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This volume investigates the influence of cruising cultures on the fields of architecture and urbanism by constructing a typology of the different spaces produced by sexual subcultures, mainly those of gay men. From appropriated spaces such parks, public toilets and streets to dedicated spaces such as sex clubs, bars, bathhouses and geosocial dating apps, cruising has(...)
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This volume investigates the influence of cruising cultures on the fields of architecture and urbanism by constructing a typology of the different spaces produced by sexual subcultures, mainly those of gay men. From appropriated spaces such parks, public toilets and streets to dedicated spaces such as sex clubs, bars, bathhouses and geosocial dating apps, cruising has(...)
Publication:
août 2024
août 2024
Titre:
Cruising pavilion: Architecture, dissident sex and cruising cultures
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This volume investigates the influence of cruising cultures on the fields of architecture and urbanism by constructing a typology of the different spaces produced by sexual subcultures, mainly those of gay men. From appropriated spaces such parks, public toilets and streets to dedicated spaces such as sex clubs, bars, bathhouses and geosocial dating apps, cruising has subverted the libidinal cartography and uses of the modern metropolis. A series of case studies on specific cruising hotspots around the world—from the men’s bathrooms in New York’s Central Park to the island of Lesbos, Greece, to the Peace Memorial Park in Taipei, Taiwan—is complemented by photographs, city planning maps and essays on related topics such as the ethics of glory holes.
Cruising pavilion: Architecture, dissident sex and cruising cultures
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This volume investigates the influence of cruising cultures on the fields of architecture and urbanism by constructing a typology of the different spaces produced by sexual subcultures, mainly those of gay men. From appropriated spaces such parks, public toilets and streets to dedicated spaces such as sex clubs, bars, bathhouses and geosocial dating apps, cruising has subverted the libidinal cartography and uses of the modern metropolis. A series of case studies on specific cruising hotspots around the world—from the men’s bathrooms in New York’s Central Park to the island of Lesbos, Greece, to the Peace Memorial Park in Taipei, Taiwan—is complemented by photographs, city planning maps and essays on related topics such as the ethics of glory holes.
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août 2024
août 2024
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Since 1992, Dia has presented the Robert Lehman lectures on contemporary art. The lectures series, an example of Dia's longstanding commitment to critical and intellectual discourse, was founded with a generous grant from the Robert Lehman Foundation Inc., and has showcased a distinguished array of scholars, critics, art and cultural historians, and artists.
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Since 1992, Dia has presented the Robert Lehman lectures on contemporary art. The lectures series, an example of Dia's longstanding commitment to critical and intellectual discourse, was founded with a generous grant from the Robert Lehman Foundation Inc., and has showcased a distinguished array of scholars, critics, art and cultural historians, and artists.
Publication:
mars 2004, New York
mars 2004, New York
Titre:
Robert Lehman lectures on contemporary art #2
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Since 1992, Dia has presented the Robert Lehman lectures on contemporary art. The lectures series, an example of Dia's longstanding commitment to critical and intellectual discourse, was founded with a generous grant from the Robert Lehman Foundation Inc., and has showcased a distinguished array of scholars, critics, art and cultural historians, and artists.
Robert Lehman lectures on contemporary art #2
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Since 1992, Dia has presented the Robert Lehman lectures on contemporary art. The lectures series, an example of Dia's longstanding commitment to critical and intellectual discourse, was founded with a generous grant from the Robert Lehman Foundation Inc., and has showcased a distinguished array of scholars, critics, art and cultural historians, and artists.
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Publication:
mars 2004, New York
mars 2004, New York
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$72.00
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Unknown Fields is a nomadic design studio that ventures out on expeditions into the shadows cast by the contemporary city, to uncover the industrial ecologies and precarious wilderness its technology and culture set in motion. "Tales from the dark side of the city" is a book series that forms an atlas to the territories and stories of a city that stretches across the(...)
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Unknown Fields is a nomadic design studio that ventures out on expeditions into the shadows cast by the contemporary city, to uncover the industrial ecologies and precarious wilderness its technology and culture set in motion. "Tales from the dark side of the city" is a book series that forms an atlas to the territories and stories of a city that stretches across the(...)
Publication:
novembre 2016
novembre 2016
Titre:
Tales from the dark side of the city, box set
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Unknown Fields is a nomadic design studio that ventures out on expeditions into the shadows cast by the contemporary city, to uncover the industrial ecologies and precarious wilderness its technology and culture set in motion. "Tales from the dark side of the city" is a book series that forms an atlas to the territories and stories of a city that stretches across the entire planet, a city that sits between documentary and fiction, a city of dislocated sites, of drone footage and hidden-camera investigations, of interviews and speculative narratives, of toxic objects and distributed matter from distant grounds. They are a collection of tales from the constellation of elsewheres that are conjured into being by the city’s wants and needs, fears and dreams. The series includes stories developed from expeditions through Bolivia and the Atacama Desert, the Western Australian Outback, the South China Sea and Inner Mongolia, the gemfields of Madagascar, Far North Alaska and the black sites of the United States.
Tales from the dark side of the city, box set
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Unknown Fields is a nomadic design studio that ventures out on expeditions into the shadows cast by the contemporary city, to uncover the industrial ecologies and precarious wilderness its technology and culture set in motion. "Tales from the dark side of the city" is a book series that forms an atlas to the territories and stories of a city that stretches across the entire planet, a city that sits between documentary and fiction, a city of dislocated sites, of drone footage and hidden-camera investigations, of interviews and speculative narratives, of toxic objects and distributed matter from distant grounds. They are a collection of tales from the constellation of elsewheres that are conjured into being by the city’s wants and needs, fears and dreams. The series includes stories developed from expeditions through Bolivia and the Atacama Desert, the Western Australian Outback, the South China Sea and Inner Mongolia, the gemfields of Madagascar, Far North Alaska and the black sites of the United States.
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Publication:
novembre 2016
novembre 2016
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Hong Kong’s border with Shenzhen is dissolving. By 2047, the border will likely not exist. Integration with the Mainland will remove distinctions created by the "One Country Two Systems" policy. The uncertainty surrounding what will happen has created anxiety relating to law, identity, freedom of speech, and voting rights. Caught in this debate is the Frontier Closed(...)
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Hong Kong’s border with Shenzhen is dissolving. By 2047, the border will likely not exist. Integration with the Mainland will remove distinctions created by the "One Country Two Systems" policy. The uncertainty surrounding what will happen has created anxiety relating to law, identity, freedom of speech, and voting rights. Caught in this debate is the Frontier Closed(...)
Publication:
décembre 2016
décembre 2016
Titre:
Border ecologies: Hong Kong's mainland frontier
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Hong Kong’s border with Shenzhen is dissolving. By 2047, the border will likely not exist. Integration with the Mainland will remove distinctions created by the "One Country Two Systems" policy. The uncertainty surrounding what will happen has created anxiety relating to law, identity, freedom of speech, and voting rights. Caught in this debate is the Frontier Closed Area, a 1951 undeveloped buffer zone of estuaries, fish farms, forests, villages and military posts. In contrast, Shenzhen, has exploded into a metropolis of 15 million plus. The book explores this unique border ecology. Design strategies inserted within this ecology promote alternate forms of development. The example widens the discourse on borders to raise critical issues that impact the contemporary city.
Border ecologies: Hong Kong's mainland frontier
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Hong Kong’s border with Shenzhen is dissolving. By 2047, the border will likely not exist. Integration with the Mainland will remove distinctions created by the "One Country Two Systems" policy. The uncertainty surrounding what will happen has created anxiety relating to law, identity, freedom of speech, and voting rights. Caught in this debate is the Frontier Closed Area, a 1951 undeveloped buffer zone of estuaries, fish farms, forests, villages and military posts. In contrast, Shenzhen, has exploded into a metropolis of 15 million plus. The book explores this unique border ecology. Design strategies inserted within this ecology promote alternate forms of development. The example widens the discourse on borders to raise critical issues that impact the contemporary city.
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Publication:
décembre 2016
décembre 2016
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The peculiar arrangement of the psychoanalyst’s office for an analytic session seems inexplicable. The analyst sits in a chair out of sight while the patient lies on a couch facing away. It has been this way since Freud, although, as Nathan Kravis points out in On the Couch, this practice is grounded more in the cultural history of reclining posture than in empirical(...)
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The peculiar arrangement of the psychoanalyst’s office for an analytic session seems inexplicable. The analyst sits in a chair out of sight while the patient lies on a couch facing away. It has been this way since Freud, although, as Nathan Kravis points out in On the Couch, this practice is grounded more in the cultural history of reclining posture than in empirical(...)
Titre:
On the couch : a repressed history of the analytic couch from Plato to Freud
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The peculiar arrangement of the psychoanalyst’s office for an analytic session seems inexplicable. The analyst sits in a chair out of sight while the patient lies on a couch facing away. It has been this way since Freud, although, as Nathan Kravis points out in On the Couch, this practice is grounded more in the cultural history of reclining posture than in empirical research. Kravis, himself a practicing psychoanalyst, shows that the tradition of recumbent speech wasn’t dreamed up by Freud but can be traced back to ancient Greece, where guests reclined on couches at the symposion (a gathering for upper-class males to discuss philosophy and drink wine), and to the Roman convivium (a banquet at which men and women reclined together). From bed to bench to settee to chaise-longue to sofa: Kravis tells how the couch became an icon of self-knowledge and self-reflection as well as a site for pleasure, privacy, transgression, and healing.
On the couch : a repressed history of the analytic couch from Plato to Freud
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The peculiar arrangement of the psychoanalyst’s office for an analytic session seems inexplicable. The analyst sits in a chair out of sight while the patient lies on a couch facing away. It has been this way since Freud, although, as Nathan Kravis points out in On the Couch, this practice is grounded more in the cultural history of reclining posture than in empirical research. Kravis, himself a practicing psychoanalyst, shows that the tradition of recumbent speech wasn’t dreamed up by Freud but can be traced back to ancient Greece, where guests reclined on couches at the symposion (a gathering for upper-class males to discuss philosophy and drink wine), and to the Roman convivium (a banquet at which men and women reclined together). From bed to bench to settee to chaise-longue to sofa: Kravis tells how the couch became an icon of self-knowledge and self-reflection as well as a site for pleasure, privacy, transgression, and healing.
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livres
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Publication:
août 2017
août 2017
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Nicolas Malebranche is now recognised as a major figure in the history of philosophy, occupying a crucial place in the Rationalist tradition of Descartes, Spinoza and Leibniz. The Search after Truth is his first, longest and most important work; this volume also presents the Elucidations which accompanied its third edition, the result of comments that Malebranche(...)
$71.95
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Nicolas Malebranche is now recognised as a major figure in the history of philosophy, occupying a crucial place in the Rationalist tradition of Descartes, Spinoza and Leibniz. The Search after Truth is his first, longest and most important work; this volume also presents the Elucidations which accompanied its third edition, the result of comments that Malebranche(...)
Publication:
mars 1997, Cambridge
mars 1997, Cambridge
Titre:
Malebranche the search after truth
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Nicolas Malebranche is now recognised as a major figure in the history of philosophy, occupying a crucial place in the Rationalist tradition of Descartes, Spinoza and Leibniz. The Search after Truth is his first, longest and most important work; this volume also presents the Elucidations which accompanied its third edition, the result of comments that Malebranche solicited on the original work and an important repository of his theories of ideas and causation.
Malebranche the search after truth
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Nicolas Malebranche is now recognised as a major figure in the history of philosophy, occupying a crucial place in the Rationalist tradition of Descartes, Spinoza and Leibniz. The Search after Truth is his first, longest and most important work; this volume also presents the Elucidations which accompanied its third edition, the result of comments that Malebranche solicited on the original work and an important repository of his theories of ideas and causation.
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Publication:
mars 1997, Cambridge
mars 1997, Cambridge
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Between the disciplines of art history and the history of science lies a growing field of inquiry into what science and art share as both image-making and knowledge-producing activities. The contributors of Picturing Science, Producing Art occupy this intermediate zone to analyze both scientific and aesthetic representations, utilizing disciplinary perspectives that range(...)
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Between the disciplines of art history and the history of science lies a growing field of inquiry into what science and art share as both image-making and knowledge-producing activities. The contributors of Picturing Science, Producing Art occupy this intermediate zone to analyze both scientific and aesthetic representations, utilizing disciplinary perspectives that range(...)
Titre:
Picturing science producing art
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Between the disciplines of art history and the history of science lies a growing field of inquiry into what science and art share as both image-making and knowledge-producing activities. The contributors of Picturing Science, Producing Art occupy this intermediate zone to analyze both scientific and aesthetic representations, utilizing disciplinary perspectives that range from art history to sociology, history and philosophy of science to gender studies, cultural history to the philosophy of mind. Organized in five sites--Styles, The Body, Seeing Wonders, Objectivity/Subjectivity, and Cultures of Vision--their topics extend from Cinquecento theories of female reproduction to the technologies of cloning, from medieval depictions of the stigmata to electrical metaphors for sex, from astronomical drawings to radioencephalography, from Phoenician griffons carved in ivory to factories cast in concrete. The internationally renowned contributors go beyond both science wars and culture wars by exploring substantive links between systems of visual representation and knowledge in science and art. Contributors include Svetlana Alpers, Jonathan Crary, Arnold Davidson, Carlo Ginzburg, Donna Haraway, Bruno Latour, and Simon Schaffer.
Picturing science producing art
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Between the disciplines of art history and the history of science lies a growing field of inquiry into what science and art share as both image-making and knowledge-producing activities. The contributors of Picturing Science, Producing Art occupy this intermediate zone to analyze both scientific and aesthetic representations, utilizing disciplinary perspectives that range from art history to sociology, history and philosophy of science to gender studies, cultural history to the philosophy of mind. Organized in five sites--Styles, The Body, Seeing Wonders, Objectivity/Subjectivity, and Cultures of Vision--their topics extend from Cinquecento theories of female reproduction to the technologies of cloning, from medieval depictions of the stigmata to electrical metaphors for sex, from astronomical drawings to radioencephalography, from Phoenician griffons carved in ivory to factories cast in concrete. The internationally renowned contributors go beyond both science wars and culture wars by exploring substantive links between systems of visual representation and knowledge in science and art. Contributors include Svetlana Alpers, Jonathan Crary, Arnold Davidson, Carlo Ginzburg, Donna Haraway, Bruno Latour, and Simon Schaffer.
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Publication:
juin 1998
juin 1998
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$43.95
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"Learning from Las Vegas" created a healthy controversy on its appearance in 1972, calling for architects to be more receptive to the tastes and values of "common" people and less immodest in their erections of "heroic," self-aggrandizing monuments. This revision includes the full texts of part I of the original, on the Las Vegas strip, and part II, "Ugly and ordinary(...)
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"Learning from Las Vegas" created a healthy controversy on its appearance in 1972, calling for architects to be more receptive to the tastes and values of "common" people and less immodest in their erections of "heroic," self-aggrandizing monuments. This revision includes the full texts of part I of the original, on the Las Vegas strip, and part II, "Ugly and ordinary(...)
Publication:
janvier 2000, Cambridge / London
janvier 2000, Cambridge / London
Titre:
Learning from Las Vegas : the forgotten symbolism of architectural form - revised edition
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"Learning from Las Vegas" created a healthy controversy on its appearance in 1972, calling for architects to be more receptive to the tastes and values of "common" people and less immodest in their erections of "heroic," self-aggrandizing monuments. This revision includes the full texts of part I of the original, on the Las Vegas strip, and part II, "Ugly and ordinary architecture, or the decorated shed," a generalization from the findings of the first part on symbolism in architecture and the iconography of urban sprawl. (The final part of the first edition, on the architectural work of the firm Venturi and Rauch, is not included in the revision.) The new paperback edition has a smaller format, fewer pictures. There are an added preface by Scott Brown and a bibliography of writings by the members of Venturi and Rauch and about the firm's work.
Learning from Las Vegas : the forgotten symbolism of architectural form - revised edition
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Résumé:
"Learning from Las Vegas" created a healthy controversy on its appearance in 1972, calling for architects to be more receptive to the tastes and values of "common" people and less immodest in their erections of "heroic," self-aggrandizing monuments. This revision includes the full texts of part I of the original, on the Las Vegas strip, and part II, "Ugly and ordinary architecture, or the decorated shed," a generalization from the findings of the first part on symbolism in architecture and the iconography of urban sprawl. (The final part of the first edition, on the architectural work of the firm Venturi and Rauch, is not included in the revision.) The new paperback edition has a smaller format, fewer pictures. There are an added preface by Scott Brown and a bibliography of writings by the members of Venturi and Rauch and about the firm's work.
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livres
livres
Publication:
janvier 2000, Cambridge / London
janvier 2000, Cambridge / London
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livres
livres
Titre:
L'alphabet cyrillique
L'alphabet cyrillique
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Sous la forme d'un abécédaire, dont les 33 lettres de l'alphabet russe sont les étoiles, un voyage, réel autant qu'imaginaire, en Russie (ou plutôt en « Soviétorussie » comme disait Marina Tsvétaïeva). Revenu d'on ne sait où, le poète Lermontov est le maître à danser de cet opéra-ballet linguistique. D'autres revenants (un sosie de Leopardi, un double de Kojève, un(...)
$45.95
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Sous la forme d'un abécédaire, dont les 33 lettres de l'alphabet russe sont les étoiles, un voyage, réel autant qu'imaginaire, en Russie (ou plutôt en « Soviétorussie » comme disait Marina Tsvétaïeva). Revenu d'on ne sait où, le poète Lermontov est le maître à danser de cet opéra-ballet linguistique. D'autres revenants (un sosie de Leopardi, un double de Kojève, un(...)
Publication:
février 2016
février 2016
Titre:
L'alphabet cyrillique
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Sous la forme d'un abécédaire, dont les 33 lettres de l'alphabet russe sont les étoiles, un voyage, réel autant qu'imaginaire, en Russie (ou plutôt en « Soviétorussie » comme disait Marina Tsvétaïeva). Revenu d'on ne sait où, le poète Lermontov est le maître à danser de cet opéra-ballet linguistique. D'autres revenants (un sosie de Leopardi, un double de Kojève, un pseudo Baudelaire.) lui donnent la réplique, tandis qu'un narrateur du nom d'Aïe Ivanovitch assure la mise en scène. Entremêlant micro-fictions, bribes de poèmes, fragments autobiographiques, dialogues et jeux sur les langues, Alphabet cyrillique est un livre au genre délibérément indécis. C'est aussi à l'occasion un abécédaire enfantin, contenant un bestiaire, et même, un livre sur l'art d'être grand-père.
L'alphabet cyrillique
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Sous la forme d'un abécédaire, dont les 33 lettres de l'alphabet russe sont les étoiles, un voyage, réel autant qu'imaginaire, en Russie (ou plutôt en « Soviétorussie » comme disait Marina Tsvétaïeva). Revenu d'on ne sait où, le poète Lermontov est le maître à danser de cet opéra-ballet linguistique. D'autres revenants (un sosie de Leopardi, un double de Kojève, un pseudo Baudelaire.) lui donnent la réplique, tandis qu'un narrateur du nom d'Aïe Ivanovitch assure la mise en scène. Entremêlant micro-fictions, bribes de poèmes, fragments autobiographiques, dialogues et jeux sur les langues, Alphabet cyrillique est un livre au genre délibérément indécis. C'est aussi à l'occasion un abécédaire enfantin, contenant un bestiaire, et même, un livre sur l'art d'être grand-père.
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livres
livres
Publication:
février 2016
février 2016
Classification:
livres
livres
Titre:
Politics and Passions
Politics and Passions
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In 2009, the artist Anna Ostoya created a booklet with textual collages using an essay by the political theorist Chantal Mouffe, ''Politics and passions: The stakes of democracy'' (2002). In the essay, Mouffe critiqued the then-dominant ‘beyond left and right’ politics of neoliberalism and warned of its dangers – the rise of right-wing populist parties. Fascinated by(...)
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In 2009, the artist Anna Ostoya created a booklet with textual collages using an essay by the political theorist Chantal Mouffe, ''Politics and passions: The stakes of democracy'' (2002). In the essay, Mouffe critiqued the then-dominant ‘beyond left and right’ politics of neoliberalism and warned of its dangers – the rise of right-wing populist parties. Fascinated by(...)
Publication:
juillet 2021
juillet 2021
Titre:
Politics and Passions
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$30.50
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In 2009, the artist Anna Ostoya created a booklet with textual collages using an essay by the political theorist Chantal Mouffe, ''Politics and passions: The stakes of democracy'' (2002). In the essay, Mouffe critiqued the then-dominant ‘beyond left and right’ politics of neoliberalism and warned of its dangers – the rise of right-wing populist parties. Fascinated by Mouffe’s strikingly prophetic ideas, as well as her bold call to fight the status quo in order to radicalise democracy and to prevent violence, Ostoya returned to the booklet in 2019. She composed for it a series of portraits based on sketches of people on the New York City subway and on reproductions of her paintings and collages from the preceding decade. She also conducted a conversation with Mouffe about the politics of the last forty years, about the contemporary moment and about art, which is included in this publication.
Politics and Passions
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$30.50
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In 2009, the artist Anna Ostoya created a booklet with textual collages using an essay by the political theorist Chantal Mouffe, ''Politics and passions: The stakes of democracy'' (2002). In the essay, Mouffe critiqued the then-dominant ‘beyond left and right’ politics of neoliberalism and warned of its dangers – the rise of right-wing populist parties. Fascinated by Mouffe’s strikingly prophetic ideas, as well as her bold call to fight the status quo in order to radicalise democracy and to prevent violence, Ostoya returned to the booklet in 2019. She composed for it a series of portraits based on sketches of people on the New York City subway and on reproductions of her paintings and collages from the preceding decade. She also conducted a conversation with Mouffe about the politics of the last forty years, about the contemporary moment and about art, which is included in this publication.
Classification:
livres
livres
Publication:
juillet 2021
juillet 2021
