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Now in paperback, "Red star over Russia" is a visual history, using posters, photographs, paintings, magazine covers, advertisements, and ephemera to illustrate the dramatic birth and eventual decline of the Soviet Union. The book plunges the reader into the shattering events that brought hope, chaos, heroism, and horror to the citizens of the world’s first workers’(...)
Red star over Russia: a visual history of the Soviet Union
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Now in paperback, "Red star over Russia" is a visual history, using posters, photographs, paintings, magazine covers, advertisements, and ephemera to illustrate the dramatic birth and eventual decline of the Soviet Union. The book plunges the reader into the shattering events that brought hope, chaos, heroism, and horror to the citizens of the world’s first workers’ state. The Russian Revolution produced some of the most important advances in art, photography, and graphic design in the 20th century. More than 550 of these widely influential materials are reproduced here, accompanied by David King’s accessible text. King rescues from obscurity many lost heroes and villains through the work of the most brilliant Soviet artists, many of them anonymous or long forgotten.
Expositions en cours
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The Joan Miró Foundation opened in 1975, becoming Barcelona's first public institution to focus entirely on contemporary art. The architect Josep Lluís Sert designed the Foundation's building with clean, airy white shapes of curves and corners and multiple skylights, creating a decidedly Mediterranean-flavored complex arranged around a central patio, with expansive roof(...)
Josep Lluis Sert: Joan Miro foundation
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The Joan Miró Foundation opened in 1975, becoming Barcelona's first public institution to focus entirely on contemporary art. The architect Josep Lluís Sert designed the Foundation's building with clean, airy white shapes of curves and corners and multiple skylights, creating a decidedly Mediterranean-flavored complex arranged around a central patio, with expansive roof terraces above. (Two subsequent expansions to the building were designed by Jaume Freixa, a pupil and longtime colleague of Sert's.) After the first major retrospective of Miró's work occurred in Barcelona in 1968, the artist decided to set up a building to make his work and the work of other contemporary artists permanently accessible to the public. To design the foundation's home, he tapped his old friend Sert, a pioneer in the introduction of modern architecture in Catalonia, who had first met Miró in 1932 and worked with him on the Spanish (Republican) Pavilion at the Paris World Fair in 1937. This volume, one of a series of monographs on new museum architecture, provides a careful look at the design of one of Europe's premier art institutions, and includes an interview with the architects responsible for the recent expansions.
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This book explores how the National Museum of African American History & Culture, an unparalleled museum, found its place in the nation’s collective memory and on its public commons. Mabel O. Wilson explores how the "four pillars" of the museum's mission shaped its powerful structure, and she teases out the rich cultural symbols and homages layered into the design of the(...)
Begin with the past: Building the National Museum of African American History and Culture
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This book explores how the National Museum of African American History & Culture, an unparalleled museum, found its place in the nation’s collective memory and on its public commons. Mabel O. Wilson explores how the "four pillars" of the museum's mission shaped its powerful structure, and she teases out the rich cultural symbols and homages layered into the design of the building and its surrounding landscape. This is an important inside look at the making of a monument.
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Au cours des trois dernières décennies, le numérique s’est irrémédiablement immiscé dans les objets du quotidien et les pratiques socioculturelles. Il s’éprouve notamment à travers l’utilisation des plateformes, des moteurs de recherche et de la téléphonie mobile. Pour qualifier ce déploiement technique et économique, la notion de «?service?» est continuellement(...)
Numérique. La tentation du service
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Au cours des trois dernières décennies, le numérique s’est irrémédiablement immiscé dans les objets du quotidien et les pratiques socioculturelles. Il s’éprouve notamment à travers l’utilisation des plateformes, des moteurs de recherche et de la téléphonie mobile. Pour qualifier ce déploiement technique et économique, la notion de «?service?» est continuellement convoquée. Mais comment caractériser le pouvoir de transformation du numérique sur notre manière d’être au monde?? Comment l’idée, qui fut celle du design moderne, de chercher à mettre des formes au monde, peut-elle s’en accommoder?? En revenant notamment sur le travail de Walter Gropius et Louis Sullivan, Pierre-Damien Huyghe montre qu’il nous faut désormais affronter un risque nouveau?: celui de la perversité d’objets à double sens, ou à double fonction.
Expositions en cours
Handvaerk 7: Construction
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With a clear and consistent emphasis on craftsmanship and materiality, the Håndværk bookazine portrays the living and changing practice of design and craft through in-depth interviews and portraits painted in both words and images. Issue no. 7 features interviews with architects, designers and active craftspeople from fields such as blacksmithing, bricklaying, carpentry(...)
Handvaerk 7: Construction
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With a clear and consistent emphasis on craftsmanship and materiality, the Håndværk bookazine portrays the living and changing practice of design and craft through in-depth interviews and portraits painted in both words and images. Issue no. 7 features interviews with architects, designers and active craftspeople from fields such as blacksmithing, bricklaying, carpentry and thatching. They all have a keen focus on the high carbon footprint of the construction industry and of the need to find solutions. The reduction of CO2 emissions is also a key issue when the bookazine takes the reader behind the scenes of the development of wall tiles with a high content of crushed, used bricks. As usual, this issue of the bookazine also includes stories about textiles, glassware, food and drink.
Expositions en cours
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In the post-war decades, Hong Kong architects, many of them having migrated from Mainland China or studied overseas, embraced modern principles when forced to face the problems of housing shortage, mass construction and limited budgets. Although economic efficiencies often prevailed over design, their buildings were rooted in their time and place, reflecting the local(...)
décembre 2022
Hong Kong modern: Architecture of the 1950s-1970s
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In the post-war decades, Hong Kong architects, many of them having migrated from Mainland China or studied overseas, embraced modern principles when forced to face the problems of housing shortage, mass construction and limited budgets. Although economic efficiencies often prevailed over design, their buildings were rooted in their time and place, reflecting the local climate, social values, materials, technique and use in an often unique and pragmatic fashion. With more than 300 buildings and ensembles documented, the new publication ''Hong Kong modern architecture of the 1950s-1970s'' by Walter Koditek gives a comprehensive overview on the architecture of that transformative period in combining full-page photographs with detailed background information and further b/w images explaining and illustrating the design and history of these buildings.
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Cette publication est conçue comme une extension de l'exposition « Etwas mehr als Arbeit », présentée au Kunstverein Göttingen en 2020. Dans l'exposition, le projet de recherche « Object Notes » de Malte Roloff et Santiago da Silva en collaboration avec la commissaire Tomke Braun présente des constellations d'objets, de matériaux, de processus et de documents issus de(...)
juillet 2022
Object notes: Just a little rest
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Cette publication est conçue comme une extension de l'exposition « Etwas mehr als Arbeit », présentée au Kunstverein Göttingen en 2020. Dans l'exposition, le projet de recherche « Object Notes » de Malte Roloff et Santiago da Silva en collaboration avec la commissaire Tomke Braun présente des constellations d'objets, de matériaux, de processus et de documents issus de l'art et du design, de la production artistique et de la restauration. Le projet explore l'idée de fabrication comme point d'entrée à la question de savoir qui, comment et dans quelles conditions l'art contemporain est produit. Il examine l'utilisation et la signification de l'artisanat et du travail dans l'art contemporain et la manière dont la connaissance de sa production affecte sa perception. La publication présente différentes contributions des participants au projet. Les formats vont des encarts de pages volantes, de la fiction littéraire et d'une conversation à un essai spécialement commandé à l'historienne du design britannique Tanya Harrod.
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Ever since anonymous spray-can art began appearing on city walls in New York and Philadelphia in the late 1960s, graffiti has been a ubiquitous presence in the urban landscape, its artists largely unsung heroes. As hip-hop culture spread from America, graffiti became a worldwide phenomenon, emerging in the 1980s as the symbolic artistic language of young people everywhere(...)
octobre 2004, New York
Graffiti world : street art from five continents
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Ever since anonymous spray-can art began appearing on city walls in New York and Philadelphia in the late 1960s, graffiti has been a ubiquitous presence in the urban landscape, its artists largely unsung heroes. As hip-hop culture spread from America, graffiti became a worldwide phenomenon, emerging in the 1980s as the symbolic artistic language of young people everywhere and one of the most potent influences on youth-oriented marketing and design. With more than 2,000 illustrations by over 150 artists from all over the world and interviews with many of them, this book is the most comprehensive survey of graffiti art ever published. Today's young graffiti artists incorporate a variety of mediums—including stickers, stencils, oils, acrylics, and oil-based chalk—as well as an ever-expanding range of social commentary. This evolution in style and subject matter has earned graffiti the respect of the art world and guaranteed its long-lasting influence on art, graphic design, and style around the world.
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A radical new perspective on cities and urbanism Slums, informal settlements, and other unplanned habitats are seen as the antithesis of the metropolis. Matias Echanove and Rahul Srivastava, founders of the design practice ''urbz'', explore how such neighbourhoods and their inhabitants have been unfairly dismissed when they should in fact be under-stood as partners in(...)
janvier 2026
Home grown city: Reclaiming the metropolis for its users
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A radical new perspective on cities and urbanism Slums, informal settlements, and other unplanned habitats are seen as the antithesis of the metropolis. Matias Echanove and Rahul Srivastava, founders of the design practice ''urbz'', explore how such neighbourhoods and their inhabitants have been unfairly dismissed when they should in fact be under-stood as partners in the story of cities and urban development.
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The author, Gerhard Mack, explores the architecture of each individual museum in detail, and highlights current tendencies in museum building in his seminal essay "Time Rediscovered". This is complemented by an introduction by Harald Szeemann, who(...)
Art museums into the 21st century
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The author, Gerhard Mack, explores the architecture of each individual museum in detail, and highlights current tendencies in museum building in his seminal essay "Time Rediscovered". This is complemented by an introduction by Harald Szeemann, who as curator of the Kunsthaus in Zürich, was appointed director for Fine Arts at the Biennale in Venice this year. The museums examined in this book are Kunsthaus in Bregenz, the Museum of the Beyeler Fondation near Basel, the Guggenheim Museum in Bilbao, the Getty Center in Los Angeles and the Moderna und Arkitektur Museet in Stockholm all opening within a year of one another. The Tate Gallery of Modern Art which is being built by Herzog & de Meuron in a former power station on the Thames in London is to be completed in May 1999. Conversations with the architects Frank O. Gehry, Jacques Herzog, Richard Meier, Rafael Moneo, Jean Nouvel, Renzo Piano and Peter Zumthor reveal the wide spectrum of design concerns in contemporary museum design and building. In the Pavilion at the Beyeler Fondation, the interaction of nature, light and the presentation of art is an impressive experience. Jean Nouvel perceives the museum as a public place, bringing the various areas of 'urban chaos' into contact with each other. A total of eight projects are presented.
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janvier 1900, Basel