6624 Résultats
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The great parks and gardens of Europe come alive by the skillful interplay of natural landscape and architectural elements. Throughout the ages, however, this relationship has been treated in very different ways. The gardens of the Italian renaissance in the 15th or 16th century were based on rational plans, whereas the French parks of the Baroque period seem rather more(...)
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The great parks and gardens of Europe come alive by the skillful interplay of natural landscape and architectural elements. Throughout the ages, however, this relationship has been treated in very different ways. The gardens of the Italian renaissance in the 15th or 16th century were based on rational plans, whereas the French parks of the Baroque period seem rather more(...)
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Architecture and landscape : the design experiments of the great European gardens and landscapes, revised and expanded edition
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The great parks and gardens of Europe come alive by the skillful interplay of natural landscape and architectural elements. Throughout the ages, however, this relationship has been treated in very different ways. The gardens of the Italian renaissance in the 15th or 16th century were based on rational plans, whereas the French parks of the Baroque period seem rather more geometric in design, and the English parklands of the 18th century present a scenic composition. In this publication famous historical gardens from all over Europe are analysed, and these graphic analyses allow us to see into the mind of the designers. By highlighting the design processes, they also function as models for future landscape projects. More than 30 renowned gardens have been examined and documented with a wealth of illustrations. Amongst the parks presented are Palladio’s Villa Emo, the perfect order of the Baroque garden Vaux-le-Vicomte near Paris or the pastoral yet mysterious park of Blenheim Palace near Oxford.
Architecture and landscape : the design experiments of the great European gardens and landscapes, revised and expanded edition
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The great parks and gardens of Europe come alive by the skillful interplay of natural landscape and architectural elements. Throughout the ages, however, this relationship has been treated in very different ways. The gardens of the Italian renaissance in the 15th or 16th century were based on rational plans, whereas the French parks of the Baroque period seem rather more geometric in design, and the English parklands of the 18th century present a scenic composition. In this publication famous historical gardens from all over Europe are analysed, and these graphic analyses allow us to see into the mind of the designers. By highlighting the design processes, they also function as models for future landscape projects. More than 30 renowned gardens have been examined and documented with a wealth of illustrations. Amongst the parks presented are Palladio’s Villa Emo, the perfect order of the Baroque garden Vaux-le-Vicomte near Paris or the pastoral yet mysterious park of Blenheim Palace near Oxford.
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livres
livres
Publication:
décembre 2003, Basel
décembre 2003, Basel
Sujet:
Jardins
Jardins
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livres
livres
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The only thing better than one boring building is hundreds of them. Far from the glamourous and avant-garde architectural features that make Los Angeles justifiably famous are the humble apartment buildings known as "dingbats." But "Pretty Vacant" dares to elevate the low-rise, the boxy, the not remarkably well-constructed to the architecturally sublime. In this brick of(...)
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The only thing better than one boring building is hundreds of them. Far from the glamourous and avant-garde architectural features that make Los Angeles justifiably famous are the humble apartment buildings known as "dingbats." But "Pretty Vacant" dares to elevate the low-rise, the boxy, the not remarkably well-constructed to the architecturally sublime. In this brick of(...)
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Pretty vacant : the Los Angeles dingbat observed
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The only thing better than one boring building is hundreds of them. Far from the glamourous and avant-garde architectural features that make Los Angeles justifiably famous are the humble apartment buildings known as "dingbats." But "Pretty Vacant" dares to elevate the low-rise, the boxy, the not remarkably well-constructed to the architecturally sublime. In this brick of a book, through scads of photographs of these underappreciated gems, their boundless surfacey charms are soon obvious. Combining funky textures, streamlined sconces, and future-retro ornamentation, these buildings practically define LA vernacular in their optimistic mix of mid-century modishness and darling details. Clive Piercy's photographs provide a streetside glimpse into the curious lives of these buildings, with charming names that range from the regal (Kings Studios) to the space-age (The Galaxie). Assembled in a compact but weighty package with more than 480 images, "Pretty Vacant" provides a snapshot tour and kitschy homage to this underdog architectural form.
Pretty vacant : the Los Angeles dingbat observed
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The only thing better than one boring building is hundreds of them. Far from the glamourous and avant-garde architectural features that make Los Angeles justifiably famous are the humble apartment buildings known as "dingbats." But "Pretty Vacant" dares to elevate the low-rise, the boxy, the not remarkably well-constructed to the architecturally sublime. In this brick of a book, through scads of photographs of these underappreciated gems, their boundless surfacey charms are soon obvious. Combining funky textures, streamlined sconces, and future-retro ornamentation, these buildings practically define LA vernacular in their optimistic mix of mid-century modishness and darling details. Clive Piercy's photographs provide a streetside glimpse into the curious lives of these buildings, with charming names that range from the regal (Kings Studios) to the space-age (The Galaxie). Assembled in a compact but weighty package with more than 480 images, "Pretty Vacant" provides a snapshot tour and kitschy homage to this underdog architectural form.
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livres
livres
Publication:
août 2003, San Francisco
août 2003, San Francisco
Sujet:
Monographies photo
Monographies photo
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livres
livres
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Tiergarten is Berlin’s oldest park, with more than five hundred acres of woodland in the heart of the city. Before it was absorbed by the city, the area that became Tiergarten was a naturally occurring forest. Throughout its history, it was used as royal hunting grounds and as a landscaped public park, and—in the years of hardship following World War II— an area where(...)
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Tiergarten is Berlin’s oldest park, with more than five hundred acres of woodland in the heart of the city. Before it was absorbed by the city, the area that became Tiergarten was a naturally occurring forest. Throughout its history, it was used as royal hunting grounds and as a landscaped public park, and—in the years of hardship following World War II— an area where(...)
Titre:
Tiergarten, landscape of transgression. This obscure object of desire
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Tiergarten is Berlin’s oldest park, with more than five hundred acres of woodland in the heart of the city. Before it was absorbed by the city, the area that became Tiergarten was a naturally occurring forest. Throughout its history, it was used as royal hunting grounds and as a landscaped public park, and—in the years of hardship following World War II— an area where trees were felled for firewood, before changing social and political circumstances and the growing ecological movement led to measures to restore and replant the vast public space. Thus, Tiergarten has become not only a very popular place of recreation but as well a biotope of extraordinarily high biodiversity. “Tiergarten, Landscape of Transgression” takes readers through the history of the park, with an eye toward exploring it as a radical spatial expression—a space where humans and other species and conflicting histories coexist in close proximity, and a model for future environments in areas of intense urbanization.
Tiergarten, landscape of transgression. This obscure object of desire
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Tiergarten is Berlin’s oldest park, with more than five hundred acres of woodland in the heart of the city. Before it was absorbed by the city, the area that became Tiergarten was a naturally occurring forest. Throughout its history, it was used as royal hunting grounds and as a landscaped public park, and—in the years of hardship following World War II— an area where trees were felled for firewood, before changing social and political circumstances and the growing ecological movement led to measures to restore and replant the vast public space. Thus, Tiergarten has become not only a very popular place of recreation but as well a biotope of extraordinarily high biodiversity. “Tiergarten, Landscape of Transgression” takes readers through the history of the park, with an eye toward exploring it as a radical spatial expression—a space where humans and other species and conflicting histories coexist in close proximity, and a model for future environments in areas of intense urbanization.
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livres
livres
Publication:
avril 2019
avril 2019
Sujet:
Jardins
Jardins
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livres
livres
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In 2015, the storied fashion house Fendi moved its headquarters into the Palazzo della Civiltà Italiana in Rome, a stark white cube perforated by symmetrical arches. Originally commissioned as part of an exhibition on Roman civilization for the 1942 world’s fair, the architects took their cues from ancient history to create a building that was quintessentially Roman yet(...)
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In 2015, the storied fashion house Fendi moved its headquarters into the Palazzo della Civiltà Italiana in Rome, a stark white cube perforated by symmetrical arches. Originally commissioned as part of an exhibition on Roman civilization for the 1942 world’s fair, the architects took their cues from ancient history to create a building that was quintessentially Roman yet(...)
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Fendi: Palazzo della Civiltà Italiana in Rome
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In 2015, the storied fashion house Fendi moved its headquarters into the Palazzo della Civiltà Italiana in Rome, a stark white cube perforated by symmetrical arches. Originally commissioned as part of an exhibition on Roman civilization for the 1942 world’s fair, the architects took their cues from ancient history to create a building that was quintessentially Roman yet decidedly modern, earning its nickname “the Square Colosseum.” Because of its striking appearance and iconic status, the palazzo subsequently made appearances in a number of films by directors such as Roberto Rossellini, Federico Fellini, and Peter Greenaway. The building remained relatively abandoned throughout much of its existence, until its recent inhabitance by the always forward-thinking house of Fendi, an experience which Karl Lagerfeld has likened to being “on a spaceship transported into the future.” Featuring photographs by famous artists such as Gabriele Basilico, Franco Fontana, and Lagerfeld, this gorgeously illustrated volume takes the reader on a fascinating tour through art, architecture, culture, and history.
Fendi: Palazzo della Civiltà Italiana in Rome
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In 2015, the storied fashion house Fendi moved its headquarters into the Palazzo della Civiltà Italiana in Rome, a stark white cube perforated by symmetrical arches. Originally commissioned as part of an exhibition on Roman civilization for the 1942 world’s fair, the architects took their cues from ancient history to create a building that was quintessentially Roman yet decidedly modern, earning its nickname “the Square Colosseum.” Because of its striking appearance and iconic status, the palazzo subsequently made appearances in a number of films by directors such as Roberto Rossellini, Federico Fellini, and Peter Greenaway. The building remained relatively abandoned throughout much of its existence, until its recent inhabitance by the always forward-thinking house of Fendi, an experience which Karl Lagerfeld has likened to being “on a spaceship transported into the future.” Featuring photographs by famous artists such as Gabriele Basilico, Franco Fontana, and Lagerfeld, this gorgeously illustrated volume takes the reader on a fascinating tour through art, architecture, culture, and history.
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livres
livres
Publication:
septembre 2017
septembre 2017
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livres
livres
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$39.99
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In May 1939, the celebrated American architect Frank Lloyd Wright visited London and gave four lectures at the Royal Institute of British Architects. The meetings were hailed at the time as the most remarkable events of recent architectural affairs in England, and the lectures were published as An Organic Architecture in September 1939 by Lund Humphries. The texts remain(...)
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In May 1939, the celebrated American architect Frank Lloyd Wright visited London and gave four lectures at the Royal Institute of British Architects. The meetings were hailed at the time as the most remarkable events of recent architectural affairs in England, and the lectures were published as An Organic Architecture in September 1939 by Lund Humphries. The texts remain(...)
Titre:
An organic architecture: the architecture of democracy
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In May 1939, the celebrated American architect Frank Lloyd Wright visited London and gave four lectures at the Royal Institute of British Architects. The meetings were hailed at the time as the most remarkable events of recent architectural affairs in England, and the lectures were published as An Organic Architecture in September 1939 by Lund Humphries. The texts remain an important expression of the architect’s core philosophy and are being reissued now in a new edition to commemorate the 150th anniversary in 2017 of Frank Lloyd Wright’s birth. In the lectures, Frank Lloyd Wright discusses several of his recent projects, including his Usonian houses, his homes and studios at Taliesin, Wisconsin and Arizona, Fallingwater and the Johnson administration building. His charismatic, flamboyant character and hugely creative intelligence leap to life from the pages as he looks to the ‘Future’, both in terms of the then-imminent Second World War and his vision for cities.
An organic architecture: the architecture of democracy
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In May 1939, the celebrated American architect Frank Lloyd Wright visited London and gave four lectures at the Royal Institute of British Architects. The meetings were hailed at the time as the most remarkable events of recent architectural affairs in England, and the lectures were published as An Organic Architecture in September 1939 by Lund Humphries. The texts remain an important expression of the architect’s core philosophy and are being reissued now in a new edition to commemorate the 150th anniversary in 2017 of Frank Lloyd Wright’s birth. In the lectures, Frank Lloyd Wright discusses several of his recent projects, including his Usonian houses, his homes and studios at Taliesin, Wisconsin and Arizona, Fallingwater and the Johnson administration building. His charismatic, flamboyant character and hugely creative intelligence leap to life from the pages as he looks to the ‘Future’, both in terms of the then-imminent Second World War and his vision for cities.
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livres
livres
Publication:
avril 2017
avril 2017
Sujet:
Architecture, monographies
Architecture, monographies
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livres
livres
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'Television: Technology and Cultural Form' was first published in 1974, long before the dawn of multi-channel TV, or the reality and celebrity shows that now pack the schedules. Yet Williams' analysis of television's history, its institutions, programmes and practices, and its future prospects, remains remarkably prescient. Williams stresses the importance of(...)
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'Television: Technology and Cultural Form' was first published in 1974, long before the dawn of multi-channel TV, or the reality and celebrity shows that now pack the schedules. Yet Williams' analysis of television's history, its institutions, programmes and practices, and its future prospects, remains remarkably prescient. Williams stresses the importance of(...)
Titre:
Television: technology and cultural form
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'Television: Technology and Cultural Form' was first published in 1974, long before the dawn of multi-channel TV, or the reality and celebrity shows that now pack the schedules. Yet Williams' analysis of television's history, its institutions, programmes and practices, and its future prospects, remains remarkably prescient. Williams stresses the importance of technology in shaping the cultural form of television, while always resisting the determinism of McLuhan's dictum that 'the medium is the message'. If the medium really is the message, Williams asks, what is left for us to do or say? Williams argues that, on the contrary, we as viewers have the power to disturb, disrupt and to distract the otherwise cold logic of history and technology - not just because television is part of the fabric of our daily lives, but because new technologies continue to offer opportunities, momentarily outside the sway of transnational corporations or the grasp of media moguls, for new forms of self and political expression.
Television: technology and cultural form
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'Television: Technology and Cultural Form' was first published in 1974, long before the dawn of multi-channel TV, or the reality and celebrity shows that now pack the schedules. Yet Williams' analysis of television's history, its institutions, programmes and practices, and its future prospects, remains remarkably prescient. Williams stresses the importance of technology in shaping the cultural form of television, while always resisting the determinism of McLuhan's dictum that 'the medium is the message'. If the medium really is the message, Williams asks, what is left for us to do or say? Williams argues that, on the contrary, we as viewers have the power to disturb, disrupt and to distract the otherwise cold logic of history and technology - not just because television is part of the fabric of our daily lives, but because new technologies continue to offer opportunities, momentarily outside the sway of transnational corporations or the grasp of media moguls, for new forms of self and political expression.
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livres
livres
Publication:
juin 2003
juin 2003
Sujet:
Théorie/ philosophie
Théorie/ philosophie
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livres
livres
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Déclinaison du 365 typo, ouvrage annuel édité par étapes: en collaboration avec l'ATypI, 52 typo condense en 52 histoires (une par semaine) le meilleur de la typographie de l'année passée. Des comptes-rendus d'évènement majeurs, des reportages sur les coulisses de la profession, des chroniques écrites par les meilleurs auteurs des domaines de la typographie, de la(...)
$56.95
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Déclinaison du 365 typo, ouvrage annuel édité par étapes: en collaboration avec l'ATypI, 52 typo condense en 52 histoires (une par semaine) le meilleur de la typographie de l'année passée. Des comptes-rendus d'évènement majeurs, des reportages sur les coulisses de la profession, des chroniques écrites par les meilleurs auteurs des domaines de la typographie, de la(...)
Titre:
52 typo: 52 histoires de caractères, de typographie et de design graphique
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Déclinaison du 365 typo, ouvrage annuel édité par étapes: en collaboration avec l'ATypI, 52 typo condense en 52 histoires (une par semaine) le meilleur de la typographie de l'année passée. Des comptes-rendus d'évènement majeurs, des reportages sur les coulisses de la profession, des chroniques écrites par les meilleurs auteurs des domaines de la typographie, de la conception graphique et de la communication visuelle : 52 typo présente non seulement des histoires et des faits cruciaux, mais aussi des analyses et des prévisions de l'évolution future de l'industrie, et aide les lecteurs à trouver leur chemin à travers le labyrinthe de l'actualité, des tendances et des idées. Destiné aux designers professionnels ainsi qu'aux éducateurs, aux étudiants, aux acteurs du marketing et aux spécialistes de la communication visuelle, 52 typo est un outil précieux pour les experts. Par sa richesse visuelle, il concerne aussi les acteurs des industries connexes (la conception de produit, la photographie, l'architecture) ainsi que le grand public.
52 typo: 52 histoires de caractères, de typographie et de design graphique
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Déclinaison du 365 typo, ouvrage annuel édité par étapes: en collaboration avec l'ATypI, 52 typo condense en 52 histoires (une par semaine) le meilleur de la typographie de l'année passée. Des comptes-rendus d'évènement majeurs, des reportages sur les coulisses de la profession, des chroniques écrites par les meilleurs auteurs des domaines de la typographie, de la conception graphique et de la communication visuelle : 52 typo présente non seulement des histoires et des faits cruciaux, mais aussi des analyses et des prévisions de l'évolution future de l'industrie, et aide les lecteurs à trouver leur chemin à travers le labyrinthe de l'actualité, des tendances et des idées. Destiné aux designers professionnels ainsi qu'aux éducateurs, aux étudiants, aux acteurs du marketing et aux spécialistes de la communication visuelle, 52 typo est un outil précieux pour les experts. Par sa richesse visuelle, il concerne aussi les acteurs des industries connexes (la conception de produit, la photographie, l'architecture) ainsi que le grand public.
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livres
livres
Publication:
août 2017
août 2017
Classification:
livres
livres
Titre:
Baku: oil and urbanism
Baku: oil and urbanism
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Baku, the capital of Azerbaijan and formerly part of the Russian Empire and Soviet Union, is the original oil city, with oil and urbanism thoroughly intertwined—economically, politically, and physical—in the city’s fabric. Baku saw its first oil boom in the late nineteenth century, driven by the Russian branch of the Nobel family modernizing the oil fields around Baku as(...)
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Baku, the capital of Azerbaijan and formerly part of the Russian Empire and Soviet Union, is the original oil city, with oil and urbanism thoroughly intertwined—economically, politically, and physical—in the city’s fabric. Baku saw its first oil boom in the late nineteenth century, driven by the Russian branch of the Nobel family modernizing the oil fields around Baku as(...)
Publication:
février 2019
février 2019
Titre:
Baku: oil and urbanism
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Baku, the capital of Azerbaijan and formerly part of the Russian Empire and Soviet Union, is the original oil city, with oil and urbanism thoroughly intertwined—economically, politically, and physical—in the city’s fabric. Baku saw its first oil boom in the late nineteenth century, driven by the Russian branch of the Nobel family modernizing the oil fields around Baku as local oil barons poured their new wealth into building a cosmopolitan city center. During the Soviet period, Baku became the site of an urban experiment: the shaping of an oil city of socialist man. That project included Neft Dashlari, a city built on trestles in the Caspian Sea and designed to house thousands of workers, schools, shops, gardens, clinics, and cinemas as well as 2,000 oil rigs, pipelines, and collecting stations. Today, as it heads into an uncertain post-oil future, Baku’s planners and business elites regard the legacy of its past as a resource that sustains new aspirations and identities.
Baku: oil and urbanism
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Baku, the capital of Azerbaijan and formerly part of the Russian Empire and Soviet Union, is the original oil city, with oil and urbanism thoroughly intertwined—economically, politically, and physical—in the city’s fabric. Baku saw its first oil boom in the late nineteenth century, driven by the Russian branch of the Nobel family modernizing the oil fields around Baku as local oil barons poured their new wealth into building a cosmopolitan city center. During the Soviet period, Baku became the site of an urban experiment: the shaping of an oil city of socialist man. That project included Neft Dashlari, a city built on trestles in the Caspian Sea and designed to house thousands of workers, schools, shops, gardens, clinics, and cinemas as well as 2,000 oil rigs, pipelines, and collecting stations. Today, as it heads into an uncertain post-oil future, Baku’s planners and business elites regard the legacy of its past as a resource that sustains new aspirations and identities.
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livres
livres
Publication:
février 2019
février 2019
Classification:
livres
livres
Titre:
Adolf Loos: private spaces
Adolf Loos: private spaces
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Adolf Loos held that a building should have a soberly discreet exterior, reserving all its riches for its interior. Given that, any real appreciation of the spatial complexity of the work of one of the most misunderstood architects of the twentieth century requires engagement with his interiors, which this book does, brilliantly. In marked contrast to his contemporaries(...)
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Adolf Loos held that a building should have a soberly discreet exterior, reserving all its riches for its interior. Given that, any real appreciation of the spatial complexity of the work of one of the most misunderstood architects of the twentieth century requires engagement with his interiors, which this book does, brilliantly. In marked contrast to his contemporaries(...)
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Adolf Loos: private spaces
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Adolf Loos held that a building should have a soberly discreet exterior, reserving all its riches for its interior. Given that, any real appreciation of the spatial complexity of the work of one of the most misunderstood architects of the twentieth century requires engagement with his interiors, which this book does, brilliantly. In marked contrast to his contemporaries in the Vienna Secession, who designed their spaces down to the smallest detail, Loos presented himself as a “professor of interior design,” perfectly willing to adapt to the habits and tastes of his clients, inviting them to embrace their own tastelessness rather than defer to the discernment of an “aesthete” architect. Together with the future occupant, he designed welcoming interiors whose warmth came from the effective use of quality materials and the creation of a flowing continuity articulated by the furnishings. What Loos created thereby was not merely architecture, but a new culture of living.
Adolf Loos: private spaces
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Adolf Loos held that a building should have a soberly discreet exterior, reserving all its riches for its interior. Given that, any real appreciation of the spatial complexity of the work of one of the most misunderstood architects of the twentieth century requires engagement with his interiors, which this book does, brilliantly. In marked contrast to his contemporaries in the Vienna Secession, who designed their spaces down to the smallest detail, Loos presented himself as a “professor of interior design,” perfectly willing to adapt to the habits and tastes of his clients, inviting them to embrace their own tastelessness rather than defer to the discernment of an “aesthete” architect. Together with the future occupant, he designed welcoming interiors whose warmth came from the effective use of quality materials and the creation of a flowing continuity articulated by the furnishings. What Loos created thereby was not merely architecture, but a new culture of living.
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livres
livres
Publication:
juin 2018
juin 2018
Sujet:
Architecture, monographies
Architecture, monographies
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livres
livres
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$62.90
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This book provides an up-to-date introduction to the important and growing field of urban anthropology. This is an increasingly critical area of study, as more than half of the world's population now lives in cities and anthropological research is increasingly done in an urban context. Exploring contemporary anthropological approaches to the urban, the authors(...)
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This book provides an up-to-date introduction to the important and growing field of urban anthropology. This is an increasingly critical area of study, as more than half of the world's population now lives in cities and anthropological research is increasingly done in an urban context. Exploring contemporary anthropological approaches to the urban, the authors(...)
Titre:
Introducing urban anthropology
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This book provides an up-to-date introduction to the important and growing field of urban anthropology. This is an increasingly critical area of study, as more than half of the world's population now lives in cities and anthropological research is increasingly done in an urban context. Exploring contemporary anthropological approaches to the urban, the authors consider: How can we define urban anthropology? What are the main themes of twenty-first century urban anthropological research? What are the possible future directions in the field? The chapters cover topics such as urban mobilities, place-making and public space, production and consumption, politics and governance. These are illustrated by lively case studies drawn from a diverse range of urban settings in the global North and South. Accessible yet theoretically incisive, Introducing Urban Anthropology will be a valuable resource for anthropology students as well as of interest to those working in urban studies and related disciplines such as sociology and geography.
Introducing urban anthropology
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This book provides an up-to-date introduction to the important and growing field of urban anthropology. This is an increasingly critical area of study, as more than half of the world's population now lives in cities and anthropological research is increasingly done in an urban context. Exploring contemporary anthropological approaches to the urban, the authors consider: How can we define urban anthropology? What are the main themes of twenty-first century urban anthropological research? What are the possible future directions in the field? The chapters cover topics such as urban mobilities, place-making and public space, production and consumption, politics and governance. These are illustrated by lively case studies drawn from a diverse range of urban settings in the global North and South. Accessible yet theoretically incisive, Introducing Urban Anthropology will be a valuable resource for anthropology students as well as of interest to those working in urban studies and related disciplines such as sociology and geography.
Classification:
livres
livres
Publication:
janvier 2016
janvier 2016
Sujet:
Théorie de l’architecture
Théorie de l’architecture
