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This book shows how, even in the most difficult conditions–forced displacement, trauma, and struggle–design can help create a life worth living. ''Design to live'' documents designs, inventions, and artworks created by Syrian refugees living in the Azraq Refugee Camp in Jordan. Through these ingenious and creative innovations–including the vertical garden, an arrangement(...)
octobre 2021
Design to live: Everyday inventions from a refugee camp
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This book shows how, even in the most difficult conditions–forced displacement, trauma, and struggle–design can help create a life worth living. ''Design to live'' documents designs, inventions, and artworks created by Syrian refugees living in the Azraq Refugee Camp in Jordan. Through these ingenious and creative innovations–including the vertical garden, an arrangement necessitated by regulations that forbid planting in the ground; a front hall, fashioned to protect privacy; a baby swing made from recycled desks; and a chess set carved from a broomstick–refugees defy the material scarcity, unforgiving desert climate, and cultural isolation of the camp. Written in close collaboration with the residents of the camp, with text in both English and Arabic, ''Design to live,'' reflects two perspectives on the camp: people living and working in Azraq and designers reflecting on humanitarian architecture within the broader field of socially engaged art and design. Architectural drawings, illustrations, photographs, narratives, and stories offer vivid testimony to the imaginative and artful ways that residents alter and reconstruct the standardized humanitarian design of the camp–and provide models that can be replicated elsewhere. The book is the product of a three-year project undertaken by MIT Future Heritage Lab, researchers and students with Syrian refugees at the Azraq Refugee Camp, CARE, Jordan, and the German-Jordanian University.
Mårten Lange: Ghost witness
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China has a rich tradition of ghost stories and supernatural beliefs. There are tales of ghosts that can shape-shift, or turn into air, or pure darkness or light. In ''Ghost witness,'' Mårten Lange tells the story of a country rushing towards the future with the past following silently behind, like a spectre in the smog. In his time in China, Lange visited urban(...)
Mårten Lange: Ghost witness
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China has a rich tradition of ghost stories and supernatural beliefs. There are tales of ghosts that can shape-shift, or turn into air, or pure darkness or light. In ''Ghost witness,'' Mårten Lange tells the story of a country rushing towards the future with the past following silently behind, like a spectre in the smog. In his time in China, Lange visited urban metropolises that have expanded rapidly in recent years, as a result of hyper-accelerated growth and development. Walking through these megacities, Lange explores the bleeding edge between rationalised urban planning and messy everyday lives. ''Ghost witness'' engages with the unique quality of light in the urban environment, where the sun filters through the polluted air and the vast arrays of LEDs twinkle in the rain – revealing the world indirectly, like a mirror. The images in ''Ghost witness'' inhabit and replicate the machine-like rational logic of the grid to interrogate overlaps and fissures between architecture, technology, surveillance and the future. Lange’s precise photographs often describe those fissures: indecipherable codes, broken windows, decay and entropy within the order of glass and steel. Suspended in a liminal state between constant construction and expansion, Lange questions what it means for humanity to dwell inside environments that are planned, designed and repeated, with little recourse for history, transition and change.
Monographies photo
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In ''Alien agency,'' Chris Salter tells three stories of art in the making. Salter examines three works in which the materials of art—the ''stuff of the world''—behave and perform in ways beyond the creator's intent, becoming unknown, surprising, alien. Studying these works—all three deeply embroiled in and enabled by science and technology—allows him to focus on practice(...)
Alien agency: Experimental encounters with art in the making
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In ''Alien agency,'' Chris Salter tells three stories of art in the making. Salter examines three works in which the materials of art—the ''stuff of the world''—behave and perform in ways beyond the creator's intent, becoming unknown, surprising, alien. Studying these works—all three deeply embroiled in and enabled by science and technology—allows him to focus on practice through the experiential and affective elements of creation. Drawing on extensive ethnographic observation and on his own experience as an artist, Salter investigates how researcher-creators organize the conditions for these experimental, performative assemblages—assemblages that sidestep dichotomies between subjects and objects, human and nonhuman, mind and body, knowing and experiencing. Salter reports on the sound artists Bruce Odland and Sam Auinger (O+A) and their efforts to capture and then project unnoticed urban sounds; tracks the multi-year project TEMA (Tissue Engineered Muscle Actuators) at the art research lab SymbioticA and its construction of a hybrid ''semi-living'' machine from specially grown mouse muscle cells; and describes a research-creation project (which he himself initiated) that uses light, vibration, sound, smell, and other sensory stimuli to enable audiences to experience other cultures' ''ways of sensing.'' Combining theory, diary, history, and ethnography, Salter also explores a broader question: How do new things emerge into the world and what do they do?
Théorie/ philosophie
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This unique look at the evolution of nightclubs across America and Europe since the 1960s reveals an unwavering truth about club culture--the one constant is change. Opening with the psychedelic haunts of the 1960s New York pop art scene and closing more than half a century later with the rise of post-club happenings, this publication shows how nightlife spaces have(...)
Temporary pleasure: Nightclub architecture, design and culture from the 1960s to today
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This unique look at the evolution of nightclubs across America and Europe since the 1960s reveals an unwavering truth about club culture--the one constant is change. Opening with the psychedelic haunts of the 1960s New York pop art scene and closing more than half a century later with the rise of post-club happenings, this publication shows how nightlife spaces have evolved to meet the needs of their generation, and how each generation was seeking something a little different from the one before. Each chapter focuses on a distinct phase and city: Italy's politically radical clubs of the '60s, New York City's disco scene, Detroit and Chicago's house and techno paradises, Ibiza's counterculture communal retreats, Britain's rave culture, and Berlin's techno scene. The clubs come to life in double-page spreads that feature specs and detailed profiles. Author John Leo Gillen offers his take on various important cultural, design and architectural details, while numerous photographs offer their own vibey stories. The book features interviews with people who were involved in a number of the scenes included, from NYC disco mainstay DJ Justin Strauss to Ben Kelly, architect of Manchester's legendary venue The Haçienda. As the world emerges from its Covid-induced isolation, this celebration of crowded rooms, dance-worthy beats, and communal transcendence feels more important than ever.
When I was a photographer
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Celebrated nineteenth-century photographer—and writer, actor, caricaturist, inventor, and balloonist—Félix Nadar published this memoir of his photographic life in 1900 at the age of eighty. Composed as a series of vignettes (we might view them as a series of “written photographs”), this intelligent and witty book offers stories of Nadar’s experiences in the early years of(...)
When I was a photographer
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Celebrated nineteenth-century photographer—and writer, actor, caricaturist, inventor, and balloonist—Félix Nadar published this memoir of his photographic life in 1900 at the age of eighty. Composed as a series of vignettes (we might view them as a series of “written photographs”), this intelligent and witty book offers stories of Nadar’s experiences in the early years of photography, memorable character sketches, and meditations on history. It is a classic work, cited by writers from Walter Benjamin to Rosalind Krauss. This is its first and only complete English translation. In When I Was a Photographer, Nadar tells us about his descent into the sewers and catacombs of Paris, where he experimented with the use of artificial lighting, and his ascent into the skies over Paris in a hot air balloon, from which he took the first aerial photographs. He recounts his “postal photography” during the 1870-1871 Siege of Paris—an amazing scheme involving micrographic images and carrier pigeons. He describes technical innovations and important figures in photography, and offers a thoughtful consideration of society and culture; but he also writes entertainingly about such matters as Balzac’s terror of being photographed, the impact of a photograph on a celebrated murder case, and the difference between male and female clients. Nadar’s memoir captures, as surely as his photographs, traces of a vanished era.
Théorie de la photographie
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Institute of Network Cultures 2024
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Institute of Network Cultures 2024
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56 pages : illustrations (chiefly color) ; 21 cm
Kabul, Afghanistan : Turquoise Mountain, [2009]
Fine Afghan architectural woodwork.
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56 pages : illustrations (chiefly color) ; 21 cm
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Kabul, Afghanistan : Turquoise Mountain, [2009]
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270 pages : illustrations (some color), maps (on lining papers) ; 31 cm
Toronto : Macmillan of Canada, [1974]
Rivers of Canada / Hugh MacLennan ; with the camera of John De Visser.
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270 pages : illustrations (some color), maps (on lining papers) ; 31 cm
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Toronto : Macmillan of Canada, [1974]
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224 pages : color illustrations, color maps ; 28 cm
Bishopbriggs, Glasgow : Collins, 2024., ©2024
History of cities in maps / Philip Parker.
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224 pages : color illustrations, color maps ; 28 cm
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Bishopbriggs, Glasgow : Collins, 2024., ©2024
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xxii, 288 pages : illustrations, plans ; 26 cm
London ; New York : Routledge, Taylor & Francis Group, 2017., ©2017
Energy accounts : architectural representations of energy, climate, and the future / edited by Dan Willis, William W. Braham, Katsuhiko Muramoto, Daniel A. Barber ; preface Michael Mann.
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xxii, 288 pages : illustrations, plans ; 26 cm
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London ; New York : Routledge, Taylor & Francis Group, 2017., ©2017