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Contrary to what is suggested by most historical accounts, the Second World War was a key moment in the modernisation of architectural theory and practice. Architecture in Uniform offers a new perspective on the architectural history of the war, documenting a series of episodes that took place between the bombings of Guernica in 1937 and Hiroshima in 1945, leading to(...)
Architecture in uniform: designing and building for the Second World War
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Contrary to what is suggested by most historical accounts, the Second World War was a key moment in the modernisation of architectural theory and practice. Architecture in Uniform offers a new perspective on the architectural history of the war, documenting a series of episodes that took place between the bombings of Guernica in 1937 and Hiroshima in 1945, leading to the definitive supremacy of modernism in architecture. It discusses topics such as the role of cities in the air war, the new buildings erected for industrial production, architecture's participation in actual warfare, and wartime mega-projects and post-war developments in the civilian sphere, revealing the extent of the contribution made by architects to all aspects of the mobilisation that characterised the war years.
Publications du CCA
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Josef Albers' rigorous investigations into color have had a decisive effect on art in the twentieth century and beyond. His teaching posts at the Bauhaus, Black Mountain College and Yale enabled him to bequeath his theories to several generations of artists and designers, from Max Bill and Mark Rothko to Eva Hesse and Ray Johnson. Published for an exhibition at the Morgan(...)
Josef Albers in America: Painting on paper
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Josef Albers' rigorous investigations into color have had a decisive effect on art in the twentieth century and beyond. His teaching posts at the Bauhaus, Black Mountain College and Yale enabled him to bequeath his theories to several generations of artists and designers, from Max Bill and Mark Rothko to Eva Hesse and Ray Johnson. Published for an exhibition at the Morgan library, and with an abundance of previously uncollected works, this volume unveils the full bounty of Albers' works on paper: lithographs, linocuts, woodcuts, screenprints and etchings. Since the prints lack the just-visible brushwork of Albers' paintings, allowing color to emerge without surface blemish, some have argued that they constitute a more effective illustration of his color theory.
The botanical city
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Plant life is a subject frequently ignored in the context of urban theory, and the essays in 'The Botanical City' offer a fresh perspective into new ecological forms that continue to emerge in cities across the world. Much like the unique adaptive strategies of city-native animals, urban plants often become distinctively intertwined with their cities’ human(...)
The botanical city
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Plant life is a subject frequently ignored in the context of urban theory, and the essays in 'The Botanical City' offer a fresh perspective into new ecological forms that continue to emerge in cities across the world. Much like the unique adaptive strategies of city-native animals, urban plants often become distinctively intertwined with their cities’ human infrastructure, and this book explores both the scientific approaches to understanding these new ecologies and attempts on the part of writers and artists to engage with urban flora. Edited by the British cultural geographers Matthew Gandy and Sandra Jasper, the book comprises ecological reflections on city design, history, art and mapmaking, alongside philosophical excursions on the meaning of urban ecology in the Anthropocene.
Paysages urbains
The material kinship reader: material beyond extraction and kinship beyond the nuclear family
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What does it mean to acknowledge one’s closeness to, enmeshment in or even kinship with the material world? And what does it mean to question family structures – the way they organise, coerce and make deviant certain lifeforms – and dwell in other possibilities of kin-making? Not just a jolly rethinking of objects or a polyamorous romp through relationships, this book(...)
The material kinship reader: material beyond extraction and kinship beyond the nuclear family
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What does it mean to acknowledge one’s closeness to, enmeshment in or even kinship with the material world? And what does it mean to question family structures – the way they organise, coerce and make deviant certain lifeforms – and dwell in other possibilities of kin-making? Not just a jolly rethinking of objects or a polyamorous romp through relationships, this book reckons with the extractavist histories of materials and the social relations that frame much of contemporary life. Spanning fiction and theory, the collection of texts expands the idea of an artist’s book by bringing words into conversation with an aesthetic proposition. From colonial conquest to climate collapse, it tells toxic and tender stories of interdependence among all things sentient and insentient.
Social
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Human heads on animal bodies, people in fanciful landscapes, faces that are deftly morphed into common household objects—these are among the Victorian experiments in photocollage seen and explained in this marvelous book. With sharp wit and dramatic shifts of scale, these images flouted the serious conventions of photography in the 1860s and 1870s. Often made by women for(...)
Playing with pictures; the art of Victorian photocollage
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Human heads on animal bodies, people in fanciful landscapes, faces that are deftly morphed into common household objects—these are among the Victorian experiments in photocollage seen and explained in this marvelous book. With sharp wit and dramatic shifts of scale, these images flouted the serious conventions of photography in the 1860s and 1870s. Often made by women for albums, they reveal the educated minds and accomplished hands of their makers, taking on the new theory of evolution, addressing the changing role of photography, and challenging the strict conventions of aristocratic society. Although these photocollages may seem wonderfully odd to us now, the authors argue that they are actually perfectly in keeping with the Victorian sensibility that embraced juxtaposition and variety.
Illustration
Perspecta 51
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Perspecta 51, ''Medium.'' Since the arrival of radio and television in the twentieth century, understandings of space have become visibly intertwined with what is commonly referred to as the media. But what is a medium? Dictionaries define ''medium'' as something in the middle, or, a means of conveyance, and this elemental understanding of medium has nourished early(...)
Perspecta 51
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Perspecta 51, ''Medium.'' Since the arrival of radio and television in the twentieth century, understandings of space have become visibly intertwined with what is commonly referred to as the media. But what is a medium? Dictionaries define ''medium'' as something in the middle, or, a means of conveyance, and this elemental understanding of medium has nourished early conversations of networks and cybernetics, as well as recent media theory. Yet today, midcentury architectural fictions and fantasies are reality—nomadic devices connect people, rooms, buildings, and cities to vast networks of data, capital, and energy; media are palpably enmeshed in the concrete built environment surrounding us. This volume of Perspecta takes a broad view of medium to take stock of and unpack unexpected relationships.
Revues
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The Situationist International (SI), led by Guy Debord and central to the Paris uprising in May 1968, published many incendiary texts on politics and art in the journal Internationale Situationniste. One central theme to their work was rethinking the city: from a site for routine consumption and work to a utopia that breaks down barriers between function and play. In this(...)
The situationists and the city
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The Situationist International (SI), led by Guy Debord and central to the Paris uprising in May 1968, published many incendiary texts on politics and art in the journal Internationale Situationniste. One central theme to their work was rethinking the city: from a site for routine consumption and work to a utopia that breaks down barriers between function and play. In this essential volume Tom McDonough collects together all of the SI’s key essays on urbanism and the city. The book is illustrated by images that were core to the SI project. It includes such key texts as “The Theory of Dérive,” “Formulary for a New Urbanism,” and many previously untranslated texts, including those that came out of the Situationists’ collaboration with Henri Lefebvre.
Situationnisme
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This issue focuses on how architectural skills are deployed in entertainment to communicate design and form the backdrops for stories to play out. It includes articles on installations, exhibition designs, entertainment architecture, narrative projects, speculations on future human identities, video gaming, and memorial tombs – an international plethora of staged examples(...)
AD 95:01 Staged: Architecture for performance, exhibition, and fiction
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This issue focuses on how architectural skills are deployed in entertainment to communicate design and form the backdrops for stories to play out. It includes articles on installations, exhibition designs, entertainment architecture, narrative projects, speculations on future human identities, video gaming, and memorial tombs – an international plethora of staged examples of how architectural thinking can bring vitality to situations not usually perceived to be within the realms of traditional practice. The issue engages with popular culture, fictions, art, performance, technology, and architectural history and theory. Exploring the full spectrum of spatial propositions that architects can bring to staging events, the work featured is theatrical and exuberant, and the product of many collaborative architectural voices including curators, artists, performers, digital intelligences, fabricators, and writers.
Revues
livres
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Jagadish Chandra Bose (1858–1937) was a Bengali scientist and polymath who developed a theory of plant communication more than a century ago. Bose suggested that plants had their own vocabulary, an "unvoiced life" that he recorded as a "script" with a crescograph, a device that measured how plants respond to each other and their environments. Inviting readers into the(...)
The man who made plants write
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Jagadish Chandra Bose (1858–1937) was a Bengali scientist and polymath who developed a theory of plant communication more than a century ago. Bose suggested that plants had their own vocabulary, an "unvoiced life" that he recorded as a "script" with a crescograph, a device that measured how plants respond to each other and their environments. Inviting readers into the “resounding silence of the green plant kingdom," he described an underlying unity beneath the multiplicity of phenomena, and a world in which "endless music is sung everywhere." Dismissed as idiosyncratic and unscientific when he was alive, Bose provocatively challenged the hierarchy of living beings, which relegated plants to the bottom, and created a mesmerizing body of work on nonhuman intelligence.
livres
mars 2026
Faune et flore
livres
$29.99
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In "The culture box," Harley Parker applies Marshall McLuhan’s medium theory to the museum, analyzes the museum as the site of many media, and specifies the ways in which designer-communicators can engage in inter-sense design to connect audiences and artifacts. Parker argues that museums should retrain the sensory perception of visitors and foster cultural engagement,(...)
Culture box: Museums as media
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In "The culture box," Harley Parker applies Marshall McLuhan’s medium theory to the museum, analyzes the museum as the site of many media, and specifies the ways in which designer-communicators can engage in inter-sense design to connect audiences and artifacts. Parker argues that museums should retrain the sensory perception of visitors and foster cultural engagement, participation, and empathy. In order to accomplish this, he recommends the construction of what he calls a "new centre," emphasizing both "new" and "news," a small "newseum" which would engender discussion and debate. Parker envisions these centres being constructed adjacent to any existing large prestige museum and containing three exhibits: a current public exhibit, an exhibit in process, and an area for gathering materials for a forthcoming exhibit.
livres
mai 2025
Muséologie