13794 Résultats
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livres
livres
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Description:
144 pages : illustrations, maps ; 29 cm
Description:
144 pages : illustrations, maps ; 29 cm
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Santa Barbara, CA : Santa Barbara Museum of Art, 1997., Berkeley : University of California Press
Santa Barbara, CA : Santa Barbara Museum of Art, 1997., Berkeley : University of California Press
Titre:
Revealing the Holy Land : the photographic exploration of Palestine / essay by Kathleen Stewart Howe.
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Description:
144 pages : illustrations, maps ; 29 cm
Revealing the Holy Land : the photographic exploration of Palestine / essay by Kathleen Stewart Howe.
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Description:
144 pages : illustrations, maps ; 29 cm
Classification:
livres
livres
Publication:
Santa Barbara, CA : Santa Barbara Museum of Art, 1997., Berkeley : University of California Press
Santa Barbara, CA : Santa Barbara Museum of Art, 1997., Berkeley : University of California Press
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Classification:
périodiques
périodiques
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$14.00
(disponible en magasin)
Résumé:
Cabinet 34 puts our culture of constant examination, and self-examination itself, to the test, scrutinizing the historical conventions that have produced our contemporary obsession with quantifying and judging everything from aptitude and health to personality and durability. The thematic section of this issue includes Mark Dery on the history of the IQ test; Mats Bigert(...)
$14.00
(disponible en magasin)
Résumé:
Cabinet 34 puts our culture of constant examination, and self-examination itself, to the test, scrutinizing the historical conventions that have produced our contemporary obsession with quantifying and judging everything from aptitude and health to personality and durability. The thematic section of this issue includes Mark Dery on the history of the IQ test; Mats Bigert(...)
Sujet:
Revues
Revues
Publication:
septembre 2009
septembre 2009
Titre:
Cabinet 34: testing, summer 2009
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$14.00
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Résumé:
Cabinet 34 puts our culture of constant examination, and self-examination itself, to the test, scrutinizing the historical conventions that have produced our contemporary obsession with quantifying and judging everything from aptitude and health to personality and durability. The thematic section of this issue includes Mark Dery on the history of the IQ test; Mats Bigert on the pitch drop experiment (the world's longest continuously running laboratory experiment, which began in 1927); Charlotte Delbanco on animal testing; and Christopher Turner on projective personality tests. The unthemed section boasts a brief visual history of the AK-47 as the quintessential symbol of political resistance; Allen S. Weiss on the sense and no-sense theory of proper names; Emily Thompson on early silent films; and Brian Dillon on Antonin Artaud's strange sojourn to Ireland.
Cabinet 34: testing, summer 2009
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$14.00
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Résumé:
Cabinet 34 puts our culture of constant examination, and self-examination itself, to the test, scrutinizing the historical conventions that have produced our contemporary obsession with quantifying and judging everything from aptitude and health to personality and durability. The thematic section of this issue includes Mark Dery on the history of the IQ test; Mats Bigert on the pitch drop experiment (the world's longest continuously running laboratory experiment, which began in 1927); Charlotte Delbanco on animal testing; and Christopher Turner on projective personality tests. The unthemed section boasts a brief visual history of the AK-47 as the quintessential symbol of political resistance; Allen S. Weiss on the sense and no-sense theory of proper names; Emily Thompson on early silent films; and Brian Dillon on Antonin Artaud's strange sojourn to Ireland.
Classification:
périodiques
périodiques
Publication:
septembre 2009
septembre 2009
Sujet:
Revues
Revues
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livres
livres
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$27.95
(disponible sur commande)
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Based on newly uncovered archival information and a close reading of numerous NFB films, Projecting Canada explores the NFB's involvement with British Empire communication theory and American social science. Using a critical cultural policy studies framework, Druick develops the concept of "government realism" to describe films featuring ordinary people as representative(...)
$27.95
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Based on newly uncovered archival information and a close reading of numerous NFB films, Projecting Canada explores the NFB's involvement with British Empire communication theory and American social science. Using a critical cultural policy studies framework, Druick develops the concept of "government realism" to describe films featuring ordinary people as representative(...)
Publication:
novembre 2007
novembre 2007
Titre:
Projecting Canada: Government policy and documentary film at the National Film Board
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$27.95
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Résumé:
Based on newly uncovered archival information and a close reading of numerous NFB films, Projecting Canada explores the NFB's involvement with British Empire communication theory and American social science. Using a critical cultural policy studies framework, Druick develops the concept of "government realism" to describe films featuring ordinary people as representative of segments of the population. She demonstrates the close connection between NFB production policies and shifting techniques developed in relation to the evolution of social science from the 1940s to the present and argues that government policy has been the overriding factor in determining the ideology of NFB films. Projecting Canada offers a compelling new perspective on both the development of the documentary form and the role of cultural policy in creating essential spaces for aesthetic production.
Projecting Canada: Government policy and documentary film at the National Film Board
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$27.95
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Résumé:
Based on newly uncovered archival information and a close reading of numerous NFB films, Projecting Canada explores the NFB's involvement with British Empire communication theory and American social science. Using a critical cultural policy studies framework, Druick develops the concept of "government realism" to describe films featuring ordinary people as representative of segments of the population. She demonstrates the close connection between NFB production policies and shifting techniques developed in relation to the evolution of social science from the 1940s to the present and argues that government policy has been the overriding factor in determining the ideology of NFB films. Projecting Canada offers a compelling new perspective on both the development of the documentary form and the role of cultural policy in creating essential spaces for aesthetic production.
Classification:
livres
livres
Publication:
novembre 2007
novembre 2007
Classification:
livres
livres
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$66.95
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This book examines a broad range of Abbott’s work—including portraits from the 1920s, little known and uncompleted projects from the 1930s, and experimental science photography from the 1950s. It argues that Abbott consistently relied on realism as the theoretical armature for her work, even as her understanding of that term changed over time and in relation to specific(...)
$66.95
(disponible sur commande)
Résumé:
This book examines a broad range of Abbott’s work—including portraits from the 1920s, little known and uncompleted projects from the 1930s, and experimental science photography from the 1950s. It argues that Abbott consistently relied on realism as the theoretical armature for her work, even as her understanding of that term changed over time and in relation to specific(...)
Titre:
The realisms of Berenice Abbott: Documentary photography and political action
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$66.95
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Résumé:
This book examines a broad range of Abbott’s work—including portraits from the 1920s, little known and uncompleted projects from the 1930s, and experimental science photography from the 1950s. It argues that Abbott consistently relied on realism as the theoretical armature for her work, even as her understanding of that term changed over time and in relation to specific historical circumstances. But as Weissman demonstrates, Abbott’s unflinching commitment to “realist” aesthetics led her to develop a critical theory of documentary that recognizes the complexity of representation without excluding or obscuring a connection between art and engagement in the political public sphere. In telling Abbott’s story, The Realisms of Berenice Abbott reveals insights into the politics and social context of documentary production and presents a thoughtful analysis of why documentary remains a compelling artistic strategy today.
The realisms of Berenice Abbott: Documentary photography and political action
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$66.95
(disponible sur commande)
Résumé:
This book examines a broad range of Abbott’s work—including portraits from the 1920s, little known and uncompleted projects from the 1930s, and experimental science photography from the 1950s. It argues that Abbott consistently relied on realism as the theoretical armature for her work, even as her understanding of that term changed over time and in relation to specific historical circumstances. But as Weissman demonstrates, Abbott’s unflinching commitment to “realist” aesthetics led her to develop a critical theory of documentary that recognizes the complexity of representation without excluding or obscuring a connection between art and engagement in the political public sphere. In telling Abbott’s story, The Realisms of Berenice Abbott reveals insights into the politics and social context of documentary production and presents a thoughtful analysis of why documentary remains a compelling artistic strategy today.
Classification:
livres
livres
Publication:
novembre 2010
novembre 2010
Sujet:
Monographies photo
Monographies photo
Classification:
livres
livres
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$40.00
(disponible sur commande)
Résumé:
Dutch architect, architectural theorist and urban thinker Rem Koolhaas (born 1944) has been a protagonist of the international architectural avant-garde since the 1970s; his numerous worldwide awards include the Pritzker Prize in 2000 for his lifetime achievement. Through a series of essays, this book interprets his many buildings and projects by drawing on Koolhaas’ own(...)
$40.00
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Résumé:
Dutch architect, architectural theorist and urban thinker Rem Koolhaas (born 1944) has been a protagonist of the international architectural avant-garde since the 1970s; his numerous worldwide awards include the Pritzker Prize in 2000 for his lifetime achievement. Through a series of essays, this book interprets his many buildings and projects by drawing on Koolhaas’ own(...)
Titre:
Six canonical projects by Rem Koolhaas
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$40.00
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Dutch architect, architectural theorist and urban thinker Rem Koolhaas (born 1944) has been a protagonist of the international architectural avant-garde since the 1970s; his numerous worldwide awards include the Pritzker Prize in 2000 for his lifetime achievement. Through a series of essays, this book interprets his many buildings and projects by drawing on Koolhaas’ own theoretical oeuvre of polemics, manifestos, interviews, books such as Delirious New York and his so-called “design patents.” In these writings, Koolhaas articulates a design method that links theory and practice, whereby an idea is applied to several projects over a period of time, so that it can continuously evolve. This book not only orients this method within architectural history, but also shows how it repositions the function of the authors or the architects themselves.
Six canonical projects by Rem Koolhaas
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$40.00
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Résumé:
Dutch architect, architectural theorist and urban thinker Rem Koolhaas (born 1944) has been a protagonist of the international architectural avant-garde since the 1970s; his numerous worldwide awards include the Pritzker Prize in 2000 for his lifetime achievement. Through a series of essays, this book interprets his many buildings and projects by drawing on Koolhaas’ own theoretical oeuvre of polemics, manifestos, interviews, books such as Delirious New York and his so-called “design patents.” In these writings, Koolhaas articulates a design method that links theory and practice, whereby an idea is applied to several projects over a period of time, so that it can continuously evolve. This book not only orients this method within architectural history, but also shows how it repositions the function of the authors or the architects themselves.
Classification:
livres
livres
Publication:
août 2014
août 2014
Sujet:
Architecture, monographies
Architecture, monographies
Classification:
livres
livres
Titre:
Building on the built
Building on the built
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$33.00
(disponible en magasin)
Résumé:
This book is the result of research carried out at the Department of Architecture and Industrial Design of the University of Campania ‘Luigi Vanvitelli’ and thanks to funds from the PON Green and Innovation project. The aim of this work was the desire to investigate a new theory of reuse at a time when space is corrupted by traces of the recent past resulting from(...)
$33.00
(disponible en magasin)
Résumé:
This book is the result of research carried out at the Department of Architecture and Industrial Design of the University of Campania ‘Luigi Vanvitelli’ and thanks to funds from the PON Green and Innovation project. The aim of this work was the desire to investigate a new theory of reuse at a time when space is corrupted by traces of the recent past resulting from(...)
Titre:
Building on the built
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$33.00
(disponible en magasin)
Résumé:
This book is the result of research carried out at the Department of Architecture and Industrial Design of the University of Campania ‘Luigi Vanvitelli’ and thanks to funds from the PON Green and Innovation project. The aim of this work was the desire to investigate a new theory of reuse at a time when space is corrupted by traces of the recent past resulting from speculation and ‘easy building’. The paradigm of architecture’s function is changing and the project must be in dialogue with the possibility of architecture having many more lives than what it was imagined for, perhaps returning to being what it has always been, an organism ready to be everything and composed of layers of time, just as the history of architecture has taught us by building on the built without fear.
Building on the built
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$33.00
(disponible en magasin)
Résumé:
This book is the result of research carried out at the Department of Architecture and Industrial Design of the University of Campania ‘Luigi Vanvitelli’ and thanks to funds from the PON Green and Innovation project. The aim of this work was the desire to investigate a new theory of reuse at a time when space is corrupted by traces of the recent past resulting from speculation and ‘easy building’. The paradigm of architecture’s function is changing and the project must be in dialogue with the possibility of architecture having many more lives than what it was imagined for, perhaps returning to being what it has always been, an organism ready to be everything and composed of layers of time, just as the history of architecture has taught us by building on the built without fear.
Classification:
livres
livres
Publication:
juin 2023
juin 2023
Sujet:
Architecture contemporaine
Architecture contemporaine
Classification:
livres
livres
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$33.00
(disponible en magasin)
Résumé:
How does media architecture distribute suspicion and trust? What is a collage of media architecture? How is media architecture vectored? How can media architecture address privilege? These questions and conceptual provocations aim to challenge the binary of techno-optimism and technological agoraphobia, offering a platform for developing new, critically and contextually(...)
$33.00
(disponible en magasin)
Résumé:
How does media architecture distribute suspicion and trust? What is a collage of media architecture? How is media architecture vectored? How can media architecture address privilege? These questions and conceptual provocations aim to challenge the binary of techno-optimism and technological agoraphobia, offering a platform for developing new, critically and contextually(...)
Publication:
novembre 2023
novembre 2023
Titre:
Provocations on media architecture
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$33.00
(disponible en magasin)
Résumé:
How does media architecture distribute suspicion and trust? What is a collage of media architecture? How is media architecture vectored? How can media architecture address privilege? These questions and conceptual provocations aim to challenge the binary of techno-optimism and technological agoraphobia, offering a platform for developing new, critically and contextually rooted theories that media architecture might grab hold of. Intentionally open-ended, ''Provocations on Media Architecture'' brings together 21 thought leaders across architecture, visual arts, design, curation, academia and public policy to address these ideas and themes. Authors respond with images and brief texts incorporating the perspective of their own creative and scholarly practice. Entries range from descriptions of relevant artworks and design projects to reflections spawned from first-person encounters with media architecture in situ, scholarly analyses and AI-assisted theory.
Provocations on media architecture
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$33.00
(disponible en magasin)
Résumé:
How does media architecture distribute suspicion and trust? What is a collage of media architecture? How is media architecture vectored? How can media architecture address privilege? These questions and conceptual provocations aim to challenge the binary of techno-optimism and technological agoraphobia, offering a platform for developing new, critically and contextually rooted theories that media architecture might grab hold of. Intentionally open-ended, ''Provocations on Media Architecture'' brings together 21 thought leaders across architecture, visual arts, design, curation, academia and public policy to address these ideas and themes. Authors respond with images and brief texts incorporating the perspective of their own creative and scholarly practice. Entries range from descriptions of relevant artworks and design projects to reflections spawned from first-person encounters with media architecture in situ, scholarly analyses and AI-assisted theory.
Classification:
livres
livres
Publication:
novembre 2023
novembre 2023
Classification:
périodiques
périodiques
Titre:
Texte zur kunst 132 : lust
Texte zur kunst 132 : lust
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$30.00
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Résumé:
Traditionally, art scholarship and aesthetic theory have taken a chaste stance toward physical pleasure. Carnal, bodily experiences of pleasure are often associated with a loss of critical thinking; they appear as a base impulse that is said to possess no political agency. Contrary to such dismissal, this issue seeks to tease out the critical potential of pleasure(...)
$30.00
(disponible sur commande)
Résumé:
Traditionally, art scholarship and aesthetic theory have taken a chaste stance toward physical pleasure. Carnal, bodily experiences of pleasure are often associated with a loss of critical thinking; they appear as a base impulse that is said to possess no political agency. Contrary to such dismissal, this issue seeks to tease out the critical potential of pleasure(...)
Titre:
Texte zur kunst 132 : lust
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$30.00
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Résumé:
Traditionally, art scholarship and aesthetic theory have taken a chaste stance toward physical pleasure. Carnal, bodily experiences of pleasure are often associated with a loss of critical thinking; they appear as a base impulse that is said to possess no political agency. Contrary to such dismissal, this issue seeks to tease out the critical potential of pleasure precisely in its very carnality and immediacy. Although pleasure is typically felt to be a deeply personal and inward experience, it is fundamentally premised on our being-affected and thus points up the relationality and incompleteness of our bodies. This suggests a capacity to arouse unforeseen connections in the social sphere that owe their existence not to the quest for some sort of “inner truths” but to the momentary intensification of bodily sensations.
Texte zur kunst 132 : lust
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$30.00
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Résumé:
Traditionally, art scholarship and aesthetic theory have taken a chaste stance toward physical pleasure. Carnal, bodily experiences of pleasure are often associated with a loss of critical thinking; they appear as a base impulse that is said to possess no political agency. Contrary to such dismissal, this issue seeks to tease out the critical potential of pleasure precisely in its very carnality and immediacy. Although pleasure is typically felt to be a deeply personal and inward experience, it is fundamentally premised on our being-affected and thus points up the relationality and incompleteness of our bodies. This suggests a capacity to arouse unforeseen connections in the social sphere that owe their existence not to the quest for some sort of “inner truths” but to the momentary intensification of bodily sensations.
Classification:
périodiques
périodiques
Publication:
janvier 2024
janvier 2024
Sujet:
Revues
Revues
Classification:
périodiques
périodiques
Titre:
E-flux index #5
E-flux index #5
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$65.00
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Résumé:
This fifth issue of the e-flux Index, comprises nine new categories for sorting it all out. These are titled: Is That All There Is?; What a Body Can Do; The Physicists’ Laugh; Dens, clubs, hives, and cells; The Tourist; Flickers; Promethean Shame; Proxies; and Inextinguishable Fires. In the exploratory spirit of Bas Jan Ader’s Primary Time (1974) or Susan Hiller’s remarks(...)
$65.00
(disponible en magasin)
Résumé:
This fifth issue of the e-flux Index, comprises nine new categories for sorting it all out. These are titled: Is That All There Is?; What a Body Can Do; The Physicists’ Laugh; Dens, clubs, hives, and cells; The Tourist; Flickers; Promethean Shame; Proxies; and Inextinguishable Fires. In the exploratory spirit of Bas Jan Ader’s Primary Time (1974) or Susan Hiller’s remarks(...)
Titre:
E-flux index #5
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$65.00
(disponible en magasin)
Résumé:
This fifth issue of the e-flux Index, comprises nine new categories for sorting it all out. These are titled: Is That All There Is?; What a Body Can Do; The Physicists’ Laugh; Dens, clubs, hives, and cells; The Tourist; Flickers; Promethean Shame; Proxies; and Inextinguishable Fires. In the exploratory spirit of Bas Jan Ader’s Primary Time (1974) or Susan Hiller’s remarks on the forbidden childhood pleasures of taxonomizing, more than that of Linnaeus, each of these categories represents an attempt at daisy cutting samples from the dynamic, complex meadow of discourse across the arts, architecture, education, theory, and politics. This deviant taxonomy is not designed to reduce or abstract away from the complexity of critical discourse and artistic activity in the present moment, but rather to do justice to this very heterogeneity.
E-flux index #5
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$65.00
(disponible en magasin)
Résumé:
This fifth issue of the e-flux Index, comprises nine new categories for sorting it all out. These are titled: Is That All There Is?; What a Body Can Do; The Physicists’ Laugh; Dens, clubs, hives, and cells; The Tourist; Flickers; Promethean Shame; Proxies; and Inextinguishable Fires. In the exploratory spirit of Bas Jan Ader’s Primary Time (1974) or Susan Hiller’s remarks on the forbidden childhood pleasures of taxonomizing, more than that of Linnaeus, each of these categories represents an attempt at daisy cutting samples from the dynamic, complex meadow of discourse across the arts, architecture, education, theory, and politics. This deviant taxonomy is not designed to reduce or abstract away from the complexity of critical discourse and artistic activity in the present moment, but rather to do justice to this very heterogeneity.
Classification:
périodiques
périodiques
Publication:
mars 2025
mars 2025
Sujet:
Revues
Revues
Classification:
livres
livres
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$56.95
(disponible en magasin)
Résumé:
From June 6, 2021 to September 5, 2021, UCCA Center for Contemporary Art presents “Wang Tuo: Empty-handed into History.” As Wang Tuo’s (b. 1984, Changchun) first institutional solo show, this exhibition collects eight of the artist's single- and multi-channel video works, including, in its complete form for the first time, “The Northeast Tetralogy,” as well as related(...)
$56.95
(disponible en magasin)
Résumé:
From June 6, 2021 to September 5, 2021, UCCA Center for Contemporary Art presents “Wang Tuo: Empty-handed into History.” As Wang Tuo’s (b. 1984, Changchun) first institutional solo show, this exhibition collects eight of the artist's single- and multi-channel video works, including, in its complete form for the first time, “The Northeast Tetralogy,” as well as related(...)
Titre:
Wang Tuo: Empty-handed into history
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$56.95
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Résumé:
From June 6, 2021 to September 5, 2021, UCCA Center for Contemporary Art presents “Wang Tuo: Empty-handed into History.” As Wang Tuo’s (b. 1984, Changchun) first institutional solo show, this exhibition collects eight of the artist's single- and multi-channel video works, including, in its complete form for the first time, “The Northeast Tetralogy,” as well as related archival materials and sketches from the artist, presenting an overview of the artist's early-career works. On the occasion of the exhibition, UCCA published Wang Tuo's first-ever catalogue, which reproduces his video works through still images and script excerpts. Essays by exhibition curator Luan Shixuan and critics Fu Liaoliao and Zian Chen contextualize the artist's oeuvre through the perspectives of history, literary theory, Chinese traditional beliefs, and other frameworks.
Wang Tuo: Empty-handed into history
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Prix:
$56.95
(disponible en magasin)
Résumé:
From June 6, 2021 to September 5, 2021, UCCA Center for Contemporary Art presents “Wang Tuo: Empty-handed into History.” As Wang Tuo’s (b. 1984, Changchun) first institutional solo show, this exhibition collects eight of the artist's single- and multi-channel video works, including, in its complete form for the first time, “The Northeast Tetralogy,” as well as related archival materials and sketches from the artist, presenting an overview of the artist's early-career works. On the occasion of the exhibition, UCCA published Wang Tuo's first-ever catalogue, which reproduces his video works through still images and script excerpts. Essays by exhibition curator Luan Shixuan and critics Fu Liaoliao and Zian Chen contextualize the artist's oeuvre through the perspectives of history, literary theory, Chinese traditional beliefs, and other frameworks.
Classification:
livres
livres
Publication:
novembre 2021
novembre 2021
