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Imagine the world without the Parthenon, Notre Dame, the Wailing Wall, the Taj Mahal, the Forbidden City, Machu Picchu, or other iconic buildings, monuments, and places. What if the more impressive historic buildings and sites we encounter in our everyday lives disappeared? Civilization would simply not exist as we know it. Fortunately, awareness of the importance of(...)
janvier 2009, Hoboken
Time honored: a global view of architectural conservation
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Imagine the world without the Parthenon, Notre Dame, the Wailing Wall, the Taj Mahal, the Forbidden City, Machu Picchu, or other iconic buildings, monuments, and places. What if the more impressive historic buildings and sites we encounter in our everyday lives disappeared? Civilization would simply not exist as we know it. Fortunately, awareness of the importance of protecting the world's cultural patrimony—in particular, its architectural heritage—is at an all-time high and is growing. Time Honored: A Global View of Architectural Conservation explores the reasons for this phenomenon, explains how international architectural heritage conservation practice operates, and considers where this firmly rooted global interest may lead. Written by a leading practitioner and teacher of architectural preservation, Time Honored provides a much-needed comprehensive and balanced survey of the practice, theory, and structure of architectural heritage conservation throughout the world.
Deserts are not empty
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Colonial and imperial powers have often portrayed arid lands as “empty” spaces ready to be occupied, exploited, extracted, and polluted. Despite the undeniable presence of human and nonhuman lives and forces in desert territories, the “regime of emptiness” has inhabited, and is still inhabiting, many imaginaries. This volume challenges this colonial tendency, questions(...)
Deserts are not empty
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Colonial and imperial powers have often portrayed arid lands as “empty” spaces ready to be occupied, exploited, extracted, and polluted. Despite the undeniable presence of human and nonhuman lives and forces in desert territories, the “regime of emptiness” has inhabited, and is still inhabiting, many imaginaries. This volume challenges this colonial tendency, questions its roots and ramifications, and remaps the representations, theories, histories, and stories of arid lands—which comprise approximately one-third of the Earth’s land surface. It brings together poems in original languages, conversations with collectives, and essays by scholars and professionals from the fields of architecture, architectural history and theory, curatorial studies, comparative literature, film studies, landscape architecture, and photography. These different approaches and diverse voices draw on a framework of decoloniality to unsettle and unlearn the desert, opening up possibilities to see, think, imagine it otherwise.
L'écologie de l'architecure
Exhibition experiments
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Exhibition Experiments is a an anthology which considers experiments with museological form that challenge our understanding and experience of museums and exhibitions. Exploring examples from around the world, this publication investigates a range of topical issues which chart the frontier of museum studies. These include: the popularity and proliferation of museum(...)
Exhibition experiments
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Exhibition Experiments is a an anthology which considers experiments with museological form that challenge our understanding and experience of museums and exhibitions. Exploring examples from around the world, this publication investigates a range of topical issues which chart the frontier of museum studies. These include: the popularity and proliferation of museum experimentation, novel exhibitionary forms and their implications for knowledge and identity, transformations of architecture and design, narrative and navigation, juxtapositions of art with science and ethnography, the fate of conventional notions of "object" and "representation," and the disorientating yet stimulating consequences of all this for museum-going. This collection brings together a mix of art historians, anthropologists, curators, and sociologists to question traditional disciplinary boundaries. Contributors tackle a range of examples of experimentalism from many different countries and exhibition spaces, and combine them with cutting-edge museum theory.
Muséologie
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This issue of the Cornell Journal of Architecture is about the now, the new, and the next in architecture, while simultaneously acknowledging that every possible future is intrinsically linked to the existent, to the present and its attendant past. At the heart of issue 8: RE is the understanding that the creative act itself is reiterative; that in rethinking,(...)
The Cornell journal of architecture 8: RE
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This issue of the Cornell Journal of Architecture is about the now, the new, and the next in architecture, while simultaneously acknowledging that every possible future is intrinsically linked to the existent, to the present and its attendant past. At the heart of issue 8: RE is the understanding that the creative act itself is reiterative; that in rethinking, recombining, reshuffling, recycling, and reimagining aspects of the world around us, we produce work that both belongs to the current moment and establishes new future trajectories. The texts reflect the interconnected strands of technology, history, theory, and intuition that necessarily reinforce each other in architectural education and practice today: issues of reuse and recycling; of feedback loops and regression; of dialogue, criticism, and correspondence; and of the role that changing technologies have in restructuring the way we think, see, and remember.
Revues
Eth Yearbook 2010
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This book includes student work from the courses of study in architectural design, technology and visual design at the Faculty of Architecture of the ETH, Zurich. It describes the entire breadth of approaches and disciplines which characterise the school. The work featured was produced in the previous year in the semester studios as part of a thesis project or in one of(...)
Eth Yearbook 2010
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This book includes student work from the courses of study in architectural design, technology and visual design at the Faculty of Architecture of the ETH, Zurich. It describes the entire breadth of approaches and disciplines which characterise the school. The work featured was produced in the previous year in the semester studios as part of a thesis project or in one of the Master of Advanced Studies programmes (MAS), but also in academic exchange programs between: The Institute for the History and Theory of Architecture (gta); The Institute for Building Technology (HBT); The Institute for Historic Building Research and Conservation (IDB); The Network City and Landscape (NSL) with the ETH Studio Basel/Contemporary City Institute; The Institute for Urban Design (ISB). The Institute for Landscape Architecture (ILA) also present selected works of their teaching and research activities.
Architecture contemporaine
Dynamics and de-realisation
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The collection of architectural design projects included provides an overview of philosophical theories that focus on what appears to be real, presenting a range of methodologies and a set of tools for addressing this discourse. The contents have been divided into 5 sections, each chapter developing a design criteria process involving one of the following areas in(...)
Dynamics and de-realisation
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The collection of architectural design projects included provides an overview of philosophical theories that focus on what appears to be real, presenting a range of methodologies and a set of tools for addressing this discourse. The contents have been divided into 5 sections, each chapter developing a design criteria process involving one of the following areas in philosophy: hyperreality and simulacra within postmodern philosophy, drawing on Jean Baudrillard; semiology and the authority of form; complexity and noumenon/non-Euclidean geometry; the exhausted confines of structuralist theory according to Roland Barthes; and lastly authenticity, with the aim to describe how we perceive reality and the urban fabric. Incorporating the ontological potential of space into a design process and part of a set of design criteria will help develop an understanding of the conditions under which forms and design criteria are generated.
Architecture numérique
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Rather than look only at the physical development of Rome - its buildings, monuments, and urban spaces - Dyson also explores its social, economic, and cultural histories. This approach situates Rome against a background of comparative urban history and theory, allowing Dyson to examine the dynamic society that once thrived there. Dyson follows Rome as it developed(...)
Rome: A living portrait of an ancient city
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Rather than look only at the physical development of Rome - its buildings, monuments, and urban spaces - Dyson also explores its social, economic, and cultural histories. This approach situates Rome against a background of comparative urban history and theory, allowing Dyson to examine the dynamic society that once thrived there. Dyson follows Rome as it developed between the third century BC and the fourth century AD, dividing the megalopolis into distinct neighborhoods and locales. He shows how these communities, each with its own unique customs and colorful inhabitants, eventually grew into the great imperial capital of the Italian Empire. Dyson integrates the full range of sources available -- literary, artistic, epigraphic, and archaeological -- to create a comprehensive history of the monumental city. In doing so, he offers a dramatic picture of a complex and changing urban center that, despite its flaws, flourished for centuries.
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Drawing on a vast range of material, from critical theory to pop culture to the intimacies and plain exchanges of daily life, Nelson explores how we might think, experience, or talk about freedom in ways responsive to the conditions of our day. Her abiding interest lies in ongoing 'practices of freedom' by which we negotiate our interrelation with-- indeed, our(...)
On freedom: four songs of care and constraint
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Drawing on a vast range of material, from critical theory to pop culture to the intimacies and plain exchanges of daily life, Nelson explores how we might think, experience, or talk about freedom in ways responsive to the conditions of our day. Her abiding interest lies in ongoing 'practices of freedom' by which we negotiate our interrelation with-- indeed, our inseparability from -- others, with all the care and constraint that relation entails, while accepting difference and conflict as integral to our communion. For Nelson, thinking publicly through the knots in our culture -- from recent art world debates to the turbulent legacies of sexual liberation, from the painful paradoxes of addiction to the lure of despair in the face of the climate crisis -- is itself a practice of freedom, a means of forging fortitude, courage, and company.
Social
Karen Kilimnik
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This monograph is devoted to the American artist (*1955) who lives and works in Philadelphia. In the 1980s her narrative and jumbled installations were compared by the critics to the “scatter art” of the previous decade, but have become cult for a younger generation of artists and exhibition curators. Her drawings and paintings from the beginning of the 1990s were(...)
Karen Kilimnik
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This monograph is devoted to the American artist (*1955) who lives and works in Philadelphia. In the 1980s her narrative and jumbled installations were compared by the critics to the “scatter art” of the previous decade, but have become cult for a younger generation of artists and exhibition curators. Her drawings and paintings from the beginning of the 1990s were included in the then current discussions on art and glamour, and on the emergence of women artists whose sensibility was not that of feminist theory. The source of numerous misunderstandings, the diversity of her work has veiled the internal coherence of a practice of which the most recent pieces attest to the continuous links between all these mediums. This book offers the complete panorama of Kilimnik’s production and allows a vision that goes beyond the distinctions between painting, drawing, or installation.
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Yard, street, park : the design of suburban open space / Cynthia L. Girling, Kenneth I. Helphand.
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ix, 245 pages : illustrations, maps ; 29 cm
New York : J. Wiley, ©1994.
Yard, street, park : the design of suburban open space / Cynthia L. Girling, Kenneth I. Helphand.
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Description:
ix, 245 pages : illustrations, maps ; 29 cm
livres
New York : J. Wiley, ©1994.