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By way of actions, films, installations, operas, theater pieces, television broadcasting, and teaching, Christoph Schliegensief produced work that boldly addressed contemporary culture and politics, particularly within Germany. Schlingensief’s death in the summer of 2010, which occurred as he was planning the German Pavilion for the 54th Venice Biennale, shifted the(...)
Christoph Schlingensief: German pavillon, 54th Venice Biennale 2011
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By way of actions, films, installations, operas, theater pieces, television broadcasting, and teaching, Christoph Schliegensief produced work that boldly addressed contemporary culture and politics, particularly within Germany. Schlingensief’s death in the summer of 2010, which occurred as he was planning the German Pavilion for the 54th Venice Biennale, shifted the course of the 2011 program. Instead of presenting elements of Schlingensief’s project, Festspielhaus Afrika, which initiated the first “opera village,” curator Susanne Gaensheimer has developed a program and accompanying catalogue that pays tribute to one of Germany’s most radical, experimental, and progressive voices. With contributions from over thirty internationally renowned curators, artists, critics, theorists, directors, and practitioners.
Michael Schirner : bye bye
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“My art is not my work; you are the creator of your image in your head. I do not exist at all.” Those are the words of Michael Schirner, Germany’s “pope of advertising.” In his oeuvre, Schirner treats the visual worlds of mass culture and high culture as well as the perception of images communicated via media. He does not create new images. His images are images about(...)
Michael Schirner : bye bye
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“My art is not my work; you are the creator of your image in your head. I do not exist at all.” Those are the words of Michael Schirner, Germany’s “pope of advertising.” In his oeuvre, Schirner treats the visual worlds of mass culture and high culture as well as the perception of images communicated via media. He does not create new images. His images are images about images. Magazines, newspapers, films, television, the internet, advertising, and art are his image archives. Schirner works and reworks that which is stored in our collective memory. The goal of his work is to make the invisible visible.
Monographies photo
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A rare exploration of the racial and class politics of architecture, Little White Houses examines how postwar media representations associated the ordinary single-family house with middle-class whites to the exclusion of others, creating a powerful and invidious cultural iconography that continues to resonate today. Drawing from popular and trade magazines, floor plans(...)
Little white houses : how the postwar home constructed race in America
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A rare exploration of the racial and class politics of architecture, Little White Houses examines how postwar media representations associated the ordinary single-family house with middle-class whites to the exclusion of others, creating a powerful and invidious cultural iconography that continues to resonate today. Drawing from popular and trade magazines, floor plans and architectural drawings, television programs, advertisements, and beyond, Dianne Harris shows how the depiction of houses and their interiors, furnishings, and landscapes shaped and reinforced the ways in which Americans perceived white, middle-class identities and helped support a housing market already defined by racial segregation and deep economic inequalities.
Théorie de l’architecture
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Provisional profiles nine of the United States' most exciting architectural practices. They all share a pragmatic, "roll-up-your-sleeves" approach that seeks opportunities to redefine the role of craft in architectural practice. Enlightening interviews together with a selection of drawings, diagrams, models, renderings, and building process photographs reveal a shared(...)
novembre 2009
Provisional: emerging modes of architectural pratice Usa
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Provisional profiles nine of the United States' most exciting architectural practices. They all share a pragmatic, "roll-up-your-sleeves" approach that seeks opportunities to redefine the role of craft in architectural practice. Enlightening interviews together with a selection of drawings, diagrams, models, renderings, and building process photographs reveal a shared commitment to experimentation and learning-by-doing. Projects by SHoP Architects, Front Studio, Gehry Technologies, Lewis.Tsurumaki.Lewis, Höweler + Yoon Architecture, nARCHITECTS, servo, GYA Architects, and Chris Hoxie Design are included as well as the following projects: Beijing National Stadium, China Central Television (CCTV) Station and Headquarters (Beijing), Dee and Charles Wyly Theater (Dallas)and al.
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''frieze A to Z of Contemporary Art'' charts the dynamic, changing landscape of the contemporary art and culture of the past quarter century. Drawing on frieze magazine’s exceptional back catalogue of articles, this book brings together a curated collection of over fifty engaging highlights. It features artist interviews; essays on subjects as varied as museums,(...)
octobre 2016
Frieze: A to Z of contemporary art
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''frieze A to Z of Contemporary Art'' charts the dynamic, changing landscape of the contemporary art and culture of the past quarter century. Drawing on frieze magazine’s exceptional back catalogue of articles, this book brings together a curated collection of over fifty engaging highlights. It features artist interviews; essays on subjects as varied as museums, photography, pre-historic art and television; and think pieces on broader cultural topics, such as fame, gentrification, nostalgia, and style. The book's content - selected from throughout the magazine's history - offers a guide to this dynamic era of visual culture, revealing the increasing internationalism, popularity, and market dominance of contemporary art.
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This catalogue was published in conjunction with the exhibition 'Stan Douglas - Past Imperfect Works 1986-2007' Staatsgalerie Stuttgart and Württembergischer Kunstverein Stuttgart September 15, 2007 - January 6, 2008 Stan Douglas (*1960 in Vancouver) has expanded the experiential spaces of cinema, television, and the museum, both sensorially and intellectually, like no(...)
Monographies photo
décembre 2007, Stuttgart
Stan Douglas Past Imperfect - works 1986-2007
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This catalogue was published in conjunction with the exhibition 'Stan Douglas - Past Imperfect Works 1986-2007' Staatsgalerie Stuttgart and Württembergischer Kunstverein Stuttgart September 15, 2007 - January 6, 2008 Stan Douglas (*1960 in Vancouver) has expanded the experiential spaces of cinema, television, and the museum, both sensorially and intellectually, like no other artist. His work has been presented in numerous major shows all over the world, but a retrospective in Stuttgart unities his key works of the past twenty years in a single exhibition for the first time. This publication offers various readings of the artist's complex oeuvre and his multifaceted interpretations of history, film, and music.
Monographies photo
Spartacus Chetwynd
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The British artist Spartacus Chetwynd (*1973, lives and works in London) is known for her baroque and surreal performances which, with great humor, bring together multiple image quotations from art history and pop culture. In the tradition of the grotesque she draws on elements from Giotto frescoes, characters from works by Hieronymus Bosch, or Yves Kleins(...)
octobre 2007, Zurich
Spartacus Chetwynd
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The British artist Spartacus Chetwynd (*1973, lives and works in London) is known for her baroque and surreal performances which, with great humor, bring together multiple image quotations from art history and pop culture. In the tradition of the grotesque she draws on elements from Giotto frescoes, characters from works by Hieronymus Bosch, or Yves Kleins "Anthropometries" (1960) together with heavy metal musicians, Michael Jacksons music video "Thriller," or the 1980s television series "The Hulk," and creates a unified whole. As well as performances, Chetwynd, who graduated from the Royal College of Art with an MA in painting, produced a series small canvases under the title "Bat Opera" (2004/2005), which also present quotations from pop culture, but in addition feature more romantic borrowings.
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Featuring work produced since 2000, "Graphic Design: Now in Production" explores the worlds of design-driven magazines, newspapers, books and posters; the entrepreneurial spirit of designer-produced goods; the renaissance in digital typeface design; the storytelling potential of film and television titling sequences; and the transformation of raw data into compelling(...)
novembre 2011
Graphic design: now in production
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Featuring work produced since 2000, "Graphic Design: Now in Production" explores the worlds of design-driven magazines, newspapers, books and posters; the entrepreneurial spirit of designer-produced goods; the renaissance in digital typeface design; the storytelling potential of film and television titling sequences; and the transformation of raw data into compelling information narratives. The catalogue features important original essays by leading designers that tackle themes such as the changing roles of reading and writing within the context of new technologies and self-publishing; the nature of design labor and production, from blue-collar handcraft and making to white-collar design thinking and strategy; and the impact and influence design programs and schools have had on shaping the direction of contemporary graphic design.
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A fog of information and images has flooded the world: from advertising, television, radio, and film to the information glut produced by the new economy. With the rise of social networking, even our contemporaries, peers, and friends are all suddenly selling us the ultimate product: themselves. Here curator and critic Nato Thompson interrogates the implications of these(...)
Seeing power: art and activism in the 21st century
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A fog of information and images has flooded the world: from advertising, television, radio, and film to the information glut produced by the new economy. With the rise of social networking, even our contemporaries, peers, and friends are all suddenly selling us the ultimate product: themselves. Here curator and critic Nato Thompson interrogates the implications of these developments for those dedicated to socially engaged art and activism. How can anyone find a voice and make change when the world is flooded with images and information? And what is one to make of the endless machine of consumer capitalism, which has appropriated much from the history of art and, in recent years, the methods of grassroots political organizing and social networking?
Théorie de l’art
The university is now on air, broadcasting modern architecture. Eight episodes by Joaquim Moreno
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"The university is now on air, broadcasting modern architecture" examines a key experiment by The Open University to mobilize new media environments for distance and adult education. Eight episodes written by Joaquim Moreno, conversations with Tim Benton, Nick Levinson, Adrian Forty, Joseph Rykwert, and Stephen Bayley, and contributions by Nick Beech, Laura Carter, Ben(...)
The university is now on air, broadcasting modern architecture. Eight episodes by Joaquim Moreno
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"The university is now on air, broadcasting modern architecture" examines a key experiment by The Open University to mobilize new media environments for distance and adult education. Eight episodes written by Joaquim Moreno, conversations with Tim Benton, Nick Levinson, Adrian Forty, Joseph Rykwert, and Stephen Bayley, and contributions by Nick Beech, Laura Carter, Ben Highmore, and Joseph Bedford, offer a close reading of the course A305, History of Architecture ad Design 1890-1939, which was taught through television and radio broadcasts, aired on the BBC between 1975 and 1982. As current models for producing and transmitting knowledge are being brought into question, "The university is now on air, broadcasting modern architecture" traces a radical attempt at rethinking the mandate of higher education through mass media.
Publications du CCA