livres
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190 pages : illustrations ; 22 cm.
Eindhoven : Onomatopee, ©2012.
Post-digital print : the mutation of publishing since 1894 / Alessandro Ludovico.
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190 pages : illustrations ; 22 cm.
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Eindhoven : Onomatopee, ©2012.
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Digital by design: Troika
$66.00
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Digital by Design surveys the fusion of digital technology, art and design, presenting innovative objects and art works that are playful, disruptive, functional, critical, radical and responsive.
Design d’intérieur
janvier 2009, New York
Digital by design: Troika
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$66.00
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Digital by Design surveys the fusion of digital technology, art and design, presenting innovative objects and art works that are playful, disruptive, functional, critical, radical and responsive.
livres
janvier 2009, New York
Design d’intérieur
$115.00
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DRIFT was established in Amsterdam in 2007 by Lonneke Gordijn and Ralph Nauta. In their installations and interactive sculptures, environmental issues, human nature, and technology intersect in an intriguing way. Over the course of more than a decade, their immersive, encompassing, and often site-specific projects have been exhibited all over the world, offering a(...)
novembre 2022
Drift: Choreographing the future
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DRIFT was established in Amsterdam in 2007 by Lonneke Gordijn and Ralph Nauta. In their installations and interactive sculptures, environmental issues, human nature, and technology intersect in an intriguing way. Over the course of more than a decade, their immersive, encompassing, and often site-specific projects have been exhibited all over the world, offering a meditative and poetic experience and addressing themes such as the relationship between the individual and the collective and the impact of technology in our society. This is the first book to explore their extraordinary world in depth.
$45.00
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Recent years have seen significant changes in architectural practice, where digital technology is widespread and commonplace – a condition referred to as “post-digital”. Technological and ecological disruptions are forcing architects to adapt and re-strategize. This issue features research and education institutions where such explorations are being actively pursued:(...)
A+U 646 : Post-Digitality in Architecture
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Recent years have seen significant changes in architectural practice, where digital technology is widespread and commonplace – a condition referred to as “post-digital”. Technological and ecological disruptions are forcing architects to adapt and re-strategize. This issue features research and education institutions where such explorations are being actively pursued: Southern California Institute of Architecture in Los Angeles, Bartlett School of Architecture at University College London, and the Swiss Federal Institute of Technology Zurich. It introduces pioneering projects that push the boundaries in their respective fields, redefining architecture within the post-digital context.
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livres
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xiii, 219 pages : illustrations ; 24 cm
Cambridge, Massachusetts : MIT Press, [2008], ©2008
The big archive : art from bureaucracy / Sven Spieker.
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xiii, 219 pages : illustrations ; 24 cm
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Cambridge, Massachusetts : MIT Press, [2008], ©2008
livres
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1 online resource (viii, 230 pages) : illustrations
London : Goldsmiths Press, 2020.
Photography after capitalism / Ben Burbridge.
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1 online resource (viii, 230 pages) : illustrations
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London : Goldsmiths Press, 2020.
$25.00
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The author writes about the sweeping changes in technology and culture between 1880 and World War I that created new modes of understanding and experiencing time and space.
The Culture Of Time And Space, 1880-1918
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The author writes about the sweeping changes in technology and culture between 1880 and World War I that created new modes of understanding and experiencing time and space.
Théorie/ philosophie
$70.00
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Three hundred years ago, intellectuals of the European Enlightenment constructed a mythology of technology. Influenced by a confluence of humanism, colonialism, and racism, this mythology ignored local wisdom and indigenous innovation, deeming it primitive. Today, we have slowly come to realize that the legacy of this mythology is haunting us. Designers understand the(...)
Lo-Tek. Design by radical indigenism
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Three hundred years ago, intellectuals of the European Enlightenment constructed a mythology of technology. Influenced by a confluence of humanism, colonialism, and racism, this mythology ignored local wisdom and indigenous innovation, deeming it primitive. Today, we have slowly come to realize that the legacy of this mythology is haunting us. Designers understand the urgency of reducing humanity’s negative environmental impact, yet perpetuate the same mythology of technology that relies on exploiting nature. Responding to climate change by building hard infrastructures and favoring high-tech homogenous design, we are ignoring millennia-old knowledge of how to live in symbiosis with nature. Without implementing soft systems that use biodiversity as a building block, designs remain inherently unsustainable. Lo-TEK, derived from Traditional Ecological Knowledge, is a cumulative body of multigenerational knowledge, practices, and beliefs, countering the idea that indigenous innovation is primitive and exists isolated from technology. It is sophisticated and designed to sustainably work with complex ecosystems.
Architecture écologique
The other side of empathy
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In The Other Side of Empathy, Jade E. Davis contests the value of empathy as an affective or critical tool. Whether focusing on technology, colonialism, or racism, she shows how empathy can obscure relationships of dominance, control, submission, and victimization, arguing that these histories taint the whole concept of empathy. Drawing on digital archives of photographs,(...)
The other side of empathy
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In The Other Side of Empathy, Jade E. Davis contests the value of empathy as an affective or critical tool. Whether focusing on technology, colonialism, or racism, she shows how empathy can obscure relationships of dominance, control, submission, and victimization, arguing that these histories taint the whole concept of empathy. Drawing on digital archives of photographs, memoirs, newspapers, interviews, and advertisements regarding nineteenth-century ethnographic museums and human zoos, Davis shows how empathetic responses erase culpabilities from those institutions that commodify difference. She also contends that empathy’s mediation through digital technology cannot lead to more ethical actions, as technology only connects representations of people rather than the people themselves. In empathy’s place, Davis proposes mutual recognition as a way to see and experience others beyond colonial modes of empathy. Davis illustrates that moving beyond empathy allows for a more nuanced understanding of the colonial past and its ongoing impact while providing for a more meaningful affective engagement with the world.
Théorie/ philosophie
Verb - matters
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The second issue of Verb asks: What can we really build? Verb Matters explores the formal and material possibilities for construction in our present information era, with its extensive data processing, global networking, and increasingly blurred distinctions between natural matter and artificial technology. This critical itinerary begins with reflections on the results of(...)
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mai 2002, Barcelona
Verb - matters
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The second issue of Verb asks: What can we really build? Verb Matters explores the formal and material possibilities for construction in our present information era, with its extensive data processing, global networking, and increasingly blurred distinctions between natural matter and artificial technology. This critical itinerary begins with reflections on the results of sophisticated ideas applied to the shaping of buildings including Toyo Ito's ephemeral work, recent attention to inflatable architecture and building with air, and the low tech approach of practitioners like LOT/EK. Consideration of the growing potential of current technology is also examined in a piece equating recent sneaker design technology to that of car manufacturing, as well as the use of artificial intelligence in home control networks at MIT's "Media House" project. Colorful, tactile, dense, and packaged in its own very contemporary design, Verb Matters remains devoted to cutting-edge issues in architecture and design. includes contributions from Toyo Ito, Greg Lynn, LOT/EK, Klein & Dytham, and Sherry Turkle
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