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192 pages : chiefly illustrations (some color), color map ; 29 x 35 cm
Ostfildern : Hatje/Cantz, [2012], ©2012
Short stalks at distant shores : imaging post-Soviet space / Christoph Grill ; with essays by Ulf Brunnbauer, Christoph Grill, Ulrich Tragatschnig = mit Texten von Ulf Brunnbauer, Christoph Grill, Ulrich Tragatschnig.
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192 pages : chiefly illustrations (some color), color map ; 29 x 35 cm
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Ostfildern : Hatje/Cantz, [2012], ©2012
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Obra Viaplana-Piñón.
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127 p. : illustrations (some color) ; 22 x 24 cm.
[Barcelona] : [Collegi d'Arquitectes de Catalunya], [1996?]
Obra Viaplana-Piñón.
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127 p. : illustrations (some color) ; 22 x 24 cm.
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[Barcelona] : [Collegi d'Arquitectes de Catalunya], [1996?]
livres
Description:
310 pages : illustrations, maps ; 23 cm.
Paris : Ecole des hautes études en sciences sociales, 2000.
L'archipel accaparé : la question foncière au Japon / sous la direction de Marc Bourdier, Philippe Pelletier.
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310 pages : illustrations, maps ; 23 cm.
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Paris : Ecole des hautes études en sciences sociales, 2000.
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295 pages : illustrations (some color), plans ; 32 cm
New York : Putnam, [1970]
A treasury of great American houses / by Henry Lionel Williams and Ottalie K. Williams.
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295 pages : illustrations (some color), plans ; 32 cm
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New York : Putnam, [1970]
$80.00
(disponible en magasin)
Résumé:
Eggleston’s vivid photographs transform the ordinary into distinctive, poetic images that eschew fixed meaning. One of the foremost practitioners in the medium’s history, Eggleston is widely considered the father of color photography. He pioneered the use of dye-transfer printing for art photography in the 1970s. The technically advanced process—first developed by Kodak(...)
William Eggleston: The last dyes
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$80.00
(disponible en magasin)
Résumé:
Eggleston’s vivid photographs transform the ordinary into distinctive, poetic images that eschew fixed meaning. One of the foremost practitioners in the medium’s history, Eggleston is widely considered the father of color photography. He pioneered the use of dye-transfer printing for art photography in the 1970s. The technically advanced process—first developed by Kodak in the 1940s—allowed him to achieve the richness of tonal depth and color saturation that he had been searching for. In the early 1990s, Kodak stopped producing the dyes, paper, and film used in the process. With the necessary materials now discontinued, and the bulk of what remained being used for this exhibition, "The last dyes" marks the final presentation of new works completed in this medium.
Monographies photo
$50.00
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Résumé:
This book brings together portraits of children from the series Siblings and Singles, Clara Gutsche’s most recent body of photographic work, produced over the last fifteen years. In these images, Gutsche explores the themes of childhood and intergenerational relations and continues her reflection on the photographic medium, time, and representation. This book(...)
Consignation
novembre 2024
Clara Gutsche: Portraits d'enfants. Children
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This book brings together portraits of children from the series Siblings and Singles, Clara Gutsche’s most recent body of photographic work, produced over the last fifteen years. In these images, Gutsche explores the themes of childhood and intergenerational relations and continues her reflection on the photographic medium, time, and representation. This book illuminates her engagement with the photographed subject through a practice that has spanned five decades since the 1970s, and has left its mark on the imagination and history of Canadian photography. The thirty-two silver prints from the series "Milton-Parc" (1970-73), "The Cencic Sisters (1974-76), "Sarah" (1982-89) and "Jeanne-Mance Park" (1982-84) reproduced here belong to the collection of the Montreal Museum of Fine Arts.
Consignation
$49.95
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Résumé:
"Zerox machine" is an immersive journey through the vibrant history of British punk and its associated fanzines from 1976 to 1988. Drawing on an extensive range of previously unpublished materials sourced from private collections across the United Kingdom, Matthew Worley describes and analyzes this transformative era, providing an intimate glimpse into the hopes and(...)
Xerox machine: Punk, post-punk and Fanzines in Britain, 1976-1988
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"Zerox machine" is an immersive journey through the vibrant history of British punk and its associated fanzines from 1976 to 1988. Drawing on an extensive range of previously unpublished materials sourced from private collections across the United Kingdom, Matthew Worley describes and analyzes this transformative era, providing an intimate glimpse into the hopes and anxieties that shaped a generation. Far more than a showcase of covers, Zerox Machine examines the fanzines themselves, offering a rich tapestry of firsthand accounts, personal stories, and subcultural reflections. With meticulous research and insightful analysis, this book captures the spirit and essence of British youth culture, shedding new light on a pivotal movement in music history and offering a unique alternative history of Britain in the 1970s and ’80s.
Arts graphiques imprimés
The drawings of Al Taylor
$54.00
(disponible sur commande)
Résumé:
This book investigates Al Taylor’s drawings, which numbered over five thousand at the time of his death. It includes a chronological survey of Taylor’s drawings from the mid-1970s to the late 1990s, highlighting the combination of technical refinement, humor, and sensuousness that characterizes his works on paper. Reproductions of the works, which were inspired by such(...)
The drawings of Al Taylor
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$54.00
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This book investigates Al Taylor’s drawings, which numbered over five thousand at the time of his death. It includes a chronological survey of Taylor’s drawings from the mid-1970s to the late 1990s, highlighting the combination of technical refinement, humor, and sensuousness that characterizes his works on paper. Reproductions of the works, which were inspired by such ordinary things as tin cans, pet s tains, and broomsticks, reveal the drawings’ minute details, nuanced shading, and playfully agile pencil lines. Texts explore how the rich and complex visual sensibilities of Taylor’s drawings resonate with that of late Renaissance and Baroque Old Masters. The book also examines Taylor’s innovative approach to process and materials, such as photocopier toner, with its intense black, and the extreme white of correction fluid.
$43.95
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Résumé:
In the 1970s David Toop became preoccupied with the possibility that music was no longer bounded by formalities of audience: the clapping, the booing, the short attention span, the demand for instant gratification. Considering sound and listening as foundational practices in themselves leads music into a thrilling new territory: stretched time, wilderness, video monitors,(...)
Inflamed invisible: collected writings on art and sound, 1976-2018
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In the 1970s David Toop became preoccupied with the possibility that music was no longer bounded by formalities of audience: the clapping, the booing, the short attention span, the demand for instant gratification. Considering sound and listening as foundational practices in themselves leads music into a thrilling new territory: stretched time, wilderness, video monitors, singing sculptures, weather, meditations, vibration and the interior resonance of objects, interspecies communications, instructional texts, silent actions, and performance art. This publications collects more than four decades of David Toop's essays, reviews, interviews, and experimental texts, drawing us into the company of artists and their concerns, not forgetting the quieter, unsung voices. The volume is an exploration of strata of sound that are the crossing points of sensory, intellectual, and philosophical preoccupations.
Acoustique
Steven Leiber: Catalogs
$75.00
(disponible sur commande)
Résumé:
Steven Leiber was a pioneering San Francisco art dealer, collector and gallerist who specialized in the dematerialized art practices of the 1960s and 1970s and the ephemera and documentation spawned by conceptual art and other postwar movements. To sell this material, Leiber produced a series of 52 iconic catalogs between 1992 and 2010. Far from your ordinary dealer(...)
Steven Leiber: Catalogs
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$75.00
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Steven Leiber was a pioneering San Francisco art dealer, collector and gallerist who specialized in the dematerialized art practices of the 1960s and 1970s and the ephemera and documentation spawned by conceptual art and other postwar movements. To sell this material, Leiber produced a series of 52 iconic catalogs between 1992 and 2010. Far from your ordinary dealer catalog, Leiber’s catalogs paid homage to the kind of historic printed matter that he bought and sold, mimicking iconic publications like Wallace Berman’s Semina journal and the exhibition catalog for ''Documenta V'' (1972). Leiber’s reputation spread via these unique volumes, which included works by John Baldessari, Lynda Benglis, Ray Johnson, Lucy Lippard, Allan Kaprow, Yayoi Kusama, Claes Oldenburg, Ed Ruscha, Lawrence Weiner and many more.