse (realized), which consists of housing and studio space for artists-in-residence. It is conceived as a brick monolith that has been shrink-wrapped or vacuumed into its shape – a metaphor for the optimization of the building’s limited space. Regional materials are incorporated through the use of local brick and native chudumu wood on the exterior. The gatehouse was completed in 2003. Phase II of the project is the art center (unrealized), which consists of public spaces, sculpture courts, administrative spaces and infrastructural needs of the institution, connected through a series of alleyways. The layout is organized to maximize interaction between inhabitants while maintaining a level of privacy. In addition to phases I and II, records in the series document a design referred to as Tongxian Gatekeeper (unrealized). Drawings, circa 2006, illustrate a building to house animals and agriculture in the southwest corner of the Tongxian Art complex grounds. The series contains sketches, drawings and reprographic copies from pre-design to construction stages of the project, two models including a wood model of the art center and a cardboard model of the gatekeeper wall, and photographic materials. The series also contains textual documents including correspondence with on-site project coordinator Timothy Clark, as well as meeting agendas, project schedules, agreements and proposals, and other project documentation. Digital material includes photographs of construction, CAD drawings, renderings, e-mail, and a video featuring the project team. The majority of material in the series relates to phase I of the project, the gatehouse. Some files include documentation about the involvement of contemporary artist Ai Wei Wei in a supervisory role for the project.
Tongxian Art Center, Beijing, China (2000 - 2007)
Actions:
AP179.S3
Description:
Series 3, Tongxian Art Center, Beijing, 2000 – 2007, documents the development of a multiphase project for a public arts complex thirty miles from Beijing. Phases are distinguished when possible. Phase I of the project is the gatehouse (realized), which consists of housing and studio space for artists-in-residence. It is conceived as a brick monolith that has been shrink-wrapped or vacuumed into its shape – a metaphor for the optimization of the building’s limited space. Regional materials are incorporated through the use of local brick and native chudumu wood on the exterior. The gatehouse was completed in 2003. Phase II of the project is the art center (unrealized), which consists of public spaces, sculpture courts, administrative spaces and infrastructural needs of the institution, connected through a series of alleyways. The layout is organized to maximize interaction between inhabitants while maintaining a level of privacy. In addition to phases I and II, records in the series document a design referred to as Tongxian Gatekeeper (unrealized). Drawings, circa 2006, illustrate a building to house animals and agriculture in the southwest corner of the Tongxian Art complex grounds. The series contains sketches, drawings and reprographic copies from pre-design to construction stages of the project, two models including a wood model of the art center and a cardboard model of the gatekeeper wall, and photographic materials. The series also contains textual documents including correspondence with on-site project coordinator Timothy Clark, as well as meeting agendas, project schedules, agreements and proposals, and other project documentation. Digital material includes photographs of construction, CAD drawings, renderings, e-mail, and a video featuring the project team. The majority of material in the series relates to phase I of the project, the gatehouse. Some files include documentation about the involvement of contemporary artist Ai Wei Wei in a supervisory role for the project.
Niveau de description archivistique:
Series
Series
Date:
2000 - 2007
2000 - 2007
Personnes et institutions:
Classification:
photographies
photographies
Actions:
Numéro de référence:
PH1980:0206:020
PH1980:0206:020
Personnes et institutions:
Sujet:
portrait
portrait
Date:
between 1865 and 1874
between 1865 and 1874
Titre:
Portrait of a Chinese woman holding a fan and seated beside a stand, China
Actions:
PH1980:0206:020
Portrait of a Chinese woman holding a fan and seated beside a stand, China
Actions:
PH1980:0206:020
Classification:
photographies
photographies
Date:
between 1865 and 1874
between 1865 and 1874
Personnes et institutions:
Sujet:
portrait
portrait
Classification:
documents textuels
documents textuels
Numéro de référence:
AP149.S1.1988.PR01.022
AP149.S1.1988.PR01.022
Personnes et institutions:
Date:
ca. 1998
ca. 1998
Classification:
documents textuels
documents textuels
Date:
ca. 1998
ca. 1998
Personnes et institutions:
Classification:
dessins
dessins
Actions:
Numéro de référence:
PH1979:0603.03:030
PH1979:0603.03:030
Personnes et institutions:
Sujet:
architecture
architecture
Date:
published 1874
published 1874
Titre:
View of Chinese section of Hankow (now Hankou, in Wuhan) from above, China
Actions:
PH1979:0603.03:030
View of Chinese section of Hankow (now Hankou, in Wuhan) from above, China
Actions:
PH1979:0603.03:030
Classification:
dessins
dessins
Date:
published 1874
published 1874
Personnes et institutions:
Sujet:
architecture
architecture
Numéro de référence:
ARCH281711
Description:
Tape is inscribed "FK/Sian." Sian is the romanized name for Xi'an, China. FK are the initials of Francisco Kripacz.
ARCH281711
Description:
Tape is inscribed "FK/Sian." Sian is the romanized name for Xi'an, China. FK are the initials of Francisco Kripacz.
Personnes et institutions:
Date:
circa 1970
circa 1970
Titre:
Audio recording of Francisco Kripacz's travel diaries in Xi'An, China.
Actions:
ARCH281711
Description:
Tape is inscribed "FK/Sian." Sian is the romanized name for Xi'an, China. FK are the initials of Francisco Kripacz.
Audio recording of Francisco Kripacz's travel diaries in Xi'An, China.
Actions:
ARCH281711
Description:
Tape is inscribed "FK/Sian." Sian is the romanized name for Xi'an, China. FK are the initials of Francisco Kripacz.
Date:
circa 1970
circa 1970
Personnes et institutions:
