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“The illiterate of the future … will not be the man who cannot read the alphabet, but the one who cannot take a photograph.” So declared Walter Benjamin (1892–1940) in his essay ''A Short History of Photography'', originally published in the periodical Literarische Welt in 1931. Beginning with the early experiments of Louis Daguerre and Nicéphore Niépce and concluding(...)
A short history of photography
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“The illiterate of the future … will not be the man who cannot read the alphabet, but the one who cannot take a photograph.” So declared Walter Benjamin (1892–1940) in his essay ''A Short History of Photography'', originally published in the periodical Literarische Welt in 1931. Beginning with the early experiments of Louis Daguerre and Nicéphore Niépce and concluding with the work of August Sander and Germaine Krull, Benjamin moved beyond the medium itself to address the artistic, societal and political capabilities that photography foretold. ''A Short History of Photography'' contains the inklings of his thoughts on “reproducibility” that he would later flesh out in his best-known text, “The Work of Art in the Age of Mechanical Reproduction.” Benjamin’s view of photography gave early credence to the medium and its practitioners and shaped the methodology by which it can be analyzed.
Théorie de la photographie
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"Serious art anticipates the future as much as it reflects the present," Hal Foster remarked in a 2015 interview. "By the same token serious art history is driven by the present as much as it is informed by the past." In "Fail better", Foster, an art critic and historian whose influential work spans disciplines and decades, brings this peripatetic perspective to(...)
Fail better: Reckonings with artists and critics
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"Serious art anticipates the future as much as it reflects the present," Hal Foster remarked in a 2015 interview. "By the same token serious art history is driven by the present as much as it is informed by the past." In "Fail better", Foster, an art critic and historian whose influential work spans disciplines and decades, brings this peripatetic perspective to contemporary art, art criticism, art history, and his own work over the past 50 years. In these 40 texts, Foster reviews artists from Richard Hamilton and Jasper Johns to Gerhard Richter and Ed Ruscha; considers contemporaries from Louise Lawler and Cindy Sherman to Jeremy Deller and Adam Pendleton; and traces the development of criticism since the early 1960s, with essays on such influential figures as Susan Sontag and Rosalind Krauss and institutions like Artforum magazine and the Whitney Museum Independent Study Program.
Théorie de l’art
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The former missile station in the Hombroich cultural area is the site for another outstanding architectural project that blends harmoniously with its environment. Tadao Ando sees this as an experience that uses a combination of simple building materials, glass and concrete, to create a dialogue between building and nature. Viktor and Marianne Langen’s life work forms the(...)
petits formats
octobre 2003, Berlin
Tadao Ando : Langen Foundation
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The former missile station in the Hombroich cultural area is the site for another outstanding architectural project that blends harmoniously with its environment. Tadao Ando sees this as an experience that uses a combination of simple building materials, glass and concrete, to create a dialogue between building and nature. Viktor and Marianne Langen’s life work forms the basis for this new art house, which Japanese architect Tadao Ando was contracted to design. It will be completed in the spring of 2004. The first exhibition will be dedicated to a selection of the Langen collection of modern and Japanese art. The Langen Foundation aims in future to stimulate unusual meetings between art and its surrounding architecture. Tadao Ando’s architecture, a built space as an independent sculpture, and the presentation of the art inside it create the possibility of interactive experiences.
petits formats
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In light of the reawakening interest in R. Buckminster Fuller’s works and thoughts, and of their growing importance for our technological world, it is time for a reedition of this comprehensive and legendary publication from 1999. The visual reader "Your Private Sky" examines and documents Fuller’s theories, ideas and projects, and critically deals with his ideology of(...)
Architecture, monographies
avril 2017
Your private sky: R. Buckminster Fuller. 2nd edition
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In light of the reawakening interest in R. Buckminster Fuller’s works and thoughts, and of their growing importance for our technological world, it is time for a reedition of this comprehensive and legendary publication from 1999. The visual reader "Your Private Sky" examines and documents Fuller’s theories, ideas and projects, and critically deals with his ideology of “rescue through technology.” This book provides a highly multifaceted insight into Fuller’s world, also showing many of its less known sides. Buckminster Fuller (1895–1983) was one of the most revolutionary technological visionaries of the 20th century. He established new standards that can be seen as decisive for future-capable design. “How to make the world work” – to this task he dedicated his unflagging attention. Convinced that specialists usually create more problems than they solve, he developed his concept for a vision of the whole.
Architecture, monographies
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Portman’s America & Other Speculations takes an unconventional and speculative approach towards the understanding and future potentials of the work of one of the world’s most creative, controversial, daring, and prolific architects. Combining the talents of an architect, artist, and developer, John Portman was able to embark on a series of large-scale building(...)
août 2017
Portman's America & other speculations
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Portman’s America & Other Speculations takes an unconventional and speculative approach towards the understanding and future potentials of the work of one of the world’s most creative, controversial, daring, and prolific architects. Combining the talents of an architect, artist, and developer, John Portman was able to embark on a series of large-scale building projects—megastructures—that radically redefined the relationship of architecture to the city and its citizens. Portman’s own voice and ideas complement the contributions of others, including new photographs by Iwan Baan, to present a more complex and nuanced reading of both the architect and his architecture. Finally, the repertoire of Portman’s buildings is analyzed in meticulous detail and used by a group of students from the Harvard Graduate School of Design as a catalyst for a host of divergent and new architectural speculations.
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"Flat Out" 2 delves into disaster, ghost towns, domesticity, and exhibition reviews.The Cameo grasps at elusive visuals in “Get It, While You Can.” The Muckraker exposes a trifecta of blunders besieging Sydney’s urban future in “All Hollowed Out.” The Odd Couple, in “Books, Piles, and Wrinkled Sheets,” debate the significance of Kinfolk’s portraits of “slow living.” The(...)
Flat Out 2 : claims on architecture from an unlikely cast
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"Flat Out" 2 delves into disaster, ghost towns, domesticity, and exhibition reviews.The Cameo grasps at elusive visuals in “Get It, While You Can.” The Muckraker exposes a trifecta of blunders besieging Sydney’s urban future in “All Hollowed Out.” The Odd Couple, in “Books, Piles, and Wrinkled Sheets,” debate the significance of Kinfolk’s portraits of “slow living.” The Political Economist takes a close look at the ground game behind the Obama presidential library, while The Talent Agent pays homage to Iannis Xenakis’s House in Amorgos, and The Scorekeeper gives Toyo Ito’s Taichung Metropolitan Opera House four stars. The cast for this issue features (in order of appearance) Mark Linder, R. E. Somol, Jon Yoder, Ben Nicholson, José Aragüez, Renato Rizzi, Scott Colman, Ellen Grimes, Eric Gordon, Grant Gibson, Fabrizio Gallanti, Sophia Vyzoviti, Julia Capomaggi, and Penelope Dean. Character portraits are by Tom Bachtell.
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Both a learning platform and a pedagogical experiment, Urban School Ruhr is built upon the foundational belief that experts and amateurs can, together, build a space of critical exchange and knowledge transfer. USR prioritises exchange and dialogue that is not necessarily attached to specific outcomes, results or interventions in built reality, instead understanding(...)
L'humain et la ville
octobre 2017
Explorations in urban practice: Urban School Ruhr series
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Both a learning platform and a pedagogical experiment, Urban School Ruhr is built upon the foundational belief that experts and amateurs can, together, build a space of critical exchange and knowledge transfer. USR prioritises exchange and dialogue that is not necessarily attached to specific outcomes, results or interventions in built reality, instead understanding conversation as the first step to co-producing cities. "Explorations in Urban Practice", the first edition in the Urban School Ruhr Series, draws from and reflects upon USR’s experiences to date whilst also looking to the future of urban practice in contemporary cities. The book presents the reader with key current questions in the field: how can we learn city making? How should we understand the political concept of commoning for this purpose? And how can we discuss intervention as a strategy for enacting urban change?
L'humain et la ville
Centerbook: the Center for Advanced Visual Studies, the evolution of Art-Science-Technology at MIT
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In 1967, in a time of student unrest, the Massachusetts Institute of Technology did the unexpected: it established the first academic center for research and collaboration in art, science, and technology. The Center for Advanced Visual Studies (CAVS) brought artists to the MIT campus with radical expressions of a rapidly evolving technological era. The brainchild of(...)
novembre 2019
Centerbook: the Center for Advanced Visual Studies, the evolution of Art-Science-Technology at MIT
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In 1967, in a time of student unrest, the Massachusetts Institute of Technology did the unexpected: it established the first academic center for research and collaboration in art, science, and technology. The Center for Advanced Visual Studies (CAVS) brought artists to the MIT campus with radical expressions of a rapidly evolving technological era. The brainchild of founding director Gyorgy Kepes, CAVS sought to repair the distance between practitioners of art and engineering within the halls of MIT. As a breeder of new art forms and future-oriented artistic education, CAVS became a pioneering model for the art, technology and media labs that proliferated worldwide.This first comprehensive history of CAVS presents an inside view, told through personal accounts, exhibit documentation, and groundbreaking artwork, and includes a new text on the genome of art and technology by Peter Weibel.
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Taking the Matter into Common Hands maps out the issues surrounding collaborative art from a practitioner's perspective. With contributions from Marion von Osten, Nav Haq, 16 Beaver, Copenhagen Free University, Maria Lind and Lars Nilsson, it examines the working relations between artists and other producers of culture, and explores the future of collective action in the(...)
Théorie de l’art
septembre 2008, London
Taking the matter into common hands: on contemporary art and collaborative practices
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Taking the Matter into Common Hands maps out the issues surrounding collaborative art from a practitioner's perspective. With contributions from Marion von Osten, Nav Haq, 16 Beaver, Copenhagen Free University, Maria Lind and Lars Nilsson, it examines the working relations between artists and other producers of culture, and explores the future of collective action in the art world. In recent years, the art world has shown a renewed interest in collective work and activity. Collaborations between artists and artists, artists and curators, and artists and outside professionals have begun to rival the traditional focus on the individual artist. This type of collaboration has called into question how we view works of art that are not the voice of a single individual, and how that impacts on the concept of art as a means of self-expression.
Théorie de l’art
The rammed earth house
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The Rammed Earth House is an eye-opening example of how the most dramatic innovations in home design and construction frequently have their origins in the distant past. By rediscovering the most ancient of all building materials, earth, forward-thinking homebuilders can now create structures that set new standards for beauty, durability, and efficient use of natural(...)
Architecture écologique
décembre 2007, White RIver Junction
The rammed earth house
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The Rammed Earth House is an eye-opening example of how the most dramatic innovations in home design and construction frequently have their origins in the distant past. By rediscovering the most ancient of all building materials, earth, forward-thinking homebuilders can now create structures that set new standards for beauty, durability, and efficient use of natural resources. Rammed earth construction is a step forward into a sustainable future, when homes will combine pleasing aesthetics and intense practicality with a powerful sense of place. Rammed earth homes are built entirely on-site, using basic elements—earth, water, and a little cement. The solid masonry walls permit design flexibility while providing year-round comfort and minimal use of energy. The builder and resident of a rammed earth house will experience the deep satisfaction of creating permanence in a world dominated by the disposable.
Architecture écologique