24946 Résultats
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP207.S1.2014.PR01
Description:
The project series documents the installation "Architettura "Correta"" designed by Pettena for the exhibition "Soleil Politique" at the Museion in Bolzano, in 2014. The project was a design for a new museum entrance. The installation was made of three glass walls on which were drawn facade details of three historical buildings of the city. The central glass wall represents the entrance from the Piacentini square in Bolzano, with, at its left, a ‘serlian’ arch, and, at its right, a detail of the portico of a ‘Piazza d’Italia’ by Giorgio de Chirico. The idea was to "connect the museum to the city’s history, an architectural element was chosen, one which, in addition to favoring the idea of ‘entrance’ to the exhibit also permitted a view both of the urban and the natural setting, the sky, the mountains, an environment typical of the area in which the city itself rises." [1] The project series contains a sketch and a spiral bound volume with correspondence between Pettena and Pierre Bal Blanc, curator of the exhibitions, and proposals for the installation. The project series also contains photographs of the installation, including printouts. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/inst-revised-architecture-2014/ (last accessed 27 January 2020)
AP207.S1.2014.PR01
Description:
The project series documents the installation "Architettura "Correta"" designed by Pettena for the exhibition "Soleil Politique" at the Museion in Bolzano, in 2014. The project was a design for a new museum entrance. The installation was made of three glass walls on which were drawn facade details of three historical buildings of the city. The central glass wall represents the entrance from the Piacentini square in Bolzano, with, at its left, a ‘serlian’ arch, and, at its right, a detail of the portico of a ‘Piazza d’Italia’ by Giorgio de Chirico. The idea was to "connect the museum to the city’s history, an architectural element was chosen, one which, in addition to favoring the idea of ‘entrance’ to the exhibit also permitted a view both of the urban and the natural setting, the sky, the mountains, an environment typical of the area in which the city itself rises." [1] The project series contains a sketch and a spiral bound volume with correspondence between Pettena and Pierre Bal Blanc, curator of the exhibitions, and proposals for the installation. The project series also contains photographs of the installation, including printouts. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/inst-revised-architecture-2014/ (last accessed 27 January 2020)
Personnes et institutions:
Date:
2014-2015
2014-2015
Titre:
Architettura "Correta" ["Revised" Architecture] (2014)
Actions:
AP207.S1.2014.PR01
Description:
The project series documents the installation "Architettura "Correta"" designed by Pettena for the exhibition "Soleil Politique" at the Museion in Bolzano, in 2014. The project was a design for a new museum entrance. The installation was made of three glass walls on which were drawn facade details of three historical buildings of the city. The central glass wall represents the entrance from the Piacentini square in Bolzano, with, at its left, a ‘serlian’ arch, and, at its right, a detail of the portico of a ‘Piazza d’Italia’ by Giorgio de Chirico. The idea was to "connect the museum to the city’s history, an architectural element was chosen, one which, in addition to favoring the idea of ‘entrance’ to the exhibit also permitted a view both of the urban and the natural setting, the sky, the mountains, an environment typical of the area in which the city itself rises." [1] The project series contains a sketch and a spiral bound volume with correspondence between Pettena and Pierre Bal Blanc, curator of the exhibitions, and proposals for the installation. The project series also contains photographs of the installation, including printouts. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/inst-revised-architecture-2014/ (last accessed 27 January 2020)
Architettura "Correta" ["Revised" Architecture] (2014)
Actions:
AP207.S1.2014.PR01
Description:
The project series documents the installation "Architettura "Correta"" designed by Pettena for the exhibition "Soleil Politique" at the Museion in Bolzano, in 2014. The project was a design for a new museum entrance. The installation was made of three glass walls on which were drawn facade details of three historical buildings of the city. The central glass wall represents the entrance from the Piacentini square in Bolzano, with, at its left, a ‘serlian’ arch, and, at its right, a detail of the portico of a ‘Piazza d’Italia’ by Giorgio de Chirico. The idea was to "connect the museum to the city’s history, an architectural element was chosen, one which, in addition to favoring the idea of ‘entrance’ to the exhibit also permitted a view both of the urban and the natural setting, the sky, the mountains, an environment typical of the area in which the city itself rises." [1] The project series contains a sketch and a spiral bound volume with correspondence between Pettena and Pierre Bal Blanc, curator of the exhibitions, and proposals for the installation. The project series also contains photographs of the installation, including printouts. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/inst-revised-architecture-2014/ (last accessed 27 January 2020)
Niveau de description archivistique:
Project
Project
Date:
2014-2015
2014-2015
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP178.S1.1978.PR01
Description:
This project series documents the Banco Borges & Irmão II in Vila do Conde, Portugal. While the records were held in the office’s archives this project was assigned the number 46/70. The office assigned the date 1978 to this project. The Banco Borges & Irmão bank was located in the historic part of Vila do Conde, near the Matriz Church. The project site was the same as for the Banco Borges & Irmão I (project series AP178.S1.1977.PR02 in this fonds). The old building was destroyed and Siza built a new bank. The documentation informs us that the design of the building was subject to several changes. This project series contains documentation for several different versions of the building. The building had two floors and a basement. The third floor was used for administrative offices, the second floor for services to the public, and the basement for safety deposits. In 1988, Siza received the Mies van der Rohe prize for this project. Drawings include sketches, studies and working drawings. Textual materials include project documentation, meeting minutes and correspondence. Photographic materials include photographs of the models and the built project. A study model is also included in these materials.
AP178.S1.1978.PR01
Description:
This project series documents the Banco Borges & Irmão II in Vila do Conde, Portugal. While the records were held in the office’s archives this project was assigned the number 46/70. The office assigned the date 1978 to this project. The Banco Borges & Irmão bank was located in the historic part of Vila do Conde, near the Matriz Church. The project site was the same as for the Banco Borges & Irmão I (project series AP178.S1.1977.PR02 in this fonds). The old building was destroyed and Siza built a new bank. The documentation informs us that the design of the building was subject to several changes. This project series contains documentation for several different versions of the building. The building had two floors and a basement. The third floor was used for administrative offices, the second floor for services to the public, and the basement for safety deposits. In 1988, Siza received the Mies van der Rohe prize for this project. Drawings include sketches, studies and working drawings. Textual materials include project documentation, meeting minutes and correspondence. Photographic materials include photographs of the models and the built project. A study model is also included in these materials.
Personnes et institutions:
Date:
1978-1986
1978-1986
Titre:
Banco Borges & Irmão II [Borges & Irmão bank II], Vila do Conde, Portugal (1978-1986)
Actions:
AP178.S1.1978.PR01
Description:
This project series documents the Banco Borges & Irmão II in Vila do Conde, Portugal. While the records were held in the office’s archives this project was assigned the number 46/70. The office assigned the date 1978 to this project. The Banco Borges & Irmão bank was located in the historic part of Vila do Conde, near the Matriz Church. The project site was the same as for the Banco Borges & Irmão I (project series AP178.S1.1977.PR02 in this fonds). The old building was destroyed and Siza built a new bank. The documentation informs us that the design of the building was subject to several changes. This project series contains documentation for several different versions of the building. The building had two floors and a basement. The third floor was used for administrative offices, the second floor for services to the public, and the basement for safety deposits. In 1988, Siza received the Mies van der Rohe prize for this project. Drawings include sketches, studies and working drawings. Textual materials include project documentation, meeting minutes and correspondence. Photographic materials include photographs of the models and the built project. A study model is also included in these materials.
Banco Borges & Irmão II [Borges & Irmão bank II], Vila do Conde, Portugal (1978-1986)
Actions:
AP178.S1.1978.PR01
Description:
This project series documents the Banco Borges & Irmão II in Vila do Conde, Portugal. While the records were held in the office’s archives this project was assigned the number 46/70. The office assigned the date 1978 to this project. The Banco Borges & Irmão bank was located in the historic part of Vila do Conde, near the Matriz Church. The project site was the same as for the Banco Borges & Irmão I (project series AP178.S1.1977.PR02 in this fonds). The old building was destroyed and Siza built a new bank. The documentation informs us that the design of the building was subject to several changes. This project series contains documentation for several different versions of the building. The building had two floors and a basement. The third floor was used for administrative offices, the second floor for services to the public, and the basement for safety deposits. In 1988, Siza received the Mies van der Rohe prize for this project. Drawings include sketches, studies and working drawings. Textual materials include project documentation, meeting minutes and correspondence. Photographic materials include photographs of the models and the built project. A study model is also included in these materials.
Niveau de description archivistique:
Project
Project
Date:
1978-1986
1978-1986
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP178.S1.1992.PR04
Description:
This project series documents the Helsinki Museum of Contemporary Art. While the records were held in the office’s archives this project was assigned the number 28/90. The office assigned the dates 1992-1993 to this project. For the 75th anniversary of the independence of the country, the Finnish government held a competition for the design of the Museum of Contemporary Art of Helsinki. The competition was exclusive to Scandinavian architects, with the exception of four invited architects, including Àlvaro Siza. Eduardo Souto de Moura collaborated with Siza on the design. The project site was located in the center of Helsinki, near the main post office and the Parliament. Siza decided to name the building Cometa. The proposal included exhibition spaces, teaching and public facilities, an auditorium, workrooms, workshops, storerooms, film studio, and spaces for the administration and archives. The showrooms were located on the first floor and most of the lighting was intended to come from natural light. The design proposed by Siza included the use of granite for the exterior of the building. Steven Holl was selected by the jury to built the museum. Documenting this project are floor plans, sections, elevations, and site plans. Textual material includes project documentation, competition documentation, and correspondence. Photographs and negatives document the project site.
AP178.S1.1992.PR04
Description:
This project series documents the Helsinki Museum of Contemporary Art. While the records were held in the office’s archives this project was assigned the number 28/90. The office assigned the dates 1992-1993 to this project. For the 75th anniversary of the independence of the country, the Finnish government held a competition for the design of the Museum of Contemporary Art of Helsinki. The competition was exclusive to Scandinavian architects, with the exception of four invited architects, including Àlvaro Siza. Eduardo Souto de Moura collaborated with Siza on the design. The project site was located in the center of Helsinki, near the main post office and the Parliament. Siza decided to name the building Cometa. The proposal included exhibition spaces, teaching and public facilities, an auditorium, workrooms, workshops, storerooms, film studio, and spaces for the administration and archives. The showrooms were located on the first floor and most of the lighting was intended to come from natural light. The design proposed by Siza included the use of granite for the exterior of the building. Steven Holl was selected by the jury to built the museum. Documenting this project are floor plans, sections, elevations, and site plans. Textual material includes project documentation, competition documentation, and correspondence. Photographs and negatives document the project site.
Personnes et institutions:
Date:
1992-1993
1992-1993
Titre:
Museu de Arte Contemporânea para Helsínquia [Helsinki Museum of Contemporary Art], Helsinki, Finland (1992-1993)
Actions:
AP178.S1.1992.PR04
Description:
This project series documents the Helsinki Museum of Contemporary Art. While the records were held in the office’s archives this project was assigned the number 28/90. The office assigned the dates 1992-1993 to this project. For the 75th anniversary of the independence of the country, the Finnish government held a competition for the design of the Museum of Contemporary Art of Helsinki. The competition was exclusive to Scandinavian architects, with the exception of four invited architects, including Àlvaro Siza. Eduardo Souto de Moura collaborated with Siza on the design. The project site was located in the center of Helsinki, near the main post office and the Parliament. Siza decided to name the building Cometa. The proposal included exhibition spaces, teaching and public facilities, an auditorium, workrooms, workshops, storerooms, film studio, and spaces for the administration and archives. The showrooms were located on the first floor and most of the lighting was intended to come from natural light. The design proposed by Siza included the use of granite for the exterior of the building. Steven Holl was selected by the jury to built the museum. Documenting this project are floor plans, sections, elevations, and site plans. Textual material includes project documentation, competition documentation, and correspondence. Photographs and negatives document the project site.
Museu de Arte Contemporânea para Helsínquia [Helsinki Museum of Contemporary Art], Helsinki, Finland (1992-1993)
Actions:
AP178.S1.1992.PR04
Description:
This project series documents the Helsinki Museum of Contemporary Art. While the records were held in the office’s archives this project was assigned the number 28/90. The office assigned the dates 1992-1993 to this project. For the 75th anniversary of the independence of the country, the Finnish government held a competition for the design of the Museum of Contemporary Art of Helsinki. The competition was exclusive to Scandinavian architects, with the exception of four invited architects, including Àlvaro Siza. Eduardo Souto de Moura collaborated with Siza on the design. The project site was located in the center of Helsinki, near the main post office and the Parliament. Siza decided to name the building Cometa. The proposal included exhibition spaces, teaching and public facilities, an auditorium, workrooms, workshops, storerooms, film studio, and spaces for the administration and archives. The showrooms were located on the first floor and most of the lighting was intended to come from natural light. The design proposed by Siza included the use of granite for the exterior of the building. Steven Holl was selected by the jury to built the museum. Documenting this project are floor plans, sections, elevations, and site plans. Textual material includes project documentation, competition documentation, and correspondence. Photographs and negatives document the project site.
Niveau de description archivistique:
Project
Project
Date:
1992-1993
1992-1993
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP075.S1.2000.PR09
Description:
Project series documents Cornelia Hahn Oberlander's proposal for the landscape projet for the Portside expansion of the Vancouver Convention Centre. Oberlander worked in this project in 2005 with architectural firm Downs, Archambault & Partners Architects and Musson Cattel Mackey Partnership. The team had previously worked together on another project of expansion and redesign of the portiside in the mid-1980s for Canada Place. Like for the previous project, Oberlander's concept design was intended as a way of creating a link between the sea and the city and ease public access to the portside. Oberlander design raised precast planters with a selection of plants and trees adapted to the Burrad Inlet for the promenade. She was also in charge of the landscape design for the terraced roofscape above the new lobby of the Convention Centre, and the planters lining the pedestrian connection to the waterfront walkway. The project series contains design development drawings, including landscape plans, and details for planters, reference drawings of the existing landscape, and working drawings, including landscape plans, irrigation plans, and planting plans. The project is also documented through correspondence, including correspondence with architects, clients, consultants and contractors, Oberlander's concept notes, proposal for the landscape concept, documents related to the plant selection, financial documents, press clippings on the project, and photographs of the planting.
AP075.S1.2000.PR09
Description:
Project series documents Cornelia Hahn Oberlander's proposal for the landscape projet for the Portside expansion of the Vancouver Convention Centre. Oberlander worked in this project in 2005 with architectural firm Downs, Archambault & Partners Architects and Musson Cattel Mackey Partnership. The team had previously worked together on another project of expansion and redesign of the portiside in the mid-1980s for Canada Place. Like for the previous project, Oberlander's concept design was intended as a way of creating a link between the sea and the city and ease public access to the portside. Oberlander design raised precast planters with a selection of plants and trees adapted to the Burrad Inlet for the promenade. She was also in charge of the landscape design for the terraced roofscape above the new lobby of the Convention Centre, and the planters lining the pedestrian connection to the waterfront walkway. The project series contains design development drawings, including landscape plans, and details for planters, reference drawings of the existing landscape, and working drawings, including landscape plans, irrigation plans, and planting plans. The project is also documented through correspondence, including correspondence with architects, clients, consultants and contractors, Oberlander's concept notes, proposal for the landscape concept, documents related to the plant selection, financial documents, press clippings on the project, and photographs of the planting.
Personnes et institutions:
Date:
1999-2005
1999-2005
Titre:
Vancouver Convention Centre, Portside expansion, British Columbia (2005)
Actions:
AP075.S1.2000.PR09
Description:
Project series documents Cornelia Hahn Oberlander's proposal for the landscape projet for the Portside expansion of the Vancouver Convention Centre. Oberlander worked in this project in 2005 with architectural firm Downs, Archambault & Partners Architects and Musson Cattel Mackey Partnership. The team had previously worked together on another project of expansion and redesign of the portiside in the mid-1980s for Canada Place. Like for the previous project, Oberlander's concept design was intended as a way of creating a link between the sea and the city and ease public access to the portside. Oberlander design raised precast planters with a selection of plants and trees adapted to the Burrad Inlet for the promenade. She was also in charge of the landscape design for the terraced roofscape above the new lobby of the Convention Centre, and the planters lining the pedestrian connection to the waterfront walkway. The project series contains design development drawings, including landscape plans, and details for planters, reference drawings of the existing landscape, and working drawings, including landscape plans, irrigation plans, and planting plans. The project is also documented through correspondence, including correspondence with architects, clients, consultants and contractors, Oberlander's concept notes, proposal for the landscape concept, documents related to the plant selection, financial documents, press clippings on the project, and photographs of the planting.
Vancouver Convention Centre, Portside expansion, British Columbia (2005)
Actions:
AP075.S1.2000.PR09
Description:
Project series documents Cornelia Hahn Oberlander's proposal for the landscape projet for the Portside expansion of the Vancouver Convention Centre. Oberlander worked in this project in 2005 with architectural firm Downs, Archambault & Partners Architects and Musson Cattel Mackey Partnership. The team had previously worked together on another project of expansion and redesign of the portiside in the mid-1980s for Canada Place. Like for the previous project, Oberlander's concept design was intended as a way of creating a link between the sea and the city and ease public access to the portside. Oberlander design raised precast planters with a selection of plants and trees adapted to the Burrad Inlet for the promenade. She was also in charge of the landscape design for the terraced roofscape above the new lobby of the Convention Centre, and the planters lining the pedestrian connection to the waterfront walkway. The project series contains design development drawings, including landscape plans, and details for planters, reference drawings of the existing landscape, and working drawings, including landscape plans, irrigation plans, and planting plans. The project is also documented through correspondence, including correspondence with architects, clients, consultants and contractors, Oberlander's concept notes, proposal for the landscape concept, documents related to the plant selection, financial documents, press clippings on the project, and photographs of the planting.
Niveau de description archivistique:
Project
Project
Date:
1999-2005
1999-2005
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP075.S1.1975.PR01
Description:
Project series documents Cornelia Hahn Oberlander's project for the grounds of the Museum of Anthropology located on the northern end of the University of British Columbia campus. Oberlander worked on this project from 1975-1976 with architect Arthur Erickson. The project was completed in 1976. Due to the location of museum on the Northwest Coast First Nations site, the building was designed to evoke a First Nations longhouse. Oberlander concept for the landscaping was inspired by the Northwest Coast First Nations culture. It initally included a reflecting pool to represent the coastal inlet and an ethnobotanically significant selection of plants. However some features from the original design, such as the reflecting pool and some of the indegenious planting, weren't realized until the mid-2000s. The shield the site from the noise of the busy NW Marine Drive, located next to the grounds, Oberlander included "a series of large mounds planted with Haida seed mix". [1] The project series contains reprographic copies of working drawings, including landscape plans, landscape sections and details, grading and irrigation plans, planting plans, and site plans. The project is also documented through textual records, including specification, correspondence with architects and clients, inspection reports, and some handwritten notes by Oberlander. The project series also comprises photographs of the museum site.
AP075.S1.1975.PR01
Description:
Project series documents Cornelia Hahn Oberlander's project for the grounds of the Museum of Anthropology located on the northern end of the University of British Columbia campus. Oberlander worked on this project from 1975-1976 with architect Arthur Erickson. The project was completed in 1976. Due to the location of museum on the Northwest Coast First Nations site, the building was designed to evoke a First Nations longhouse. Oberlander concept for the landscaping was inspired by the Northwest Coast First Nations culture. It initally included a reflecting pool to represent the coastal inlet and an ethnobotanically significant selection of plants. However some features from the original design, such as the reflecting pool and some of the indegenious planting, weren't realized until the mid-2000s. The shield the site from the noise of the busy NW Marine Drive, located next to the grounds, Oberlander included "a series of large mounds planted with Haida seed mix". [1] The project series contains reprographic copies of working drawings, including landscape plans, landscape sections and details, grading and irrigation plans, planting plans, and site plans. The project is also documented through textual records, including specification, correspondence with architects and clients, inspection reports, and some handwritten notes by Oberlander. The project series also comprises photographs of the museum site.
Personnes et institutions:
Date:
1974-1976
1974-1976
Titre:
Museum of Anthropology, University of British Columbia, Vancouver, British Columbia (1975-1977)
Actions:
AP075.S1.1975.PR01
Description:
Project series documents Cornelia Hahn Oberlander's project for the grounds of the Museum of Anthropology located on the northern end of the University of British Columbia campus. Oberlander worked on this project from 1975-1976 with architect Arthur Erickson. The project was completed in 1976. Due to the location of museum on the Northwest Coast First Nations site, the building was designed to evoke a First Nations longhouse. Oberlander concept for the landscaping was inspired by the Northwest Coast First Nations culture. It initally included a reflecting pool to represent the coastal inlet and an ethnobotanically significant selection of plants. However some features from the original design, such as the reflecting pool and some of the indegenious planting, weren't realized until the mid-2000s. The shield the site from the noise of the busy NW Marine Drive, located next to the grounds, Oberlander included "a series of large mounds planted with Haida seed mix". [1] The project series contains reprographic copies of working drawings, including landscape plans, landscape sections and details, grading and irrigation plans, planting plans, and site plans. The project is also documented through textual records, including specification, correspondence with architects and clients, inspection reports, and some handwritten notes by Oberlander. The project series also comprises photographs of the museum site.
Museum of Anthropology, University of British Columbia, Vancouver, British Columbia (1975-1977)
Actions:
AP075.S1.1975.PR01
Description:
Project series documents Cornelia Hahn Oberlander's project for the grounds of the Museum of Anthropology located on the northern end of the University of British Columbia campus. Oberlander worked on this project from 1975-1976 with architect Arthur Erickson. The project was completed in 1976. Due to the location of museum on the Northwest Coast First Nations site, the building was designed to evoke a First Nations longhouse. Oberlander concept for the landscaping was inspired by the Northwest Coast First Nations culture. It initally included a reflecting pool to represent the coastal inlet and an ethnobotanically significant selection of plants. However some features from the original design, such as the reflecting pool and some of the indegenious planting, weren't realized until the mid-2000s. The shield the site from the noise of the busy NW Marine Drive, located next to the grounds, Oberlander included "a series of large mounds planted with Haida seed mix". [1] The project series contains reprographic copies of working drawings, including landscape plans, landscape sections and details, grading and irrigation plans, planting plans, and site plans. The project is also documented through textual records, including specification, correspondence with architects and clients, inspection reports, and some handwritten notes by Oberlander. The project series also comprises photographs of the museum site.
Niveau de description archivistique:
Project
Project
Date:
1974-1976
1974-1976
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP075.S1.1993.PR01
Description:
Project series documents Cornelia Hahn Oberlnader's landscape project for the C. K. Choi Building of the Institute of Asian Research at the University of British Columbia, Vancouver. Oberlander worked on this project from 1993-1995 with architectural firm Matsuzaki Wright Architects. The project consisted in creating a environmentally responsible building as well as for the landscape design. In this idea, Oberlander's landscape design only included native plans that need little maintenance, to avoid the usage of pesticides, and allow the use of organic fertilizers. She also selected trees valued as excellent absorbers of air polluants for the planting on the street edge. [1] The project was completed in 1995. The project series includes sketches design development drawings, including landscape plans, landscape details and sections, presentation drawings, working drawings, such as site plans, grading plans, and planting details, and building construction drawings used as reference.The project is also documented through concept notes by Oberlander, correspondence with architects, clients and consultants, documents related to plant selection, specifications, financial documents, and some press clippings and promotional material about the project. The project series also includes photographs of the landscaping work. Sources: [1] Herrington, Susan. Cornelia Hahn Oberlander: Making the Modern Landscape, University of Virginia Press, 2014, 304 pages, p. 184.
AP075.S1.1993.PR01
Description:
Project series documents Cornelia Hahn Oberlnader's landscape project for the C. K. Choi Building of the Institute of Asian Research at the University of British Columbia, Vancouver. Oberlander worked on this project from 1993-1995 with architectural firm Matsuzaki Wright Architects. The project consisted in creating a environmentally responsible building as well as for the landscape design. In this idea, Oberlander's landscape design only included native plans that need little maintenance, to avoid the usage of pesticides, and allow the use of organic fertilizers. She also selected trees valued as excellent absorbers of air polluants for the planting on the street edge. [1] The project was completed in 1995. The project series includes sketches design development drawings, including landscape plans, landscape details and sections, presentation drawings, working drawings, such as site plans, grading plans, and planting details, and building construction drawings used as reference.The project is also documented through concept notes by Oberlander, correspondence with architects, clients and consultants, documents related to plant selection, specifications, financial documents, and some press clippings and promotional material about the project. The project series also includes photographs of the landscaping work. Sources: [1] Herrington, Susan. Cornelia Hahn Oberlander: Making the Modern Landscape, University of Virginia Press, 2014, 304 pages, p. 184.
Personnes et institutions:
Date:
1991-2001
1991-2001
Titre:
C. K. Choi Institute of Asian Research, University of British Columbia, Vancouver, British Columbia (1993-1996)
Actions:
AP075.S1.1993.PR01
Description:
Project series documents Cornelia Hahn Oberlnader's landscape project for the C. K. Choi Building of the Institute of Asian Research at the University of British Columbia, Vancouver. Oberlander worked on this project from 1993-1995 with architectural firm Matsuzaki Wright Architects. The project consisted in creating a environmentally responsible building as well as for the landscape design. In this idea, Oberlander's landscape design only included native plans that need little maintenance, to avoid the usage of pesticides, and allow the use of organic fertilizers. She also selected trees valued as excellent absorbers of air polluants for the planting on the street edge. [1] The project was completed in 1995. The project series includes sketches design development drawings, including landscape plans, landscape details and sections, presentation drawings, working drawings, such as site plans, grading plans, and planting details, and building construction drawings used as reference.The project is also documented through concept notes by Oberlander, correspondence with architects, clients and consultants, documents related to plant selection, specifications, financial documents, and some press clippings and promotional material about the project. The project series also includes photographs of the landscaping work. Sources: [1] Herrington, Susan. Cornelia Hahn Oberlander: Making the Modern Landscape, University of Virginia Press, 2014, 304 pages, p. 184.
C. K. Choi Institute of Asian Research, University of British Columbia, Vancouver, British Columbia (1993-1996)
Actions:
AP075.S1.1993.PR01
Description:
Project series documents Cornelia Hahn Oberlnader's landscape project for the C. K. Choi Building of the Institute of Asian Research at the University of British Columbia, Vancouver. Oberlander worked on this project from 1993-1995 with architectural firm Matsuzaki Wright Architects. The project consisted in creating a environmentally responsible building as well as for the landscape design. In this idea, Oberlander's landscape design only included native plans that need little maintenance, to avoid the usage of pesticides, and allow the use of organic fertilizers. She also selected trees valued as excellent absorbers of air polluants for the planting on the street edge. [1] The project was completed in 1995. The project series includes sketches design development drawings, including landscape plans, landscape details and sections, presentation drawings, working drawings, such as site plans, grading plans, and planting details, and building construction drawings used as reference.The project is also documented through concept notes by Oberlander, correspondence with architects, clients and consultants, documents related to plant selection, specifications, financial documents, and some press clippings and promotional material about the project. The project series also includes photographs of the landscaping work. Sources: [1] Herrington, Susan. Cornelia Hahn Oberlander: Making the Modern Landscape, University of Virginia Press, 2014, 304 pages, p. 184.
Niveau de description archivistique:
Project
Project
Date:
1991-2001
1991-2001
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP075.S1.1983.PR02
Description:
Project series documents Cornelia Hahn Oberlander's landscape project for the Canadian Chancery on Pennsylvania Avenue, in Washington D.C. Oberlander worked in this project from 1983-1989 with architect Arthur Erickson. Oberlander and Erickson received the National Landscape Award for the project landscape design. The design included a paved courtyard accessible through Pennsylvania Avenue and John Marshall Place Park. Oberlanded connected the park, designed by landscape architect Carol L. Johnson in 1983, to the Chancery site by adding a paving area in place of the closed street separating the two blocks. A terraced façade featuring a hanging garden with trees and roses was design as a way of extending the John Marshall Park up to the roof of the building. The project series contains sketches and working drawings for the landscaping, including planting plans, irrigation plans, planters details, sections and planters irrigation plans, and architectural plans provided for reference use. It also contains photographs of the building and the courtyard landscaping. The project is also documented through textual records, including concept notes by Oberlander, correspondence with clients, architects, suppliers and consultants, specifications, meetings notes, financial documents, promotional material and articles on the project. Source: Herrington, Susan. Cornelia Hahn Oberlander: Making the Modern Landscape, University of Virginia Press, 2014, 304 pages.
AP075.S1.1983.PR02
Description:
Project series documents Cornelia Hahn Oberlander's landscape project for the Canadian Chancery on Pennsylvania Avenue, in Washington D.C. Oberlander worked in this project from 1983-1989 with architect Arthur Erickson. Oberlander and Erickson received the National Landscape Award for the project landscape design. The design included a paved courtyard accessible through Pennsylvania Avenue and John Marshall Place Park. Oberlanded connected the park, designed by landscape architect Carol L. Johnson in 1983, to the Chancery site by adding a paving area in place of the closed street separating the two blocks. A terraced façade featuring a hanging garden with trees and roses was design as a way of extending the John Marshall Park up to the roof of the building. The project series contains sketches and working drawings for the landscaping, including planting plans, irrigation plans, planters details, sections and planters irrigation plans, and architectural plans provided for reference use. It also contains photographs of the building and the courtyard landscaping. The project is also documented through textual records, including concept notes by Oberlander, correspondence with clients, architects, suppliers and consultants, specifications, meetings notes, financial documents, promotional material and articles on the project. Source: Herrington, Susan. Cornelia Hahn Oberlander: Making the Modern Landscape, University of Virginia Press, 2014, 304 pages.
Personnes et institutions:
Date:
1983-1990
1983-1990
Titre:
Canadian Chancery, Washington D.C. (1983-1990)
Actions:
AP075.S1.1983.PR02
Description:
Project series documents Cornelia Hahn Oberlander's landscape project for the Canadian Chancery on Pennsylvania Avenue, in Washington D.C. Oberlander worked in this project from 1983-1989 with architect Arthur Erickson. Oberlander and Erickson received the National Landscape Award for the project landscape design. The design included a paved courtyard accessible through Pennsylvania Avenue and John Marshall Place Park. Oberlanded connected the park, designed by landscape architect Carol L. Johnson in 1983, to the Chancery site by adding a paving area in place of the closed street separating the two blocks. A terraced façade featuring a hanging garden with trees and roses was design as a way of extending the John Marshall Park up to the roof of the building. The project series contains sketches and working drawings for the landscaping, including planting plans, irrigation plans, planters details, sections and planters irrigation plans, and architectural plans provided for reference use. It also contains photographs of the building and the courtyard landscaping. The project is also documented through textual records, including concept notes by Oberlander, correspondence with clients, architects, suppliers and consultants, specifications, meetings notes, financial documents, promotional material and articles on the project. Source: Herrington, Susan. Cornelia Hahn Oberlander: Making the Modern Landscape, University of Virginia Press, 2014, 304 pages.
Canadian Chancery, Washington D.C. (1983-1990)
Actions:
AP075.S1.1983.PR02
Description:
Project series documents Cornelia Hahn Oberlander's landscape project for the Canadian Chancery on Pennsylvania Avenue, in Washington D.C. Oberlander worked in this project from 1983-1989 with architect Arthur Erickson. Oberlander and Erickson received the National Landscape Award for the project landscape design. The design included a paved courtyard accessible through Pennsylvania Avenue and John Marshall Place Park. Oberlanded connected the park, designed by landscape architect Carol L. Johnson in 1983, to the Chancery site by adding a paving area in place of the closed street separating the two blocks. A terraced façade featuring a hanging garden with trees and roses was design as a way of extending the John Marshall Park up to the roof of the building. The project series contains sketches and working drawings for the landscaping, including planting plans, irrigation plans, planters details, sections and planters irrigation plans, and architectural plans provided for reference use. It also contains photographs of the building and the courtyard landscaping. The project is also documented through textual records, including concept notes by Oberlander, correspondence with clients, architects, suppliers and consultants, specifications, meetings notes, financial documents, promotional material and articles on the project. Source: Herrington, Susan. Cornelia Hahn Oberlander: Making the Modern Landscape, University of Virginia Press, 2014, 304 pages.
Niveau de description archivistique:
Project
Project
Date:
1983-1990
1983-1990
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP075.S1.1989.PR01
Description:
Project series documents Cornelia Hahn Oberlander's landscape project for the Environmental Science Building and Walter Ward Garden on West Bank Drive at Trent University, in Peterborough, Ontario. Oberlander worked on this project in 1989 with Richard Henriquez Architect and Laszlo Nemeth Associates who won the design competition for the new campus building. The project consists in an environmental garden with native plants and grasses and a landscaped roof linked to the ground level by a ramp covered in earth. The ramp and the green roof were design not for human but to give a refuge to ground hogs displaced by the construction of the building. The Environmental Science Building opened in 1991 while the garden was officially opened in 1992. The project series contains site plans, sketches, design developement drawings, including planting plans, landscape sections and details, working drawings, presentation drawings, including perspective drawings, and presentation panels. The project series also comprises working drawings of the building used as reference by Oberlander. The project is also documents through photographs of the construction of the building and the site work, concept notes by Oberlander, correspondence with clients, architects and consultants, specifications, including landscape specifications, plants selection documents, financial documents, reseach materials, and clippings of articles on the project.
AP075.S1.1989.PR01
Description:
Project series documents Cornelia Hahn Oberlander's landscape project for the Environmental Science Building and Walter Ward Garden on West Bank Drive at Trent University, in Peterborough, Ontario. Oberlander worked on this project in 1989 with Richard Henriquez Architect and Laszlo Nemeth Associates who won the design competition for the new campus building. The project consists in an environmental garden with native plants and grasses and a landscaped roof linked to the ground level by a ramp covered in earth. The ramp and the green roof were design not for human but to give a refuge to ground hogs displaced by the construction of the building. The Environmental Science Building opened in 1991 while the garden was officially opened in 1992. The project series contains site plans, sketches, design developement drawings, including planting plans, landscape sections and details, working drawings, presentation drawings, including perspective drawings, and presentation panels. The project series also comprises working drawings of the building used as reference by Oberlander. The project is also documents through photographs of the construction of the building and the site work, concept notes by Oberlander, correspondence with clients, architects and consultants, specifications, including landscape specifications, plants selection documents, financial documents, reseach materials, and clippings of articles on the project.
Personnes et institutions:
Date:
1989-1993
1989-1993
Titre:
Environmental Science Building and Walter Ward Garden, Trent University, Peterborough, Ontario (1989)
Actions:
AP075.S1.1989.PR01
Description:
Project series documents Cornelia Hahn Oberlander's landscape project for the Environmental Science Building and Walter Ward Garden on West Bank Drive at Trent University, in Peterborough, Ontario. Oberlander worked on this project in 1989 with Richard Henriquez Architect and Laszlo Nemeth Associates who won the design competition for the new campus building. The project consists in an environmental garden with native plants and grasses and a landscaped roof linked to the ground level by a ramp covered in earth. The ramp and the green roof were design not for human but to give a refuge to ground hogs displaced by the construction of the building. The Environmental Science Building opened in 1991 while the garden was officially opened in 1992. The project series contains site plans, sketches, design developement drawings, including planting plans, landscape sections and details, working drawings, presentation drawings, including perspective drawings, and presentation panels. The project series also comprises working drawings of the building used as reference by Oberlander. The project is also documents through photographs of the construction of the building and the site work, concept notes by Oberlander, correspondence with clients, architects and consultants, specifications, including landscape specifications, plants selection documents, financial documents, reseach materials, and clippings of articles on the project.
Environmental Science Building and Walter Ward Garden, Trent University, Peterborough, Ontario (1989)
Actions:
AP075.S1.1989.PR01
Description:
Project series documents Cornelia Hahn Oberlander's landscape project for the Environmental Science Building and Walter Ward Garden on West Bank Drive at Trent University, in Peterborough, Ontario. Oberlander worked on this project in 1989 with Richard Henriquez Architect and Laszlo Nemeth Associates who won the design competition for the new campus building. The project consists in an environmental garden with native plants and grasses and a landscaped roof linked to the ground level by a ramp covered in earth. The ramp and the green roof were design not for human but to give a refuge to ground hogs displaced by the construction of the building. The Environmental Science Building opened in 1991 while the garden was officially opened in 1992. The project series contains site plans, sketches, design developement drawings, including planting plans, landscape sections and details, working drawings, presentation drawings, including perspective drawings, and presentation panels. The project series also comprises working drawings of the building used as reference by Oberlander. The project is also documents through photographs of the construction of the building and the site work, concept notes by Oberlander, correspondence with clients, architects and consultants, specifications, including landscape specifications, plants selection documents, financial documents, reseach materials, and clippings of articles on the project.
Niveau de description archivistique:
Project
Project
Date:
1989-1993
1989-1993
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP075.S1.1990.PR03
Description:
Project series documents Cornelia Hahn Oberlander's landscape design for the United Nations Peacekeeping Monument in Ottawa, Ontario. Oberlander worked on this from 1990-1993 with Richard Henriquez & Partners and sculptor Jack Harmon. Together, they won the design competition organized by the National Capital Commission in 1990. The monument is situated between the National Gallery of Canada and the United States Embassy, between St. Patrick Street and Murray Street. The monument consists in three bronze cast figures of peacekeeping soldiers on a granite slab. Oberlander elaborated the planting scheme and designed "an oval grove of twelve oak trees representing Canada's ten provinces and two territories [...]" [1], except Nunavut that was still included in the Northwest Territories at the time. The project was completed in 1993. Project series contains ten landscape working drawings, including a site plan, landscape sections, planting and grading plans, and an irrigations plan. The project is also documented through textual records, including design competition information documents, competition proposal, correspondence with architects, client and consultants, specifications, financial documents, press about the project and photographs of the construction and the inauguration of the monument. Source: [1] Herrington, Susan. Cornelia Hahn Oberlander: Making the Modern Landscape, University of Virginia Press, 2014, 304 pages, p. 171.
AP075.S1.1990.PR03
Description:
Project series documents Cornelia Hahn Oberlander's landscape design for the United Nations Peacekeeping Monument in Ottawa, Ontario. Oberlander worked on this from 1990-1993 with Richard Henriquez & Partners and sculptor Jack Harmon. Together, they won the design competition organized by the National Capital Commission in 1990. The monument is situated between the National Gallery of Canada and the United States Embassy, between St. Patrick Street and Murray Street. The monument consists in three bronze cast figures of peacekeeping soldiers on a granite slab. Oberlander elaborated the planting scheme and designed "an oval grove of twelve oak trees representing Canada's ten provinces and two territories [...]" [1], except Nunavut that was still included in the Northwest Territories at the time. The project was completed in 1993. Project series contains ten landscape working drawings, including a site plan, landscape sections, planting and grading plans, and an irrigations plan. The project is also documented through textual records, including design competition information documents, competition proposal, correspondence with architects, client and consultants, specifications, financial documents, press about the project and photographs of the construction and the inauguration of the monument. Source: [1] Herrington, Susan. Cornelia Hahn Oberlander: Making the Modern Landscape, University of Virginia Press, 2014, 304 pages, p. 171.
Personnes et institutions:
Date:
1990-1993
1990-1993
Titre:
United Nations Peacekeeping Monument, Ottawa, Ontario (1990-1993)
Actions:
AP075.S1.1990.PR03
Description:
Project series documents Cornelia Hahn Oberlander's landscape design for the United Nations Peacekeeping Monument in Ottawa, Ontario. Oberlander worked on this from 1990-1993 with Richard Henriquez & Partners and sculptor Jack Harmon. Together, they won the design competition organized by the National Capital Commission in 1990. The monument is situated between the National Gallery of Canada and the United States Embassy, between St. Patrick Street and Murray Street. The monument consists in three bronze cast figures of peacekeeping soldiers on a granite slab. Oberlander elaborated the planting scheme and designed "an oval grove of twelve oak trees representing Canada's ten provinces and two territories [...]" [1], except Nunavut that was still included in the Northwest Territories at the time. The project was completed in 1993. Project series contains ten landscape working drawings, including a site plan, landscape sections, planting and grading plans, and an irrigations plan. The project is also documented through textual records, including design competition information documents, competition proposal, correspondence with architects, client and consultants, specifications, financial documents, press about the project and photographs of the construction and the inauguration of the monument. Source: [1] Herrington, Susan. Cornelia Hahn Oberlander: Making the Modern Landscape, University of Virginia Press, 2014, 304 pages, p. 171.
United Nations Peacekeeping Monument, Ottawa, Ontario (1990-1993)
Actions:
AP075.S1.1990.PR03
Description:
Project series documents Cornelia Hahn Oberlander's landscape design for the United Nations Peacekeeping Monument in Ottawa, Ontario. Oberlander worked on this from 1990-1993 with Richard Henriquez & Partners and sculptor Jack Harmon. Together, they won the design competition organized by the National Capital Commission in 1990. The monument is situated between the National Gallery of Canada and the United States Embassy, between St. Patrick Street and Murray Street. The monument consists in three bronze cast figures of peacekeeping soldiers on a granite slab. Oberlander elaborated the planting scheme and designed "an oval grove of twelve oak trees representing Canada's ten provinces and two territories [...]" [1], except Nunavut that was still included in the Northwest Territories at the time. The project was completed in 1993. Project series contains ten landscape working drawings, including a site plan, landscape sections, planting and grading plans, and an irrigations plan. The project is also documented through textual records, including design competition information documents, competition proposal, correspondence with architects, client and consultants, specifications, financial documents, press about the project and photographs of the construction and the inauguration of the monument. Source: [1] Herrington, Susan. Cornelia Hahn Oberlander: Making the Modern Landscape, University of Virginia Press, 2014, 304 pages, p. 171.
Niveau de description archivistique:
Project
Project
Date:
1990-1993
1990-1993
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP075.S1.1992.PR05
Description:
Project series documents Cornelia Hahn Oberlander's landscape project for the Liu Centre for Global Studies at University of British Columbia, Vancouver. Oberlander worked on this project in 1994 with architect Arthur Erickson and architectural firm Aitken Wreglesworth Associates. The overwall concept for the project was to design an environmentally responsible building and landscape. Situated at the north edge of a mature costal forest, the main concern of the landscape design was to avoid effecting the existing woodland. Oberlander preserved all existing mature trees on the site and used only native plants and grasses. The design of the building was also though to minimize any impact on the surrounding forest, by avoiding machineries on site or pruning of existing trees. The project also included a green roof, also design by Oberlander. The project was completed in 2000. The project series includes sketches, design development drawings, including landscape plans, landscape details and planting plans, working drawings, such as planting plans and details for the green roof, and working drawings for the building used as reference. The project series also comprises a proposal, concept notes by Oberlander, correspondence with clients, architects and consultants, meetings notes, financial documents, specifications and some promotional material and press clippings on the building. The project is also documented through photographs of landscaping work.
AP075.S1.1992.PR05
Description:
Project series documents Cornelia Hahn Oberlander's landscape project for the Liu Centre for Global Studies at University of British Columbia, Vancouver. Oberlander worked on this project in 1994 with architect Arthur Erickson and architectural firm Aitken Wreglesworth Associates. The overwall concept for the project was to design an environmentally responsible building and landscape. Situated at the north edge of a mature costal forest, the main concern of the landscape design was to avoid effecting the existing woodland. Oberlander preserved all existing mature trees on the site and used only native plants and grasses. The design of the building was also though to minimize any impact on the surrounding forest, by avoiding machineries on site or pruning of existing trees. The project also included a green roof, also design by Oberlander. The project was completed in 2000. The project series includes sketches, design development drawings, including landscape plans, landscape details and planting plans, working drawings, such as planting plans and details for the green roof, and working drawings for the building used as reference. The project series also comprises a proposal, concept notes by Oberlander, correspondence with clients, architects and consultants, meetings notes, financial documents, specifications and some promotional material and press clippings on the building. The project is also documented through photographs of landscaping work.
Personnes et institutions:
Date:
1992-2009
1992-2009
Titre:
Liu Centre for Global Studies, University of British Columbia, Vancouver, British Columbia (1992)
Actions:
AP075.S1.1992.PR05
Description:
Project series documents Cornelia Hahn Oberlander's landscape project for the Liu Centre for Global Studies at University of British Columbia, Vancouver. Oberlander worked on this project in 1994 with architect Arthur Erickson and architectural firm Aitken Wreglesworth Associates. The overwall concept for the project was to design an environmentally responsible building and landscape. Situated at the north edge of a mature costal forest, the main concern of the landscape design was to avoid effecting the existing woodland. Oberlander preserved all existing mature trees on the site and used only native plants and grasses. The design of the building was also though to minimize any impact on the surrounding forest, by avoiding machineries on site or pruning of existing trees. The project also included a green roof, also design by Oberlander. The project was completed in 2000. The project series includes sketches, design development drawings, including landscape plans, landscape details and planting plans, working drawings, such as planting plans and details for the green roof, and working drawings for the building used as reference. The project series also comprises a proposal, concept notes by Oberlander, correspondence with clients, architects and consultants, meetings notes, financial documents, specifications and some promotional material and press clippings on the building. The project is also documented through photographs of landscaping work.
Liu Centre for Global Studies, University of British Columbia, Vancouver, British Columbia (1992)
Actions:
AP075.S1.1992.PR05
Description:
Project series documents Cornelia Hahn Oberlander's landscape project for the Liu Centre for Global Studies at University of British Columbia, Vancouver. Oberlander worked on this project in 1994 with architect Arthur Erickson and architectural firm Aitken Wreglesworth Associates. The overwall concept for the project was to design an environmentally responsible building and landscape. Situated at the north edge of a mature costal forest, the main concern of the landscape design was to avoid effecting the existing woodland. Oberlander preserved all existing mature trees on the site and used only native plants and grasses. The design of the building was also though to minimize any impact on the surrounding forest, by avoiding machineries on site or pruning of existing trees. The project also included a green roof, also design by Oberlander. The project was completed in 2000. The project series includes sketches, design development drawings, including landscape plans, landscape details and planting plans, working drawings, such as planting plans and details for the green roof, and working drawings for the building used as reference. The project series also comprises a proposal, concept notes by Oberlander, correspondence with clients, architects and consultants, meetings notes, financial documents, specifications and some promotional material and press clippings on the building. The project is also documented through photographs of landscaping work.
Niveau de description archivistique:
Project
Project
Date:
1992-2009
1992-2009
Personnes et institutions:
