David Hammons: Day's End
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Published to commemorate David Hammons’s (b. 1943) public art project ''Day’s End'', located in New York City, this book documents the sculpture and offers broader context into Hammons’s enigmatic work. In 2014, Hammons sent the Whitney Museum of American Art a sketch for a monument to Gordon Matta-Clark (1943–1978), paying homage to Matta-Clark’s legendary ''Day’s End''(...)
David Hammons: Day's End
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Published to commemorate David Hammons’s (b. 1943) public art project ''Day’s End'', located in New York City, this book documents the sculpture and offers broader context into Hammons’s enigmatic work. In 2014, Hammons sent the Whitney Museum of American Art a sketch for a monument to Gordon Matta-Clark (1943–1978), paying homage to Matta-Clark’s legendary ''Day’s End'' (1975)—an industrial, cathedral-like space of altered architecture—once located near today’s Whitney in Manhattan’s Meatpacking District. Completed in 2021, Hammons’s work, also titled ''Day’s End'', was realized by the Whitney in collaboration with Hudson River Park, and is on permanent view. One of the most important artists working in the United States, Hammons makes art across mediums, often outside traditional venues. In addition to photographic documentation, the book includes essays on the origins of ''Day’s End'', Hammons’s career scope, and a contribution by poet Ben Okri.
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A pioneer of Conceptual art in Los Angeles during the late 1960s and 1970s, the painter, installation artist and theater director William Leavitt (born 1941) is above all an artist of narrative devices. Since 1969, his works in all the above media have employed abrupt fragments of popular and vernacular culture and depictions of modernist architecture to construct elusive(...)
William Leavitt: Theater Objects
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A pioneer of Conceptual art in Los Angeles during the late 1960s and 1970s, the painter, installation artist and theater director William Leavitt (born 1941) is above all an artist of narrative devices. Since 1969, his works in all the above media have employed abrupt fragments of popular and vernacular culture and depictions of modernist architecture to construct elusive narratives of cityscapes and environments. The culture and atmosphere of Los Angeles has played a significant role in Leavitt's handling of these themes; classic southern Californian motifs of ever-present artifice and almost washed-out brightness recur throughout his work. Surveying the artist's 40-year career, this volume includes sculptural tableaux, paintings, works on paper, photographs and performances from the late 1960s to the present. Leavitt has created a remarkable oeuvre that has influenced generations of artists, and this volume is both long overdue and highly anticipated.
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This volume brings newfound attention to Niki de Saint Phalle’s (1930-2002) work in architecture and public sculpture, and the commercial products such as perfume and jewelry that she produced to fund these ambitious projects. Featuring a wide selection of images of her architectural works and rarely seen archival materials, this book places these projects within the(...)
Niki de Saint Phalle: Structures for life
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This volume brings newfound attention to Niki de Saint Phalle’s (1930-2002) work in architecture and public sculpture, and the commercial products such as perfume and jewelry that she produced to fund these ambitious projects. Featuring a wide selection of images of her architectural works and rarely seen archival materials, this book places these projects within the context of her larger boundary-defying practice, drawing connections with politically charged works such as the films and books she made in response to the AIDS crisis in the 1980s. Charting Saint Phalle's many efforts to radically open her practice beyond the confines of the art world, it serves as a survey of her practice from the 1960s until the early 2000s. Edited and with an essay by exhibition curator Ruba Katrib, the publication features new scholarship by Anne Dressen and Nick Mauss, Alex Kitnick, and Lanka Tattersall.
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New ideas and concepts for urban architecture and landscape architecture from the Netherlands: this survey takes stock of the current situation. In any discussion on contemporary landscape architecture, visionary urban development or revolutionary building, it is impossible to overlook the Netherlands. The experts look to this small, flat country which constantly(...)
The Netherlands in focus : exemplary ideas and concepts for town and landscape
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New ideas and concepts for urban architecture and landscape architecture from the Netherlands: this survey takes stock of the current situation. In any discussion on contemporary landscape architecture, visionary urban development or revolutionary building, it is impossible to overlook the Netherlands. The experts look to this small, flat country which constantly seeks to exceed its narrow boundaries by creating new space. The Netherlands is crowded and so it is hardly surprising that architects endeavour to "stack" landscapes and functions as the Dutch pavilion in the Expo 2000, designed by MVRDV demonstrated. Here, new ideas and concepts in architecture and landscape design fall on the fertile ground. Rem Koolhaas had prepared the way: nothing must stay as it is, even the open countryside and the towns can be changed, moulded, shaped. The Dutch are experts at building in the sea, on polders, on man-made islands, and on former harbour areas as in Rotterdam Kop van Zuid. Architecture and landscape architecture are not only a matter of public interest but they are ongoing processes in the Netherlands, and this is reflected in many of the projects in this book which include the gardens and squares of West 8, the Museumsplein in Amsterdam, the town planning in Zutphen or Apeldoorn. The examples have all been published in different contexts in Topos, but this is the first time that they have been collated to provide an illuminating overview of contemporary Dutch landscape architecture.
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Critical prison design
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The newly built Mas d’Enric penitentiary sparks a series of reflections on architecture’s role in the problematic subject of prison design. The prison is an uncomfortable institution and its architecture is often subjugated to technocratic criteria. This servility forces the prison out of the socio-cultural realm where it belongs, thus erasing it from public discourse.(...)
Critical prison design
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The newly built Mas d’Enric penitentiary sparks a series of reflections on architecture’s role in the problematic subject of prison design. The prison is an uncomfortable institution and its architecture is often subjugated to technocratic criteria. This servility forces the prison out of the socio-cultural realm where it belongs, thus erasing it from public discourse. “Mas d’Enric” is a new penitentiary that overturns preconceptions and posits architecture as a medium to critically rethink contemporary prison buildings.
The news: a user's manuel
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Mixing snippets of current news with philosophical reflections, The News will blend the timeless with the contemporary, and bring the wisdom of thousands of years of culture to bear on our contemporary obsessions and neuroses. The News ranges across news categories-from politics to murders, from economics to celebrities, from the weather to paparazzi shows--in search of(...)
The news: a user's manuel
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Mixing snippets of current news with philosophical reflections, The News will blend the timeless with the contemporary, and bring the wisdom of thousands of years of culture to bear on our contemporary obsessions and neuroses. The News ranges across news categories-from politics to murders, from economics to celebrities, from the weather to paparazzi shows--in search of answers to the questions: "What do we want from this?" and "Is it doing us any good?".
Théorie de l’architecture
Exhibiting the moving image
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Since the 1990s, a "cinematographic turn" has taken place in contemporary art, paralleled by the emergence of a "cinema of exhibition." This collection of new essays investigates the relationships between the "white cube" and the "black box," focusing mainly on the 1970s, a decade in which film practices and moving images were integrated into museums and art spaces. The(...)
mars 2016
Exhibiting the moving image
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Since the 1990s, a "cinematographic turn" has taken place in contemporary art, paralleled by the emergence of a "cinema of exhibition." This collection of new essays investigates the relationships between the "white cube" and the "black box," focusing mainly on the 1970s, a decade in which film practices and moving images were integrated into museums and art spaces. The authors analyze multiple modalities of presenting the moving image through historical case studies: the anatomy of video art, expanded cinema, artists’ films and installations, and the moving image in the public sphere. Exploring examples from the 1930s to the present, these contributions address commercial, spectacular or advertising forms of moving images, artists’ performative practices, installations in large museums, exhibitions devoted to projections and festivals of experimental films.
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Walter Niedermayr (born 1952) is among Europe's finest contemporary photographers, a virtuoso in the portrayal of contemporary architecture and Alpine landscapes whose subtle handling of scale, diffuse light effects and desaturated color has been much imitated in recent years. Between 2005 and 2008, Niedermayr traveled in Iran, visiting Tehran, Isfahan, Yazd, Shiraz and(...)
Walter Niedermayr : recollection
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Walter Niedermayr (born 1952) is among Europe's finest contemporary photographers, a virtuoso in the portrayal of contemporary architecture and Alpine landscapes whose subtle handling of scale, diffuse light effects and desaturated color has been much imitated in recent years. Between 2005 and 2008, Niedermayr traveled in Iran, visiting Tehran, Isfahan, Yazd, Shiraz and other smaller cities and historical sites. His travels spurred the undertaking of a new series examining Iranian architecture in its cultural and historical context. The resulting photographs reveal a wild mingling of east and west as older buildings jostle with colorful billboards, beltways and apartment blocks that look as if they could be located anywhere in the world. As with Niedermayr's famous winter landscapes, the majestic, pale color composition of these photographs transports them far beyond mere documentary, towards a sense of tremendous scale and implied political narrative.
Monographies photo
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This book, which accompanies a major exhibition at the Center for New Art and Media (ZKM) in Karlsruhe, Germany, invokes three disparate realms in which images have assumed the role of cultural weapons. Monotheistic religions, scientific theories, and contemporary arts have struggled with the contradictory urge to produce and also destroy images and emblems. Moving(...)
Théorie de l’architecture
juillet 2002, Cambridge, Mass.
Iconoclash : beyond the image wars in science, religion, and art
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This book, which accompanies a major exhibition at the Center for New Art and Media (ZKM) in Karlsruhe, Germany, invokes three disparate realms in which images have assumed the role of cultural weapons. Monotheistic religions, scientific theories, and contemporary arts have struggled with the contradictory urge to produce and also destroy images and emblems. Moving beyond the image wars, ICONOCLASH shows that image destruction has always coexisted with a cascade of image production, visible in traditional Christian images as well as in scientific laboratories and the various experiments of contemporary art, music, cinema, and architecture. While iconoclasts have struggled against icon worshippers, another history of iconophily has always been at work. Investigating this alternative to the Western obsession with image worship and destruction allows useful comparisons with other cultures, in which images play a very different role. ICONOCLASH offers a variety of experiments on how to suspend the iconoclastic gesture and to renew the movement of images against any freeze-framing. The book includes major works by Art & Language, Willi Baumeister, Christian Boltanski, Daniel Buren, Lucas Cranach, Max Dean, Marcel Duchamp, Albrecht Dürer, Lucio Fontana, Francisco Goya, Hans Haacke, Richard Hamilton, Young Hay, Arata Isozaki, Asger Jorn, Martin Kippenberger, Imi Knoebel, Komar & Melamid, Joseph Kosuth, Gordon Matta-Clark, Tracey Moffat, Nam June Paik, Sigmar Polke, Stephen Prina, Man Ray, Sophie Ristelhueber, Hiroshi Sugimoto, and many others.
Théorie de l’architecture
Shelter cookbook
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DIY architect, publisher and pioneer of the self-build movement, Lloyd Kahn (born 1935) is a legend of the American counterculture. Influenced by Buckminster Fuller, in 1968 Kahn started building geodesic domes, and was an editor for Stewart Brand’s Whole Earth Catalog. In 1970 Kahn published his first book, Domebook One, followed the next year by the bestselling Domebook(...)
Théorie de l’architecture
décembre 2025
Shelter cookbook
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DIY architect, publisher and pioneer of the self-build movement, Lloyd Kahn (born 1935) is a legend of the American counterculture. Influenced by Buckminster Fuller, in 1968 Kahn started building geodesic domes, and was an editor for Stewart Brand’s Whole Earth Catalog. In 1970 Kahn published his first book, Domebook One, followed the next year by the bestselling Domebook 2. In 1971, he bought land in Bolinas and built a geodesic dome (later to be featured in Life magazine), but he soon pursued other ways to build, resulting in the classic 1973 book "Shelter." Kahn published numerous self-build books over the ensuing decades, most recently "Tiny Homes on the Move" (2014). "Shelter Cookbook" is an exploration of Kahn’s now iconic publications by the Swiss architect Leopold Banchini (born 1981) - whose practice makes emphatic use of DIY architecture culture- and the German author and curator Lukas Feireiss (born 1977). It relates Kahn’s building philosophy to contemporary practices, recording Banchini and Feireiss’ personal search for unexpected relationships between historical documents and contemporary architectural projects. The large-format volume includes interviews, photospreads and archival material on self-building, and also includes a mycological investigation. "Shelter Cookbook" will inspire architects, designers, artists and counterculture cognoscenti alike with its positive vision of the possibilities and legacy of the self-build movement.
Théorie de l’architecture