Chroma: John Divola
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''Chroma'' is the name Californian artist John Divola has given to a large body of work made in the early 1980s that brought together a number of his interests – unnatural color (from gels covering his flash); geometry and nature; and the way photographs slip between symbolic meanings and actuality. At the same time, Divola was switching from color negative that he was(...)
Chroma: John Divola
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$70.00
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''Chroma'' is the name Californian artist John Divola has given to a large body of work made in the early 1980s that brought together a number of his interests – unnatural color (from gels covering his flash); geometry and nature; and the way photographs slip between symbolic meanings and actuality. At the same time, Divola was switching from color negative that he was using for Zuma to large format color transparency. He became aware that the early C-type color prints faded badly and was trying to use a new, more stable material. This was Cibachrome, which printed from transparencies. It was very industrial and artificial, with deep color saturation and contrast. It was a very flawed material for conventional images but with unique properties that he ended up embracing for the Chroma images. Edition of 800 copies.
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The ethics of architecture
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A discussion of how architecture functions in a complex world of obligation and responsibility, with a preface offering specific discussion of architecture during and after the COVID-19 pandemic. What are the special ethical obligations assumed by architects? Because their work creates the basic material conditions that make all other human activity possible, architects(...)
The ethics of architecture
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A discussion of how architecture functions in a complex world of obligation and responsibility, with a preface offering specific discussion of architecture during and after the COVID-19 pandemic. What are the special ethical obligations assumed by architects? Because their work creates the basic material conditions that make all other human activity possible, architects and their associates in building enjoy vast influence on how we all live, work, play, worship, and think. With this influence comes tremendous, and not always examined, responsibility. This book addresses the range of ethical issues that architects face, with a broad understanding of ethics. Beyond strictly professional duties - transparency, technical competence, fair trading - lie more profound issues that move into aesthetic, political, and existential realms. Does an architect have a duty to create art, if not always beautiful art? Should an architect feel obliged to serve a community and not just a client? Is justice a possible orientation for architectural practice? Is there such a thing as feeling compelled to "shelter being" in architectural work? By taking these usually abstract questions into the region of physical creation, the book attempts a reformulation of "architectural ethics" as a matter of deep reflection on the architect's role as both citizen and caretaker.
Théorie de l’architecture
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413 pages : illustrations, maps, plans ; 29 cm
Basel, Switzerland : Birkhäuser, [2025], © 2025
Modernism in Africa : the architecture of Angola, Ghana, Mozambique, Nigeria, Rwanda, South Africa, Sudan, Tanzania, Uganda / edited by Uta Pottgiesser, Ana Tostões ; photography by Jean Molitor.
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413 pages : illustrations, maps, plans ; 29 cm
livres
Basel, Switzerland : Birkhäuser, [2025], © 2025
livres
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xv, 552 pages : illustrations ; 21 cm
New York : Oxford University Press, 1979.
The timeless way of building / Christopher Alexander.
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xv, 552 pages : illustrations ; 21 cm
livres
New York : Oxford University Press, 1979.
$18.00
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"Charles Correa – seen by many in India as a sort of guru, as someone capable to transcend and grasp the ineffable reality that surrounds us – has left his noteworthy architectural heritage across the globe. In 2013, the Royal Institute of British Architects (RIBA) celebrated him as one of the greatest contemporary urban planners showcasing his work in an exhibition(...)
The ineffable in Charles Correa
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"Charles Correa – seen by many in India as a sort of guru, as someone capable to transcend and grasp the ineffable reality that surrounds us – has left his noteworthy architectural heritage across the globe. In 2013, the Royal Institute of British Architects (RIBA) celebrated him as one of the greatest contemporary urban planners showcasing his work in an exhibition called: 'Charles Correa: India’s greatest architect'. Profoundly tied to my Indian origins, to me Correa has been the master over distance, a personal benchmark to set my goals against. He was my inspiring thinker, architect and urbanist, or simply said, the designer I would have liked to be. Many of Correa’s last works show his deep-rooted search of the highest spiritual dimension in the attempt to trap part of the cosmic energy surrounding us into architectural works that were – and are – the shadow of his soul."
Architecture, monographies
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Architect and artist Marshall Brown is making space for the future by remixing the legacy of modern architecture in this exploration of his visionary urban ideas, brought to life through extraordinary collages, drawings, models, and photographs. Groundbreaking architect Marshall Brown presents a vision of the future through cross-disciplinary explorations that(...)
Recurrent visions: The architecture of Marshall Brown projects
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Architect and artist Marshall Brown is making space for the future by remixing the legacy of modern architecture in this exploration of his visionary urban ideas, brought to life through extraordinary collages, drawings, models, and photographs. Groundbreaking architect Marshall Brown presents a vision of the future through cross-disciplinary explorations that leverage the possibilities of scale, media, and time in this survey of three unique projects. With an introduction by curator Karen Kice, discover Brown's work through a deep dive into his seminal projects for New York, Chicago, and Detroit. ''Recurrent visions'' journeys into the cities, places, and spaces of the future crafted by the hands of today, with contributions from today's leading architectural thinkers, Monica Ponce de Leon, Joseph Becker, Allison Glenn, and Adrienne Brown, featuring three projects: UNITY Plan for the MTA Vanderbilt Rail Yards, Brooklyn; Dequindre Civic Academy, Detroit; Smooth Growth Urbanism, Chicago.
Architecture, monographies
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In this timely and enlightening book, the bestselling author of Deep Work introduces a philosophy for technology use that has already improved countless lives. Digital minimalists are all around us. They're the calm, happy people who can hold long conversations without furtive glances at their phones. They can get lost in a good book, a woodworking project, or a(...)
Digital minimalism: choosing a focused life in a noisy world
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In this timely and enlightening book, the bestselling author of Deep Work introduces a philosophy for technology use that has already improved countless lives. Digital minimalists are all around us. They're the calm, happy people who can hold long conversations without furtive glances at their phones. They can get lost in a good book, a woodworking project, or a leisurely morning run. They can have fun with friends and family without the obsessive urge to document the experience. They stay informed about the news of the day, but don't feel overwhelmed by it. They don't experience "fear of missing out" because they already know which activities provide them meaning and satisfaction. Now, Newport gives us a name for this quiet movement, and makes a persuasive case for its urgency in our tech-saturated world. Common sense tips, like turning off notifications, or occasional rituals like observing a digital sabbath, don't go far enough in helping us take back control of our technological lives, and attempts to unplug completely are complicated by the demands of family, friends and work. What we need instead is a thoughtful method to decide what tools to use, for what purposes, and under what conditions.
Théorie/ philosophie
$41.00
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In 2020, the prominent Danish feminist Emma Holten read an article stating that women were a net ‘ deficit’ to society. Women took more than they gave, ‘ draining’ the public purse by giving birth and taking parental leave. They contributed less than their fair share in taxes, because they often worked part-time to look after other people at home, or held low-paid jobs in(...)
Deficit: How feminist economics can change our world
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In 2020, the prominent Danish feminist Emma Holten read an article stating that women were a net ‘ deficit’ to society. Women took more than they gave, ‘ draining’ the public purse by giving birth and taking parental leave. They contributed less than their fair share in taxes, because they often worked part-time to look after other people at home, or held low-paid jobs in the public sector. Denmark would be richer if women’ s lives looked more like men’ s, the economic experts concluded. A similar story is told around the globe. How did we get here? In "Deficit", Emma Holten traces how economic thinkers – from the Enlightenment onwards – created a value framework that overlooked and neglected ‘ women’ s work’ and acts of care. She reveals how the economic models that drive political decisions today are just as flawed, giving us unparalleled monetary wealth, but causing deep social harms that are hurting us all.
Social
Friedlander
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Lee Friedlander is one of the most important of the 1960s generation of photographers for whom the posture of disinterested objectivity served as a vehicle for passionate personal inquiries. His large body of work - he most often produces extended series of pictures on a chosen theme, then publishes them in book form - is broad in subject matter and supple and complex in(...)
Friedlander
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Lee Friedlander is one of the most important of the 1960s generation of photographers for whom the posture of disinterested objectivity served as a vehicle for passionate personal inquiries. His large body of work - he most often produces extended series of pictures on a chosen theme, then publishes them in book form - is broad in subject matter and supple and complex in style, and focuses on what he calls America's "social landscape". At the same time, he has pursued a playful dialogue with artistic tradition - as though open-eyed curiosity about the world and a sophisticated taste for the wiles of picture-making were one and the same thing. "Friedlander" takes a deep critical look at Friedlander's abundantly productive career. Including over 500 photographs grouped by series, and an incisive essay by Peter Galassi, Chief Curator of Photography at The Museum of Modern Art, this oversized publication is the most comprehensive review of the photographer's career to date.
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Bruce Davidson: The way back
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Consisting solely of previously unpublished photographs, ''The Way Back'' is a deep dive through Bruce Davidson’s 60-year career. The book chronologically presents photos made between 1957 and 1992, showcasing Davidson’s exceptional versatility—from his earliest assignments to later seminal bodies of work including his year-long study of teenage members of a “Brooklyn(...)
Bruce Davidson: The way back
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Consisting solely of previously unpublished photographs, ''The Way Back'' is a deep dive through Bruce Davidson’s 60-year career. The book chronologically presents photos made between 1957 and 1992, showcasing Davidson’s exceptional versatility—from his earliest assignments to later seminal bodies of work including his year-long study of teenage members of a “Brooklyn Gang” (1959), his extensive coverage of the American Civil Rights Movement in “Time of Change” (1961–65), and his breakthrough portraits of the residents of a single block in Harlem in “East 100th Street” (1966–68). Series such as “Subway” (1980) and “Central Park” (1992) furthermore confirm Davidson as a quintessential chronicler of New York City. Regardless of his motif, what emerges through this retrospective is Davidson’s overt sensibility and empathy for his subjects, his commitment to documenting them in depth over time, and to capturing their beliefs, communities and subcultures. Unlike his peers who photographed events that constituted history, Davidson focused on the people within these histories.
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