7795 Résultats
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This small-format volume presents more than 200 furniture and objects made between 1981 and 1986 for the Memphis collection. Memphis was an Italian design and architecture collective founded by Ettore Sottsass, a leading exponent of 1980s postmodernism. It was the outcome of a long process that began at the Olivetti company in Ivrea, where Sottsass had been the design(...)
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This small-format volume presents more than 200 furniture and objects made between 1981 and 1986 for the Memphis collection. Memphis was an Italian design and architecture collective founded by Ettore Sottsass, a leading exponent of 1980s postmodernism. It was the outcome of a long process that began at the Olivetti company in Ivrea, where Sottsass had been the design(...)
Titre:
Memphis again: Triennale Milano
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This small-format volume presents more than 200 furniture and objects made between 1981 and 1986 for the Memphis collection. Memphis was an Italian design and architecture collective founded by Ettore Sottsass, a leading exponent of 1980s postmodernism. It was the outcome of a long process that began at the Olivetti company in Ivrea, where Sottsass had been the design coordinator since the late 1950s, and continued with the research of the radical architecture movements of the 1960s and 1970s, in Florence and Europe. The publication documents the eponymous 2022 Milan exhibition on the group, for which Memphis works were dynamically installed in chronological order in the style of a fashion show, with quotes by critics, architects and designers projected on the walls.
Memphis again: Triennale Milano
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This small-format volume presents more than 200 furniture and objects made between 1981 and 1986 for the Memphis collection. Memphis was an Italian design and architecture collective founded by Ettore Sottsass, a leading exponent of 1980s postmodernism. It was the outcome of a long process that began at the Olivetti company in Ivrea, where Sottsass had been the design coordinator since the late 1950s, and continued with the research of the radical architecture movements of the 1960s and 1970s, in Florence and Europe. The publication documents the eponymous 2022 Milan exhibition on the group, for which Memphis works were dynamically installed in chronological order in the style of a fashion show, with quotes by critics, architects and designers projected on the walls.
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livres
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décembre 2022
décembre 2022
Sujet:
Design industriel
Design industriel
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Magazine publishing is an exercise in ephemerality and transience; each issue goes out in the world only to be rendered obsolete by the next. To publish a magazine is to enter into a heightened relationship with the present moment. During the 1960s and 1970s, magazines became an important new site of artistic practice, functioning as an alternative exhibition space for(...)
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Magazine publishing is an exercise in ephemerality and transience; each issue goes out in the world only to be rendered obsolete by the next. To publish a magazine is to enter into a heightened relationship with the present moment. During the 1960s and 1970s, magazines became an important new site of artistic practice, functioning as an alternative exhibition space for(...)
Titre:
Artist's magazines : an alternative space for art
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Magazine publishing is an exercise in ephemerality and transience; each issue goes out in the world only to be rendered obsolete by the next. To publish a magazine is to enter into a heightened relationship with the present moment. During the 1960s and 1970s, magazines became an important new site of artistic practice, functioning as an alternative exhibition space for the dematerialized practices of conceptual art. Artists created works expressly for these mass-produced, hand-editioned pages, using the ephemerality and the materiality of the magazine to challenge the conventions of both artistic medium and gallery. In this publication, Gwen Allen looks at the most important of these magazines in their heyday (the 1960s to the 1980s) and compiles a comprehensive, illustrated directory of hundreds of others.
Artist's magazines : an alternative space for art
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Magazine publishing is an exercise in ephemerality and transience; each issue goes out in the world only to be rendered obsolete by the next. To publish a magazine is to enter into a heightened relationship with the present moment. During the 1960s and 1970s, magazines became an important new site of artistic practice, functioning as an alternative exhibition space for the dematerialized practices of conceptual art. Artists created works expressly for these mass-produced, hand-editioned pages, using the ephemerality and the materiality of the magazine to challenge the conventions of both artistic medium and gallery. In this publication, Gwen Allen looks at the most important of these magazines in their heyday (the 1960s to the 1980s) and compiles a comprehensive, illustrated directory of hundreds of others.
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livres
livres
Publication:
mars 2011
mars 2011
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livres
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Artist-run spaces
Artist-run spaces
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In the 1960s and 70s, as the parameters of art expanded to incorporate architecture and performance and increasingly drew on urban theory and the politics of everyday life, the model of the artist-run gallery space gained enormous relevance. Developed in collaboration with the founders of the leading artist-run spaces of the 1960s and 1970s, this volume compiles the first(...)
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In the 1960s and 70s, as the parameters of art expanded to incorporate architecture and performance and increasingly drew on urban theory and the politics of everyday life, the model of the artist-run gallery space gained enormous relevance. Developed in collaboration with the founders of the leading artist-run spaces of the 1960s and 1970s, this volume compiles the first(...)
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Artist-run spaces
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In the 1960s and 70s, as the parameters of art expanded to incorporate architecture and performance and increasingly drew on urban theory and the politics of everyday life, the model of the artist-run gallery space gained enormous relevance. Developed in collaboration with the founders of the leading artist-run spaces of the 1960s and 1970s, this volume compiles the first extensive research on the history of this phenomenon. It introduces spaces such as Art Metropole in Toronto, Artpool in Budapest, Ecart in Geneva, Franklin Furnace in New York, La Mamelle in San Francisco, Printed Matter in New York, Western Front in Vancouver and Zona in Florence, along with their founders, including Carl Andre, John Armleder, AA Bronson, Sol LeWitt, Lucy Lippard, Tom Marioni and Maurizio Nannucci.
Artist-run spaces
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In the 1960s and 70s, as the parameters of art expanded to incorporate architecture and performance and increasingly drew on urban theory and the politics of everyday life, the model of the artist-run gallery space gained enormous relevance. Developed in collaboration with the founders of the leading artist-run spaces of the 1960s and 1970s, this volume compiles the first extensive research on the history of this phenomenon. It introduces spaces such as Art Metropole in Toronto, Artpool in Budapest, Ecart in Geneva, Franklin Furnace in New York, La Mamelle in San Francisco, Printed Matter in New York, Western Front in Vancouver and Zona in Florence, along with their founders, including Carl Andre, John Armleder, AA Bronson, Sol LeWitt, Lucy Lippard, Tom Marioni and Maurizio Nannucci.
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livres
livres
Publication:
novembre 2011
novembre 2011
Sujet:
Théorie de l’art
Théorie de l’art
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$54.00
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German photographer Thomas Ruff is closely associated with the city of Düsseldorf though his studentship under Bernd and Hilla Becher, but he actually hails from the small town of Zell am Harmersbach, in the Black Forest. Ruff's Interior series, made during his student days between 1979 and 1983, is located there. Taken in the homes of his family and friends, and(...)
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German photographer Thomas Ruff is closely associated with the city of Düsseldorf though his studentship under Bernd and Hilla Becher, but he actually hails from the small town of Zell am Harmersbach, in the Black Forest. Ruff's Interior series, made during his student days between 1979 and 1983, is located there. Taken in the homes of his family and friends, and(...)
Titre:
Thomas Ruff: Schwarzwald Landschaft
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German photographer Thomas Ruff is closely associated with the city of Düsseldorf though his studentship under Bernd and Hilla Becher, but he actually hails from the small town of Zell am Harmersbach, in the Black Forest. Ruff's Interior series, made during his student days between 1979 and 1983, is located there. Taken in the homes of his family and friends, and photographed in sober black and white, it draws the viewer immediately into the atmosphere of 1960s and 1970s Germany, showing the farmhouse in which Ruff's mother grew up, along with its barn, toolshed and silo, a young bull and nearby woodland paths. All of Ruff's Black Forest-related series are collected in this catalogue, along with two other series, Stars and Nudes.
Thomas Ruff: Schwarzwald Landschaft
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German photographer Thomas Ruff is closely associated with the city of Düsseldorf though his studentship under Bernd and Hilla Becher, but he actually hails from the small town of Zell am Harmersbach, in the Black Forest. Ruff's Interior series, made during his student days between 1979 and 1983, is located there. Taken in the homes of his family and friends, and photographed in sober black and white, it draws the viewer immediately into the atmosphere of 1960s and 1970s Germany, showing the farmhouse in which Ruff's mother grew up, along with its barn, toolshed and silo, a young bull and nearby woodland paths. All of Ruff's Black Forest-related series are collected in this catalogue, along with two other series, Stars and Nudes.
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livres
livres
Publication:
février 2010
février 2010
Sujet:
Monographies photo
Monographies photo
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livres
livres
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Paulina Olowska: book
Paulina Olowska: book
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Paulina Olowska's work demonstrates an interest on Communist Poland's fascination with Western consumerism and celebrates the spirit and stylish improvisations of the "Applied Fantastic"—a term coined by Polish writer Leopold Tyrmand in 1954, to describe the vernacular re-creations of Western styles. In her paintings, collages, and knitted works, Olowska incorporates text(...)
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Paulina Olowska's work demonstrates an interest on Communist Poland's fascination with Western consumerism and celebrates the spirit and stylish improvisations of the "Applied Fantastic"—a term coined by Polish writer Leopold Tyrmand in 1954, to describe the vernacular re-creations of Western styles. In her paintings, collages, and knitted works, Olowska incorporates text(...)
Publication:
novembre 2012
novembre 2012
Titre:
Paulina Olowska: book
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Paulina Olowska's work demonstrates an interest on Communist Poland's fascination with Western consumerism and celebrates the spirit and stylish improvisations of the "Applied Fantastic"—a term coined by Polish writer Leopold Tyrmand in 1954, to describe the vernacular re-creations of Western styles. In her paintings, collages, and knitted works, Olowska incorporates text and graphics from found illustrations or images that have a decidedly "behind the Iron Curtain" look, while paying tribute to American Pattern and Decoration art of the 1970s and its use of non-traditional contemporary art mediums such as tiles and textiles. This publication is the first monograph to offer an overview of her work. It includes an interview with Adam Szymczyk and an essay by Jan Verwoert.
Paulina Olowska: book
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Paulina Olowska's work demonstrates an interest on Communist Poland's fascination with Western consumerism and celebrates the spirit and stylish improvisations of the "Applied Fantastic"—a term coined by Polish writer Leopold Tyrmand in 1954, to describe the vernacular re-creations of Western styles. In her paintings, collages, and knitted works, Olowska incorporates text and graphics from found illustrations or images that have a decidedly "behind the Iron Curtain" look, while paying tribute to American Pattern and Decoration art of the 1970s and its use of non-traditional contemporary art mediums such as tiles and textiles. This publication is the first monograph to offer an overview of her work. It includes an interview with Adam Szymczyk and an essay by Jan Verwoert.
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Publication:
novembre 2012
novembre 2012
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This is the second part of a major theoretical work by Patrik Schumacher, which outlines how the discipline of architecture should be understood as its own distinct "system of communication." "Autopoeisis" comes from the Greek and means literally self-production; it was first adopted in biology in the 1970s to describe the essential characteristics of life as a circular(...)
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This is the second part of a major theoretical work by Patrik Schumacher, which outlines how the discipline of architecture should be understood as its own distinct "system of communication." "Autopoeisis" comes from the Greek and means literally self-production; it was first adopted in biology in the 1970s to describe the essential characteristics of life as a circular(...)
Titre:
The Autopoiesis of architecture: a new agenda for architecture. Vol. 2
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This is the second part of a major theoretical work by Patrik Schumacher, which outlines how the discipline of architecture should be understood as its own distinct "system of communication." "Autopoeisis" comes from the Greek and means literally self-production; it was first adopted in biology in the 1970s to describe the essential characteristics of life as a circular self-organizing system and has since been transposed into a theory of social systems. This new approach offers architecture an arsenal of general comparative concepts. It allows architecture to be understood as a distinct discipline, which can be analyzed in elaborate detail while at the same time offering insightful comparisons with other subject areas, such as art, science and political discourse
The Autopoiesis of architecture: a new agenda for architecture. Vol. 2
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This is the second part of a major theoretical work by Patrik Schumacher, which outlines how the discipline of architecture should be understood as its own distinct "system of communication." "Autopoeisis" comes from the Greek and means literally self-production; it was first adopted in biology in the 1970s to describe the essential characteristics of life as a circular self-organizing system and has since been transposed into a theory of social systems. This new approach offers architecture an arsenal of general comparative concepts. It allows architecture to be understood as a distinct discipline, which can be analyzed in elaborate detail while at the same time offering insightful comparisons with other subject areas, such as art, science and political discourse
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livres
livres
Publication:
avril 2012
avril 2012
Sujet:
Théorie de l’architecture
Théorie de l’architecture
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151 pages : illustrations (some color) ; 30 cm
Description:
151 pages : illustrations (some color) ; 30 cm
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Berlin : Ernst & Sohn, ©1992.
Berlin : Ernst & Sohn, ©1992.
Titre:
Paris, die grossen Projekte / Paulhans Peters.
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Description:
151 pages : illustrations (some color) ; 30 cm
Paris, die grossen Projekte / Paulhans Peters.
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151 pages : illustrations (some color) ; 30 cm
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Berlin : Ernst & Sohn, ©1992.
Berlin : Ernst & Sohn, ©1992.
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volumes <1-2> : illustrations (some color) ; 28 cm.
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volumes <1-2> : illustrations (some color) ; 28 cm.
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Paris : Electa Moniteur, ©1987-
Paris : Electa Moniteur, ©1987-
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Les musées / Laurence Allégret.
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volumes <1-2> : illustrations (some color) ; 28 cm.
Les musées / Laurence Allégret.
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volumes <1-2> : illustrations (some color) ; 28 cm.
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Paris : Electa Moniteur, ©1987-
Paris : Electa Moniteur, ©1987-
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61 pages : illustrations ; 31 cm
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61 pages : illustrations ; 31 cm
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Paris : Centre Geroges Pomidou, 1998.
Paris : Centre Geroges Pomidou, 1998.
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Edouard Albert / par Bernard Marrey.
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61 pages : illustrations ; 31 cm
Edouard Albert / par Bernard Marrey.
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61 pages : illustrations ; 31 cm
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Paris : Centre Geroges Pomidou, 1998.
Paris : Centre Geroges Pomidou, 1998.
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55 pages : illustrations, maps ; 18 cm
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55 pages : illustrations, maps ; 18 cm
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Düsseldorf : Werner-Verlag, [1969]
Düsseldorf : Werner-Verlag, [1969]
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Die Britannia- und Conway-Röhrenbrücke / Ernst Werner.
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55 pages : illustrations, maps ; 18 cm
Die Britannia- und Conway-Röhrenbrücke / Ernst Werner.
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55 pages : illustrations, maps ; 18 cm
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livres
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Düsseldorf : Werner-Verlag, [1969]
Düsseldorf : Werner-Verlag, [1969]
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