6640 Résultats
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livres
livres
Titre:
Gerhard Richter portraits
Gerhard Richter portraits
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Arata Isozaki (b. 1931) is one of the most influential architects practicing today. His work blends an Eastern architectural style with emerging global trends, and his theories have been important in bringing Western architecture to Japan. This book presents the most comprehensive selection available of his built and unfinished projects from the beginning of his career to(...)
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Arata Isozaki (b. 1931) is one of the most influential architects practicing today. His work blends an Eastern architectural style with emerging global trends, and his theories have been important in bringing Western architecture to Japan. This book presents the most comprehensive selection available of his built and unfinished projects from the beginning of his career to(...)
Titre:
Gerhard Richter portraits
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$73.95
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Arata Isozaki (b. 1931) is one of the most influential architects practicing today. His work blends an Eastern architectural style with emerging global trends, and his theories have been important in bringing Western architecture to Japan. This book presents the most comprehensive selection available of his built and unfinished projects from the beginning of his career to the present day, and is extensively illustrated with drawings, silkscreens, sketches, and models from the Isozaki Office Archive. Each chapter features introductory essays by Ken Tadashi Oshima and theoretical texts by Isozaki, most of them published here for the first time.
Gerhard Richter portraits
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Arata Isozaki (b. 1931) is one of the most influential architects practicing today. His work blends an Eastern architectural style with emerging global trends, and his theories have been important in bringing Western architecture to Japan. This book presents the most comprehensive selection available of his built and unfinished projects from the beginning of his career to the present day, and is extensively illustrated with drawings, silkscreens, sketches, and models from the Isozaki Office Archive. Each chapter features introductory essays by Ken Tadashi Oshima and theoretical texts by Isozaki, most of them published here for the first time.
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livres
livres
Publication:
mars 2009, New Haven
mars 2009, New Haven
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livres
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The Only Female Fool is how Isa Genzken describes herself in the self-chosen title of her exhibition at the Kunsthalle Wien. This statement is typical of the fluid boundaries between deep seriousness and the exuberant, eccentric spirit that pervades her work. Genzken’s artistic practice is characterized by a wide spectrum of media and forms, although her roots in(...)
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The Only Female Fool is how Isa Genzken describes herself in the self-chosen title of her exhibition at the Kunsthalle Wien. This statement is typical of the fluid boundaries between deep seriousness and the exuberant, eccentric spirit that pervades her work. Genzken’s artistic practice is characterized by a wide spectrum of media and forms, although her roots in(...)
Titre:
I'm Isa Genzken, the only female fool
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The Only Female Fool is how Isa Genzken describes herself in the self-chosen title of her exhibition at the Kunsthalle Wien. This statement is typical of the fluid boundaries between deep seriousness and the exuberant, eccentric spirit that pervades her work. Genzken’s artistic practice is characterized by a wide spectrum of media and forms, although her roots in sculpture always remain visible. The exhibition and catalogue focus on specific aspects of her oeuvre, including the mirror motif, the examination of architecture, and space as a social sphere; where early works are juxtaposed with series from later creative periods
I'm Isa Genzken, the only female fool
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The Only Female Fool is how Isa Genzken describes herself in the self-chosen title of her exhibition at the Kunsthalle Wien. This statement is typical of the fluid boundaries between deep seriousness and the exuberant, eccentric spirit that pervades her work. Genzken’s artistic practice is characterized by a wide spectrum of media and forms, although her roots in sculpture always remain visible. The exhibition and catalogue focus on specific aspects of her oeuvre, including the mirror motif, the examination of architecture, and space as a social sphere; where early works are juxtaposed with series from later creative periods
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livres
livres
Publication:
mars 2015
mars 2015
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livres
livres
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Erik Göngrich is a Berlin-based artist who works with sculpture, drawing, photography, and other media. His interest lies in architecture and design, in how things are made and why, and in interactions with places. He therefore fills this book with numerous drawings, sketches and full-colour photographs, all of which revolve around the topic of the so-called(...)
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Erik Göngrich is a Berlin-based artist who works with sculpture, drawing, photography, and other media. His interest lies in architecture and design, in how things are made and why, and in interactions with places. He therefore fills this book with numerous drawings, sketches and full-colour photographs, all of which revolve around the topic of the so-called(...)
Titre:
The beginning of the misunderstanding
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Erik Göngrich is a Berlin-based artist who works with sculpture, drawing, photography, and other media. His interest lies in architecture and design, in how things are made and why, and in interactions with places. He therefore fills this book with numerous drawings, sketches and full-colour photographs, all of which revolve around the topic of the so-called misunderstanding of Modernism and how urban settings and ideals can be put back on track through effective sculptural or monumental transformations of public space. Part manifesto, part research project, this book presents a fascinating re-imagination of Modernism’s failed and dilapidated legacy.
The beginning of the misunderstanding
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Erik Göngrich is a Berlin-based artist who works with sculpture, drawing, photography, and other media. His interest lies in architecture and design, in how things are made and why, and in interactions with places. He therefore fills this book with numerous drawings, sketches and full-colour photographs, all of which revolve around the topic of the so-called misunderstanding of Modernism and how urban settings and ideals can be put back on track through effective sculptural or monumental transformations of public space. Part manifesto, part research project, this book presents a fascinating re-imagination of Modernism’s failed and dilapidated legacy.
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livres
livres
Publication:
décembre 2012
décembre 2012
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livres
livres
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The French Riviera has been a fabled resort for more than a century. As an enclave for the rich and famous, as well as a scenic tourist spot, it represents all that is beautiful and amusing. But for many of the twentieth century's finest painters, sculptors, photographers, (...)
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The French Riviera has been a fabled resort for more than a century. As an enclave for the rich and famous, as well as a scenic tourist spot, it represents all that is beautiful and amusing. But for many of the twentieth century's finest painters, sculptors, photographers, (...)
Publication:
mai 2001, Cambridge,MA
mai 2001, Cambridge,MA
Titre:
Making Paradise: Art, Modernity, and the Myth of the French Riviera
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The French Riviera has been a fabled resort for more than a century. As an enclave for the rich and famous, as well as a scenic tourist spot, it represents all that is beautiful and amusing. But for many of the twentieth century's finest painters, sculptors, photographers, and architects it has been much more: a place of potent myth and extraordinary creativity. Picasso, Matisse, Beckmann, Brancusi, Lartigue, Le Corbusier, and Eileen Gray, among many others, were inspired to create some of their greatest work on the Côte d'Azur. This study examines the impact of modernity and the artistic imagination on an idyllic landscape. Touching on the issues of pleasure and escape, work and leisure, and desire and ecstasy, "Making Paradise" offers a fresh look at the Côte d'Azur and its historical significance as a site for modernist innovation from 1890 to the present. Beginning with the neoimpressionists, moving to the Fauves, and ending with such contemporary artists as David Hockney and Faith Ringgold, the book examines the splendid light and terrain of the southeastern coast of France and the region's influence on the artists who worked and played there. Like the book, the exhibition it accompanies features unexpected juxtapostitions: masterworks by Bonnard and Picasso with the photographs of Lartigue and Model; the villas of Le Corbusier, Gray, and Mallet-Stevens with designs for the Ballets Russes de Monte Carlo; and ceramics of Picasso with the found-object constructions of the École de Nice of the early 1960s.
Making Paradise: Art, Modernity, and the Myth of the French Riviera
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The French Riviera has been a fabled resort for more than a century. As an enclave for the rich and famous, as well as a scenic tourist spot, it represents all that is beautiful and amusing. But for many of the twentieth century's finest painters, sculptors, photographers, and architects it has been much more: a place of potent myth and extraordinary creativity. Picasso, Matisse, Beckmann, Brancusi, Lartigue, Le Corbusier, and Eileen Gray, among many others, were inspired to create some of their greatest work on the Côte d'Azur. This study examines the impact of modernity and the artistic imagination on an idyllic landscape. Touching on the issues of pleasure and escape, work and leisure, and desire and ecstasy, "Making Paradise" offers a fresh look at the Côte d'Azur and its historical significance as a site for modernist innovation from 1890 to the present. Beginning with the neoimpressionists, moving to the Fauves, and ending with such contemporary artists as David Hockney and Faith Ringgold, the book examines the splendid light and terrain of the southeastern coast of France and the region's influence on the artists who worked and played there. Like the book, the exhibition it accompanies features unexpected juxtapostitions: masterworks by Bonnard and Picasso with the photographs of Lartigue and Model; the villas of Le Corbusier, Gray, and Mallet-Stevens with designs for the Ballets Russes de Monte Carlo; and ceramics of Picasso with the found-object constructions of the École de Nice of the early 1960s.
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livres
livres
Publication:
mai 2001, Cambridge,MA
mai 2001, Cambridge,MA
Classification:
périodiques
périodiques
Titre:
Perspecta 42: the real
Perspecta 42: the real
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This issue of Perspecta embraces the paradoxical nature of the real, presenting it as a lens that magnifies the strategies and tactics of architecture, past, present, and future. Through historical inquiry, theoretical writing, and contemporary projects, Perspecta 42 asserts that now, more than ever, architecture is in search of the real. Contributors: Mirko Zardini,(...)
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This issue of Perspecta embraces the paradoxical nature of the real, presenting it as a lens that magnifies the strategies and tactics of architecture, past, present, and future. Through historical inquiry, theoretical writing, and contemporary projects, Perspecta 42 asserts that now, more than ever, architecture is in search of the real. Contributors: Mirko Zardini,(...)
Titre:
Perspecta 42: the real
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This issue of Perspecta embraces the paradoxical nature of the real, presenting it as a lens that magnifies the strategies and tactics of architecture, past, present, and future. Through historical inquiry, theoretical writing, and contemporary projects, Perspecta 42 asserts that now, more than ever, architecture is in search of the real. Contributors: Mirko Zardini, BIG, Olafur Eliasson and Kurt Forster,Albena Yaneva, Yoon+Howeler, Metahaven, and more.
Perspecta 42: the real
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This issue of Perspecta embraces the paradoxical nature of the real, presenting it as a lens that magnifies the strategies and tactics of architecture, past, present, and future. Through historical inquiry, theoretical writing, and contemporary projects, Perspecta 42 asserts that now, more than ever, architecture is in search of the real. Contributors: Mirko Zardini, BIG, Olafur Eliasson and Kurt Forster,Albena Yaneva, Yoon+Howeler, Metahaven, and more.
Classification:
périodiques
périodiques
Publication:
mars 2010
mars 2010
Sujet:
Revues
Revues
Classification:
livres
livres
Titre:
Simulation city
Simulation city
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Dubai, in its newness, has redefined the notion of authenticity: city and spectacle have been intertwined. Mall culture, airports, and theme parks may seem strange and vacuous in other cities, but in Dubai, they are the essence of life. Shortly before the outbreak of the global pandemic, Dirk Gebhardt and Lars Harmsen visited Dubai. Nowhere in the world had they seen(...)
$42.95
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Dubai, in its newness, has redefined the notion of authenticity: city and spectacle have been intertwined. Mall culture, airports, and theme parks may seem strange and vacuous in other cities, but in Dubai, they are the essence of life. Shortly before the outbreak of the global pandemic, Dirk Gebhardt and Lars Harmsen visited Dubai. Nowhere in the world had they seen(...)
Publication:
juillet 2022
juillet 2022
Titre:
Simulation city
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Résumé:
Dubai, in its newness, has redefined the notion of authenticity: city and spectacle have been intertwined. Mall culture, airports, and theme parks may seem strange and vacuous in other cities, but in Dubai, they are the essence of life. Shortly before the outbreak of the global pandemic, Dirk Gebhardt and Lars Harmsen visited Dubai. Nowhere in the world had they seen drama and comedy so powerfully together as in Dubai’s theme parks. In the drive to bring more tourists to the UAE, develop the real estate industry, and retain a huge labor force of expatriate workers, Dubai itself resembles and operates in many ways like a theme park. In his essay Simulation City: The Theming of Dubai Jason Carlow explores the uncanny atmosphere of spectacle, spatial control, and remarkable societal and cultural overlaps and adjacencies that have become an integral part of life for many residents of and visitors to contemporary Dubai.
Simulation city
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Résumé:
Dubai, in its newness, has redefined the notion of authenticity: city and spectacle have been intertwined. Mall culture, airports, and theme parks may seem strange and vacuous in other cities, but in Dubai, they are the essence of life. Shortly before the outbreak of the global pandemic, Dirk Gebhardt and Lars Harmsen visited Dubai. Nowhere in the world had they seen drama and comedy so powerfully together as in Dubai’s theme parks. In the drive to bring more tourists to the UAE, develop the real estate industry, and retain a huge labor force of expatriate workers, Dubai itself resembles and operates in many ways like a theme park. In his essay Simulation City: The Theming of Dubai Jason Carlow explores the uncanny atmosphere of spectacle, spatial control, and remarkable societal and cultural overlaps and adjacencies that have become an integral part of life for many residents of and visitors to contemporary Dubai.
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livres
livres
Publication:
juillet 2022
juillet 2022
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livres
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The British installation artist Rachel Whiteread does deliberately what the lava of Pompeii did naturally. She casts whole rooms or architectural details to create a sculptural reversal, places and objects which both literally and figuratively leave an impression and occupy space firmly even in their immateriality. The four series presented here on the theme of the(...)
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The British installation artist Rachel Whiteread does deliberately what the lava of Pompeii did naturally. She casts whole rooms or architectural details to create a sculptural reversal, places and objects which both literally and figuratively leave an impression and occupy space firmly even in their immateriality. The four series presented here on the theme of the(...)
Publication:
janvier 1900, Cologne
janvier 1900, Cologne
Titre:
Rachel Whiteread : walls, doors, floors and stairs
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The British installation artist Rachel Whiteread does deliberately what the lava of Pompeii did naturally. She casts whole rooms or architectural details to create a sculptural reversal, places and objects which both literally and figuratively leave an impression and occupy space firmly even in their immateriality. The four series presented here on the theme of the "house" transform the functional qualities of surrounding architecture into aura-filled works of art. They comprise early and new works, providing a useful overview of this aspect of Whiteread's notable career. Four essays by well-known critics illuminate the principles behind her work to go along with over 50 color illustrations.
Rachel Whiteread : walls, doors, floors and stairs
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The British installation artist Rachel Whiteread does deliberately what the lava of Pompeii did naturally. She casts whole rooms or architectural details to create a sculptural reversal, places and objects which both literally and figuratively leave an impression and occupy space firmly even in their immateriality. The four series presented here on the theme of the "house" transform the functional qualities of surrounding architecture into aura-filled works of art. They comprise early and new works, providing a useful overview of this aspect of Whiteread's notable career. Four essays by well-known critics illuminate the principles behind her work to go along with over 50 color illustrations.
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livres
livres
Publication:
janvier 1900, Cologne
janvier 1900, Cologne
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livres
livres
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The French-American artist Niki de Saint Phalle is best known for her Nanas—joyful and brightly colored monumental sculptures of goddess-like female figures. But her work, which was grounded in her visionary beliefs about social experiments and personal freedom, ranged much more widely—from painting, film, architecture, and books to theater sets, clothing, and jewelry.(...)
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The French-American artist Niki de Saint Phalle is best known for her Nanas—joyful and brightly colored monumental sculptures of goddess-like female figures. But her work, which was grounded in her visionary beliefs about social experiments and personal freedom, ranged much more widely—from painting, film, architecture, and books to theater sets, clothing, and jewelry.(...)
Titre:
Nikki de Saint-Phalle: The Sketchbooks
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The French-American artist Niki de Saint Phalle is best known for her Nanas—joyful and brightly colored monumental sculptures of goddess-like female figures. But her work, which was grounded in her visionary beliefs about social experiments and personal freedom, ranged much more widely—from painting, film, architecture, and books to theater sets, clothing, and jewelry. "Niki de Saint Phalle: The Sketchbooks" presents a beautiful collection of previously unpublished drawings, notes, and other preparatory work from Saint Phalle’s private sketchbooks. Culled from a vast archive of never-before-seen materials, these drawings shed new light on Saint Phalle’s fascinating artistic evolution, style, and interior life.
Nikki de Saint-Phalle: The Sketchbooks
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The French-American artist Niki de Saint Phalle is best known for her Nanas—joyful and brightly colored monumental sculptures of goddess-like female figures. But her work, which was grounded in her visionary beliefs about social experiments and personal freedom, ranged much more widely—from painting, film, architecture, and books to theater sets, clothing, and jewelry. "Niki de Saint Phalle: The Sketchbooks" presents a beautiful collection of previously unpublished drawings, notes, and other preparatory work from Saint Phalle’s private sketchbooks. Culled from a vast archive of never-before-seen materials, these drawings shed new light on Saint Phalle’s fascinating artistic evolution, style, and interior life.
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livres
livres
Publication:
décembre 2025
décembre 2025
Classification:
livres
livres
Titre:
Monika Sosnowska. Loop
Monika Sosnowska. Loop
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Text by Will Bradley, Adam Budak, Friedemann Malsch, Jan Verwoert, Anthony Vidler. Monika Sosnowska was born in 1972 in Ryki, Poland. She studied at the Academy of Fine Arts in Poznan and the Rijksakademie in Amsterdam, and currently she lives and works in Warsaw. She represented Poland at last year's art Biennale in Venice. In her installations that echo the formal(...)
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Text by Will Bradley, Adam Budak, Friedemann Malsch, Jan Verwoert, Anthony Vidler. Monika Sosnowska was born in 1972 in Ryki, Poland. She studied at the Academy of Fine Arts in Poznan and the Rijksakademie in Amsterdam, and currently she lives and works in Warsaw. She represented Poland at last year's art Biennale in Venice. In her installations that echo the formal(...)
Titre:
Monika Sosnowska. Loop
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Text by Will Bradley, Adam Budak, Friedemann Malsch, Jan Verwoert, Anthony Vidler. Monika Sosnowska was born in 1972 in Ryki, Poland. She studied at the Academy of Fine Arts in Poznan and the Rijksakademie in Amsterdam, and currently she lives and works in Warsaw. She represented Poland at last year's art Biennale in Venice. In her installations that echo the formal language of constructivist avant-garde, minimal and conceptual tendencies of the 60s and the 70s as well as a heritage of modernist architecture, Monika Sosnowska constructs a physical and conceptual labyrinth, a post-narrative, inner world of spatiality, staged in a sequence of interventions that emphasize spaces virtualities and potentials.
Monika Sosnowska. Loop
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Text by Will Bradley, Adam Budak, Friedemann Malsch, Jan Verwoert, Anthony Vidler. Monika Sosnowska was born in 1972 in Ryki, Poland. She studied at the Academy of Fine Arts in Poznan and the Rijksakademie in Amsterdam, and currently she lives and works in Warsaw. She represented Poland at last year's art Biennale in Venice. In her installations that echo the formal language of constructivist avant-garde, minimal and conceptual tendencies of the 60s and the 70s as well as a heritage of modernist architecture, Monika Sosnowska constructs a physical and conceptual labyrinth, a post-narrative, inner world of spatiality, staged in a sequence of interventions that emphasize spaces virtualities and potentials.
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livres
livres
Publication:
janvier 2008
janvier 2008
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livres
livres
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$65.00
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Belgian artist and draughtswoman Hannelore Van Dijck produces minute and highly textured charcoal drawings that often cover entire surfaces, whether they be walls, floors, sheets of paper, or textiles. Although her drawings might seem abstract at first, they are essentially hyperrealistic. Often the differences she introduces are subtle and nuanced, and therein lies their(...)
$65.00
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Résumé:
Belgian artist and draughtswoman Hannelore Van Dijck produces minute and highly textured charcoal drawings that often cover entire surfaces, whether they be walls, floors, sheets of paper, or textiles. Although her drawings might seem abstract at first, they are essentially hyperrealistic. Often the differences she introduces are subtle and nuanced, and therein lies their(...)
Titre:
Hannelore van Dijck: the lasting one, that didn't last, that still lasts
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Belgian artist and draughtswoman Hannelore Van Dijck produces minute and highly textured charcoal drawings that often cover entire surfaces, whether they be walls, floors, sheets of paper, or textiles. Although her drawings might seem abstract at first, they are essentially hyperrealistic. Often the differences she introduces are subtle and nuanced, and therein lies their power. They can be described as graphic interventions – small dashes, circular or geometric motifs, lines resembling wood grain, smudges – that appear natural in a way, and as such, become part of the architecture or environment. This artists’ book coincides with an exhibition of Van Dijck’s work at Be-Part in Belgium.
Hannelore van Dijck: the lasting one, that didn't last, that still lasts
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Belgian artist and draughtswoman Hannelore Van Dijck produces minute and highly textured charcoal drawings that often cover entire surfaces, whether they be walls, floors, sheets of paper, or textiles. Although her drawings might seem abstract at first, they are essentially hyperrealistic. Often the differences she introduces are subtle and nuanced, and therein lies their power. They can be described as graphic interventions – small dashes, circular or geometric motifs, lines resembling wood grain, smudges – that appear natural in a way, and as such, become part of the architecture or environment. This artists’ book coincides with an exhibition of Van Dijck’s work at Be-Part in Belgium.
Classification:
livres
livres
Publication:
février 2018
février 2018
