13695 Résultats
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livres
livres
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This new book by Labics, one of Italy’s leading architectural firms, is devoted to the country’s architecture of public space. Squares, galleries, loggias, porticoes, and courtyards are the elements that characterize Italy’s historic towns and cities—and that make the experience of these public spaces intense and attractive. Labics sets out to explore these enchanting(...)
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This new book by Labics, one of Italy’s leading architectural firms, is devoted to the country’s architecture of public space. Squares, galleries, loggias, porticoes, and courtyards are the elements that characterize Italy’s historic towns and cities—and that make the experience of these public spaces intense and attractive. Labics sets out to explore these enchanting(...)
Publication:
octobre 2023
octobre 2023
Titre:
The architecture of public space
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This new book by Labics, one of Italy’s leading architectural firms, is devoted to the country’s architecture of public space. Squares, galleries, loggias, porticoes, and courtyards are the elements that characterize Italy’s historic towns and cities—and that make the experience of these public spaces intense and attractive. Labics sets out to explore these enchanting spaces, to analyze their history and typologies, and to document and describe them through newly produced photographs, plans, and diagrams. They offer a taxonomy of solutions that, as a whole, forms a timeless theory for the design of public spaces. ''The architecture of public ppace'' forms a captivating collection of image material that visually decodes the characteristic core elements of Italian architecture and specifies their role in the definition of public space. The volume highlights the architectural solutions from the thirteenth to the twentieth centuries that produce the particular spatial quality of these urban structures and sets out how they were originally established for and are continuing to be used by the people.
The architecture of public space
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This new book by Labics, one of Italy’s leading architectural firms, is devoted to the country’s architecture of public space. Squares, galleries, loggias, porticoes, and courtyards are the elements that characterize Italy’s historic towns and cities—and that make the experience of these public spaces intense and attractive. Labics sets out to explore these enchanting spaces, to analyze their history and typologies, and to document and describe them through newly produced photographs, plans, and diagrams. They offer a taxonomy of solutions that, as a whole, forms a timeless theory for the design of public spaces. ''The architecture of public ppace'' forms a captivating collection of image material that visually decodes the characteristic core elements of Italian architecture and specifies their role in the definition of public space. The volume highlights the architectural solutions from the thirteenth to the twentieth centuries that produce the particular spatial quality of these urban structures and sets out how they were originally established for and are continuing to be used by the people.
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livres
livres
Publication:
octobre 2023
octobre 2023
Classification:
livres
livres
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$82.00
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Hermann Czech, born in 1936, is one of Austria’s most eminent and influential architects and theorists. This influence is based not only on his work as a designing architect; Czech is also widely admired for his writings on architectural theory and as the editor and translator of architectural history classics. This book is the long-awaited updated and expanded English(...)
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Hermann Czech, born in 1936, is one of Austria’s most eminent and influential architects and theorists. This influence is based not only on his work as a designing architect; Czech is also widely admired for his writings on architectural theory and as the editor and translator of architectural history classics. This book is the long-awaited updated and expanded English(...)
Titre:
Hermann Czech: An architect in Vienna
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Hermann Czech, born in 1936, is one of Austria’s most eminent and influential architects and theorists. This influence is based not only on his work as a designing architect; Czech is also widely admired for his writings on architectural theory and as the editor and translator of architectural history classics. This book is the long-awaited updated and expanded English edition of the only complete examination of Hermann Czech’s work to date. First published in German in 2018, it goes far beyond a mere presentation of an architecture practice’s buildings and projects. The first part traces what links Czech’s work to the approaches of Viennese modernism. The second part explores Czech’s biography and the trajectory of his career, analyzing the contemporary influences that shape his thinking and designs. The third part features selected buildings, unrealized projects, and Czech’s numerous references and underlying reflections. A complete index of his buildings, projects, and writings, an essay by Vienna-based philosopher Elisabeth Nemeth on the relationship between architecture and philosophy in Czech’s work, and an introduction by architectural historian Liane Lefaivre round off this volume.
Hermann Czech: An architect in Vienna
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$82.00
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Hermann Czech, born in 1936, is one of Austria’s most eminent and influential architects and theorists. This influence is based not only on his work as a designing architect; Czech is also widely admired for his writings on architectural theory and as the editor and translator of architectural history classics. This book is the long-awaited updated and expanded English edition of the only complete examination of Hermann Czech’s work to date. First published in German in 2018, it goes far beyond a mere presentation of an architecture practice’s buildings and projects. The first part traces what links Czech’s work to the approaches of Viennese modernism. The second part explores Czech’s biography and the trajectory of his career, analyzing the contemporary influences that shape his thinking and designs. The third part features selected buildings, unrealized projects, and Czech’s numerous references and underlying reflections. A complete index of his buildings, projects, and writings, an essay by Vienna-based philosopher Elisabeth Nemeth on the relationship between architecture and philosophy in Czech’s work, and an introduction by architectural historian Liane Lefaivre round off this volume.
Classification:
livres
livres
Publication:
octobre 2023
octobre 2023
Sujet:
Architecture, monographies
Architecture, monographies
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livres
livres
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George Nelson (1908-1986) was a pioneering modernist who ranks with such outstanding American designers as Raymond Loewy, Charles Eames, and Eliot Noyes. Nelson's office produced some of the twentieth century's canonical pieces of industrial design, many of which(...)
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George Nelson (1908-1986) was a pioneering modernist who ranks with such outstanding American designers as Raymond Loewy, Charles Eames, and Eliot Noyes. Nelson's office produced some of the twentieth century's canonical pieces of industrial design, many of which(...)
Titre:
George Nelson : the design of modern design
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George Nelson (1908-1986) was a pioneering modernist who ranks with such outstanding American designers as Raymond Loewy, Charles Eames, and Eliot Noyes. Nelson's office produced some of the twentieth century's canonical pieces of industrial design, many of which are still in production: the ball clock, the bubble lamp, and the sling sofa. Nelson also made major contributions to the storage wall, the shopping mall, the multimedia presentation, and the open-plan office system. The author of this definitive biography was given access to Nelson's office archives and personal papers. He also interviewed more than seventy of Nelson's friends, colleagues, employees, and clients, and obtained many previously unpublished images from corporate and private archives. The full range of Nelson's work is represented, from product and furniture design to packaging and graphics to large-scale projects such as the Fairchild house and the 1959 American National Exhibition in Moscow. Because Nelson was a serious and original thinker about design issues, Abercrombie quotes extensively from his published and unpublished writings, offering provocative new material to students of design theory and philosophy.
George Nelson : the design of modern design
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George Nelson (1908-1986) was a pioneering modernist who ranks with such outstanding American designers as Raymond Loewy, Charles Eames, and Eliot Noyes. Nelson's office produced some of the twentieth century's canonical pieces of industrial design, many of which are still in production: the ball clock, the bubble lamp, and the sling sofa. Nelson also made major contributions to the storage wall, the shopping mall, the multimedia presentation, and the open-plan office system. The author of this definitive biography was given access to Nelson's office archives and personal papers. He also interviewed more than seventy of Nelson's friends, colleagues, employees, and clients, and obtained many previously unpublished images from corporate and private archives. The full range of Nelson's work is represented, from product and furniture design to packaging and graphics to large-scale projects such as the Fairchild house and the 1959 American National Exhibition in Moscow. Because Nelson was a serious and original thinker about design issues, Abercrombie quotes extensively from his published and unpublished writings, offering provocative new material to students of design theory and philosophy.
Classification:
livres
livres
Publication:
octobre 2000, Cambridge, Mass.
octobre 2000, Cambridge, Mass.
Sujet:
Design, monographies
Design, monographies
Classification:
livres
livres
Prix:
$140.00
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Résumé:
Bar, surface, body, and space are the fundamental elements of the design process. Every form, however complex, may be understood as a variation of them. And underlying every concrete design is a design methodology that can be analyzed, taught, and learned as a transformation of these four categories. Taking this theory as its starting point, this book is nothing less(...)
$140.00
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Bar, surface, body, and space are the fundamental elements of the design process. Every form, however complex, may be understood as a variation of them. And underlying every concrete design is a design methodology that can be analyzed, taught, and learned as a transformation of these four categories. Taking this theory as its starting point, this book is nothing less(...)
Titre:
Transformation: basic principles and methodology of design
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$140.00
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Bar, surface, body, and space are the fundamental elements of the design process. Every form, however complex, may be understood as a variation of them. And underlying every concrete design is a design methodology that can be analyzed, taught, and learned as a transformation of these four categories. Taking this theory as its starting point, this book is nothing less than a foundational work for architects, designers, and lay people with an interest in cultural history. It details what could be called the unrivaled grammar of design. With a systematic aim and progressively increasing complexity, it unfolds the creative potential of these categories with succinct texts, uniform drawings, and a broad array of examples from architecture, design, and art. However, the book also occupies an exceptional position as a physical book: the layout makes it especially easy to compare and combine different design steps, and the separate binding of individual groups of pages makes doing so even easier. The result is a kind of construction set that invites the reader to play as well as research.
Transformation: basic principles and methodology of design
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$140.00
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Résumé:
Bar, surface, body, and space are the fundamental elements of the design process. Every form, however complex, may be understood as a variation of them. And underlying every concrete design is a design methodology that can be analyzed, taught, and learned as a transformation of these four categories. Taking this theory as its starting point, this book is nothing less than a foundational work for architects, designers, and lay people with an interest in cultural history. It details what could be called the unrivaled grammar of design. With a systematic aim and progressively increasing complexity, it unfolds the creative potential of these categories with succinct texts, uniform drawings, and a broad array of examples from architecture, design, and art. However, the book also occupies an exceptional position as a physical book: the layout makes it especially easy to compare and combine different design steps, and the separate binding of individual groups of pages makes doing so even easier. The result is a kind of construction set that invites the reader to play as well as research.
Classification:
livres
livres
Publication:
avril 2008, Basel, Berlin, Boston
avril 2008, Basel, Berlin, Boston
Sujet:
Design d’intérieur
Design d’intérieur
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livres
livres
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$75.00
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Karel Teige (1900-1951), a leading figure of the avant-garde of the 1920s and 1930s, participated in every important argument and controversy of those turbulent years. He edited the most influential avant-garde journals on Czech and international cultural affairs(...)
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Karel Teige (1900-1951), a leading figure of the avant-garde of the 1920s and 1930s, participated in every important argument and controversy of those turbulent years. He edited the most influential avant-garde journals on Czech and international cultural affairs(...)
Publication:
août 1999, Cambridge
août 1999, Cambridge
Titre:
Karel Teige 1900-1951 : l'enfant terrible of the Czech modernist avant-garde
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Karel Teige (1900-1951), a leading figure of the avant-garde of the 1920s and 1930s, participated in every important argument and controversy of those turbulent years. He edited the most influential avant-garde journals on Czech and international cultural affairs and wrote profoundly original essays and books on the theory and criticism of art and architecture. He also produced paintings, collages, photomontages, film scripts, book covers, and typefaces and participated in theatrical performances. Teige firmly believed in an ars una, free of the artificial separation of one branch of the arts from the other. The concept of ars una is reflected in the essays of this book, which provide intellectual riches without overly compartmentalized attempts at "academic" criticism. Because the only significant writing by Teige to appear so far in English is his well-known argument with Le Corbusier, the "Mundaneum Affair," four essays by Teige have been included. Contributors include Polana Bregantová, Lenka Bydzovská, Rumjana Daceva, Eric Dluhosch, Vojtech Lahoda, Miroslav Petrícek, Jr., Klaus Spechtenhauser, Karel Srp, Rostislav Svácha, and Daniel Weiss.
Karel Teige 1900-1951 : l'enfant terrible of the Czech modernist avant-garde
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Karel Teige (1900-1951), a leading figure of the avant-garde of the 1920s and 1930s, participated in every important argument and controversy of those turbulent years. He edited the most influential avant-garde journals on Czech and international cultural affairs and wrote profoundly original essays and books on the theory and criticism of art and architecture. He also produced paintings, collages, photomontages, film scripts, book covers, and typefaces and participated in theatrical performances. Teige firmly believed in an ars una, free of the artificial separation of one branch of the arts from the other. The concept of ars una is reflected in the essays of this book, which provide intellectual riches without overly compartmentalized attempts at "academic" criticism. Because the only significant writing by Teige to appear so far in English is his well-known argument with Le Corbusier, the "Mundaneum Affair," four essays by Teige have been included. Contributors include Polana Bregantová, Lenka Bydzovská, Rumjana Daceva, Eric Dluhosch, Vojtech Lahoda, Miroslav Petrícek, Jr., Klaus Spechtenhauser, Karel Srp, Rostislav Svácha, and Daniel Weiss.
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livres
livres
Publication:
août 1999, Cambridge
août 1999, Cambridge
Classification:
livres
livres
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Since the early twentieth century, contemporary art and art theory have creatively challenged the status of representation. During that time, the court of law has come to rely on a variety of new representational modes and technologies. The law is increasingly staged on a screen and the photographs, video documents, audio recordings used as evidence are not entirely(...)
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Since the early twentieth century, contemporary art and art theory have creatively challenged the status of representation. During that time, the court of law has come to rely on a variety of new representational modes and technologies. The law is increasingly staged on a screen and the photographs, video documents, audio recordings used as evidence are not entirely(...)
Publication:
janvier 2012
janvier 2012
Titre:
A thousand eyes: media technology, law and esthetics
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Since the early twentieth century, contemporary art and art theory have creatively challenged the status of representation. During that time, the court of law has come to rely on a variety of new representational modes and technologies. The law is increasingly staged on a screen and the photographs, video documents, audio recordings used as evidence are not entirely distinct from their correlates in contemporary art, cinema and mass media. What questions of representation, judgment and justice cross borders between art and the law? Through the contribution of internationally renowned artists and scholars, this anthology explores how the aesthetics of new media technology and its spatial implementations affect the judicial system in relation to fundamental concepts such as truth and representation. Artistic contributions by John Baldessari, Dan Graham, Harun Farocki, Stan Douglas, Aernout Mik, Agency, Judy Radul, Renzo Martens, Ana Torfs, The Atlas Group, René Magritte, Model Court, Rana Hamadeh, Thomas Demand, Les Levine Essays by Julie A. Cassiday, Costas Douzinas, Piyel Haldar, Martin Jay, Peter Goodrich, Richard Mohr, Judy Radul, Avital Ronell, Eyal Sivan, Cornelia Vismann
A thousand eyes: media technology, law and esthetics
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Since the early twentieth century, contemporary art and art theory have creatively challenged the status of representation. During that time, the court of law has come to rely on a variety of new representational modes and technologies. The law is increasingly staged on a screen and the photographs, video documents, audio recordings used as evidence are not entirely distinct from their correlates in contemporary art, cinema and mass media. What questions of representation, judgment and justice cross borders between art and the law? Through the contribution of internationally renowned artists and scholars, this anthology explores how the aesthetics of new media technology and its spatial implementations affect the judicial system in relation to fundamental concepts such as truth and representation. Artistic contributions by John Baldessari, Dan Graham, Harun Farocki, Stan Douglas, Aernout Mik, Agency, Judy Radul, Renzo Martens, Ana Torfs, The Atlas Group, René Magritte, Model Court, Rana Hamadeh, Thomas Demand, Les Levine Essays by Julie A. Cassiday, Costas Douzinas, Piyel Haldar, Martin Jay, Peter Goodrich, Richard Mohr, Judy Radul, Avital Ronell, Eyal Sivan, Cornelia Vismann
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livres
livres
Publication:
janvier 2012
janvier 2012
Classification:
périodiques
périodiques
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$24.00
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Issue 85 of Texte zur Kunst is dedicated to art historiography. This is now the third time that we seek to shed light on the methods and principles of this humane discipline, the discourses of which form the crucial foundation of our magazine. While the 1994 issue under the heading “Art History Under Construction” put the import of theories from the Anglo-American(...)
$24.00
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Issue 85 of Texte zur Kunst is dedicated to art historiography. This is now the third time that we seek to shed light on the methods and principles of this humane discipline, the discourses of which form the crucial foundation of our magazine. While the 1994 issue under the heading “Art History Under Construction” put the import of theories from the Anglo-American(...)
Titre:
Texte zur Kunst 85: Art History revisited
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Issue 85 of Texte zur Kunst is dedicated to art historiography. This is now the third time that we seek to shed light on the methods and principles of this humane discipline, the discourses of which form the crucial foundation of our magazine. While the 1994 issue under the heading “Art History Under Construction” put the import of theories from the Anglo-American countries to Germany up for debate, an issue from 2006 was concerned with reflecting on the state of affairs of a discipline that at the time was extremely influenced by visual studies and an increasing enthusiasm for “contemporary art”. The current issue, in contrast, focuses on the norms to which historiography is subjected and the effects produced by its view to the past. In seven essays, common art-historical paradigms are called into question and examined a new perspective. Established academic notions are revised on the one hand; while selected themes are taken up to elucidate the principles of knowledge and theory production on the other.
Texte zur Kunst 85: Art History revisited
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Issue 85 of Texte zur Kunst is dedicated to art historiography. This is now the third time that we seek to shed light on the methods and principles of this humane discipline, the discourses of which form the crucial foundation of our magazine. While the 1994 issue under the heading “Art History Under Construction” put the import of theories from the Anglo-American countries to Germany up for debate, an issue from 2006 was concerned with reflecting on the state of affairs of a discipline that at the time was extremely influenced by visual studies and an increasing enthusiasm for “contemporary art”. The current issue, in contrast, focuses on the norms to which historiography is subjected and the effects produced by its view to the past. In seven essays, common art-historical paradigms are called into question and examined a new perspective. Established academic notions are revised on the one hand; while selected themes are taken up to elucidate the principles of knowledge and theory production on the other.
Classification:
périodiques
périodiques
Publication:
mars 2012
mars 2012
Sujet:
Revues
Revues
Classification:
périodiques
périodiques
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$35.00
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Résumé:
OASE 90 investigates the expectation behind existing value models in architecture. Many problems in today’s architecture world would vanish if every once in a while it was clearer what is meant by good architecture. The ‘crisis of criticism’, for instance, is a symptom of the impossibility of knowing (or daring to know) what good architecture is. Over the past century,(...)
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OASE 90 investigates the expectation behind existing value models in architecture. Many problems in today’s architecture world would vanish if every once in a while it was clearer what is meant by good architecture. The ‘crisis of criticism’, for instance, is a symptom of the impossibility of knowing (or daring to know) what good architecture is. Over the past century,(...)
Titre:
OASE 90: What is good architecture?
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OASE 90 investigates the expectation behind existing value models in architecture. Many problems in today’s architecture world would vanish if every once in a while it was clearer what is meant by good architecture. The ‘crisis of criticism’, for instance, is a symptom of the impossibility of knowing (or daring to know) what good architecture is. Over the past century, models for architecture evaluation such as modernism and postmodernism have been modified by supermodernism and retromodernism, and more recently by sustainability. Nevertheless, it is impossible to work with architecture – in design, theory or history – without making assumptions about criteria for quality. This issue uncovers and makes explicit the assumptions underlying these models, by posing the simple question ‘What is good architecture?’ in different ways and have it answered by people whose ‘main occupation’ is architecture. This issue of OASE can be like a banquet at which each guest selects something entirely different from the menu in a well-reasoned and forthright way – and so keeps the architecture party going.
OASE 90: What is good architecture?
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OASE 90 investigates the expectation behind existing value models in architecture. Many problems in today’s architecture world would vanish if every once in a while it was clearer what is meant by good architecture. The ‘crisis of criticism’, for instance, is a symptom of the impossibility of knowing (or daring to know) what good architecture is. Over the past century, models for architecture evaluation such as modernism and postmodernism have been modified by supermodernism and retromodernism, and more recently by sustainability. Nevertheless, it is impossible to work with architecture – in design, theory or history – without making assumptions about criteria for quality. This issue uncovers and makes explicit the assumptions underlying these models, by posing the simple question ‘What is good architecture?’ in different ways and have it answered by people whose ‘main occupation’ is architecture. This issue of OASE can be like a banquet at which each guest selects something entirely different from the menu in a well-reasoned and forthright way – and so keeps the architecture party going.
Classification:
périodiques
périodiques
Publication:
août 2013
août 2013
Sujet:
Revues
Revues
Classification:
livres
livres
Titre:
Threads talks series
Threads talks series
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$29.95
(disponible en magasin)
Résumé:
THREADS, a series of talks devoted to the art of the book, includes poets, artists, and publishers. It explores and enriches relationships between various strands of book culture that are often approached in isolation: poetry and writing; visual and performing arts; collaboration; design; printing; independent publishing; literary history; critical theory; and material(...)
$29.95
(disponible en magasin)
Résumé:
THREADS, a series of talks devoted to the art of the book, includes poets, artists, and publishers. It explores and enriches relationships between various strands of book culture that are often approached in isolation: poetry and writing; visual and performing arts; collaboration; design; printing; independent publishing; literary history; critical theory; and material(...)
Titre:
Threads talks series
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Prix:
$29.95
(disponible en magasin)
Résumé:
THREADS, a series of talks devoted to the art of the book, includes poets, artists, and publishers. It explores and enriches relationships between various strands of book culture that are often approached in isolation: poetry and writing; visual and performing arts; collaboration; design; printing; independent publishing; literary history; critical theory; and material culture. The premise for the series was very similar to the kind of interdisciplinary approach to the book that has interested us all along. A book is never more successful than the relationship between its parts; the philosophical and material connections between writing, art, design, typography, translation, and distribution is more significant than excellence in any isolated area. The talks were originally recorded before a small studio audience, then made available to the public on PennSound, and are now collected here in written form for the first time. THREADS began in March 2009 and concluded in October 2012. There were twelve speakers: Alan Loney; Charles Alexander; Simon Cutts; Buzz Spector; Jerome Rothenberg; Cecilia Vicuna; Jen Bervin; Kathleen Walkup; Johanna Drucker; Keith Smith; Richard Minsky; and Emily McVarish."
Threads talks series
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$29.95
(disponible en magasin)
Résumé:
THREADS, a series of talks devoted to the art of the book, includes poets, artists, and publishers. It explores and enriches relationships between various strands of book culture that are often approached in isolation: poetry and writing; visual and performing arts; collaboration; design; printing; independent publishing; literary history; critical theory; and material culture. The premise for the series was very similar to the kind of interdisciplinary approach to the book that has interested us all along. A book is never more successful than the relationship between its parts; the philosophical and material connections between writing, art, design, typography, translation, and distribution is more significant than excellence in any isolated area. The talks were originally recorded before a small studio audience, then made available to the public on PennSound, and are now collected here in written form for the first time. THREADS began in March 2009 and concluded in October 2012. There were twelve speakers: Alan Loney; Charles Alexander; Simon Cutts; Buzz Spector; Jerome Rothenberg; Cecilia Vicuna; Jen Bervin; Kathleen Walkup; Johanna Drucker; Keith Smith; Richard Minsky; and Emily McVarish."
Classification:
livres
livres
Publication:
mars 2016
mars 2016
Classification:
livres
livres
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$59.95
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Résumé:
The Spanish architect Rafael Moneo has won numerous awards (including the prestigious Pritzker Architecture Prize), yet this publication is the first to offer a critical study of his career as a whole—not only his many built works and projects but also his contributions to teaching and his writings. The book begins with a comprehensive biography, covering Moneo’s(...)
$59.95
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Résumé:
The Spanish architect Rafael Moneo has won numerous awards (including the prestigious Pritzker Architecture Prize), yet this publication is the first to offer a critical study of his career as a whole—not only his many built works and projects but also his contributions to teaching and his writings. The book begins with a comprehensive biography, covering Moneo’s(...)
Sujet:
Architecture, monographies
Architecture, monographies
Publication:
juin 2015
juin 2015
Titre:
Rafael Moneo: building, teaching, writing
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Résumé:
The Spanish architect Rafael Moneo has won numerous awards (including the prestigious Pritzker Architecture Prize), yet this publication is the first to offer a critical study of his career as a whole—not only his many built works and projects but also his contributions to teaching and his writings. The book begins with a comprehensive biography, covering Moneo’s education, teaching appointments, and encounters with historians and architects in Europe and the United States, such as Peter Eisenman, Jørn Utzon, and Bruno Zevi. Also included is a discussion of some of the buildings that he has designed, notably the Prado Museum extension and Atocha Station in Madrid. The following section examines in more detail seven key buildings chosen to illustrate crucial developments in Moneo’s thinking, from the Bankinter, Madrid, to the Cathedral of Our Lady of the Angels, Los Angeles. The last a section considers his architectural philosophy: his design approach, his idea of the canon, his theory of composition, his notion of form, and his confrontation with reality—in construction and context.
Rafael Moneo: building, teaching, writing
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$59.95
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Résumé:
The Spanish architect Rafael Moneo has won numerous awards (including the prestigious Pritzker Architecture Prize), yet this publication is the first to offer a critical study of his career as a whole—not only his many built works and projects but also his contributions to teaching and his writings. The book begins with a comprehensive biography, covering Moneo’s education, teaching appointments, and encounters with historians and architects in Europe and the United States, such as Peter Eisenman, Jørn Utzon, and Bruno Zevi. Also included is a discussion of some of the buildings that he has designed, notably the Prado Museum extension and Atocha Station in Madrid. The following section examines in more detail seven key buildings chosen to illustrate crucial developments in Moneo’s thinking, from the Bankinter, Madrid, to the Cathedral of Our Lady of the Angels, Los Angeles. The last a section considers his architectural philosophy: his design approach, his idea of the canon, his theory of composition, his notion of form, and his confrontation with reality—in construction and context.
Classification:
livres
livres
Publication:
juin 2015
juin 2015
Sujet:
Architecture, monographies
Architecture, monographies
