The other Venice
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To know a city is to become intimately intertwined with its nooks, crevices, secret passageways, and dark places where its lifeblood flows—and what city has more of those than Venice? In The Other Venice, Predrag Matvejevic ventures past the infamous canals and cobblestone streets of the tourist’s Venice to find the heart of the ancient Italian metropolis. A lyric(...)
The other Venice
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To know a city is to become intimately intertwined with its nooks, crevices, secret passageways, and dark places where its lifeblood flows—and what city has more of those than Venice? In The Other Venice, Predrag Matvejevic ventures past the infamous canals and cobblestone streets of the tourist’s Venice to find the heart of the ancient Italian metropolis. A lyric re-imagining of the City of Romance, The Other Venice utterly reconfigures the Venetian landscape, as Matvejevic follows both real and imaginary maps, contemporary and historical, to trace out the details of this sensuous city. He probes into what the ancient metropolis means to its people, the nation, and global culture. But he also finds hints of life in the smallest and most mundane details—ancient bridges, rust-flecked boats, wall sculptures, rivers, and piazzas scattered throughout the city. Each has a little-known story and with Matvejevic as our guide, he reveals the stories behind them all. The book carries readers to a Venice that has escaped the eyes of writers, artists, and photographers through the centuries, and Matejevic by turns plays a historian, cartographer, anthropologist, and philologist as he unravels elusive artifacts of time past. Arresting black-and-white photographs by renowned photographer Sarah Quill accompany the text, offering a silent testament to Matvejevic’s pilgrimage. A fascinating and beautifully written guide, The Other Venice reminds us that there is always another mystery to uncover in the city of water and stone.
Guides des villes
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VisualCollect presents a small exhibition titled “Artpiece, The Story of Plant Room.” This exhibition was curated to capture the awakening of plants and their surroundings as we transition from the end of winter into the warmth of spring. It aims to convey the idea that houseplants in modern society are more than mere decorations, they are precious companions that breathe(...)
octobre 2025
Lee Su. Artpiece: the story of plant room.
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VisualCollect presents a small exhibition titled “Artpiece, The Story of Plant Room.” This exhibition was curated to capture the awakening of plants and their surroundings as we transition from the end of winter into the warmth of spring. It aims to convey the idea that houseplants in modern society are more than mere decorations, they are precious companions that breathe alongside our lives. Through the scenes surrounding these plants, we sought to create a harmony where nature and art blend together, and to share that process with others. From small succulents on a shelf, to climbing vines on the wall, to the bright green hues that fill window sills, each space reflects our tastes and personal stories. In this exhibition, artist Lee Su presents works that highlight vibrant color contrasts, featuring a charming grandfather dressed in raincoats as colorful as fish. These cheerful paintings lift the viewer’s mood and are all brought together in a storybook format. About the Artist Lee Su began painting after being captivated by the colorful scenery of London during his travels. He mainly works with themes of grandfathers and fish, expressing his wish to age with wit and to live a life as colorful and varied as a fish’s hues. His favorite brand is YMC, which he finds appealing for its bold use of color, and his favorite artist is David Hockney, known for his use of bright, uplifting colors.
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What we talk about when we talk about Bar Brutal: This is aportrait of one of the world’s best-loved drinking holes and its formative role in the natural wine movement, a two-way symbiosis from Barcelona to the world. Emerging in 2013, Brutal is the place where a legendary cast of winemakers, sommeliers, chefs, musicians, and wanton drinkers have all converged in the(...)
Bar Brutal: A cookbook of revelations
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What we talk about when we talk about Bar Brutal: This is aportrait of one of the world’s best-loved drinking holes and its formative role in the natural wine movement, a two-way symbiosis from Barcelona to the world. Emerging in 2013, Brutal is the place where a legendary cast of winemakers, sommeliers, chefs, musicians, and wanton drinkers have all converged in the feeling that something was taking shape there between the never-ending party and an intimate knowledge of the wines. The book combines multiple, intersecting strands that veer between structure and chaos, reflecting the bar’s own underlying methodology. At the centre of the work is Bar Brutal’s first official cookbook, featuring 26 recipes, while collage sections merge archival imagery with the stories—or revelations—of 80-odd contributors, including Stefano Colombo, Joan Ramón Escoda, Christian Tschida, Nuria Renom, John Wurdeman, Thierry Puzelat, LCD Soundsystem, Peggy Gou, 2manydjs, Gilles Peterson, Aziz Ansari, Alice Feiring, and many more. Photo essays by Adrià Cañameras, Nacho Alegre, and Yago Castromil document the dinners, wines, people, and spaces that bring the place alive by day and night, while four written chapters anchor the story in time and place, tracing the bar’s evolution. Brought together by Madeleine Willis, former Apartamento editor and long-time Brutal regular, the work reflects the same energy that Brutal has injected into Barcelona and the wide world of wine since 2013 and celebrates over a decade of happy, chaotic, expansive service.
Bouffe
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"The Canadians" playfully and affectionately reimagines one of the most revered photography books of the 20th century, Robert Frank’s The Americans. The source for the imagery is the print archive of The Globe and Mail, which contains more than 500,000 prints—24,000 of which have been donated to the newly formed Canadian Institute of Photography, housed within the(...)
Photographie- collections
septembre 2017
The Canadians: photographs from the Globe and Mail archives
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"The Canadians" playfully and affectionately reimagines one of the most revered photography books of the 20th century, Robert Frank’s The Americans. The source for the imagery is the print archive of The Globe and Mail, which contains more than 500,000 prints—24,000 of which have been donated to the newly formed Canadian Institute of Photography, housed within the National Gallery of Canada. Nearly 80 of these photographs have been selected for this book, and also form the basis for a national touring exhibition. These functionary press photographs, made to illustrate news stories—the state of the roads after a severe winter; a politician on the campaign trail; the opening of a new laundromat—hold no pretentions to be works of photographic art. However, taken together, they describe Canadian culture during an era of great transformation. Published in association with the Archive of Modern Conflict, the book begins with an insightful and irreverent introduction by Douglas Coupland, bringing together themes illuminated in these photographs, and taking us on a guided tour of a Canada gone, but not forgotten. "How strange it is to look at these photos of a Canada that was almost dead when I was a child," he writes, "the Canada of my parents and my grandparents, the Canada of the late 1950s and early ‘60s, a country in which, it would seem, people were born, became teenagers, and then, magically, at the age of 21, turned into chain-smoking 50-year olds with undiagnosed cancers."
Photographie- collections
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According to Paul Shepheard, architecture is the rearranging of the world for human purposes. Sculpture, machines, and landscapes are all architecture -- every bit as much as buildings are. In his writings, Shepheard examines old assumptions about architecture and replaces the critical theory of the academic with the active theory of the architect-citizen enamored of the(...)
Artificial love : a story of machines and architecture
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According to Paul Shepheard, architecture is the rearranging of the world for human purposes. Sculpture, machines, and landscapes are all architecture -- every bit as much as buildings are. In his writings, Shepheard examines old assumptions about architecture and replaces the critical theory of the academic with the active theory of the architect-citizen enamored of the world around him. Artificial Love weaves together three stories about architecture into one. The first, about machines as architecture, leads to speculations about technology and the human condition and to the assertion that machines are the sculptures of today. The second story is about the ways that architecture reflects the tribal and personal desires of those who make it. In the West, ideas of community, multiculturalism, and globalization compete furiously, leaving architecture to exist as it always has, as the past in the present. The third story features individual people experiencing their lives in the context of architecture. Here, Shepheard borrows the rhetorical device of Shakespeare's seven ages of man to propose that each person's life imitates the accumulating history of the human species. Shepheard's version of the history of humans is a technological one, in which machines become sculpture and sculpture becomes architecture. For Shepheard, our machines do not separate us from nature. Rather, our technology is our nature, and we cannot but be in harmony with nature. The change that we have wrought in the world, he says, is a wonderful and powerful thing.
Théorie de l’architecture
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The book reconstructs the story of Serbian modernism as a local history within a major movement and views the buildings designed in Belgrade in the 1920s and 1930s as part of a larger cultural phenomenon. Because so many of the buildings discussed are disintegrating or have been destroyed or altered beyond recognition, the book serves not only as a documentary and(...)
juin 2003, Cambridge, Mass.
Modernism in Serbia : the elusive margins of Belgrade architecture 1919-1941
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The book reconstructs the story of Serbian modernism as a local history within a major movement and views the buildings designed in Belgrade in the 1920s and 1930s as part of a larger cultural phenomenon. Because so many of the buildings discussed are disintegrating or have been destroyed or altered beyond recognition, the book serves not only as a documentary and critical study but also as a preservation resource. Most of the photographs and plans have never been published outside of Serbia, if at all. In restoring this work to its rightful place in the history of modern architecture, the book also sheds new light on a number of other stories. These include the influence of Le Corbusier and of the Yugoslav avant-garde movement Zenitism and the impact of international modern movements on the theoretical underpinnings of Serbian modernism. One of the subplots follows the story of the Group of Architects of the Modern Movement in Belgrade and its four founding members, Milan Zlokovic, Branislav Kojic, Jan Dubovy, and Dusan Babic. Through anexamination of their work and that of other modern architects, most notably Dragisa Brasovan and Nikola Dobrovic, the book discusses the identity of Serbian modernism as it was established in the period from 1925 to 1940. The book also identifies those buildings that represent the purest examples of Serbian modernism and analyzes the qualities that make them quintessentially local forms while part of the larger modernist movement
livres
$67.25
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According to Paul Shepheard, architecture is the rearranging of the world for human purposes. Sculpture, machines, and landscapes are all architecture -- every bit as much as buildings are. In his writings, Shepheard examines old assumptions about architecture and replaces the critical theory of the academic with the active theory of the architect-citizen enamored of the(...)
Artificial love : a story of machines and architecture
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$67.25
(disponible sur commande)
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According to Paul Shepheard, architecture is the rearranging of the world for human purposes. Sculpture, machines, and landscapes are all architecture -- every bit as much as buildings are. In his writings, Shepheard examines old assumptions about architecture and replaces the critical theory of the academic with the active theory of the architect-citizen enamored of the world around him. Artificial Love weaves together three stories about architecture into one. The first, about machines as architecture, leads to speculations about technology and the human condition and to the assertion that machines are the sculptures of today. The second story is about the ways that architecture reflects the tribal and personal desires of those who make it. In the West, ideas of community, multiculturalism, and globalization compete furiously, leaving architecture to exist as it always has, as the past in the present. The third story features individual people experiencing their lives in the context of architecture. Here, Shepheard borrows the rhetorical device of Shakespeare's seven ages of man to propose that each person's life imitates the accumulating history of the human species. Shepheard's version of the history of humans is a technological one, in which machines become sculpture and sculpture becomes architecture. For Shepheard, our machines do not separate us from nature. Rather, our technology is our nature, and we cannot but be in harmony with nature. The change that we have wrought in the world, he says, is a wonderful and powerful thing.
livres
juin 2003, Cambridge, Mass.
Théorie de l’architecture
Before Central Park
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With more than eight hundred sprawling green acres in the middle of one of the world's densest cities, Central Park is an urban masterpiece. Designed in the middle of the nineteenth century by the landscape architects Frederick Law Olmsted and Calvert Vaux, it is a model for city parks worldwide. But before it became Central Park, the land was the site of farms,(...)
Before Central Park
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With more than eight hundred sprawling green acres in the middle of one of the world's densest cities, Central Park is an urban masterpiece. Designed in the middle of the nineteenth century by the landscape architects Frederick Law Olmsted and Calvert Vaux, it is a model for city parks worldwide. But before it became Central Park, the land was the site of farms, businesses, churches, wars, and burial grounds--and home to many different kinds of New Yorkers. This book is the authoritative account of the place that would become Central Park. From the first Dutch family to settle on the land through the political crusade to create America's first major urban park, Sara Cedar Miller chronicles two and a half centuries of history. She tells the stories of Indigenous hunters, enslaved people and enslavers, American patriots and British loyalists, the Black landowners of Seneca Village, Irish pig farmers, tavern owners, Catholic sisters, Jewish protesters, and more. Miller unveils a British fortification and camp during the Revolutionary War, a suburban retreat from the yellow fever epidemics at the turn of the nineteenth century, and the properties that a group of free Black Americans used to secure their right to vote. Tales of political chicanery, real estate speculation, cons, and scams stand alongside democratic idealism, the striving of immigrants, and powerfully human lives. ''Before Central Park'' shows how much of the history of early America is still etched upon the landscapes of Central Park today.
Théorie du paysage
Cairo : histories of a city
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From its earliest days as a royal settlement fronting the pyramids of Giza to its current manifestation as the largest metropolis in Africa, Cairo has forever captured the urban pulse of the Middle East. In this publication, Nezar AlSayyad narrates the many Cairos that have existed throughout time, offering a panoramic view of the city’s history unmatched in temporal and(...)
mai 2011
Cairo : histories of a city
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From its earliest days as a royal settlement fronting the pyramids of Giza to its current manifestation as the largest metropolis in Africa, Cairo has forever captured the urban pulse of the Middle East. In this publication, Nezar AlSayyad narrates the many Cairos that have existed throughout time, offering a panoramic view of the city’s history unmatched in temporal and geographic scope, through an in-depth examination of its architecture and urban form. In twelve vignettes, accompanied by drawings, photographs, and maps, AlSayyad details the shifts in Cairo’s built environment through stories of important figures who marked the cityscape with their personal ambitions and their political ideologies. The city is visually reconstructed and brought to life not only as a physical fabric but also as a social and political order—a city built within, upon, and over, resulting in a present-day richly layered urban environment. Each chapter attempts to capture a defining moment in the life trajectory of a city loved for all of its evocations and contradictions. Throughout, AlSayyad illuminates not only the spaces that make up Cairo but also the figures that shaped them, including its chroniclers, from Herodotus to Mahfouz, who recorded the deeds of great and ordinary Cairenes alike. He pays particular attention to how the imperatives of Egypt's various rulers and regimes—from the pharaohs to Sadat and beyond—have inscribed themselves in the city that residents navigate today.
archives
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42 items (4 boxes) : ill.
Norman D. Stevens Collection of Library Architecture : wood miniatures, 1983-1996.
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Description:
42 items (4 boxes) : ill.
archives