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All but forgotten today, eight historic gardens that once flourished along the length of the Thames in early Tudor London are here historically recreated and analyzed in this richly illustrated book. One of the gardens belonged to Sir Thomas More, and the others to politically powerful friends and acquaintances of his. The stories of these long-lost gardens, brought(...)
The riverside gardens of Thomas More's London
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All but forgotten today, eight historic gardens that once flourished along the length of the Thames in early Tudor London are here historically recreated and analyzed in this richly illustrated book. One of the gardens belonged to Sir Thomas More, and the others to politically powerful friends and acquaintances of his. The stories of these long-lost gardens, brought together here for the first time, shed new light not only on London’s garden history and that of its first gardeners but also on the lives and outlooks of some of the most important figures within and around the court of Henry VIII. The locations of these gardens range from the Tower of London to More’s own country manor at Chelsea, from Cardinal Wolsey’s York Place in Westminster (later transformed into Whitehall Palace by Henry VIII) to Hampton Court. More than any single garden could, the group of eight riverside gardens illuminates not only the practical realities but also the political importance of gardens. The book explores in detail the gardens that More knew so well and shows how their histories are intimately connected to his own.
Jardins
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Robert Polidori's metropolis
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Not only is he one of the world’s preeminent architecture photographers, Robert Polidori is also--as his popular book Havana proved--a master of urban portraiture. The Montreal-born photographer has made haunting studies of bombed-out buildings in Beirut, decaying New York tenements, Versailles rooms in dusty disarray, Brasilia's paean to spare '50s modernism, and, most(...)
Monographies photo
novembre 2004, New York
Robert Polidori's metropolis
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Not only is he one of the world’s preeminent architecture photographers, Robert Polidori is also--as his popular book Havana proved--a master of urban portraiture. The Montreal-born photographer has made haunting studies of bombed-out buildings in Beirut, decaying New York tenements, Versailles rooms in dusty disarray, Brasilia's paean to spare '50s modernism, and, most recently, the abandoned, contaminated cities of Chernobyl and Pripyat. Taken together, they add to his ongoing project: the interpretation of the interrupted urban landscape. This new monograph combines the eye of a celebrated photographer with the distinctive voice of an artist and adventurer. Each breathtaking image--meticulously selected by the photographer from his own personal archive--is accompanied by a compelling first person account, based on interviews conducted by Martin C. Pedersen, executive editor of Metropolis magazine. Polidori tells behind-the-scene stories about the making of his photographs, takes us to war-torn Beirut and Brasilia and other world capitals, talks about what makes a building photogenic, how he shoots buildings he doesn’t like, his favorite architects, and his love of mosques. A look at the world’s great cities as seen through the eyes of a sharp social observer
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novembre 2004, New York
Monographies photo
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An exhibition catalogue from the Migros Museum featuring 21 artists and architects including Anish Kapoor, Jane and Louise Wilson, James Casebere, and Daniel Libeskind among others. The exhibition takes as its point of departure three contexts in which space occupies a central position: Sigmund Freud’s notion of “das Unheimliche” and psychoanalytical elaboration of(...)
novembre 2003, Zurich / Gdansk
Bewitched, bothered and bewildered : spatial emotion in contemporary art and architecture
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An exhibition catalogue from the Migros Museum featuring 21 artists and architects including Anish Kapoor, Jane and Louise Wilson, James Casebere, and Daniel Libeskind among others. The exhibition takes as its point of departure three contexts in which space occupies a central position: Sigmund Freud’s notion of “das Unheimliche” and psychoanalytical elaboration of space and its emotion; Michel Foucault’s other spaces – heterotopias and their counter-site qualities of socio-political implications; and Walter Benjamin’s outmoded and repressed space with all its auratic traces (fake or authentic) of philosophical and historic charge. “Bewitched, Bothered and Bewildered” aims to exploit the psychological associations of space with its multiplicity of emotional overtones, mapping its extremes and its psychic environment. Focusing on spatial pathologies (agoraphobia, vertigo, claustrophobia...), the exhibition identifies space as a cause of mental disorder, fear or estrangement, ultimate trauma. Hysteria, panic and neurosis overlap with other spatial stories of psychic unrest and unease: distortions and perversions (warped space); anxiety and enigmas (haunted space); spatial inconvenience and discomfort, perfectly domestic and yet alienating; space half-spoken, half-pronounced: a promise, a puzzle, a magic spell, temptation.
The largest art
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In "The largest art", Brent Ryan argues that urban design encompasses more than architecture, and he provides a foundational theory of urban design beyond the architectural scale. In a "declaration of independence" for urban design, Ryan describes urban design as the largest of the building arts, with qualities of its own. Ryan distinguishes urban design from its sister(...)
The largest art
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In "The largest art", Brent Ryan argues that urban design encompasses more than architecture, and he provides a foundational theory of urban design beyond the architectural scale. In a "declaration of independence" for urban design, Ryan describes urban design as the largest of the building arts, with qualities of its own. Ryan distinguishes urban design from its sister arts by its pluralism: plural scale, ranging from an alleyway to a region; plural time, because it is deeply enmeshed in both history and the present; plural property, with many owners; plural agents, with many makers; and plural form, with a distributed quality that allows it to coexist with diverse elements of the city. Ryan looks at three well-known urban design projects through the lens of pluralism: a Brancusi sculptural ensemble in Romania, a Bronx housing project, and a formally and spatially diverse grouping of projects in Ljubljana, Slovenia. He revisits the thought of three plural urbanists working between 1960 and 1980: David Crane, Edmund Bacon, and Kevin Lynch. And he tells three design stories for the future, imaginary scenarios of plural urbanism in locations around the world.
Théorie de l’urbanisme
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''Raising the Curtain'' centres on two modernist opera theatres built on the western periphery of the Soviet Union, now located in the capitals of Lithuania and Belarus: the Opera and Ballet Theatre in Vilnius, Lithuania, inaugurated in 1974, and the Comic Opera in Minsk, Belarus, which opened in 1981. Both were designed, by a lucky coincidence, by architectural(...)
Raising the curtain: Operatic modernism in the Soviet Republics
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''Raising the Curtain'' centres on two modernist opera theatres built on the western periphery of the Soviet Union, now located in the capitals of Lithuania and Belarus: the Opera and Ballet Theatre in Vilnius, Lithuania, inaugurated in 1974, and the Comic Opera in Minsk, Belarus, which opened in 1981. Both were designed, by a lucky coincidence, by architectural collectives led by women, Nijole Buciute (1930-2010) and Oxana Tkachuk (b. 1933) respectively. Drawing upon the close relation of operatic environments to national imaginaries, the book expands the stories of the theatres’ creation into an interrogation of the national condition in the Soviet non-Russian republics. Lithuania and Belarus exemplify the broad range of Soviet national scenarios, presenting two polar extremes of the paths taken: Lithuania was the first republic to leave the Soviet Union in 1990, while Belarus retained its reputation as the “last Soviet republic” well into the 21st century. ''Raising the Curtain'' puts centre stage the involvement of architecture of Soviet modernism with the geopolitical transformations of the era, offering an intimate look at the tectonic shifts which still reverberate across the globe.
Modernisme
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In this sweeping chronicle of guaraná—a glossy-leaved Amazonian vine packed with more caffeine than any other plant—Seth Garfield develops a wide-ranging approach to the history of Brazil itself. The story begins with guaraná as the pre-Columbian cultivar of the Sateré-Mawé people in the Lower Amazon region, where it figured centrally in the Indigenous nation's origin(...)
Guaraná: How Brazil Embraced the World's Most Caffeine-Rich Plant
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In this sweeping chronicle of guaraná—a glossy-leaved Amazonian vine packed with more caffeine than any other plant—Seth Garfield develops a wide-ranging approach to the history of Brazil itself. The story begins with guaraná as the pre-Columbian cultivar of the Sateré-Mawé people in the Lower Amazon region, where it figured centrally in the Indigenous nation's origin stories, dietary regimes, and communal ceremonies. During subsequent centuries of Portuguese colonialism and Brazilian rule, guaraná was reformulated by settlers, scientists, folklorists, food technologists, and marketers. Whether in search of pleasure, profits, professional distinction, or patriotic markers, promoters imparted new meanings to guaraná and found new uses for it. Today, it is the namesake ingredient of a multibillion-dollar soft drink industry and a beloved national symbol. Guaraná’s journey elucidates human impacts on Amazonian ecosystems; the circulation of knowledge, goods, and power; and the promise of modernity in Latin America's largest nation. For Garfield, the beverage's history reveals not only the structuring of inequalities in Brazil but also the mythmaking and ordering of social practices that constitute so-called traditional and modern societies.
Bouffe
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With steps leading down to the water’s edge, stepwells are inverted buildings that descend several stories below ground. Often, they are as monumental and ornate as a church, and this is intentional. They are a source of water, a gathering space, and a temple all at once. Stepwells create a visual and spatial experience unlike any other, in which the below-ground remains(...)
To reach the source: The stepwells of India
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With steps leading down to the water’s edge, stepwells are inverted buildings that descend several stories below ground. Often, they are as monumental and ornate as a church, and this is intentional. They are a source of water, a gathering space, and a temple all at once. Stepwells create a visual and spatial experience unlike any other, in which the below-ground remains connected to the sun and sky above. There are thousands of stepwells across the Indian Subcontinent, many of them 500-1,000 years old, each one different from the other. Most lie abandoned and overlooked, in varying states of preservation or, more often, disrepair, but they remain beautiful and compelling. The 48 photographs in this book were made across India to convey the beauty and diversity of these structures and the striking ambiances they elicit. A brief text accompanies the images to provide history and context, interspersed with several architectural drawings by Tanvi Jain. The images seek to give readers a sense of what it feels like to immerse oneself in such a unique, meditative space, and to be impelled towards the very source of life: water.
Monographies photo
Baldness and modernism
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The original bald and unconvincing narrative that triggered this book is that put about by Alison and Peter Smithson in their 1981 Heroic Period of Modern Architecture, limiting modernism to 1915–1929. This fiction is re-contextualized with studies of iconic Bauhaus bald heads – Schlemmer, Itten, etc., such Literal Baldness is the subject of Part 1. Part 2 of Phenomenal(...)
Baldness and modernism
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The original bald and unconvincing narrative that triggered this book is that put about by Alison and Peter Smithson in their 1981 Heroic Period of Modern Architecture, limiting modernism to 1915–1929. This fiction is re-contextualized with studies of iconic Bauhaus bald heads – Schlemmer, Itten, etc., such Literal Baldness is the subject of Part 1. Part 2 of Phenomenal Baldness unwinds the Bauhaus narrative put about by Walter Gropius, one that has held water for 100 years. Spin doctor Gropius manipulated his Bauhaus successes into a cornerstone of post WW2 modernism. Cracks in this story are now emerging along with the fact that Gropius was in hindsight, not a very good architect. Attacks on the Bauhaus like those by Rudolph Schwartz or Tom Wolf as well as a comprehensive list of Gropius hand-holders, and those edited out of his narrative are here explored. To conclude Gropius is compared to his contemporary Bruno Taut, a far more interesting and talented architect. This book like Peter Wilson’s previous "Bedtime Stories for Architects" or "Some Reasons for Traveling to Italy" is written in his unique anecdotal style, savoring Shandyisms and the quirks of history.
Théorie de l’architecture
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Mass housing in post-war socialist countries was a quick and effective way to provide homes for the expanding city populations after WWII, but after the collapse of the Soviet Bloc the fate of these constructions became uncertain. While modernist estates are being renovated or prematurely demolished, their tenants remain undaunted. They have lived through the buildings’(...)
The tenants: Concrete portraits of the former Eastern Bloc
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Mass housing in post-war socialist countries was a quick and effective way to provide homes for the expanding city populations after WWII, but after the collapse of the Soviet Bloc the fate of these constructions became uncertain. While modernist estates are being renovated or prematurely demolished, their tenants remain undaunted. They have lived through the buildings’ golden years and darker times. For the last decade, Zupagrafika has documented the housing estates erected in Central and Eastern Europe, still perceived by many as ‘eyesores,’ through photographs and illustrated paper models. The Tenants features over 40 housing projects in 37 different cities of the former Eastern Bloc and ex-Yugoslavia. From Berlin to Norilsk, and all the way through Kyiv to Tallinn, the album portrays the inhabitants of those complexes holding models of their homes, while sharing the stories of lives lived in the prefab panel blocks. Includes a foreword by the sociologist and urban researcher Maciej Frackowiak and an index of the featured housing estates, providing an insight into their history. The portraits were taken by David Navarro and Martyna Sobecka, with contributions by local photographers.
Modernisme
Theory of water
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For many years, Leanne Betasamosake Simpson has found refuge in skiing—in all kinds of weather across different forms of terrain, often following the trail beside a beloved creek near her home. Recently, as she skimmed along this path and meditated on our world's uncertainty—including environmental devastation, the rise of authoritarianism, and the effects of ongoing(...)
Theory of water
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For many years, Leanne Betasamosake Simpson has found refuge in skiing—in all kinds of weather across different forms of terrain, often following the trail beside a beloved creek near her home. Recently, as she skimmed along this path and meditated on our world's uncertainty—including environmental devastation, the rise of authoritarianism, and the effects of ongoing social injustice—her mind turned to the ice beside her, and the snow beneath her feet. And she asked herself: What might it mean to truly listen to water? To know not only the land on which we live, but the water that surrounds and inhabits us? To coexist with and alongside water? So begins this renowned writer's quest to discover, understand, and trace the historical and cultural interactions of Indigenous peoples with water in all its forms. On her journey, she reflects on the teachings, traditions, stories, and creative work of others in her community—particularly those of her longtime friend Doug Williams, an Elder whose presence suffuses these pages; reads deeply the words of thinkers from other communities whose writing expands her own; and begins to shape a "Theory of Water" that reimagines relationships among all beings and life-forces.
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