6653 Résultats
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Thomas Demand’s photographic practice - the depiction of meticulously recreated life-size interiors and environments - takes on a new twist with this volume. The Getty Research Institute in Los Angeles is home to the architectural maquettes of architect John Lautner, whose buildings are highlights of Californian architecture. Lautner’s space-age structures - such as the(...)
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Thomas Demand’s photographic practice - the depiction of meticulously recreated life-size interiors and environments - takes on a new twist with this volume. The Getty Research Institute in Los Angeles is home to the architectural maquettes of architect John Lautner, whose buildings are highlights of Californian architecture. Lautner’s space-age structures - such as the(...)
Titre:
Thomas Demand : model studies
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Thomas Demand’s photographic practice - the depiction of meticulously recreated life-size interiors and environments - takes on a new twist with this volume. The Getty Research Institute in Los Angeles is home to the architectural maquettes of architect John Lautner, whose buildings are highlights of Californian architecture. Lautner’s space-age structures - such as the legendary “Chemosphere,” a four-bedroom house resembling a flying saucer, mounted atop a 20-foot concrete pillar - are particularly toy-like in their maquette versions, and for this project, Demand photographed 12 of these models in close-up detail. Model Studies includes more than 130 color images of Lautner’s models. With this volume, Demand, who has always been concerned with the intersections of art and architecture, now looks at the architect as sculptor, paying tribute to Lautner on the centenary of the architect’s birth.
Thomas Demand : model studies
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Thomas Demand’s photographic practice - the depiction of meticulously recreated life-size interiors and environments - takes on a new twist with this volume. The Getty Research Institute in Los Angeles is home to the architectural maquettes of architect John Lautner, whose buildings are highlights of Californian architecture. Lautner’s space-age structures - such as the legendary “Chemosphere,” a four-bedroom house resembling a flying saucer, mounted atop a 20-foot concrete pillar - are particularly toy-like in their maquette versions, and for this project, Demand photographed 12 of these models in close-up detail. Model Studies includes more than 130 color images of Lautner’s models. With this volume, Demand, who has always been concerned with the intersections of art and architecture, now looks at the architect as sculptor, paying tribute to Lautner on the centenary of the architect’s birth.
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livres
livres
Publication:
mars 2012
mars 2012
Sujet:
Monographies photo
Monographies photo
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livres
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$34.95
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Piecing Together Los Angeles: An Esther McCoy Reader is the first anthology of McCoy's writing. It features a selection of some 70 pieces--ranging from her 1945 article "Schindler, Space Architect" to "Arts & Architecture: Case Study Houses," a 1989 essay commissioned by the Museum of Contemporary Art, Los Angeles. From fiction for The New Yorker to seminal essays on(...)
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Piecing Together Los Angeles: An Esther McCoy Reader is the first anthology of McCoy's writing. It features a selection of some 70 pieces--ranging from her 1945 article "Schindler, Space Architect" to "Arts & Architecture: Case Study Houses," a 1989 essay commissioned by the Museum of Contemporary Art, Los Angeles. From fiction for The New Yorker to seminal essays on(...)
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Piecing together Los Angeles: an Esther McCoy reader
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Piecing Together Los Angeles: An Esther McCoy Reader is the first anthology of McCoy's writing. It features a selection of some 70 pieces--ranging from her 1945 article "Schindler, Space Architect" to "Arts & Architecture: Case Study Houses," a 1989 essay commissioned by the Museum of Contemporary Art, Los Angeles. From fiction for The New Yorker to seminal essays on new architectural forms, McCoy charts the progressive edge of American idealism, from the collective utopian spirit of Jazz Age Greenwich Village, through the Depression and the war years, to the optimism of the 1950s and 1960s. In preparing this volume, writer and editor Susan Morgan extensively researched the McCoy papers at the Archives of American Art. Her editorial decisions were based, in part, on McCoy's original selections for an unrealized anthology solicited by W. W. Norton in 1968.
Piecing together Los Angeles: an Esther McCoy reader
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Piecing Together Los Angeles: An Esther McCoy Reader is the first anthology of McCoy's writing. It features a selection of some 70 pieces--ranging from her 1945 article "Schindler, Space Architect" to "Arts & Architecture: Case Study Houses," a 1989 essay commissioned by the Museum of Contemporary Art, Los Angeles. From fiction for The New Yorker to seminal essays on new architectural forms, McCoy charts the progressive edge of American idealism, from the collective utopian spirit of Jazz Age Greenwich Village, through the Depression and the war years, to the optimism of the 1950s and 1960s. In preparing this volume, writer and editor Susan Morgan extensively researched the McCoy papers at the Archives of American Art. Her editorial decisions were based, in part, on McCoy's original selections for an unrealized anthology solicited by W. W. Norton in 1968.
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livres
livres
Publication:
mai 2012
mai 2012
Sujet:
Théorie de l’urbanisme
Théorie de l’urbanisme
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livres
livres
Titre:
A history of future cities
A history of future cities
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On May 27, 1703, Tsar Peter the Great founded a new capital on a barren Baltic marsh. Modeled on Amsterdam, he believed it would erase Russian backwardness and usher in a modernized, Westernized future. In the nineteenth-century Age of Imperialism, the British rebuilt Bombay as a tropical London, while three Western powers made Shanghai look just like home. And in our own(...)
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On May 27, 1703, Tsar Peter the Great founded a new capital on a barren Baltic marsh. Modeled on Amsterdam, he believed it would erase Russian backwardness and usher in a modernized, Westernized future. In the nineteenth-century Age of Imperialism, the British rebuilt Bombay as a tropical London, while three Western powers made Shanghai look just like home. And in our own(...)
Titre:
A history of future cities
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$29.50
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On May 27, 1703, Tsar Peter the Great founded a new capital on a barren Baltic marsh. Modeled on Amsterdam, he believed it would erase Russian backwardness and usher in a modernized, Westernized future. In the nineteenth-century Age of Imperialism, the British rebuilt Bombay as a tropical London, while three Western powers made Shanghai look just like home. And in our own time, the sheikh of Dubai has endeavored to transform his desert city into a Vegas-esque skyscraper-studded global hub. The cultural and historical threads that connect these cities and their conflicted embrace of modernity are brought into relief in Daniel Brook’s captivating mix of history and reportage—a story of architects and authoritarians, artists and revolutionaries who take these facsimiles of the West and turn them into crucibles of non-Western modernity.
A history of future cities
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On May 27, 1703, Tsar Peter the Great founded a new capital on a barren Baltic marsh. Modeled on Amsterdam, he believed it would erase Russian backwardness and usher in a modernized, Westernized future. In the nineteenth-century Age of Imperialism, the British rebuilt Bombay as a tropical London, while three Western powers made Shanghai look just like home. And in our own time, the sheikh of Dubai has endeavored to transform his desert city into a Vegas-esque skyscraper-studded global hub. The cultural and historical threads that connect these cities and their conflicted embrace of modernity are brought into relief in Daniel Brook’s captivating mix of history and reportage—a story of architects and authoritarians, artists and revolutionaries who take these facsimiles of the West and turn them into crucibles of non-Western modernity.
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livres
livres
Publication:
février 2013
février 2013
Sujet:
Théorie de l’urbanisme
Théorie de l’urbanisme
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livres
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$50.00
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When Diane Arbus died in 1971 at the age of 48, she was already a significant influence--even something of a legend--for serious photographers, although only a relatively small number of her most important pictures were widely known at the time. The publication of Diane Arbus: An Aperture Monograph in 1972--along with the posthumous retrospective at The Museum of Modern(...)
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When Diane Arbus died in 1971 at the age of 48, she was already a significant influence--even something of a legend--for serious photographers, although only a relatively small number of her most important pictures were widely known at the time. The publication of Diane Arbus: An Aperture Monograph in 1972--along with the posthumous retrospective at The Museum of Modern(...)
Titre:
Diane Arbus: an aperture monograph
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When Diane Arbus died in 1971 at the age of 48, she was already a significant influence--even something of a legend--for serious photographers, although only a relatively small number of her most important pictures were widely known at the time. The publication of Diane Arbus: An Aperture Monograph in 1972--along with the posthumous retrospective at The Museum of Modern Art--offered the general public its first encounter with the breadth and power of her achievements. The monograph, composed of 80 photographs, was edited and designed by the painter Marvin Israel, Diane Arbus’ friend and colleague, and by her daughter Doon Arbus. Their goal in producing the book was to remain as faithful as possible to the standards by which Arbus judged her own work and to the ways in which she hoped it would be seen.
Diane Arbus: an aperture monograph
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When Diane Arbus died in 1971 at the age of 48, she was already a significant influence--even something of a legend--for serious photographers, although only a relatively small number of her most important pictures were widely known at the time. The publication of Diane Arbus: An Aperture Monograph in 1972--along with the posthumous retrospective at The Museum of Modern Art--offered the general public its first encounter with the breadth and power of her achievements. The monograph, composed of 80 photographs, was edited and designed by the painter Marvin Israel, Diane Arbus’ friend and colleague, and by her daughter Doon Arbus. Their goal in producing the book was to remain as faithful as possible to the standards by which Arbus judged her own work and to the ways in which she hoped it would be seen.
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livres
livres
Publication:
septembre 2012
septembre 2012
Sujet:
Monographies photo
Monographies photo
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livres
livres
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$80.95
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Résumé:
We have entered the Anthropocene era—a geological age of our own making, in which what we have understood to be nature is made by man. We need a new way to understand the dynamics of a new epoch. These volumes offer writings that approach the Anthropocene through the perspectives of grain, vapor, and ray—the particulate, the volatile, and the radiant. The first three(...)
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We have entered the Anthropocene era—a geological age of our own making, in which what we have understood to be nature is made by man. We need a new way to understand the dynamics of a new epoch. These volumes offer writings that approach the Anthropocene through the perspectives of grain, vapor, and ray—the particulate, the volatile, and the radiant. The first three(...)
Titre:
Textures of the anthropocene: grain vapor ray (4-volume set)
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We have entered the Anthropocene era—a geological age of our own making, in which what we have understood to be nature is made by man. We need a new way to understand the dynamics of a new epoch. These volumes offer writings that approach the Anthropocene through the perspectives of grain, vapor, and ray—the particulate, the volatile, and the radiant. The first three volumes—each devoted to one of the three textures—offer a series of paired texts, with contemporary writers responding to historic writings. A fourth volume offers a guide to the project as a whole. These volumes constitute an experiment in design and composition as well as content. The mingling of texts and the juxtaposition of different areas of knowledge represented in a variety of forms express the dynamics of a world in change.
Textures of the anthropocene: grain vapor ray (4-volume set)
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$80.95
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Résumé:
We have entered the Anthropocene era—a geological age of our own making, in which what we have understood to be nature is made by man. We need a new way to understand the dynamics of a new epoch. These volumes offer writings that approach the Anthropocene through the perspectives of grain, vapor, and ray—the particulate, the volatile, and the radiant. The first three volumes—each devoted to one of the three textures—offer a series of paired texts, with contemporary writers responding to historic writings. A fourth volume offers a guide to the project as a whole. These volumes constitute an experiment in design and composition as well as content. The mingling of texts and the juxtaposition of different areas of knowledge represented in a variety of forms express the dynamics of a world in change.
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livres
livres
Publication:
mars 2015
mars 2015
Sujet:
Théorie de l’architecture
Théorie de l’architecture
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livres
livres
Titre:
Casa O'Gorman 1929
Casa O'Gorman 1929
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Mexican architect and painter Juan O'Gorman (1905–82) had a spectacular debut as an architect, designing his own house at the age of 24. On the strength of this building, Diego Rivera commissioned O'Gorman to design a pair of studio-houses for himself and Frida Kahlo on contiguous lots, connected by a bridge. But O'Gorman was somewhat forgotten in histories of modern(...)
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Mexican architect and painter Juan O'Gorman (1905–82) had a spectacular debut as an architect, designing his own house at the age of 24. On the strength of this building, Diego Rivera commissioned O'Gorman to design a pair of studio-houses for himself and Frida Kahlo on contiguous lots, connected by a bridge. But O'Gorman was somewhat forgotten in histories of modern(...)
Sujet:
Architecture, monographies
Architecture, monographies
Publication:
mars 2015
mars 2015
Titre:
Casa O'Gorman 1929
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Mexican architect and painter Juan O'Gorman (1905–82) had a spectacular debut as an architect, designing his own house at the age of 24. On the strength of this building, Diego Rivera commissioned O'Gorman to design a pair of studio-houses for himself and Frida Kahlo on contiguous lots, connected by a bridge. But O'Gorman was somewhat forgotten in histories of modern architecture, until the restoration of Rivera's and Kahlo's house in the late 1990s led to a rediscovery of the architect's work and a reappraisal of his place in contemporary Mexican architecture. In 2013 O'Gorman's own first house, which he began designing in 1929 and completed in 1931, was restored. Uncompromisingly radical and rigorously functional, this design reveals O'Gorman as a Mexican pioneer of avant-garde architecture. Casa O'Gorman 1929 tells the story of this unique building.
Casa O'Gorman 1929
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Mexican architect and painter Juan O'Gorman (1905–82) had a spectacular debut as an architect, designing his own house at the age of 24. On the strength of this building, Diego Rivera commissioned O'Gorman to design a pair of studio-houses for himself and Frida Kahlo on contiguous lots, connected by a bridge. But O'Gorman was somewhat forgotten in histories of modern architecture, until the restoration of Rivera's and Kahlo's house in the late 1990s led to a rediscovery of the architect's work and a reappraisal of his place in contemporary Mexican architecture. In 2013 O'Gorman's own first house, which he began designing in 1929 and completed in 1931, was restored. Uncompromisingly radical and rigorously functional, this design reveals O'Gorman as a Mexican pioneer of avant-garde architecture. Casa O'Gorman 1929 tells the story of this unique building.
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livres
livres
Publication:
mars 2015
mars 2015
Sujet:
Architecture, monographies
Architecture, monographies
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livres
livres
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$24.95
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Erickson worked chiefly in concrete, which he called "the marble of our times," and wherever they appear, his buildings move the spirit with their poetic freshness and their mission to inspire. Travel was key to Erickson’s creative process: floating high above the clouds on extended flights, he made the preliminary drawings for the spectacular, large-scale works that(...)
$24.95
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Erickson worked chiefly in concrete, which he called "the marble of our times," and wherever they appear, his buildings move the spirit with their poetic freshness and their mission to inspire. Travel was key to Erickson’s creative process: floating high above the clouds on extended flights, he made the preliminary drawings for the spectacular, large-scale works that(...)
Titre:
Arthur Erickson: an architect's life
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Erickson worked chiefly in concrete, which he called "the marble of our times," and wherever they appear, his buildings move the spirit with their poetic freshness and their mission to inspire. Travel was key to Erickson’s creative process: floating high above the clouds on extended flights, he made the preliminary drawings for the spectacular, large-scale works that would be built in various parts of Canada -Toronto's Roy Thomson Hall, Vancouver’s Simon Fraser University - and around the world.This first full biography of Erickson, who died in 2009 at the age of 84, traces his life from its modest origins to his emergence on the world stage. Grounded in interviews with Erickson and his family, friends and clients, Arthur Erickson is both an intimate portrait of the man and a stirring account of how he made his buildings work.
Arthur Erickson: an architect's life
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Erickson worked chiefly in concrete, which he called "the marble of our times," and wherever they appear, his buildings move the spirit with their poetic freshness and their mission to inspire. Travel was key to Erickson’s creative process: floating high above the clouds on extended flights, he made the preliminary drawings for the spectacular, large-scale works that would be built in various parts of Canada -Toronto's Roy Thomson Hall, Vancouver’s Simon Fraser University - and around the world.This first full biography of Erickson, who died in 2009 at the age of 84, traces his life from its modest origins to his emergence on the world stage. Grounded in interviews with Erickson and his family, friends and clients, Arthur Erickson is both an intimate portrait of the man and a stirring account of how he made his buildings work.
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livres
livres
Publication:
septembre 2015
septembre 2015
Sujet:
Architectes canadiens
Architectes canadiens
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livres
livres
Prix:
$65.95
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Résumé:
Mass Effect brings together nearly forty contributions, including newly commissioned essays and reprints, image portfolios, and transcribed discussion panels and lectures that offer insights and reflections from a wide range of artists, curators, art historians, and bloggers. Among the topics examined are the use of commercial platforms for art practice, what art means in(...)
$65.95
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Mass Effect brings together nearly forty contributions, including newly commissioned essays and reprints, image portfolios, and transcribed discussion panels and lectures that offer insights and reflections from a wide range of artists, curators, art historians, and bloggers. Among the topics examined are the use of commercial platforms for art practice, what art means in(...)
Titre:
Mass effect: art and the Internet in the twenty-first century
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Mass Effect brings together nearly forty contributions, including newly commissioned essays and reprints, image portfolios, and transcribed discussion panels and lectures that offer insights and reflections from a wide range of artists, curators, art historians, and bloggers. Among the topics examined are the use of commercial platforms for art practice, what art means in an age of increasing surveillance, and questions surrounding such recent concepts as "postinternet." Other contributions analyze and document particular works by the artists of And/Or Gallery, Cory Arcangel, DIS, Cao Fei, the Radical Software Group, and others. Mass Effect relaunches a publication series initiated by the MIT Press and the New Museum in 1984, which produced six defining volumes for the field of contemporary art. These new volumes will build on this historic partnership and reinvigorate the conversation around contemporary culture once again.
Mass effect: art and the Internet in the twenty-first century
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$65.95
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Mass Effect brings together nearly forty contributions, including newly commissioned essays and reprints, image portfolios, and transcribed discussion panels and lectures that offer insights and reflections from a wide range of artists, curators, art historians, and bloggers. Among the topics examined are the use of commercial platforms for art practice, what art means in an age of increasing surveillance, and questions surrounding such recent concepts as "postinternet." Other contributions analyze and document particular works by the artists of And/Or Gallery, Cory Arcangel, DIS, Cao Fei, the Radical Software Group, and others. Mass Effect relaunches a publication series initiated by the MIT Press and the New Museum in 1984, which produced six defining volumes for the field of contemporary art. These new volumes will build on this historic partnership and reinvigorate the conversation around contemporary culture once again.
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livres
livres
Publication:
août 2015
août 2015
Sujet:
Théorie de l’art
Théorie de l’art
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Description:
xvii, 439 pages : illustrations ; 25 cm
Description:
xvii, 439 pages : illustrations ; 25 cm
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Chicago ; London : University of Chicago Press, [2009]., ©2019
Chicago ; London : University of Chicago Press, [2009]., ©2019
Titre:
The Gargoyles of Notre-Dame : Medievalism and the Monsters of Modernity / Michael Camille.
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Description:
xvii, 439 pages : illustrations ; 25 cm
The Gargoyles of Notre-Dame : Medievalism and the Monsters of Modernity / Michael Camille.
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xvii, 439 pages : illustrations ; 25 cm
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livres
livres
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Chicago ; London : University of Chicago Press, [2009]., ©2019
Chicago ; London : University of Chicago Press, [2009]., ©2019
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Description:
216 pages : illustrations (chiefly color), maps (some color) ; 21 cm.
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216 pages : illustrations (chiefly color), maps (some color) ; 21 cm.
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Paris : Éditions du Patrimoine, Centre des monuments nationaux, [2024]
Paris : Éditions du Patrimoine, Centre des monuments nationaux, [2024]
Titre:
Roland Schweitzer : modernité et longue durée / Amandine Diener, Daniel Le Couédic.
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216 pages : illustrations (chiefly color), maps (some color) ; 21 cm.
Roland Schweitzer : modernité et longue durée / Amandine Diener, Daniel Le Couédic.
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216 pages : illustrations (chiefly color), maps (some color) ; 21 cm.
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livres
livres
Publication:
Paris : Éditions du Patrimoine, Centre des monuments nationaux, [2024]
Paris : Éditions du Patrimoine, Centre des monuments nationaux, [2024]
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